론문(論文) : 국가주의와 역사의 착종성: 다카무레 이쓰에(高群逸枝)를 중심으로

이선이 ( Sun Yi Lee ) 이화사학연구소 2014 梨花史學硏究 Vol.0 No.49

This study is an essay intended to consider a few issues relating to women’s history by examining Takamure Itsue(1894-1964). Therefore, it aims to reflect on the fundamental topics of history, such as the implications for history of Takamure’s actions as a feminist and female historian, rather than historically studying Takamure as an individual. Takamure Itsue was born in Kumamoto Prefecture on January 18, 1894. Her father was a primary school principal and he taught Chinese classics to his daughter in a countryside blessed by nature. Takamure’s preference for classics and history originates from her father’s Chinese education and her mother’s influence from childhood, which later formed the foundation for her historical research. This study focuses on the 1930s and 1940s in particular, during which period she devoted herself to studying women’s history by immersing herself in it from 1931 onwards. This period coincides with the time when Japan became increasingly involved in the Sino-Japanese War, which makes her indispensable when studying the situations and ideologies of the time. Starting out as an anarchist, Takamure published a number of fanatical texts around 1931 that praised the war, justifying the ‘Pacific War’ as a ‘holy war’ under the logic of ‘marriage harmony(婚姻和協).’ Before then, she had been a defender of the urban lower classes and farm villagers who had fallen into financial difficulties due to the influences of urbanization and industrialization. She advocated for ‘anti-home’ and ‘anti-citizen’ as a critic of modernization more intense than any other. What this study aims to focus on is to examine why she, who had been so cool-headed and had such a critical mind regarding modernity (as shown by ‘anti-home’ and ‘anti-citizen’), could not keep her distance from the modern state and people that had recently come into power. Furthermore, what are the historical and social implications for the course of ‘history’ when an anti-modernist and anarchist converts to being a supporter? These are the two questions this study aims to answer. Takamure found an alternative form of ‘anti-modernism’ (represented by ‘anti-home’ and ‘anti-citizen’) in the ancient kingdom of Japan, stating that the integration of the ancient Japanese kingdom was achieved, not by armed conquest, but by marriage harmony or genealogical ties, which was possible thanks to the existence of the maternal clan since ancient times. Moreover, she declared, “there is no question but that foreign civilizations are inferior to the Japanese civilization that is built on the conscious foundation of the harmony of clans.” As such, her ‘inspiration’ for ‘anti-modernism’ was in the ‘Japanese state’ and ‘people’. Furthermore, Takamure’s assessment that she “thought the true meaning of history is ‘history that gives courage for women to live’ and not history that conveys what happened as it is” shows what she considered the meaning of history to be at a time that was seen as a critical period for Japan. However, there are criticisms of the fact that Takamure’s studies involved ‘creating theories.’ This, perhaps, shows an example of how history is “not something that conveys what happened as it is” but “something that poses ‘current’ problems about ‘the past,’” as merely one of the possible narrations of the past, limited by the ideology of the historian as well as by the methodologies based on that ideology.

한국의 중국여성사 연구 현황과 과제

이선이 ( Lee Sun-yi ) 한국여성사학회 2007 여성과 역사 Vol.- No.6

This paper studies how the Chinese history of women was progressed in Korea by dividing it into pre-modernism and modernism before and after the Opium War as the world`s capitalism system began to enter China. The current situation is that research for pre-modernism is extremely insufficient due to lack of documents and difficulty in deciphering them. However, there are still a few dissertation that is worthy of attention. Especially those that analyzed the process of women`s positions changing in terms of political, social, and economic factors of the time is worthy of receiving attention, sublating that the pre-modern era in total must be considered a time where women were suppressed under `feudalism`. Studies of post-modernism were made slowly in China, but most of them were focusing on development of capitalism and rising of `modem nation` visualizing the boundaries of `market` and `public area` of the government with the private area of `home` due to the fact that there is a resisting movement against separation of modem sexual roles based on `separation of the private and public`. These studies also signify that women appearing as the new labor force in the public area is causing a considerable change to their roles out of patriarchal society within families, although yet supplementary, as the social demands are suggesting that women labor force needs to be newly reorganized. Moreover, women are positively participating in building a nation while resisting to becoming a `secondary people` within the movement of creating a `modem nation`. Furthermore, I arranged what studies of Chinese of history of women must solve in the future, including an absolute insufficiency of researches.

