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In the beginning of the Korean modern literature since 1910's, Kim Eok played a crucial role as a translator for foreign literature and theory. During the acceptance of foreign literature, Kim realized the importance of translation and he is considered an intellectual who, as opposed to other contemporary translators, performed a bulk of translations from various countries. He was in the lead of balancing content and form, reforming he literary circles of translation in which there was abundance of arbitrary interpretations and content-concentrated translations. However, Kim Eok's translated works have been devalued by reason of erroneous and liberal translation of original works and inapt understanding. Researchers generally examine original and translated texts in tandem, after which they point out problems of the translations and attribute them to the translators' lack of capacity. The study of this paper presupposes that in-depth understanding of translated texts can be carried out only when the theory and practice of translation go in parallel. It argues that the negative evaluation for Kim's translations can be reconsidered through the study of theory. Kim argued for 'creative liberal translation,' and this paper investigates the formation and characteristics of this standpoint. This paper particularly looks into how symbolism, which Kim embraced, influenced Kim's view on translation. The acceptance of symbolism and the theory of translation are discussed in regard to the theory of translation maintained by Bejamin, a German literary critic who lived around the same time, in his book The Task of the Translator. The paper also examines Kim Eok's theory of translation in the sense that the act of translating foreign languages expands and deepens a mother tongue, which provides an opportunity to form and develop the self-identity. Kim's viewpoint on translation, which searches for the nature of poems, found modern poetic language for the Korean poetry, which was possible due to his exploration into language that represents this nature. Translating the western poems in the initial stage of modern literature implies admission and conveyance of heterogeneous culture, beyond simple written text, and creation of new culture. Kim Eok's translated works shows the creativity of cultural translation that is generated at the intersection of internal and external cultures. The literary world after 1920's, via translations, could realize the identity of modern literature by means of dialogue with others, i.e. dialogue between tradition and the West. Furthermore, it could have a foundation in creation of new culture. Along these lines of modern literature, Kim Eok's theory of translation presented ‘creative liberal translation’ and ‘creative translation’ as the task and direction for those who do the translation, including himself. It was an aspect of cultural action that Kim's theory evidently showed through translation.
It was in 1910s of the history of Korean modern poetic literature that new contents and forms of poetry had begun to be explored and practiced, though traditional poems and songs had been yet enjoyed in those days. In this history of literature it is enough to be remarkable that Earck Kim had provided the symbolic poetics for a found of the Korean modern poetry in 1910s. Earck Kim's literary activities whose had received and created the symbolic poetics were particularly to be remarkable in the early new-literature. But with these fruits his literature has debated as limits about how he had preponderately received poetry of P. M. Verlaine, and had tended to a senumentality and an musicality. Contrary, his literature also has appraised that he had suggested rules of set-form so called the ‘rhythmical poetics’ in 1930s against a superficial understanding about the receiving symbolism. This study has seen these characters of Earck Kim not as a limit or a fault of the receiving it but as a speciality and a personality of it, and even has illuminated objective and subjective elements which had these characters of him. For this study has laid a comparative literary view by using a framework(or methodology) that those elements have determinated a character of the receiving it according as D. Durisin had suggested the progressive study of the receiving. If the objective elements are to be a whole literary situation of one state receiving it, then the subjective elements are to be personality, individuality, creativity, and like of the literator in the state. By the way theories of Pierre Bourdieu's the ‘literature champ' and the ‘habitus' have been used as scientific epistemology and methodology in order that this study has explained stricter and more dynamic relationships how the subjective elements of literary subjects have been involved in the objective situations, and how they have determinated a character of the receiving it. For it has been to be thought effective how the ‘litterature champ' has been used to explain the objective elements of the receiver contacting them, and how the 'habitus' to explain the subjective elements of the receiver-self. With these methodologies this study has first examine on building up the ‘litterature champ' in 1910s and its characters as the objective elements of the receiving. And this study has concretely inquired Earck Kim’s poetic tendency which had regarded importantly sentimentality and emotion of ones as the subjective elements, his experiences of learning in and out Korea, and contents of learning about symbolism in Japan. Second, this study has tried to rethink a bout Earck Kim's the receiving symbolism based on above results. Anyway, his preponderantly receiving Verlaine could have been issued not from the lack of his power of the receiving symbolism, but from that symbolism had been harmonized with Earck Kim's personal poetic taste. His groping for a modern from of poetry also has been generated in a reflective thought against the utility litterature champ in which had been fixed the literary topical consciousness. And the rhythmic poetics which had tried to seek for rules of our language in 1930s has been turned out to be an inheritance from his inquiry of poetic farms before. Finally, Earck Kim had opened the individuals eyes into their self-consciousness through stimulating their emotions when the utility ideology had been emphasized. Consequently, Earck Kim in 1910s had obviously shown a direction of future lyrics through his reflection on the literature of the day in terms that he had made a fixed directive point toward the excluding thoughts and meanings from his poetry and the seeking for musicality in it, and that he had enlightened new poets on lyricism as their poetic defect.
