詩經正變設考

金時俊 서울대학교 동아문화연구소 1979 東亞文化 Vol.16 No.-

It was written at the Mao Shi prefaces (毛詩序) that Shi Jing was divided into two groups; the Zheng Poem and the Bian Poem. According to this, many scholars published various assertions on how to distinguish the Zheng Poem from the Bian Poem in Shi Jing. Conseguently, these assertions were classified into four sorts. 1) Classification by the chronological order according to the political rise and fall 2) Distinction between eulogy and satire 3) Distinction the Poem which was accompanied by music from the poem which was not accompanied by it, 4) Classification by the style of the poem My study on each assertion leads to the following conclusion: 1) Although those scholars who made the first assertion defined that Shi Jing was published by the chronological order and they distinguished the Zheng Poem from the Bian poem by the table of contents, it is proved that Shi Jing was not published by the chronological order. 2) Those scholars who made the second assertion concluded that Shi-Jing was distinguished between eulogy and satiry at every prologue in Mao Shi and that the Zheng poem and the Bian Poem could be divided into eulogy or satire accordingly. But it is proved herein that the distinction eulogy from satire in Mao Shi prefaces was possible by the country and chronology without the definite standard even though the contents of the poem were the same. 3) Those scholars who made the third assertion divided Shi Jing into two parts. One that was accompanied by music was called the Zheng Poem and the other that was accompanied by music was called the Bian Poem. But it is proved that all of Shi Jing were accompanied by music 4) Those who made the fourth assertion distinguished between the Zheng Poem and the Bian Poem by the style of the Poem. But looking into the style, it is proved that the distinction between the Zheng Poem and the Bian Poem is the style itself. Thus, the above classifications seem to be unreasonable so far. Then, why did these assertions come to rise? These assertions were due to the Han scholars who regarded the poem as a remonstration. They attempted to classify the Zheng Poem as the poem of admonition and the Bian poem as that of warning. But they did not succeed in it.

關於中國現代主義文學

金時俊 韓國中國語文學會 1988 中國文學 Vol.16 No.-

중국 수사절차상 피의자변호권의 보완과 향후과제

최군용, 사진원 忠北大學校 法科大學 法學硏究所 2013 法學硏究 Vol.24 No.1

In march of 2012, China's legislature has re-modified the criminal procedure law from eight aspects, including the criminal defense system. After that, in terms of legislation, the status and rights of defense lawyers have great changes so that make China's criminal defense system to a new level. This paper selects four topics in order to summarize, analyse and interpret the new law. Including the status of defense lawyers, the perfection of conditional rights of defense lawyers, the perfection of instrumental rights of defense lawyers, the perfection of Indemnificatory rights of defense lawyers, summarizes, analyses and interprets the new law.

水稻施肥水準別 乾物生産 및 消費水量의 變異에 關한 硏究

金始源,金基駿,金光鎬 건국대학교 1981 學術誌 Vol.25 No.1

The experiment was conducted to find out the dry matter production of rice plant, the consumptive use of irrigated water and the relationship between them in relation to rice varieties and nitrogen levels in paddy field. Two rice varieties, Jinheung and Suweon 258, were planted and cultivated under the condition of three nitrogen levels, 8, 16 and 24 kg per 10 are, during 1980 rice growing season. The results obtained could be summarized as follows : 1.The daily mean temperature during the main rice growing stages in this year was much lower than that of normal. Total precipitation was 167 mm less, daily mean sunshine hour was 2.3 hours short and pan evaporation was 111 mm less from June to September compared with them of normal year, mean value from 1931 to 1960, respectively. 2.Suweon 258 with shorter plant height and much tillering ability showed more dry matter weight of rice plant than that of Jinheung, which had longer plant height and less tillering ability, through the experimental period except the period after early maturing stage. Plant height, number of tillers and dry matter weight of the rice plant grown under the condition of 8 kg/10a nitrogen were much less than those of rice plant under 16 kg/10a and 24 kg/10a nitrogen, but the differences between the rice plants grown under 16 and 24 kg/10a nitrogen application were almost negligible through the rice growing period. 3.Suweon 258, the less tolerant variety to low temperature condition, showed poor grain yield mainly due to the lower percentage of matured grain and lower 1000-grain weight, but the Japonica variety, Jinheung, showed higher grain yield than that of Suweon 258. The nitrogen response to grain yield of Suweon 258 was not found because of low temperature damage during the rice growing period, but Jinheung showed more grain yield at 16 and 24 kg/10a nitrogen levels than that of 8 kg/10a plot. 4.Total amount of evapotranspiration during experimental period was more in plots of Suweon 258 and higher nitrogen level, showed more dry matter weight through the rice growing period. But the difference of total evapotranspiration between treatments was much less than that of dry matter weight through the whole experimental period. 5.The amount of evapotranspiration at each growing stage showed more in plots of treatment shown higher dry matter production, and the evapotranspiration and dry matter increment of rice plant were maximum in early of August through the whole treatments. 6.The ratio of evapotranspiration to pan evaporation also showed higher value in plots of treatment shown higher dry matter production, and this ratio was maximum in middle of August during experimental period in whole treatment plots. 7.K-value in Blaney and Criddle formula in this year was lower than normal year, and K-value and the coefficient for consumptive water use (Kc-value) showed higher in plots of treatment shown more dry matter production. K- and Kc-value were highest in middle of September abnormally because of lower daily mean temperature in this year. 8.The modified coefficient for consumptive water use, which was calculated from data collected through the country including this study, showed higher value than current standard coefficient through the whole rice growing period except early of June.

