김치 및 김치 유래 유산균의 건강 기능성에 대한 연구 동향 조사

김보경(Kim, Bohkyung),문은경(Mun, Eun-Gyung),김도연(Kim, Doyeon),김영(Kim, Young),박용순(Park, Yongsoon),이해정(Lee, Hae-Jeung),차연수(Cha, Youn-Soo) 한국영양학회 2018 Journal of Nutrition and Health Vol.51 No.1

Purpose: This review article provides an overview of the trends of research papers on the health benefits of kimchi and kimchi lactic acid bacteria published from 1995 to 2017. Methods: All publications from 1995 to 2017 regarding kimchi and kimchi lactic acid bacteria were collected, reviewed, and classified. This review article covers the publications of the health benefits of kimchi and kimchi lactic acid bacteria on experimental, clinical trials, and epidemiology studies. Results: The number of publications on kimchi over the period were 590: 385 publications in Korean and 205 publications in English. The number of publications on the health benefits of kimchi and kimchi lactic acid bacteria were 95 in Korean and 54 in English. The number of publications on kimchi and kimchi lactic acid bacteria were 84 and 38, respectively, in the experimental models. Ten research papers on kimchi in clinical trials and 7 publications in epidemiology were found. Kimchi or kimchi lactic acid bacteria had protective effects against oxidative stress, mutagenicity, toxicity, cancer, dyslipidemia, hypertension, immunity, and inflammation in in vitro, cellular, and in vivo animal models. Moreover, kimchi had effects on the serum lipids, intestinal microbiota, iron status, obesity, and metabolic parameters in human clinical trials. In epidemiology, kimchi had effects on hypertension, asthma, atopic dermatitis, rhinitis, cholesterol levels, and free radicals. Conclusion: This review focused on the publications regarding the health benefits of kimchi and kimchi lactic acid bacteria, suggesting the future directions of studies about kimchi and kimchi lactic acid bacteria by producing a database for an evaluation of the health benefits of kimchi.

감균된 부재료를 사용한 김치의 숙성

박인경,구연수,김순동 대구효성가톨릭대학교 식품과학연구소 1997 식품과학지 Vol.9 No.-

김치 부재료에는 각종 미생물이 오염되어 있어 김치의 보존성에 많은 영향을 미치므로 본 실험에서는 90℃에서 10분간 끓여식힌 10%의 소금물에 절인 배추, pH 8.2로 조정한 물로 10분간 증자한 후 열풍건조한 고춧가루, 끓인 후 염도를 보정한 젓갈, 70% 알코올로 세척한 마늘과 생강을 사용하여 담근김치(감균처리 김치)의 보존성을 조사하였다. 김치는 10℃에서 20일간 숙성시키면서 이화학적 변화와 미생물수의 변화, 기계적 조직감 및 관능검사, 색상의 변화를 관찰하였다. 그 결과 pH와 산도를 볼때 대조구가 숙성 15일에 최적숙기였으며 감균처리김치는 숙성 20일에도 최적숙기의 pH와 산도를 유지하여 김치의 가식기간이 5일 이상 연장되었고 미생물수는 전 숙성기간을 통해 총균수와 젖산균이 다소 낮게 나타났으며 기계적 조직감 역시 대조구보다 높으면서 질긴정도가 낮았다. 대조구는 발효 15일째에 비교적 높은 신맛을 보였으나 처리구는 숙성 20일째에도 보통정도의 신맛을 보였으며 아삭거리는 조직감도 다소 완만한 감소를 나타내었다. 종합적인 맛은 대조구는 숙성 15일에 평가점수 3.67로 최고치를 보인 후 감소하였으나 처리구는 숙성 20일에 평가점수 4.15로 최고치를 보였다. 김치의 색상은 무처리 고춧가루가 처리한 고춧가루보다 다소 밝은 적색이었으나 숙성말기에는 오히려 대조구보다는 L값이 다소 높아져 밝은 색상을 띠었고 a값 역시 높았다. The effect of decontaminated sub-ingredients(DSI) on the shelf-life of kimchi were investigated by measuring of pH, acidity, color, number of microorganisms, sensory taste and instrumental texture during fermentation at 10℃. Ingredients involved in kimchi preparation such as red pepper, fermented anchovy juice, garlic and ginger. As the fermentation proceeded, the changes of pH and acidity of kimchi stored at 10℃ indicated that the shelf-life of kimchi with DSI were retarded by 5 days compared with kimchi with general ingredients(control). Growth of total cell numbers and lactic acid bacteria in kimchi showed low by DSI throughout the fermentation periods. Sensory evaluation of kimchi with DSI was higher score than control kimchi in sour taste and overall taste. Hardness of kimchi measured instrumentally was higher for kimchi with DSI than for control kimchi. The Hunter “L” and “a” values of kimchi with microorganism reduced red pepper powders was highly maintained at the later fermentation. Considering all results obtained throughout this experiments, it can be concluded that kimchi with DSI can be sucessfully used for the extension of shelf-life of kimchi.

