도덕적 포르노그래피와 위반의 글쓰기

강영아(Kang, Young Ah) 새한영어영문학회 2011 새한영어영문학 Vol.53 No.4

This paper aims at examining Angela Carter’s The Infernal Desire Machines of Doctor Hoffman as transgressive writing which attempts to change the power relations between men and women by rewriting pornography. The text, Carter’s first moral pornography, demonstrates the potential of the antithetical bad woman while revealing the stereotypes of femininity?the daughters, wives, mothers and prostitutes?as cultural artifices through the Sadeian male’s view. In the text, Desiderio, the first person narrator, describes that all women are obedient to men such as their father, husband and tribal chief, and are considered as being ‘born to suffer.’ It’s not only physical violence against women but mental as well that shows the perpetuation of patriarchy depending on the exchange and domination of women. In The Sadeian Woman, Carter puts the possibility of redeploying current power relations by exploiting the pornography because of the representation of sexual encounters it depicts disclosing the nature of social relations. Carter exploits the parody of women’s disguises in ordinary sexual relationships like the marital bed in the text, and they are gradually ousted as transgressive women: Albertina, the object of Desiderio’s desire by continuingly disguising herself and attempting to kill him, Aoi skillfully arousing Desiderio’s desire to conceal her intent to murder him, and Mama actively leading him into an incestial relationship. All three foreshadow the Sadeian woman as the paradigm of Carter’s new woman in that they seek the forbidden pleasure and exploit feminine sexuality for their own purposes.

병원 간호사의 프리셉터 경험에 관한 포커스 그룹 연구

강영아 ( Young Ah Kang ),설미이 ( Mi Ee Seol ),이명선 ( Myung Sun Yi ) 서울대학교 간호과학연구소 2013 간호학의 지평 Vol.10 No.1

The purpose of this study was to describe hospital nurses` lived experience of being a preceptor in Korea. Methods: The data were collected in three focus group interviews with 15 nurses in one general hospital. The phenomenological analytic method suggested by Colaizzi was used to analyze the data. Results: Five theme clusters and 11 themes emerged from the analysis. The five themes include “inevitable rite of passage for an authentic nurse”, “facing new role and situations that were difficult to handle”, “preceptee-centered preceptorship”, “healing connection with colleague nurses”, and “enhanced status with competence”. Conclusion: The findings of the study provide deep understanding on hospital nurses` positive as well as negative experiences of being a preceptor and should inform the development of a more integrative preceptorship program to empower both preceptees and preceptors.

조혈모세포이식 병동에 관한 문화기술지

강영아(Kang Young-ah),이명선(Yi Myungsun) 대한종양간호학회 2009 Asian Oncology Nursing Vol.9 No.1

Purpose: The purpose of the study was to understand how patients experience everyday life in an isolation unit for hematopoietic stem cell transplantation (HSCT). Method: The data were collected from 25 patients with HSCT at the isolation unit from January to March in 2008 in one general hospital in Korea. The data were collected by participant observations and ethnographic interviews and were analyzed using ethnographic method. Results: Four themes regarding environmental area emerged: ‘barrier pulling up the drawbridge’, ‘very strange world’, ‘small and restricted space tied by IV and other treatment lines’, and ‘loud noise in a silent space.’ Three themes regarding patients emerged: ‘facing fear and anxiety’, ‘continuation of loneliness and lethargy’, and ‘compromising with a very long, dull, and boring time’. These themes describe how patients with HSCT suffer from continuous physical and psychosocial problems in a confined space, while endeavoring to control these problems and to search for hope for a new life. Conclusion: The results of the study provide an in-depth understanding of the experience and culture of patients in an isolation unit for HSCT. They would be used in developing practical programs to decrease patient’s culture shock including fear and anxiety at isolation unit for HSCT.