조지훈의 민족문화 인식 방법과 그 내용

이선이(Lee Sun-Yi) 한국시학회 2008 한국시학연구 Vol.- No.23

For a long time, Korean Culture as a National Culture has based on the perception which clarities Korean Culture identity. But from the point of view that modernity invent the tradition, the blind obedience of national culture needs to recognize anew. Actually the perception of Korean Culture starts to ask not what is Korean Culture but why and how invent it. A new understanding of Korean Culture is located to expend this critical mind. Cho ji Hun totally had surveyed Korean Culture as the point of view, that is National Culture, and he has become a representative scholar who systematize korean studies. With the premise of this critical mind, this paper tries to firstly analyze Cho Ji Hon's Korean Culture studies and secondly examine the meaning and limitation of his achievement in Research critically. Based on these analysis and consideration, this paper has the ultimate goal which is tries to critical recognize his method of study that recognize Korean Culture as a National culture.

일본 문학의 ‘번역’에서 보이는 역사인식 고찰

이선이(Lee Sun-yi) 가천대학교 아시아문화연구소 2010 아시아문화연구 Vol.18 No.-

After the liberation, South Korean intellectuals strove for a development of a National Literature, and the so-called 'Japanese trend(日流)' received an enormous favor after 1990. When we consider the popularity of Japanese culture, it seems that some South Koreans who accepted Japanese culture had not been influenced by the unenthusiastic criticisms of Japanese literature. Considering a sense of superiority evident among South Koreans which can be attributed from a haunting past, any form of Japanese tendency is easily dismissed. However, the inclination of some South Koreans toward Japanese' historical novels, which lasted for more than four decade, proves to be an exception. This study attempts to investigate the opposing phenomena in the appreciation of Japanese literature through analysis of the translation process in the novel 'Tokugawa Ieyasu'. A critical view on how South Koreans became deliberately inclined and appreciative of Japanese history is explored, thus the likelihood of having a unique perspective and historical awareness throughout the process.

한국전통색의 범위와 正間色 구조에 관한 연구

이선이(Syun-yi Lee),박연선(Yon-sun Park) 한국색채학회 2012 한국색채학회 논문집 Vol.26 No.4

한국전통색연구는 오방색을 연구대상으로 한다. 청황적백흑 5가지 오방색과 사이에 만들어지는 간색은 유교의 예서(禮書)를 중심으로 설명한다. 한국문화 중심에는 1700년의 불교가 있다. 그러나 불교사상과 문화로 전통색을 바라보지 않는다. 이러한 문제를 제기하며 오방과 간색의 개념을 설정할 수 있는 관계 문헌을 분석하였다. 한국에서 색을 논하는 《이수신편》과 《규합총서》, 중국 《구고록예설》의 간색설을 비교하였다. 《이수신편》에는 약 80여 가지 색명이 있으며, 병치혼합의 인식을 보인다. 《규합총서》는 상생간색의 색명을 언급하고 있다. 이 색명은 한국문헌에서만 등장하지만, 한글로된 자료를 한자로 번역하는 과정에서 신뢰하기 어려운 결과가 나타났다. 이를 그대로 인용하는 2차 연구에서도 동일한 오류가 발생한다. 相次의 개념으로 색이 공간적 확장을 한다. 《구고록예설》에서는 靑黑黃赤사행(四行)으로 모든 간색을 상생의 색으로 화합시킨다. 분석결과에 따라 오방, 상극간색, 상생간색 등의 개념을 적용하여, ‘한국전통색의 오방과 간색 구조’에 대하여 제안하였다. 그리고 향후 전통문화를 이어나갈 연구방향을 제시하였다. Researching subjects of the traditional color of Korea are mainly from Obangsak, literally colors from five directions. Obangsak ? blue, yellow, red, white, and black- along with the compatible neutral color and the complementary neutral color can be illustrated from the Classic of Rites in Confucianism. At the center of Korean culture lies 1700 years of Buddhist history. We do not see our traditional color from the perspectives of thought of Buddhism and culture. Addressing these premises, we have analyzed related literatures to build the concept of the Obang and the neutral color. We have also compared the theory of neutral color with reference to Korean texts such as 《ISUSINPEUN》 《GUHAPCHONGSE》 and a Chinese text, 《GUGOLOGYESEUL》. Around 80 categories of color were introduced and the awareness of juxtapositional mixing was found in the text of 《ISUSINPEUN》. The naming of the compatible neutral color was mentioned in the text of 《GUHAPCHONGSE》. These names of color were found in the Korean literature only and inevitable translating fallacies arise from the process of translating Korean into Chinese characters. Any secondary researches citing the translational fallacies were not free from the same error. The concept of the ideal spatial incorporation makes the spatial expansion of the color possible. Seen from the text 《GUGOLOGYESEUL》, the four elements - blue, black, yellow, and red ? harmonize every neutral color to compatible colors. Along this line of thought, we present the Obang and the structure of neutral color of Korean traditional color by employing the concepts of Obang, complementary neutral color and compatible neutral color, which are mainly from the analysis of the literature concerned. We also suggest some guidance on the prospective researches regarding traditional culture and its transmission.

