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윤덕진,임성래 洌上古典硏究會 2002 열상고전연구 Vol.15 No.-
This paper researches the methods to be loose the story of Namwon-Kosa, a version of Chunhyang-Jeon. For the end, I research the plot and many kinds of the songs in the work. The songs in the work were other kinds of the songs in Chunhyang-Jeon. This songs were not the songs of Panson, but the popular songs at the 19c in Seoul. And some songs were new works. He also rewrote the words of songs for the suitable situations. In this work, the writer used to many popular songs of Selul, not Pansor, for the enlargement of story. Because he considered that the readers who lived in Seoul were more important. He also used the cheerful songs for the readers.
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( Myung Jin Lee ),( Kye Hyung Kim ),( Jong Youn Yi ),( Su Jin Choi ),( Chung Jong Kim ),( Nak Hyun Kim ),( Kyoung Ho Song ),( Pyoeng Gyun Choi ),( Ji Hwan Bang ),( Wan Beom Park ),( Eu Suk Kim ),( San 대한내과학회 2014 대한내과학회 추계학술발표논문집 Vol.2014 No.1
In Vitro Antiviral Activity of Ribavirin Against Severe Fever with Thrombocytopenia Syndrome Virus Myung Jin LEE1, Kye-Hyung KIM1, Jongyoun YI2, SuJin CHOI1, Chung-Jong KIM1, Nak- Hyun KIM1, Kyoung-Ho SONG1, Pyoeng Gyun CHOI1, Ji-Hwan BANG1, Wan Beom PARK1, Eu Suk KIM1, Sang-Won PARK1, Hong Bin KIM1, Nam Joong KIM1, Myoung- Don OH1 Seoul National University College of Medicine, Korea1, Pusan National University School of Medicine, Korea2 Background: Severe fever with thrombocytopenia syndrome (SFTS) is an emerging infectious disease caused by a novel Bunyavirus, severe fever with thrombocytopenia syndrome virus (SFTSV). No effective antiviral therapy is proven yet, but clinical use of ribavirin (RBV) has been tried. We investigated the antiviral effect of RBV against SFTSV in vitro. Methods: To test for cytotoxicity of RBV, Vero cells were treated with different concentrations of RBV (3.90 to 500 μg/mL, two-fold dilution) and analyzed by cell viability MTS assay 48h post-infection. To determine antiviral activity of RBV against SFTSV, Vero cells were infected with SFTSV strain Gangwon/Korea/2012 at 100 TCID50 (50% tissue culture infective dose) per well in a 96-well plate, and RBV was added at the concentrations showing no or minimal cytotoxicity. Viral RNAs were extracted from the culture supernatants and quantifi ed using one-step real-time reverse transcription- PCR to amplify the partial large segment of SFTSV. Statistical analysis was done by one-way ANOVA with Tukey`s post hoc test. Results: Cytotoxicity due to RBV was not observed at RBV concentration =31.3 μg/ mL. Viral RNAs at 24h post-RBV treatment were reduced with increasing RBV concentrations (1-32 μg/mL), compared with those of mock-treated cells (P <0.01, Figure). Half maximal inhibitory concentration (IC50) of RBV was 3.69 μg/mL at 24h post-RBV treatment. Conclusions: Our study shows that RBV has antiviral effect against SFTSV in a dose-dependent manner. Further studies are required to evaluate the effi cacy of RBV in SFTS.
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분지각이 작고 일시 개화성이 우수한 숙근 안개초 ‘드림송’ 육성
정동춘(Dong-Chun Cheong),최창학(Chang-Hak Choi),송영주(Young-Ju Song),김정만(Jeong-Man Kim),이진재(Jin-Je Lee) 한국원예학회 2014 원예과학기술지 Vol.32 No.4
‘Dream Song’ is a cultivar of Gypsophila paniculata developed by the Jeollabuk-do Agricultural Research & Extension Services in 2010 for cut-flower production. This hybrid was bred from 121 seedlings collected from an open-pollinated population of ‘Gyp06-11’. It has novel morphological characteristics of upright plant type, lanceolate leaves, double florets with a few bright white-colored petals of obovate shape, truncate petal tips, and cup-shaped calyces. Furthermore ‘Dream Song’ has desirable cultivation characteristics including narrow branching angle, and moderate resistance to powdery mildew, thrips and leaf miners. Moreover it produces more primary branches, and longer internodes and flower stalks than reference cultivar ‘Bristol Fairy’ during summer cultivation in a subalpine area (500 m over the sea level). Flowering in ‘Dream Song’ is delayed by about 17 days as compared to ‘Bristol Fairy’. ‘Dream Song’ produces normal flowers with 2 pistils and an average of 10.4 stamens, with fewer malformed flowers than ‘Bristol Fairy’.