Poly(ethylene 2, 6-naphthalate) 필름의 연신에 따른 동적 점탄성 거동 해석

강영아(Young Ah Kang),김경효(Kyoung Hou Kim),조현훅(Hyun Hok Cho) 한국염색가공학회 1999 韓國染色加工學會誌 Vol.11 No.5

모성의 탈신화화 -안젤라 카터의 『새 이브의 수난』

강영아 ( Young Ah Kang ) 한국현대영미소설학회 2013 현대영미소설 Vol.20 No.3

This study aims to investigate Angela Carter`s demythologizing writing on motherhood in The Passion of New Eve. Though many critics of the text have concentrated on the socio-cultural constitutive of femininity and woman subjectivity, this paper emphasizes that Carter also criticizes bitterly the myth of naturalized and desexualized motherhood. In response to the contemporary radical feminists` discourses on mother/hood such as Rich`s and Chodorow`s, Carter focuses on not motherhood as an institution but motherng as a practice through the deviant characters out of the traditional family frame. While sexually aggressive Leilah defies the desexualized motherhood, Mother of Beulah demystifies the mother as Nature by exposing the artificiality of her maternal body and excessive motherhood. Above all, becoming-a-mother of transsexual Eve/lyn opens up the possibility of changes from motherhood as a myth to mothering as performative. In short, Carter`s text intends to represent the mother/ring as the field where the biological and cultural discourses on women are crossing.

여성 고딕 다시 쓰기와 여성 주체성 (재)구성

강영아(Young Ah Kang) 신라대학교 여성문제연구소 2011 젠더와 사회 Vol.22 No.-

본 논문은 안젤라 카터의 『서커스의 밤』(Nights at the Circus, 1984)이 여성 고딕을 다시 쓰고 있을 뿐만 아니라 여성의 주체성을 재구성하는 작품임을 살펴보고자 한다. 『서커스의 밤』은 페미니스트 작가로서 카터의 젠더와 고딕 장르의 상호성에 대한 통찰력의 산물이다. 이 텍스트는 고딕적 플롯을 통해 주체와 객체, 남성과 여성, 인간과 동물, 사실과 허구간의 이분법에 도전한다. 즉, 카터는 종의 경계에 있는 존재들로서 새-여성 페버스와 다른 괴물스러운 여성들과 같은 여성들의 경험을 묘사하기 위해 고딕적 대본을 전유하고 있다. 그러나 『서커스의 밤』이 전유하는 여성의 몸을 저당물로 이용하고, 납치, 공격, 폐기시키는 고딕적 대본은 ‘희생’과 ‘권력’의 이분법적인 구조에 갇힌 여성의 현실을 조명하기 위한 전략적 장치로 볼 수 있다. 왜냐하면 카터는 여성적 경험으로서 감금과 고통의 장소에 유폐된 여성 인물들이 겪는 고통을 그들의 수동성과 직접적으로 결부시키고 있기 때문이다. 『서커스의 밤』은 가부장제가 규정하고 강요하는 여성의 희생과 수동성을 내면화한 여성 인물들을 통해 여성의 장소와 지위 부재를 다룬다는 점에서 여성고딕의 전통을 계승하고 있다. 그러나 새 여성(New Woman) 주체의 모델로서 고딕 문학에 반 테제적인 ‘나쁜 여성’들을 창조함으로써 고딕은 물론 여성고딕 장르의 경계를 확장시키고 있다. 카터는 고딕문학의 전통과 언어를 전유하여 서구문화에서 가장 오래된 ‘괴물스런’ 타자의 이미지들을 재현하는 새-여성(bird-woman) 페버스와 다른 위반적인 여성들의 경험을 다룬다. 이 여성 인물들이 점차 다른 여성들과의 자매애를 통해 자신을 희생자로서 보는 인식의 틀을 깨뜨리고 자신의 육체적, 정신적 식민 사태를 종식시키는 것에서 여성 고딕의 여성 희생화의 이데올로기를 넘어서고 있다. 무엇보다 이 텍스트의 정치성은 가부장제의 금기와 억압으로부터 탈구된 욕망을 탐험하고 희생적 여성의 본질을 가정하지 않는 것으로 여성고딕의 한계를 넘어서고 새로운 여성 주체성의 가능성을 모색하는데 있다. This paper aims at examining Angela Carter’s Nights at the Circus(1984) which is not only to rewrite ‘Female Gothic’ but to reconstruct woman subjectivity. Nights at the Circus is the product of Carter’s insight into the reciprocality of gender and the genre of Gothic as a feminist writer. The text challenges the dichotomy between subject and object, male and female, human and animal, and fact and fiction through a gothic plot whose script depicts women’s experiences such as a bird-woman, Fevvers and other monstrous women as ‘being on the borderline of species’. Carter, however, brings out several questions on the limits of gothic literature tradition which has disdained the value systems of our contemporary institutions in the text. Nights at the Circus pushes the limits of the genre of female gothic by creating ‘bad’ women as models of new women subjects, who are antithetic of gothic literature. Although Carter exploits the tradition of gothic literature to express women’s experience of being confined and suffering, she goes beyond the ideology of the women’s victimization of female gothic. In the text, Carter demonstrates the possibilities of ending women’s inner and physical colonization and changing the gender hierarchy when those women are finally aware of their viewing themselves as victims, stop doing so, and they begin to take active approaches to the world through their sisterhood.

