衣類消費者들의 品質 知覺에 관한 硏究(Ⅰ)

趙仙姬 영남이공대학 산업기술연구소 1989 産業技術硏究 Vol.3 No.-

The purpose of this study is to examine the relationship between informational cues and perceived quality of Consumers of fashion. For this study, theoretical study is undertaken. 1. Attributes that signal quality have been dichotomized into intrinsic and extrinsic cues. 2. Consumers use lower level attribute cues to infer quality. 3. The intrinsic product attributes that signal quality are product-specific, but dimensions of quality can be generalized to product classes or categories. 4. Extrinsic cues serve as generalized quality indicators across brands, products, and categories. 5. Consumers depend on intrinsic attributes more than extrinsic attributes ⅰ) at the point of consumption. ⅱ) in purchase situations when intrinsic attributes are search attributes. ⅲ) when the intrinsic attributes have high predictive value. 6. Consumers depend on extrinsic attributes more than intrinsic attributes ⅰ) in initial purchase situations when intrinsic cues are not available. ⅱ) when evaluation of intrinsic cues requires more effort and time than the consumer perceives is worthwhile. ⅲ) when quality is difficult to evauate. Next, this study will attempt to analyze the relationship between informational cues and perceived quality of consumers of fashion.

근세 한・일 문학작품에 나타난 기녀복식의 조형적 표현 고찰 ‒ 『춘향전』과 『호색일대남』을 중심으로 -

조선희,박옥련 한국일본근대학회 2013 일본근대학연구 Vol.0 No.42

본 논문에서는 근세 한・일 문학에 나타난 기녀복식의 조형적 표현을 비교하였다. 그 결과 형태 표현의 경우 양국의 유사점은 흰 피부, 단정한 머릿결, 고운 얼굴이 미의 기준이 되었다. 또한 가녀린 몸매를 은근한 노출을 함으로써 남성들을 유혹했다. 반면 『춘향전』에는 세류흉당의 가늘고 여린 상체와 크게 부풀린 하체의 하후상박(下厚上薄)의 실루엣으로 나타났다. 『호색일대남』의 경우, 적당히 풍성한일자형 실루엣을 이루었는데 당시 남성이 미의식이 반영된 것으로 보인다. 또한 매끈 한 다리와 흰 목덜미의 관능적인 느낌에 대한 묘사가 나타난다. 양국 기녀복식의 색채표현의 유사점은 흰 피부와 대비가 되는 화려한 원색이나 원색대비의 의복을 착용한 것이다. 반면『 호색일대남』의 경우, 계절에 맞는 색채를 사용한 기녀의 옷맵시에 찬사를 보내는 주인공의 모습에서 계절에 어울리는 색 채배색의 중요성을 알 수 있다. 양국 기녀복식의 소재 및 문양 표현의 유사점은 값비싼 소재와 문양으로 장식한 의복을 착용한 것이다. 이는 경제적인 능 력에 대한 과시와 값비싼 소재의 의복을 다양한 문양으로 장식하여 세련되거나 화려한 분위기를 더하기 위해서였을 것이 다. 반면, 차이점으로 나타나는 것은 우선 『춘향전』의 경우, 풍속화에서는 거의 나타나지 않아 확인할 수 없었던 문양의 사용이 나타난 점으로 소설을 통해 당시 기녀들의 의복에 문양을 그리거나 수놓았던 것을 알 수 있었다. 『호색일대남』의 경우, 기녀를 상징하는 문양의 사용이 차이점으로 나타난다. 이는 기녀일행을 멀리서 보아도 그 기녀임을 바로 알아볼 수 있도록 사용한 것으로 생각된다. This study compared the formative expression of ginyeo costume as expressed in early modern literature of Korea and Japan. The study result suggested that both countries have same standard in expressing beauty, which were white skin, neat hair and pretty face. Both ginyeo and geisha tempted men by subtly exposing slender figure. On the other hand, there was difference in beautiful silouhette. In 『Chunhyangjeon』, a beautiful silhouette in Korea is described as slender upper body and exaggerated lower body. On the other hand, in 『Koshoku ichidai otoko』, a beautiful silhouette in Japan is described as properly rich straight-line silhouette, which reflects the aesthetic sense of Japanese male at the time. In addition, there is description in 『Koshoku ichidai otoko』on sensual feeling raised by smooth leg and white neck. The similarity in color expression of costume worn by ginyeo and geisha is that they both wore luxurious prime colors so that prime colors would make contrast with white skin. In 『Koshoku ichidai otoko』, the protagonist gives compliment on the costume of a geisha with color matching with the season. It tells the importance of color scheme fitting to season in Japan. The similarity in material and pattern of costume worn by ginyeo and geisha is that they both wore costume decorated with pattern and made of expensive material. They wanted to show off their financial capability and enhance refined or luxurious taste by expensive material and patterns. On the other hand, there was difference in the pattern used. It is possible to know through 『Chunhyangjeon』that Korean ginyeo drew or embroidered pattern on costume. Such use of pattern on costume is not found elsewhere including folk paintings. Meanwhile, it is possible to know through 『Koshoku ichidai otoko』that Japanese geisha used unique geisha pattern on her costume so that people can know she is a geisha from far away.