남북한 문학사에서 김북원에 대한 소개 및 평가는 해방 전 문학성과를 봉인한 채, 한국 전쟁기 이후의 성과에 집중되어 왔다. 이는 해당 작가의 자료를 남한과 북한이 비교 논의하지 않았기 때문이다. 이에 본 연구에서는 김북원의 해방 전 문단 활동이 비교적 일찍부터 시작되었음을 필명을 찾아 밝히고 창작의 영역이나 경향 역시 다양했음을 자료 발굴 및 제시를 통해 논의함으로써 김북원에 관한 전체적 연구의 토대 마련을 시도했다. 그간 남한의 아동문학사에서 『별나라』에 실린 아동소설 및 동시의 작가로 알려진 필명 ‘북원초인’이 김북원임을 북한의 아동문학사와 비교하고, 1930년대 김북원의 농업학교 재직 경험 등을 통해 밝혔다. 그리고 소설로 알려진 「완구」가 꽁트임을 밝혔고, 『삼천리』에 추천된 「유랑민」이라는 소설을 통해 김북원이 당대 노동자로 전락하는 농민의 삶을 핍진하게 그림으로써 이후 북한문단에서 농촌작가라는 평가의 단초를 읽을 수 있었다. 『신인문학』이나 『시인춘추』 등에 발표한 김북원의 시를 최초로 소개했고 1930년대 후반 『맥』과 1940년대 『시현실동인』으로서 초현실주의와 포르말리즘의 작품 창작 및 이론을 고찰함으로써 1930년대 초반 초현실주의 및 모더니즘을 이론적, 지역적으로 확장하여 만주모더니즘을 선도한 작가임을 밝혔다. 1943년까지 초현실주의 시의 창작방법론을 시도했던 김북원은 해방기에는 북한 문단의 정책과 변화하는 현실의 요구에 맞는 작품들을 창작했다. 김일성에 대한 찬양을 기본 골자로 하면서, 농촌의 토지개혁, 빨치산 전투에 참여한 영웅적 주인공, 노동 현장의 변화, 소련과의 친선 등 북한의 중요한 이슈들을 시화했다. 이상과 같은 논의를 통해 식민지 시기와 해방기 이후 김북원의 문학 활동의 연속성을 확보함으로써 남북한 문학사에서 김북원에 관한 전체적인 평가의 토대가 구축될 수 있었다. In the history of North and South Korean literature, the introduction and evaluation of Kim Buk-won has focused on the achievements after the Korean War, sealing the literary achievements before liberation. This is because both South Korea and North Korea did not discuss comparative resources of the author. In this study, research on Kim Buk-won was attempted for the first time by unveiling that Kim Buk-won’s preliberation literary activities had started relatively early by finding his pen name, and by discussing that his creative territory or tendency were also diverse through data supplement. This study uncovers that the author of children’s stories and poetry published in The Land of Stars (별나라 Byeolnara) in the history of children’s literature in South Korea, under the pen name “Buk-won-cho-in” was in fact Kim Buk-won by comparing Kim’s identity with the history of children’s literature in North Korea, and through Kim’s experience working in agricultural school in the 1930s. Moreover, I uncover that the work, Toy (Wan-gu) that was known as a novel, was in fact a conte (short story), and was able to read the start of the assessment of Kim Buk-won as an agricultural writer in the North Korean literary circle after depicting the lives of farmers turning into laborers in the novel Nomads (Yurangmin), which was nominated in The Land of Korea (삼천리 Samcheolli).Kim Buk-won’s poetry, which was published in New Face of Literature (신인문학 Sininmunhak) or Spring and Fall of Poets (시인춘추 Siin chunchu), was first introduced and discussed in this study. By reviewing the creation and theories of Maek in the late 1930s and ‘Poetry Reality Coterie’ in the 1940s, it became possible to evaluate that Kim was a writer led Manchurian Modernism, by theoretically and geographically expanding surrealism and modernism in the 1930s. Kim Buk-won, who tried to create surrealistic poetry creative methodology by 1943, created works that fit the policies of North Korean literary circles and the demands of changing reality. With the praise of Kim Il Sung as the basic framework, he has poeticized North Korea’s major issues such as land reform in rural areas, the heroic protagonist who participated in the battle of partizan, changes in the workplace, and goodwill with the Soviet Union. Through these discussions, I believe that securing of the continuity of Kim’s literary activities after the colonial period and the liberation period, and the complete description of the history of literature in North and South Korea became possible.