전문간호사 업무범위안 제정에 따른 전문의의 업무 위임 의향

김민영(Kim, Min Young),최수정(Choi, Su Jung),김정혜(Kim, Jeong Hye),임초선(Leem, Cho Sun),강영아(Kang, Young-ah) 한국간호과학회 2023 Journal of Korean Academy of Nursing Vol.53 No.1

CP의 격점검과 의미역에 관한 고찰

최숙희 ( Sook Hee Choe ),강영아 ( Young Ah Kang ) 한국현대영어영문학회 2007 현대영어영문학 Vol.51 No.1

종합병원 일부 입원환자의 당일수술에 대한 태도와 당일수술 적용 가능성 평가

백영란,이경수,김석범,강복수,강영아,Beak, Young-Ran,Lee, Kyeong-Soo,Kim, Seok-Beom,Kang, Pock-Soo,Kang, Young-Ah 대한예방의학회 2000 예방의학회지 Vol.33 No.3

이 연구는 당일수술을 실시하고 있지 않은 병원에서 당일수술이 가능한 질병으로 입원하고 있는 환자를 대상으로 당일수술에 대한 인지도와 선호도를 조사하고, 당일수술 가능 질병의 평균 재원일수를 분석하며, 마취 후 퇴원점수체계를 이용한 시간대별 퇴원 가능한 환자의 비율을 분석하여 당일수술 가능여부를 판단하기 위하여 실시되었다. 자료수집은 1999년 2월 1일부터 동년 3월 31일까지 $\bigcirc\bigcirc$대학교 의과대학 부속병원에 입원하여 백내장, 편도선 비대, 탈장, 사시, 안검하수, 담석증, 질, 치루로 수술 받은 환자 353명을 대상으로 하였다. 자료 수집 방법은 설문지를 이용하여 설문과 면담을 하였고, 간호사용 마취 후 퇴원점수체계(PADS)를 이용하여 환자의 수술 후 활력징후, 활동력과 정신상태, 통증, 오심 구토, 출혈, 식이 및 배뇨 등의 환자상태를 조사하였다. 당일수술에 대한 인지도는 52.7%이었으며, 당일수술 의향이 있는 환자는 52.1%이었다. 당일수술을 받고 싶은 이유로는 "질병이 경미하고 수술이 간단하여"가 43.1%, "집에서 안정을 취해도 충분하므로"가 30.4%이었고, 당일수술을 받고 싶지 않는 이유는 "집에 있기 불안해서"가 56.5%로 가장 높았다. 당일수술 후 가장 염려되는 것은 응급 상황발생에 대한 것이었다. 당일수술의 가장 큰 장점은 입원기간 절약(39.1%)이었으며 단점은 응급상황 시 불안하다는 것이 53.9%로 가장 많았다. 환자의 주관적 판단에 의한 퇴원시기는 수술 후 1-2일이라고 생각하는 사람이 47.6%로 가장 많았다. 수술명에 따른 평균 재원일수는 백내장적출술 2.9일, 사시 교정술 2.2일, 편도선제거술 3일, 탈장교정술 3.8일, 안검복원술 2.2일, 담석증복강경술 4.9일, 치질제거술 4.1일, 치루제거술 4.6일로, 이들 전체의 평균 재원일수는 3.1일이었다. 수술 후 나타난 증상으로는 통증이 45.6%로 가장 많았고, 다음으로 오심 구토(10.5%) 및 두통(7.9%)의 순이었다. 시간대별 퇴원 가능 환자 수는 3시간대에 95.2%, 12시간대에 99.2%, 24시간대에는 100%로 나타나 이 연구에서 선정된 모든 수술이 마취 후 퇴원점수체계에 의한 24시간 이내 퇴원 기준을 충족시켰고, 통상적으로 당일수술 3시간 뒤에 환자가 퇴원하는 것을 고려하면 의학적인 측면에서 당일수술이 가능한 수술은 백내장적출술과 사시교정술로 판단되었다. 당일수술의 경과에 대한 설명과 수술 시행 후에 환자들에게 발생할지도 모르는 응급상황에 대한 대처 방안이 잘 강구 된다면 당일수술의 수요가 증가할 것이며, 그 서비스에 대한 만족도도 높아져 당일수술이 활성화될 것이다. Objectives . This study was conducted in order to investigate the degree of recognition, acceptability, and altitude towards day surgery of patients who were hospitalized with diseases that were candidates for day surgery; in order to analyze the average length of stay for treatment of the ailments; and to analyze the percentage of patients who could be discharged on the same day after