Considering Kim’s Dual Identity in the Post-colonial Discourse

Kim Hoyeol 한국외국어대학교 영미연구소 2015 영미연구 Vol.34 No.-

It is becoming significant for individuals to find their own individual identities, as the today’s ongoing globalization has become much more complicated. A similar situation occurred when the British Empire influenced the world politically, economically, and culturally in the nineteenth century. In order to grasp human intrinsic identities, my thesis aims to use postcolonial theories to examine characters’ identities in a nineteenth-century British novel, Kipling’s Kim (1901). In Kipling’s Kim, I examine Kim, an Irish boy who experiences racial identity confusion by living in British India. Kim’s identity is ambiguous as his background is complicated: his parents are Irish, Kim was born in India, he was educated in a British school, and he participated in the Great Game. It would prove inadequate to try to see Kim’s identity based on binary oppositions, as Kim’s identity is neither British nor native Indian. Aside from simply being a person named Kim, Kim’s identity consists of being someone who has cultural hybridity. Through the main character of Kim, Kipling suggests that a Brit who understands the local Indian culture and society, as Kim does, would govern India with ease. Overall, Kipling’s Kim elaborates on why or how India should be governed by Britain and also seems to justify the British rule of India. In Kim, Kipling creates the main character of Kim, who has cultural hybridity and whose process of personal growth throughout the novel depicts Kipling’s ideas on how to govern India easily. In order to justify British rule in India, Kipling also depicts how British-Indian society was developed by Britain, also through the character of Kim. Looking into characters’ identities throughout nineteenth-century British novels helps modern readers who live in this complicated world to grasp human intrinsic identities.