2011-2015년까지 경남 하동군 악양 집수역의 해발고도 8~1,073m 범위에 설치된 10개 무인기상관측기에서 0600, 1500 기온 관측값을 수집하여 월별 표준편차를 계산하고, 소기후모형으로부터 예측된 기온의 표준편차 결과를 함께 비교하여 미관측 지점의 추정기술에 실효성이 있는지 평가하였다. 소기후모형에 따른 예측값은 월별 0600, 1500 기온의 표준편차를 각각 88%, 86% 정도 설명할 수 있었지만, 전반적으로 과소추정하는 경향이었다. 겨울철과 여름철에 나타나는 낮은 고도 대비 해발고도가 높아질수록 변이가 작아지거나 커지는 방향성에 있어서 관측값과는 반대양상으로 나타나 당초 기대와는 다른 결과를 보였다. 또 다른방법으로 월별 기온 표준편차와 지형간의 관계를 정량화하여 임의지역의 지형특성과 종관규모 수준의 기온자료 만으로 표준편차 분포를 예측할 수 있을지 회귀분석을 수행하였다. 회귀모형은 해발고도편차에 따라 보정된 월별 기온 외에, 경사도와 경사향 등 기본적인 지형인자와 온난대효과와 냉기집적효과, 개방도 등의 기온과 관련된 변수들을 고려하여 월별로 표준편차를 가장 잘 설명할 수 있는 변수를 1~3개까지 선발하여 만들어졌으며, 월별 결정계수는 0.46부터 0.98 범위로 나타났다. 회귀모델을 이용해 기온이 관측되지 않는 임의지역의 표준편차를 지형변수의 최소-최대값 유효범위 내에서 월별로 예측한다면 70% 수준의 추정능력으로 공간변이 분포도를 나타낼 수 있을 것으로 예상된다. The distribution of inter-annual variation in temperature would help evaluate the likelihood of a climatic risk and assess suitable zones of crops under climate change. In this study, we evaluated two methods to estimate the standard deviation of temperature in the areas where weather information is limited. We calculated the monthly standard deviation of temperature by collecting temperature at 0600 and 1500 local standard time from 10 automated weather stations (AWS). These weather stations were installed in the range of 8 to 1,073m above sea level within a mountainous catchment for 2011-2015. The observed values were compared with estimates, which were calculated using a geospatial correction scheme to derive the site-specific temperature. Those estimates explained 88 and 86% of the temperature variations at 0600 and 1500 LST, respectively. However, it often underestimated the temperatures. In the spring and fall, it tended to had different variance (e.g., increasing or decreasing pattern) from lower to higher elevation with the observed values. A regression analysis was also conducted to quantify the relationship between the standard deviation in temperature and the topography. The regression equation explained a relatively large variation of the monthly standard deviation when lapse-rate corrected temperature, basic topographical variables (e.g., slope, and aspect) and topographical variables related to temperature (e.g., thermal belt, cold air drainage, and brightness index) were used. The coefficient of determination for the regression analysis ranged between 0.46 and 0.98. It was expected that the regression model could account for 70% of the spatial variation of the standard deviation when the monthly standard deviation was predicted by using the minimum-maximum effective range of topographical variables for the area.