中國現代文學에서의 革命文藝論爭硏究

金時俊 韓國中國語文學會 1987 中國文學 Vol.15 No.-

사람 나종형나 육아종 대식세포의 유입과 활성에 관한 연구

채규태,최시룡,최성준,정구원,김도일,김성화 大韓癩學會 1990 癩學 會誌 Vol.23 No.1

농촌관광에 대한 도시민 선호분석

조재환,김태균,박시현,박준형 한국농업정책학회, 한국축산경영학회 2003 농업경영정책연구 Vol.30 No.3

This paper analyzes urban residents' preference on rural tourism using a survey data. The results show that even though urban residents are unaware of rural tourism, people who have experienced rural tourism set a high value on it. Urban residents are willing to pay about 93,600Won for rural tourism. These results indicate that there is a lot of potential demand for rural tourism. The results of this paper could be an important information to develop the rural tourism.

Captopril과 Nifedipine 병합요법의 강압효과에 관한 임상적 연구

이영수,문언수,김준호,공수정,정시진,주용진,정상만 건국대학교 의과학연구소 1993 건국의과학학술지 Vol.3 No.-

Background: The hypotensive effect of captopril(angiotensin converting enzyme inhibitor) and nifedipine(calcium channel blocker) was studied. Method: Captopril(75mg) and nifedipine(30mg) were administered in 30 hypertensive adults during twelve weeks after a week observation for washout with stepwise increments of the dose according to the patient's blood pressure in every two weeks. Result: The supine blood pressure were decreased from 169.5±22.3/104.0±20.3 mmHg to 130.4±21.3/82.4±19.5mmHg at the end of twelve weeks during therapy.(p<0.05) The standing blood pressure were also decreased conferrably and to the some lower level. Hematologic examination and blood chemistry revealed no discernible abnormal findings before and after the treatment. During the period of the study a few probably drug-related symptom such as cough and headache, gastrointestinal disturbance developed but not troublesome enough to administering. Conclusion: Captopril and nifedipine regimen is well tolerated and effective in the treatment of hypertensive patients.

중국 영남지방 여음산방 원림의 특징에 관한 연구

스스쥔 ( Shi Shi-jun ),안계복 ( Ahn Gye-bog ) 한국전통조경학회(구 한국정원학회) 2018 한국전통조경학회지 Vol.36 No.3