여대생의 김치에 대한 의식과 섭취실태 조사

김은희,김성로 한국식품영양학회 1998 韓國食品營養學會誌 Vol.11 No.5

부산시내 7개 대학에 재학중인 여대생 267명을 대상으로 김치 선호도 및 섭취 실태 등을 조사한 결과는 다음과 같다. 75.2%가 김치를 선호하고, 적당히 숙성된 김치(54.0%)와 젓갈류중 멸치젓(42.1%)을 선호하였다. 김치의 맛은 시원한 맛(50.2%), 아삭한 맛(47.6%), 적당한 짠맛(43.8%)을 선호하며 짭짭한 맛(58.1%), 단맛 또는 젓갈맛(55.8%)을 가장 싫어하였다. 선호하는 김치는 통배추김치(22.2%), 총각김치(17.5%), 깍두기(11.5%), 물김치(9.9%), 오이소박이(8.5%), 겉절이(5.1%), 열무김치(4.9%), 동치미(4.4%)였고 파김치(3.9%), 고들빼기김치(3.6%), 깻잎김치(3.5%), 부추김치(2.5%), 갓김치(1.5%), 봄배추김치(0.9%)는 선호도가 낮았다. 가정에서 담는 김치는 통배추김치(24.1%), 깍두기(15.4%), 물김치(14.8%), 총각김치(14.2%), 파김치(6.4%), 열무김치(5.4%), 겉절이(4.5%), 오이소박이(3.6%), 동치미(3.3%), 부추김치(2.9%), 깻잎김치(2.8%), 갓김치(0.9%), 고들빼기김치(0.8%)였다. 김치이용 음식은 김치찌개(92.9%) 김치볶음밥(90.3%), 김치전(68.2%), 김치볶음김치(42.7%), 김치라면(31.8%)이었다. 62.6%의 대학생이 한 끼에 김치를 5∼6조각 이상 섭취하여 약 93g의 낮은 섭취량을 보였다. 가정에서 김치는 대부분이 어머니가 담으며(94.7%), 가정 김치 맛에 만족하였다. 70.3%가 김치를 담아 본 경험이 없고, 김치는 담아본 29.7%의 학생들은 부모님의 김장때(71.7%), 중.고등학교조리실습시간(14.1%), 대학조리실습시간(10.9%), 조리강습때(3.3%) 담아보았다고 하였다. 95.1%가 김치 담는 방법을 배우길 원했으며, 그 이유로는 일상적인 반찬이니까(66.1%), 전통음식이기 때문에(16.3%), 김치를 좋아하니까(15.9%)였다. 결혼한 후는 88.8%가 김치를 직접 담겠다고 하였다. 김치 구입처는 농협(48.5%), 대규모 김치공장(32.7%), 부식가계(11.2%), 백화점(7.7%)의 순서로 선택하였으며, 상업용 김치의 문제점으로는 정성, 맛, 조미료 첨가, 위생, 가격 등의 불량을 들었다. A survey of the notion and intake on Kimchi among college women in Pusan was conducted to get some basic information on kimchi. Two hundred sixty seven students in Pusan participated in this survery. Seventy five percent of students answered that they like kimchi., They preferred well-fermented kimchi with anchovy extracts, refreshing taste and crispy texture to salty and sweet. Chinese cabbage kimchi(87.6%) was found to be the most favored kimchi and Kakdugi(seasoned pickles of cubed radish), Nabak kimchi and Chonggak kimchi(ponytail kimchi) were followed in the order. The most favorite food made from kimchi was stir fried kimchi with rice. They disliked traditional special kimchi, such as Puchu kimchi(leek kimchi). Pa kimchi(green onion kinchi), Kkennip kimchi(perilla leaf kimchi), Godulbaegi kimchi(Korean wild lettuce kimchi) and Gat kimchi(Leaf mustard kimchi). About 93 grams of kimchi was consumed daily and this amount was a little. Seventy percent of students did not have any experiences preparing kimchi. Experiences of kimch preparation were given by mother through kimchii-making event for the winter(71.7%), cooking practice in middle or high school(14.1%) and college(10.9%) and general cooking education(33%). They preferred to buy kimchi at the Agricultural Cooperative Association(48.5%) or a large kimch factory(32.75). College students believe that kimchi is a healthy food and are willing to learn how to make kimchi.

김균진의 신학과 신학적 공헌

김명용 연세대학교 신과대학 2009 신학논단 Vol.56 No.-

Kyun Jin Kim is one of very important modem theologians in Korea. He was president of Korean society of systematic theology and is now president of Korean society for Karl Barth's theology. He has served more than 30 years as professor of systematic theology at Yonsei university. He has made a big impact on Korean theology. I. Kyun Jin Kim' theological characteristics 1. Kyun Jin Kim's theology is a theology of the kingdom of God. Although soul salvation plays a big role in Kim' theology, the kingdom of God is the core of his theology. He has written his doctrine of systematic theology in the light of the kingdom of God. It is the purpose of his theology to establish the kingdom of God on the earth. 2. Kyun Jin Kim' theology is a messianic theology. According to Kim, it is important to know that Christ was the messiah. Kim denies that the concept messiah is interpreted only spiritually. He can be a political messiah, although he doesn't want to rule the world with coercive power. He is the messiah who saves not only our souls, but also the world and the earth. 3. Kyun Jin Kim's theology is a holistic theology. He is not interested in a biased theology. He loves holistic theological view. According to Kim, Korean Min Jung theology lacks this holistic view, although it shows us very important field to establish the kingdom of God. Ⅱ. Kyun Jin Kim's theological contributions 1. Kyun Jin Kim's first theological contribution to Korean theology is his five books of systematic theology. He accomplished his doctrine of systematic theology. His five books of systematic theology can be valued in Korean like Church Dogmatics of Karl Barth. 2. Kyun Jin Kim's theology is very academic. His theology is a very high level theology which can compete with european theologies. It is important to know that european theologians should learn from his theology. 3. Kyun Jin Kim's third theological contribution is his translation of many books of J. Moltmann. He translated into Korean the crucified God, Trinity and Kingdom of God, the Way of Jesus Christ, Sprit of life, the coming God etc. 4. Kyun Jin Kim's forth theological contribution is his contribution to the theology of life. He develops a very high level theology of life in Korea.