Korean Food Globalization has been launched as a tool of civil ambassador and the high value-oriented industry. According to department of statistics in 2012, the trend of Korean food globalization from international visitors of Chinese and Japanese has grown. Hence, this study is purposed to identify the level of satisfaction of Chinese and Japanese consumers based on their food-related lifestyle. The survey was conducted by interviewing 403 Chinese and Japanese visitors who have experienced Korean food. The survey questionnaire was composed of 3 parts of demographic information, food-related lifestyle, and satisfaction of Korean restaurant. As factor analysis results, 3 factors were yielded for the food-related lifestyle factors-a eat-out preferred group, a health preferred group, and a taste preferred group, and 3 factors were generated for Korean restaurant satisfaction-hygiene and service, menu, and food quality. For cluster analysis, 3 clusters were identified as follows: high interested in food itself, health interested, and taste interested. Female appears to be significantly different in terms of 3 clusters than male. Nationality shows that Chinese consumers showed a high interest in food itself whereas Japanese consumers were high interested in health. With regard to Korean restaurant satisfaction, service appeared to be important in Chinese consumers while Japanese consumers showed a higher mean value on serving size, price, and nutrition. The findings concluded that by understanding the nature of food-related lifestyle of international visitors, marketing strategies can better meet visitors' expectations and increase their satisfaction with Korean restaurants.
The purpose of this study was to propose a theoretical model for an integrated medical humanities curriculum based on a STEAM (science, technology, engineering, arts, and mathematics) education framework and to provide a guideline for curriculum integration. Three dimensions of integrated curriculum development are competencies, core contents, and elements of integration. Competencies imply the purpose of the medical humanities of a medical school and the exit outcomes of the curriculum. Core contents imply the goals and objectives of the curriculum. We compared the goals and themes of the medical humanities with core attributes of professionalism. Four elements of integration were proposed: units (cases, problem activities, core contents, disciplines/subjects), types (multidisciplinary, interdisciplinary, transdisciplinary), contexts of integration (life cycle of patients, scope of society), and stages of student development (from student to doctor). It is expected that this theoretical model for an integrated medical humanities curriculum can be used as a guideline for curriculum development and an evaluation criterion for instructional designers and subject matter experts.