본 연구는 중국 영남지방의 4대 명원 가운데 하나인 여음산방에 대해 현지조사와 시문 분석 등을 수행한 결과 다음과 같은 결론을 도출하였다. 첫째, 여음산방의 조영자는 우빈(鄔彬 1824~1897)이며, 원림 면적은 1,598㎡이다. 우빈은 원림의 이름을 ‘여음(餘蔭)’이라고 하였는데 그 뜻은 조상의 음덕을 의미하였다. 둘째, 조영자가 쓴 시문을 분석해 보면, 미래 이상세계를 표현한 시문, 가문에 대한 오복사상을 표현한 시문, 그리고 풍류사상에 대한 시문으로 분류할 수 있었다. 셋째, 여음산방의 건축물의 배치와 공간구성의 특징을 분석해 본 결과, 부지 한가운데 사당건물(善言鄔公)을 중심으로 남쪽에 펼쳐진 공간은 주로 거주하는 공간이며, 북쪽에 펼쳐진 공간은 주로 제사와 관련된 공간이었다. 넷째, 여음산방의 공간구성요소를 분석해 본 결과이다. 정자부분은 원림에 지정(池亭)인 한취정(閒趣亭), 후화원(後花園)에 유상곡수연을 표현한 계상정(禊賞亭), 독특한 반정(半亭) 형태인 내훈정(來熹亭) 등을 조영한 것으로 나타났다. 다섯째, 여음산방에는 형태가 매우 다양한 연못을 5개소 조성하였으며 기학적인 경계선을 가지는 것은 특징이다. 여섯째, 여음산방의 석가산은 괘방청산(掛榜靑山)이라고 하였는데, 과거시험에 합격한 사람의 이름을 적어서 붙이는(괘방) 곳이 곧, 이 석가산(청산)이라는 의미를 갖고 있다. 일곱째, 여음산방의 화창은 나무로 만든 문격창(紋格窓)과 격단창(隔斷窓) 등이 특징이며, 색채유리창(色彩玻璃窓)은 쑤저우 원림과 또 다른 차이점을 보이고 있다. 여덟째, 동문 양식은 쑤저우 고전원림의 동문 양식에 비해 다양하지 않은 편이지만, 동문 전면(前面)에 적혀있는 시문 장식물의 다양한 형태와 화려한 색채가 특징이다. 아홉째, 여음산방 원림에 설치된 건물장식용 조각예술품들이 표현된 주제를 분류해 보면 길상, 문자, 도교 팔선, 동식물, 설화와 기타 등으로 분류할 수 있다. 마지막으로 여음산방에 식재된 수목들은 주로 아열대식물이고 이중에 상징적 의미를 가진 수목도 있으며, 날씨가 좋기 때문에 과일나무를 많이 심었다. In this study, we conducted an analysis on the actual field materials and the ancient text of January 2017. First, Yuyin ShanFang is one of the famous garden in the Lingnan Region, and its total area is 1598㎡. Wobin called the name ‘Yuyin(餘蔭)’ meaning the virtues of his ancestors. Second, if we analyze the poem written by Wobin, we can classify it as a phrase expressing the world beyond the future, a poem expressing the ideas of family and romantic ideas. Third, the space spread to the south around the shrine building in the middle of the site was largely a residential space, according to the analysis of the site's layout and spatial composition. Fourth, the spatial component of the hydronic acid is analyzed. The pavilion area is the Hanchwi-Pavilion, which is designated in the Wongrim, and Gyesang-Pavilion, which is a unique range that describes the peak of the garden. Fifth, Yuyin ShanFang has five ponds that are very diverse in shape. It is characteristic of us to stand on a technical boundary. Sixth, Seokgasan was referred to as Gyeongbansan, which was named after The builder Wobin and his descendants who passed it. Seventh, Hwachang is characterized by a wooden bull window and a compound glass. Eighth, the alumni style is not as diverse as the alumni style of the Suzhou traditional garden, but it features various forms and colorful pictures on the front of the alumni. Ninth, the one-piece sculptures of the interior of a building are expressed themes such as Gilsang, Sukjeong, Daoism, Palseom, and others. Finally, Trees planted in Yuyin ShanFang are mostly tropical plants, and some of them have symbolic meaning. Because the weather here is good for growing fruit, so planted a lot of fruit trees.