알코올 의존자 부인의 자서전 분석

조선희 한국간호과학회 2008 Journal of Korean Academy of Nursing Vol.38 No.5

The purpose of this study was to explore and describe life-stories and meanings of life in wives of alcoholics by analyzing their autobiographies. Methods: Autobiographies were collected from 20 participants who produced their own autobiographies in the logotherapeutic autobiography program at community alcohol counseling centers in Korea. The data were coded to identify themes of agency and communion using the manual coding system developed by McAdams, and analyzed by the existential approach. Results: There were 214 coded episodes in twenty autobiographies. There were 128 agency themes and 86 communion themes. The most common themes were Love/Friendship. Five themes emerged from the autobiographical episodes on the existential perspective: 1) overcoming the suffering, 2) meaningful people and relationships, 3) spiritual maturation, 4) caring and helping, and 5) finding a meaning of life. Conclusion: These results showed that the wives of alcoholics who participated in the logotherapeutic autobiography program found the meaning of life through their suffering. Furthermore, a study on existential nursing interventions for people who have meaninglessness in life needs to be done.

근세 한,일 기녀복식의 조형 특성 비교 고찰

조선희,박옥련 한국일본근대학회 2014 일본근대학연구 Vol.0 No.45

본 논문에서는 근세 한·일 기녀복식의 조형 특성을 비교 고찰하였다. 그 결과 형태면의 경우 양국 기녀복식은 과장과 축소를 통한 형태의 변형과 넉넉하고 긴 복식형태에서 오는 율동미라는 유사점을 가진다. 또한 노출에 의한 관능미의 연출이다. 반면 조선후기 기녀복식은 항아리형 실루엣으로 풍만한 여성의 둔부를 복식으로 과장되게 표현했으며, 에도시대 기녀복식은 상하분리 없는 고소데를 중첩하여 전체적으로 적당히 넉넉한일자형 실루엣으로 나타났다. 색채의 유사점으로 조선후기 기녀복식은 오방색의 원색과 은은한 자연색의 전통색상이 나타난다. 또한 에도시대 기녀복식은 초기에 원색을 사용하여 화려한 배색이 나타났으며 흰 피부와 대비되어 화사함을 더했다. 그러나 원색의 사용을 금하게 됨으로써 점차 원색의 사용이 줄어들었다. 차이점으로 조선후기 기녀복식은 은은한 배색의 의복에 붉은 안고름과원색의 노리개를 사용해 강조점을 주어 시선을 가슴부근으로 모았으며 에도시대 기녀복식은 간색을 사용한 다양한 색채배합의 미로 나타난다. 또한 조선후기 기녀의복에는 나타나지 않는 검은색을 선호한 것이다. 소재와 문양의 유사점으로 양국 기녀복식은 값비싼 소재를 사용하여 복식의 조형미를 돋보이게 하였으며 다양한 문양으로 복식을 장식하여 눈에 띄게 한 것이다. 차이점으로는 조선후기 기녀복식은 상징성을 지닌 문양으로 장식하여 길상을 기원했다. 반면 에도시대 기녀복식은 당시 유행한 시를 주제로 하거나 계절에 맞는 다양한 문양을 사용하여 복식을 장식했다. 또한 문양의 배치도 다양하게 함으로써 비교적 단순한 형태의 고소데를 멋스럽게 장식하였다. This study is a comparative study on the formative characteristics of recent age costume of Korean gisaeng and Japanese geisha, women trained as a professional singer, dancer, and companion for men. Regarding the costume form, both Korean gisaeng and Japanese geisha had similarity in having rhythmic beauty coming from exaggerated (or reduced) ample and long costume. Both of them also produced voluptuous beauty by exposure. On the other hand, the costume of Korean gisaeng in late Joseon dynasty exaggerated the voluptuous hip of female by pot-like silhouette. Meanwhile, the costume of Japanese geisha had straight silhouette by overlapping kosode, which does not have separation of upper wear and lower wear. Regarding color, the costume of late Joseon Korean gisaeng used five cardinal colors and traditional subdued natural colors. Meanwhile, the costume of Edo age Japanese geisha had luxurious coloration using prime colors while adding georgeousness by contrasting colors with white skin. However, as the use of prime color became banned, the use of prime colors decreased. Regarding the difference of Korea and Japan, the costume of late Joseon gisaeng attracted attention to bosom by emphasizing it using red inside-tab and prime color ornament matched with costume with subdued coloration. Meanwhile, the costume of Edo age Japanese geisha had the beauty of various color schemes using secondary colors. Japanese geisha also preferred black color, which was not used by Korean gisaeng. Regarding material and pattern, the costume of both Korean gisaeng and Japanese geisha emphasized formative beauty by expensive material and had costume attract attention by decorating it with various patterns. The costume of Korean gisaeng wished good luck by decorating it with symbolic pattern. On the other hand, the costume of Japanese geisha took the theme of popular poetry or used various patterns. The costume of Japanese geisha also decorated relatively simple kosode with pattern arrangement.