목적 : 진행된 자궁경부암에서 방사선치료 단독과 비교하여 항암화학요법과 방사선 병용치료의 성적을 후향적으로 분석하였다. 재료 및 방법 : 계명대학교 동산의료원 치료방사선과에서 1988년 6월부터 1993년 12월까지 FIGO병기 IIb, III, IV자궁경부암으로 근치적 방사선치료를 받은 76명의 환자를 대상으로 하였다. 모든 환자는 외부방사선치료와 강내방사선치료를 시행받았다. 방사선 단독으로 치료한 환자는 36명이었고 Cisplatin을 포함한 항암화학요법후 방사선치료를 시행한 환자는 40명이었다. 병기는 FIGO 분류상 IIb가 48명. IIIa가 3명, IIIb가 23명, IVa가 2명이었고 환자의 평균 연령은 53세이었고 환자의 추적기간은 7개월에서 95개월로 중앙추적기간은 58개월이었다. 결과 :완전관해는 방사선치료 단독군은 31명$(86.1\%)$, 병용치료군은 32명$(80\%)$로 통계적으로 유의한 차이가 없었다. 전체 환자의 5년생존률은 $67.3\%$이었고 병기별 5년 생존률은 IIb가 $74\%$, IIIa는 $66.7\%$, IIIb는 $49.8\%$, IVa는 $50\%$이었다. 치료방법에 따른 5년생존률은 방사선치료단독군은 $74.1\%$, 병용치료군은 $61.4\%$(P=0.4)로 통계적으로 유의한 차이가 없었다. 5년 무병생존률은 방사선치료 단독군은 $65.8\%$, 병용치료군은 $57.5\%$(P=0.27)이었고 5년 국소제어률은 방사선치료 단독군은 $71.5\%$, 병용치료군은 $60\%$(P=0.17)이었으며 5년 원격제어률은 방사선치료 단독군은 $80.7\%$, 병용치료군은 $89.9\%$(P=0.42)이었다. 치료에 따른 골수억제는 방사선치료 단독군에서 4명 $(11.1\%)$, 병용치료군에서는 9명$(22.5\%)$가 관찰되었다. Grade 11 방광염이 방사선치료 단독군에서 2명에서 관찰 되었고 grade II 직장염이 방사선치료 단독군에서 2명, 병행치료군에서 2명, 외과적 수술이 필요했던 직장천공 1명과 보존적으로 치료된 장폐쇄 1명이 방사선치료 단독군에서 관찰되었다. 치료에 따른 부작용은 양군간에 유의한 차이가 없었다. 결 론:진행된 자궁경부암에서 방사선치료 단독군과 비교하여 항암화학요법과 방사선 병용요법이 생존률, 치료실패, 부작용 등에 영향을 미치지 않았다. Purpose : This is retrospective study to compare the results of radiation therapy alone and neoadjuvant chemotherapy and radiation in advanced stage of uterine cervical cancer. Materials and Methods : Seventy-six Patients who were treated with definitive radiation therapy for locally advanced cervical cacinoma between June 1988 and December 1993 at the department of radiation oncology, Keimyung University Dong-san Hospital. Thirty six patients were treated with radiation therapy alone and forty patients were treated with cisplatin based neoadjuvant chemotherapy and radiation therapy. According to FIGO staging system. there were 48 patients in stage IIb, 3 patients in stage IIIa, 23 patients in stage lIIb and two patients in stage IVa with median age of 53 years old. Follow-up periods ranged from 7 to 95 months with median 58 months. Results : Complete response (CR) rate were $86.1\%$ in radiation alone group and $80\%$ in chemoradiation group. There was no statistical difference in CR rate between the two groups. Overall five-year survival rate was $67.3\%$. According to stage, overall five-rear survival rates were $74\%$ in stage IIb, $66.7\%$ in stage IIIa, $49.8\%$ in stage IIb, $50\%$ in stage IVa. According to treatment modality overall five year survival rates were $74.1\%$ in radiation alone and $61.4\%$ in chemoradiation group (P=0.4) Five rear local failure free survival rates were $71.5\%$ in radiation alone group and $60\%$ in chemoradiation group (P=0.17). Five year distant metastasis free survival rates were $80.7\%$ in radiation aione group and $89.9\%$ in chemoradiation group (P=0.42). Bone marrow suppression (more than noted in 3 cases of radiaion alone group and 1 case of chemoradiation group. Grade II retal complication was noted in 5 patients of radiation group and 4 patients In chemoradiation group. Bowel obstruction treated with conservative treatment (1 patient) and bowel perforation treated with surgery (1 patient) were noted in radiation alone group. There was no statistical difference in complication between two groups. Conclusion : There was no statistical difference in survival, failure and complication between neoadjuvant chemotherapy and radiation versus radiation alone in locally advanced uterine cervical carcinoma.