the surgery ,using the post-anesthesia discharge scoring system. Methods : Data was collected between February 1 and March 31, 1999 from 353 patients who received surgery for cataract, adenoid hypertrophy, inguinal hernia, strabismus, ptosis, cholelithiasis, hemorrhoid, or anal fistula, at a general hospital in Daegu city. The patients were interviewed and surveyed by a post-anesthesia discharge scoring system(PADS) in order to collect data on patient condition such as vital signs, activity and mental status, pain, nausea and vomiting, surgical bleeding, intake and output after the surgery. Results : Among the 353 patients, 52.7% were after of the day surgery and 52.7% were interested in day surgery. Of the respondents, 43.1% said 'my ailment was not serious and the surgery was simple' and 30.4% said 'according to my condition rest at home was desirable' as the reasons for wanting day surgery Alternatively, 56.5% of those declining day surgery said the 'uncertainty of staying home' was the reason. The greatest concern in discharging within 24 hours after surgery was a post-op emergency situation. On the other hand, the shortened hospitalization was the largest advantage of day surgery with 39.1% responding this way, followed by the savings in hospitalization costs (25.8%) and emotional stability (13.7%). The majority of those surveyed (47.6%) believed that discharge should be determined within 1-2 days after the surgery. The average hospital stay was 3.1 days for dischargeable ailments. Pain (45.6%), nausea and vomiting (10.5%), and headache (7.9%) were the common symptoms following surgery. The percentage of patients who were able to be discharged within 24 hours after surgery revealed 95.2% were dischargeable after approximately 3 hours, 99.2% dischargeable after 12 hours, and 100% dischargeable after 24 hours. Conclusions : According to the PADS score, the cataract extract and strabismus correction patients were eligible for day surgery and the further evaluation concerning the reason for delayed recovery of the other diseases is needed.

허사-it에 대한 고찰

최숙희 ( Sook Hee Choe ),강영아 ( Young Ah Kang ) 한국현대언어학회 2008 언어연구 Vol.23 No.4