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엄정윤(Jeong Yoon Eom),김승현(Seung Hyun Kim) 한국언론학회 2010 한국언론학보 Vol.54 No.3
when a boom of cosmetic surgery is a phenomenon that commercialization of individuals is extremely shown, the recent projects to improve cities that is being expanded on the center of 'Design Seoul' may be summarized to be an phenomenon in which commercialization of space is outstandingly shown. Perception of Korean journalism on space shown in the reports related to stall vendors can be divided into two opposite kinds: one is that the subject of stall space is perceived to be the government, that the positive effects of projects to improve urban beautiful sights competitively conducted in each city are emphasized, and that modes of reporting in which urban space is constructed to be consumptive, aesthetic space are shown through the discourses. The other one is that space appropriation of stall vendors are emphasized and the subject of the stall space is admitted to be the stall vendors; this discourse is to expose the properties of stall space - contradictory, conflicting space of capitalism. This difference in journalism may be caused, as for removal of stall space or epistemological premise of readjustment projects, by the characteristics of post-capitalism society in which industries are transformed into art and art is transformed into industry, the method of subject construction that bourgeois subjectivity, or aesthetic appreciation, through the characteristics, and the commercialized social context in which the aesthetic perception results in politics. In other words, The analysis of differences in discourses on stall space presented by journalism begins when the contradiction of the capitalism space is re-established and more overall perception of space is required.