http://chineseinput.net/에서 pinyin(병음)방식으로 중국어를 변환할 수 있습니다.
변환된 중국어를 복사하여 사용하시면 됩니다.
- 中文 을 입력하시려면 zhongwen을 입력하시고 space를누르시면됩니다.
- 北京 을 입력하시려면 beijing을 입력하시고 space를 누르시면 됩니다.
- 검색키워드
- 저자 : 윤재영 (검색결과 731 건)
- 무료
- 기관 내 무료
- 유료
-
-
-
-
윤재영,민선양,박주이,홍승권,강효종 대한류마티스학회 2007 대한류마티스학회지 Vol.14 No.4
A previously healthy 44-year-old woman who was diagnosed as having dermatomyositis suddenly developed severe dyspnea while being in the state of improved condition of muscle weakness. Interstitial lung disease was found on high resolution computed tomography (HRCT). In spite of the treatment with the immune-modulating agent (high dose steroid, cyclophosphamide, immunoglubulin and cyclosporine), her condition deteriorated further and rapidly, leading to death. More intensive agent such as FK506 would be necessary in those cases of dermatomyositis-related interstitial lung disease that have poor prognostic factors.
-
-
-
-
-
재인양된 데미안 허스트의 ≪믿을 수 없는 난파선의 보물≫전: 정당화된 믿음의 해체
윤재영,김희영 한국미술이론학회 2023 미술이론과 현장 Vol.- No.36
By investigating Damien Hirst’s 2017 exhibition Treasures from the Wreck of the Unbelievable, this paper critically reconsider the way in which this exhibition is embedded in his perpetual interest in belief. While claiming that this exhibition displays treasures salvaged from an ancient wreck, Hirst also pulls out such issues as justified belief, history, God, and religion. His artistic integration of narratives and images results in deconstructing our justified belief systems. Considering the epistemic confusion that the exhibition brings forth, it is not easy to accept it simply as a fictional representation or amusement. This paper looks into diverse assessments on the exhibition and moves on to analyze its critical issues ingrained in his belief system. This paper contends that Hirst’s persistent concern with religion is embedded in this exhibition. He takes ancient religious myths down to the level of fictional narratives, thereby validating narratives as myths. Then he fabricates his own narrative as myths, which would be a religious origin. This exhibition not only provokes challenging questions on the ontology of art. But it also promotes Hirst himself as the narrative creator while conforming to the commodity aesthetic geared to boost sales. The crux of Treasures from the Wreck of the Unbelievable is that Hirst presumably spells the viewer into believing his art-religion.
-
ScienceON연관 검색어 추천
이 검색어로 많이 본 자료
활용도 높은 자료