목적 : 초기 유방암 (병기 I, II)에서는 유방 보존 수술과 방사선치료가 선호 받고 있는 치료법이다. 본원에서는 1992년부터 이러한 방법을 시행 중이며 실패양상과 미용효과 및 생존률을 알아보고자 하였다. 대상 및 방법 : 1992년 1월부터 1997년 12월까지 계명대학교 동산의료원에서 유방 보존 수술과 방사선치료를 받은 초기 유방암환자 72명을 대상으로 하였다. 연령분포는 $25\~77$세(중앙값 43세)이었고 TNM 병기는 0기 5명, I기 33명, IIa기 25명, IIb기 9명이었다. 모든 환자는 유방의 부분절제술과 동측 액와림프절 곽청술을 시행하고 방사선치료를 하였다. 유방의 방사선치료는 동측 전체 유방에 6 MV 광자선으로 $50\~54\;Gy$를 5주에서 6주간에 조사하였고 원발병소에 추가 방사선은 전자선으로 $10\~16\;Gy$를 1주에서 2주간 조사하였다. 항암화학요법은 41명에서 방사선치료 전후에 시행하였다. 미용효과는 환자의 만족도를 매우좋음, 좋음, 만족할만함, 불만족의 4단계로 설문조사를 시행하였다. 추적관찰기간은 22개월에서 91개월로 중앙값이 40개월이었다. 결과 : 전체환자의 5년 무병생존률은 $95.8\%$ 이었다. 병기별로는 0기에는 $100\%$, I기에는 $96.9\%$, IIa기에는 $96\%$, IIb기에는 $88.9\%$이었다. 2명에서 원격전이가 있었으며 1명에서 동시재발이 있었다. 원격전이 환자 중 1명에서는 방사선 치료 후 14개월에 골, 간에 있었고 1명에서는 21개월에 폐와 양측 쇄골상 림프절에 전이되었다. 동시재발환자는 14개월에 동측 유방의 다른 사분역에 재발하여 유방전절제술과 항암화학요법을 시행하고 44개월에 뇌전이로 방사선치료와 항암화학요법을 시행하였으나 55개월 째 사망하였다. 부작용으로는 4명에서 무증상의 폐렴양 음영이 흉부 X선 촬영에서 보였고 1명에서 증상을 동반한 방사선폐렴이 있었고 4명$(5\%)$에서 경미한 정도의 손부종이나 팔 부종이 있었다. 미용결과는 설문에 응답한 59명중 51명$(86\%)$에서 좋음에서 매우 좋음으로 나타났다. 결론 : 이상의 결과로 초기 유방암에서 유방보존수술과 방사선치료는 안전한 치료방법이며 우수한 생존률과 미용 결과를 보인다고 생각되며 향후 장기추적관찰을 통해 예후 인자의 분석이 필요 할 것으로 사료된다. Purpose : To evaluate interim results in terms of failure, cosmetic results and survival after breast conserving operation and radiation therapy in early breast cancer. Material and Methods : From January 1992 through December 1997, seventy two patients with early stage 0, I and II breast cancer were treated with conservative surgery plus radiotherapy at Keimyung University Dongsan Medical Center. Age distribution was 25 to 77 years old with median age of 43. According to TNM stage, five patients had stage 0, thirty three were stage I, twenty five were IIa, and nine were IIb. Most patients underwent excision of all gross tumor and ipsilateral axillary dissection. Breast was irradiated through medial and lateral tangential fields of 6 MV photons to 50.4 Gy in 28 fractions over 5.5 weeks. We delivered a boost irradiation dose of 10 to 16 Gy in 1 to 2 weeks to excision site. Adjuvant chemotherapy was administered in forty one patients with CMF (cyclophosphamide, methotrexate, 5-fluorouracil) regimens of 6 cycles concurrently or before radiation. Cosmetic results were assessed by questionnaire to patients grading of excellent, good, fair, poor. Follow-up periods were 22 to 91 months with median 40 months. Results : Five year disease free survival rate (5YDFS) was $95.8\%$. According to stage, 5YDFS was $100\%,\;96.9\%,\;96\%\;and\;88.9\%$ in stage 0, I, IIa and IIb, respectively. Two patients had distant metastasis and one had local and distant failure. One patient with distant failure had bone and liver metastasis at 14 months after treatment and the other had lung and both supraclavicular metastasis at 21 months after treatment. Patient with local and distant failure had local recurrence on other quadrant in same breast and then salvaged with total mastectomy and chemotherapy but she died due to brain metastasis at 55 months. Complications were radiation pneumonitis in five patients (four patients of asymptomatic, one patients of symptomatic) and hand or arm edema(4 patients). Fifty nine patients answered our cosmetic result questionnaire and cosmetic results were good to excellent in fifty one patients $(86\%)$. Conclusion : We considered that conservative surgery and radiation for the treatment of early stage invasive breast cancer was safe and had excellent survival and cosmetic results. We need to assess about prognostic factors with longer follow up and with large number of patients.