견고한 고독의 세계 : Eine vergleichende Studie u¨ber Rilke und Hyon-seung Kim 릴케와 김현승

김재혁 한국독어독문학회 2002 獨逸文學 Vol.84 No.1

Der koreanische Dichter Hyon-seung Kim bekennt sich zu einem erheblichen Einfluß Rilkes auf seine Weltanschauung, insbesondere wegen Rilkes ernsthafter Haltung gegenu¨ber Leben und Kunst. In diesem Zusammenhang steht Kim unter dem starken Einfluß von Rilkes fru¨hen Werken wie Das Stunden-Buch und Das Buch der Bilder. Diese Werke behandeln wichtige Themen, die auch bei Kim ihren Niederschlag finden, das heißt Gott, Einsamkeit und Dichtung. Die Haltung des lyrischen Ichs bei Kim ist der Geba¨rde des lyrischen Ichs in Das Stunden-Buch sehr a¨hnlich. Der russische Mo¨nch in Rilkes Werk spricht aufs Knie fallend vor Gott Gebete, malt Ikonen und schreibt daru¨ber hinaus Verse. Diese fromme Haltung pra¨gt auch die des lyrischen Ich bei Kim. Ferner besteht große A¨hnlichkeit zwischen beiden Dichtern darin, dass die beiden in ihrer fru¨hen Zeit durch Gebet, also aus der Sehnsucht nach Gott, Verse schaffen. Man kann niemals bei Kim von der Einsamkeit im Herbst als literarischer Kulisse sprechen, ohne sich as Rilkes 「Herbsttag」zu erinnem. Trotzdem konnte Kim abda¨mmend gegen Rilkes Einfluß seine eigene Welt dadurch bewahren, dass er an der ihm eigentu¨mlichen Einsamkeit festha¨lt. Sein literarischer Verdienst findet sich dort, wo er mit Hilfe der Dinge und Ausdru¨cke solider Art seine existentielle Einsamkeit zu einem reinen poetischen Thema hat reifen lassen. Kims fester Glaube an die reine Einsamkeit entsprang seit Mitte der 1960er Jahre aus dem Mißtrauen gegen die christliche Gottheit und die fro¨mmelnden Christen. Unter diesen Umsta¨nden hatte er keinen anderen Weg, als nur auf das selbsta¨ndige Ich angewiesen zu sein. Zugleich hat er, wie seine Gedichte 「Absolute Einsamkeit」 und 「Solide Einsamkeit」zeigen, seine Einsamkeit positiv verarbeitet und ihr so einen Sin gegebenletzten Endes zu einer Ewigkeit, anders als Rilke, der auf jeden Fall seine Einsamkeit nur als Vorraussetzung fu¨r das Dichten betrachtet hat. Gerade hier hebt sich die originelle Seite der Einsamkeit von Kim gegen Rilke ab. In Hinsicht der sprachlichen Behandlung grenzen Kims Gedichte der absoluten Einsamkeit an Rilkes Dinggedichte in Neue Gedichte . Dieses Resultat ergibt sich daher, dass Kim seine dichterische Sprache wie ein Steinmetz meißelt, so dass er seine bloße Idee mit den soliden Ausdru¨cken bekleidet. Und dass Kim auf der Suche nach poetisch solider Gestaltung immer wieder auf sprachliche Pra¨chtigkeit und gefu¨hlvolles Pathos verzichtet hat, also dass er nach der "Poetischen Nu¨chternheit" gestrebt hat, bringt ihn noch mehr in die Na¨ch von Rilkes Dinggedichten. Aber Kim kehrte endgu¨ltig zu dem christlichen zuru¨ck, nachdem er Bluthochdruck erlitten hatte. Nach diesem Zwischenfall bereute er, dass er bisher - Gott aus dem Blick verlierend - zu dichterisch geneigt war. Natu¨rlich kann man auch in der literarischen Phase, wo er nur die absolute Einsamkeit verfolgt hatte, eine grundlegende Haltung mit Pra¨gung durch das christliche Ethos finden, Dies bedeutet, dass zu ihm die Einsamkeit eine Art Religion war. Also war seine Einsamkeit ein Prozess des christlichen Selbsterwachens. Wenn man die Tatsache in Betracht zieht, dass fu¨r ihn der Prozess der Einsamkeit eine Forsetzung des Dichtens war, so scheint seine Einamkeit ihr eigenes literarisches Dasein gefu¨hrt, moderne menschliche Bedingungen untersucht, und dadurch fu¨hlten sie sich menschlich gesteigert.