중국 전통원림 가원(可園)의 조영자 장경수에 관한 연구

스스쥔 ( Shi Shi-jun ),안계복 ( Ahn Gye-bog ) 한국전통조경학회(구 한국정원학회) 2021 한국전통조경학회지 Vol.39 No.1

본 연구는 중국 영남(嶺南)지방에서 가원(可園)을 조영한 장경수(張敬修 1823~1864)를 분석하여 어떤 방식으로 전통원림을 조영하였는지를 밝히는 것이 논문의 목적이다. 본 연구는 조영자와 공간만들기의 관계성 분석에 중점을 두었다. 이를 위해 조영자 생애 분석, 조영 배경 분석, 지방 문인들과의 교류공간으로서의 원림 분석, 조영자의 예술활동을 위한 공간으로서의 원림 분석, 장경수만의 정원만들기로 나누어 분석하였으며, 그 결과는 다음과 같다. 장경수는 1823년에 동완시(東莞市)에서 출생하였는데, 22세(1845년)에 내전에 참가하고, 26세(1849년)에 귀향해서 가원을 조영하였다. 그러나 다시 아편전쟁(1856년)을 거쳤으며, 38세(1861년)에는 전쟁으로 얻은 병 때문에 귀향하였으나, 41세(1864년)의 나이로 세상을 떠났다. 장경수는 군인이었기 때문에, 전쟁으로 인한 상처를 치유하는 한편, 평소에 장경수가 가지고 있었던 이상세계를 실현하기 위해 원림을 조성하였다. 원림 조영배경은 원림의 이름 ‘가원(可園)’에서 찾을 수 있다. 장경수는 전쟁을 통해 알게 된 ‘세상에서 가능한 것도 없고 불가능한 것도 없다(無可無不可)’는 의미를 원림에서 표현하고자 하였다. 그래서 장경수는 원림 건축물과 시설물에 가당(可堂), 가헌(可軒), 가정(可亭), 가루(可樓), 가주(可舟), 가호(可湖)라는 이름을 붙였다. 또한 그는 전쟁에서 돌아와 어머니에 대한 사랑과 효심으로 원림을 조영하였다. 장경수는 지방 문인들과 함께 가원에서 많은 시화작품을 남겼는데, 원림에서 문인들과 교류공간으로써 거점이 되도록 조성된 곳은 ‘가헌(可軒)과 가루(可樓)’, 그리고 ‘추월지관(雛月池館) 과 가정(可亭)’이다. 장경수는 조경식물 가운데 특히 혜난과 매화를 좋아해서 많은 작품을 남겼다. 특히 혜난의 다양한 분경(盆景) 연출이 가능한 자수대(滋樹臺)가 장경수의 예술활동 공간의 핵심적 공간으로 판단된다. 장경수는 가당(可堂) 앞 중정에 자수대, 석가산(假 山涵月), 배월대를 활용해서 매우 특징있는 자기만의 정원을 만듬으로써 명원(名園)이 된 것으로 판단된다. The purpose of this study is to analyze Zhangjingxiu(張敬修 1823~1864), who made Keyuan(可園) in Lingnan, China, to find out how traditional gardens were created. This study focused on the analysis of the relationship between garden designer and space creation. To this purpose, the analysis was divided into garden designer life analysis, garden making background analysis, garden analysis as a space for interaction with local artists, garden analysis as art activity space for garden designer, and garden designer's unique garden creation. the results are as follow. Zhangjingxiu was born in Dongwan City in 1823, participated in the civil war at the age of 22(1845), returned home at the age of 26(1849) and made Keyuan. However, he again went through the Opium War(1856), and at the age of 38(1861) he returned home with a war-illness. A garden designer Zhangjingxiu died at the age of 41(1864). Since Zhangjingxiu was a soldier, he healed the wounds caused by the war and created a garden in order to realize the ideal world that Zhangjingxiu normally had. The garden making background can be found in the garden's name Keyuan(可園). Zhangjingxiu tried to express in the garden the meaning of 'there is nothing possible and nothing impossible in the world' learned through the war. Therefore, Zhangjingxiu named the garden housing and the lake as Gadang(可堂), Gaheon(可軒), Gajeong(可亭), Galu(可樓), and Gaho(可湖). In addition, he returned from the war and making a garden with love and filial piety for his mother. Zhangjingxiu left many poetry and oriental paintings in Keyuan with local artists. The places created as a base as a space to interact with local artists in the garden are 'Gaheon(可軒) and Galu(可樓)', and 'Chuwoljigwan(雛月池館) and Gajeong(可亭)’. In particular, Jasudae(滋樹臺), which can produce various miniascapes of orchids, is considered to be the core space of Zhangjingxiu's artistic space. Zhangjingxiu is considered to have become a famous garden by creating a very characteristic garden using Jasudae, Sokgasan(石假山) and Baewoldae(拜月臺) on the court in front of Gadang.