학습활동 시 뇌호흡 수련학생과 일반학생의 뇌파분석 (2001)

조선희,김수용,진승현,이건호,김영윤,장남기 한국뇌과학연구원 2004 한국뇌과학연구원 심포지엄 Vol.2004 No.7

SG 9R 백신주의 약독화 기전 및 야외 분리 SG 9R의 특성 분석

조선희,김태은,안영진,고미정,김선중,권혁준 한국가금학회 2008 한국가금학회 정기총회 및 학술발표회 Vol.25 No.-

A rough strain of Salmonella Gallinarum, SG 9R, has been used as a vaccine against fowl typhoid of chickens but molecular basis of attenuation has never been reported. To understand molecular mechanism of SG 9R attenuation we determined the nucleotide sequence of LPS biosynthesis genes of SG 9R and the presence and expression of virulence genes. Salmonella plasmid virulence (spvC and spvD), invasion (inv), and resistance to complement killing (rck). According to our results SG 9R possessed a nonsense mutation in rfaJ (TCA to TAA) which code for an enzyme linking outer-core to inner-core of LPS. To distinguish SG 9R from field strains a RFLP technique was developed and we succeeded in differentiation of them. The virulence gene test revealed that spvB, spvC and inv are present and expressed in SG 9R just as virulent field strains but rck is absent in all tested S. Gallinarum. All rough field strains isolated from typical fowl typhoid cases were identified as SG 9R and a virulent strain closely related to SG 9R was identified from commercial layer chicks. The isolation of SG 9R from fowl typhoid case and the presence of SG 9R-related virulent strain in the field may raise questions on the safety of SG 9R, therefore, nation-wide studies on the prevalence and characterization of SG 9R-related strains in fowl typhoid cases are required urgently.

[주제 4] 국립공원내 주민 상가 옥외광고물 색채디자인 개발 연구

조선희,박정은,최경실 한국OOH광고학회 2009 한국옥외광고학회 학술대회 Vol.2009 No.5

국어과 교수-학습 지도안

조선희 서강대학교 교육대학원 2003 서강교육 Vol.- No.1

환경교육 웹진(Webzine) 창간을 위한 콘텐츠 내용 제안

조선희,최수경,구은경,김재경,박명현,박안나,홍성한 한국환경교육학회 2018 한국환경교육학회 학술대회 자료집 Vol.2018 No.12

유치원의 말하기 지도 현황에 관한 연구

조선희 진주여자전문대학 1996 論文集 Vol.19 No.-

The present study is aimed to study on speaking teaching in kindergarten. The problems of this study are (1) are teachers teaching "speaking" in kindergarten? (2) what is the reason of speaking teaching in kindergarten? (3) what is the contents of speaking teaching in kindergarten? (4) what is the method of speaking teaching in kindergarten? (5) are teachers satisfied with the present speakin teaching in kindergarten? (6) what is necessary to the more effective speaking teaching in kindergarten? A total of 120 kindergarten teachers were selected. Among them, 60 teachers were from the public kindergarten, and 60 teachers were from the private kindergarten. To solve the problems set up in this study, Chi-square test was executed. The conclusions of this study can be summarized as follows: ① Teachers focus on teaching new vocabularies in speaking teaching in kindergarten. ② Teachers try to teach speaking by the integrated method in kindergarten. ③ For the more effective speaking teaching in kindergarten, teachers are necessary the new programs and the small class.