초기 자유시 담당층의 정체성 모색과 그 의미 - 김억, 주요한을 중심으로-

이선이 ( Sun Yi Lee ) 국제어문학회 2002 국제어문 Vol.26 No.-

딸기 수출품종 육성을 위한 딸기 유전자원 특성검정

이선이(Sun Yi Lee),김대영(Dae Young Kim),이옥진(Oak Jin Lee),김상규(Sang Gyu Kim),문지혜(Ji-Hye Moon),노일래(Il Rae Rho) 한국원예학회 2019 한국원예학회 학술발표요지 Vol.2019 No.10

가정주부와 취업주부의 생활사건스트레스와 정신건강에 관한 연구

이선이(Lee, Sun Yi) 한국보건간호학회 1995 韓國保健看護學會誌 Vol.9 No.2

국산 국화품종 ‘백설’의 동계생산 시 야간난방개시 온도에 따른 생장 및 개화반응

이선이(Sun Yi Lee),조명환(Myeong Hwan Cho),권준국(Joon Kook Kwon),박경섭(Kyoung Sub Park),최효길(Hyo Gil Choi),최영환(Young Whan Choi) 한국원예학회 2013 한국원예학회 학술발표요지 Vol.2013 No.10

토양 metagenome library로부터 혈전용해효소의 탐색

이선이,김보혜,강주형,조효진,공은희,문상욱,김영진,안순철,Lee Sun-Yi,Kim Bo-Hye,Kang Ju-Hyung,Cho Hyo-Jin,Kong Eun-Hee,Moon Sang-Wook,Kim Yeong-Jin,Ahn Soon-Cheol 한국생명과학회 2006 생명과학회지 Vol.16 No.2

Fibrin clots of blood vessels are one of the serious factor caused cardiovascular disease. The development of a antithrombotic and thrombolysis solvent is necessary to prevent and treat these diseases. It has been reported that a strong fibrin-specific fibrinolytic enzyme was produced from a Korean fermented soybean paste similar to Japanese miso. We have been screened the known or novel fibrinolytic enzymes by activity-based and sequence-based screening from soil DNA metagenome library containing all kinds of environmental genomic DNA. The activity-based screening was determined the protease activity on 0.5% skim milk. For sequence-based screening, we designed a set of primer expanding gene sequence of fibrinolytic enzyme, performed PCR and selected clones showing the expected size of amplicons from metagenome library. Transformation of the gene encoding fibrinolytic enzyme was carried out with commercial vectors and their transformants were selected. Finally, we found 15 positive clones from metagenome library. Then each of sequences were analyzed and identified as similar or known the clones of nattokinase. We are going to perform full sequence of each clones, ligate with expression vector, transform into competent cells and then determine activity of expressed enzymes.