여성의 역사에 대한 고정희의 시적 탐구는 문학과 역사에서 여성을 부각시킨 중요한 작업이다. 고정희의 역사시는 여성의 역사를 재구성하려 했다는 점에서 역사로서의 의미와 의의가 있으며, 한편 그 역사가 서정 장르를 통해 재구성되고 있기 때문에 서정과 서사의 경계적 특성을 갖는다. 이 글은 ``이야기 여성사`` 연작을 중심으로 미학적 특성 및 여성주의적 문제의식을 규명하고 있다. 고정희는 부패한 권력과 오염된 언어에 대한 비판이 새로운 역사 전망과 관련된 것임을 인식하고 인간의 평등과 자유를 구현할 수 있는 해방시를 만들고자 한다. 이를 위해 다양한 문학적 장치를 사용하고 있다. 우선 역사가 과거-현재-미래가 대화한다는 점을 작품에 수용하여 다성적 목소리와 상호 텍스트성을 통해 다양한 여성 삶의 이야기를 효과적으로 드러낸다. 그리고 역사가 지닌 이야기를 전달하기 위해 서간체와 장면제 시의 서사전략을 사용하여 독자의 정서적 유대감과 참여를 확대한다. 또한 작품 안의 인물을 통해 개성과 역사성을 함께 보여줌으로써 독자가 역사와 문학, 서사와 서정의 경계 부분에서 새로운 창조적 힘을 경험하게 한다. 고정희의 역사 시편들은 역사와 문학의 경계에서 남성 중심의 역사에 대한 비판을 수행하고, 여성-어머니의 가치라는 삶의 원리에 대한 지향을 통해 미래 역사에 대한 창조적 전망과 상상을 보여준다. Goh Jung Hee`s poetic survey of women`s history is an important undertaking that highlighted the place of women in literature and history. Goh`s historical poems are meaningful and significant as a history in that they attempted to reconfigure the history of women; moreover, it is critical that we consider this history within a literary framework as it is reconstructed through the genre of lyrics. This essay defines the aesthetic features and the feminist critique of Goh`s serialized poem, "The Stories of Women`s History." Recognizing that critiquing the corruption of power and the pollution of language was related to new historical views, Goh tried to create lyrics for liberation that embodied the concepts of human freedom and equality. To this end, she employed various literary devices; first, Goh demonstrated how the past, the present, and the future converse with one another in history and effectively revealed the diverse stories of women`s lives by way of polyphonous voices and intertextuality. In delivering these stories, Goh employed the epistolary style as well as the narrative strategy for presenting scenes in order to heighten the readers` sense of interconnectedness and to foster their participation. Furthermore, she showed at once the personality and the historicity of her characters as a way to help readers experience a new creative power on the border between history and literature, and between epic and lyric. Ultimately, Goh`s historical poems criticize the male-oriented history at the boundary of history and literature, and by placing value on the principle of life, particularly that of women-mothers, her poems offer a creative outlook and imagination for the future.