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송진열(Song, Jin-Yeul) 대한중국학회 2018 중국학 Vol.63 No.-
이 연구는 중국 선진 시대 대표적인 경전인 시경에 나타나는 악(樂)과 화(和)사상에 대한 고찰을 목적으로 한다. 이 연구에서는 “예”보다는 “악”에 집중하여 악이 어떤 규칙으로 완성 되고 어떤 기능을 하였는지에 초점을 맞추려 한다. 음악의 규칙은 자연의 오행과 연관이 되어있는데 이런 철학적 원리보다는 음악이 어떻게 화를 이루는 수단이 되고 교화 수단으로서의 역할을 하는지 살펴보고자 하는 것이다. 본 연구는 시경에 수록된 시의 구체적인 예를 분석하기 전에 중국인들의 풍류의식과 더불어 제천 의식에서 가무의 사용을 먼저 다루고 군사나 전쟁 중에 음악이 어떤 역할을 담당했는지 고찰할 것이다. 고대 중국인은 예(禮)를 중시함 으로써 사회적 화합을 강조하는 화(和) 사상을 중요하게 여겼다. 이러한 인식은 시경의 여러 시를 통해 발견할 수 있는데, 본고에서는 시경에 가장 먼저 실린 시 관저(關雎) , 그리고 탕왕(蕩王)을 기리는 시 나(那) 의 구체적 사례 분석을 통해 악이 어떻게 화를 추구하는가를 살펴보고자 한다. 본 연구의 주된 목적은 화를 추구하는 중국인의 사상을 시를 통해서 살펴 보고 분석하면서 예악과 화에 관한 사상들을 살펴보는 것이다. This research aims at researching Music and Harmony appearing in the Book of Songs. This research focuses on music which it is perfected by a certain rule and has some function. The rule of music is related to five elements and to examine how music can make harmony and be a means of educating people. This research stars with Chinese musical consciousness and how music plays a role in army and war. The ancient Chinese emphasized social unity through the thought of Harmony and the emphasis of Etiquette. In this paper the researcher analyzes how music can make harmony in the concrete in poem “Osprey and Na.” The main purpose of research is to examine Chinese People thought “Etiquette and Music” through analysis of two poems.
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송혜진 ( Hye Jin Song ) 한국동양예술학회 2012 동양예술 Vol.20 No.-
In politics, music has been exploited as one method used to govern a country. In the ancient document, Akki, Ye-ak (the formal practice of human ethics and music) is defined as the root ideology used to govern the country, and politics can be comprehended by the understanding of music. Based on various examples related to the exploitation of music in politics in the history of Western society, the notion that music is political whether fair or foul has been current for a long time in western society as well. Therefore, the relation between music and politics is surely very close. If we look at aspects of music based on a political view, some music takes on the role of propaganda while other music is prohibited. Also, some musicians use their music to praise somebody or something while others use their music to oppose. Music is a language of emotion. It induces and releases the emotion of human beings. At the same time, it also purifies and encourages people``s emotion, and delivers a message. The characteristics of music as a language of emotion have been recognized from ancient times. Therefore, during the Joseon dynasty, the state assorted music into several various kinds such as music that should be promulgated and distributed, and music that should be rejected. It was regarded as an important matter that the leader of the state understood ``healthy music``, ``music that is suitable for education``, and ``correct music``, and thus guided the people to the realm of ``correct music``. From the early Joseon dynasty, Ye-ak (thought based on Confucianism) was regarded as the basic ideology of society. The realization of politics with human ethics and music was a significant issue since the early years of the dynasty. Therefore, in this period, the organizing and institutionalization of the state``s ceremonial music based on this ideology was a matter of great concern. In particular, during the reign of King Sejong, the degree and extent of effort aimed at achieving this end reached a high point. In this paper, I have re-examined various achievements related to music during the reign of King Sejong based on a political point of view. Sejong was well equipped in this regard, since he had learned about the theory of music and was able to enjoy music in his daily life. With this background, he organized court music, created new musical pieces, and used these pieces in various court ceremonies and parties. There were three purposes for this. First, it was to maintain the Ye-ak concept that is possible to distinguish between the high and the low but at the same time to create harmony between them. The second purpose was to promote accord and good rapport between the high and the low people throughout times of prosperity. The third was to clearly define the justification and legitimacy of the state``s foundation. Numerous songs were created, and performance forms mixing song and dance were selected to express ``stories`` of the songs`` texts in synesthetic metaphor. Such presentations were stylized, and high levels of performances were accomplished with appropriate costumes, accessories and movements. Although Aak, which had been introduced from China and influenced by its music, was used in court music during his time, several elements from native Korean traditional music were also adopted based on Sejong``s understanding that the language and music must be different according to people, geography, tendencies, and natural characteristics. A new system of dissemination was established, and several new score books were published to promulgate achievements. However, no enforced propaganda was carried out. Music and dance related to Buddhism and Shamanism were restricted, and this was justified on the grounds that the state``s custom had to be guided in a correct direction. Also, entertainment merely for pleasure and enjoyment was prohibited. However, enforcement progressed gradually, and several regulations were postponed, and so national control never reached a level of oppression or dictatorship. Such achievements related to the exploitation of music in politics were well evaluated during this time. It was also deemed that the Korean Ye-ak culture was well established, and conducted just as well in Korea as in China, such that it was often compared to the ideal level of the Chu state of China when the Ye-ak ideology had reached its climax. In addition, Sejong has been recognized, even up to now, as a good and wise king who governed the people very well using Ye-ak thought and culture.
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