무용 상해 및 재발 예방을 위한 Kim's Body conditioning Program

김양근(Yang Keun Kim) 한국무용과학회 2009 한국무용과학회지 Vol.18 No.-

본 연구의 목적은 상해 경험이 있는 무용수가 Kim's body conditioning program 후 무용동작 수행 시 무용수의 신체 움직임 느낌을 통해 프로그램의 효과를 규명하고자 하였다. 본 연구의 목적에 따라 연구대상자들은 2007년 ADF(America Dance Festival)에 참석한 무용수들 중 Kim's body conditioning program 수업에 참석한 60명 중 6주간 수업에 결석하지 않은 31명을 대상으로 설문조사를 실시하였다. 연구 대상자들의 평균 연령은 22.06(±1.590)이며, 무용경력은 3년 미만이 54.8%로, 3년 이상이 38.7%이다. 조사 설문 내용은 무용전문가 3명과 의학전문가 1명, 설문조사 전문가 1명 등 5명으로 구성되어 설문조사 문항을 위해 협의, 의논하여 문항들을 선택하였으며, 자료 분석 방법으로는 기술통계의 빈도분석과 X2 분석 방법이 사용되었으며, 분석결과는 다음과 같다. 첫째, 전체적인 움직임에 대해 Kim's body conditioning program 수행 후 무용동작 수행 시 보다 편안함을 느낄 수 있으며, 원활하게 움직일 수 있다는 것으로 응답하였다. 둘째, 무용의 기본 동작에 대해 기본 브러쉬(brush) 동작, 그랑 바뜨망(grands battements) 동작, 데벨로뻬 (develope) 동작, 쁠리에 (plie) 동작, 아라베스크(arabesque) 동작에서 움직임 수행 시 편안함을 느꼈으며, 관련된 근육들에 움직임에서 원활하게 움직일 수 있었다고 응답하였다. 셋째, 무용수들의 Kim's body conditioning program 평가에서 이 프로그램은 전체적인 근력 및 하지의 유연성을 강화할 수 있다고 응답하였으며, 무용 동작 수행 시 움직임에 도움을 줄 수 있는 것으로 무용수들에게 도움이 된다고 응답하였다. 또한 이 프로그램이 무용수들뿐만 아니라 비전공자들에게도 필요한 프로그램이 될 수 있다고 응답하였다. 그러나 무용 표현 기술적인 측면에서는 높은 동의를 얻지 못했다. 이와 같은 결론을 통해 Kim's body conditioning program이 상해를 가진 무용수들에게 재활의 프로그램 중 하나로 제시될 수 있다. The purpose of this study was investigating about previously injured dancers' execution of movements and comfortableness after Kim's body conditioning program. 31 participants joined the six weeks of ADF of the year 2007 after undergoing Kim's body conditioning program. Contents of research were examined by three dance expertise, one medical doctor, and one research expertise. Frequency of descriptive statistics and X2 were used to analyze the collected data. The results were as follows. First, the 31 participants answered they were comfortable executing their movements and greater control over their muscle movements after Kim" body conditioning program. Second, they responded that they could comfortably execute their basic movements then previous to participating in Kim's body conditioning program and move their muscles more readily. Third, after undergoing Kim's body conditioning program, the participants answered Kim's body conditioning program can improve muscular power, become more flexibleness and help execution of movements. In addition, Kim's body conditioning program can help people who are not dance major. Kim's body conditioning program, however, cannot improve executing difficult dance movements. In conclusion, Kim's body conditioning program could be a rehabilitation program for previously injured dancers.

1886년 일본망명자 김옥균 유폐의 전말과 그 원인

김성혜(Kim, Sung-hyae) 고려대학교 아세아문제연구소 2015 亞細亞硏究 Vol.58 No.3

갑신정변에 실패한 김옥균 등이 일본으로 망명한 이후, 조선정부는 이들을 역적으로 간주하고 김옥균의 본국 송환을 위해 노력해 나갔다. 이러한 조선정부와 달리, 일본정부는 국사범을 보호해 일본의 인도적 행동을 드러내고 조선과의 협상카드로 김옥균을 이용하고자 했다. 따라서 번번이 일본국내법과 만국공법, 그리고 조일간 범죄인인도조약의 부재를 이유로 조선정부의 김옥균 송환 요구를 거절했다. 그렇지만 일본정부의 김옥균 비호 방침은 오사카사건 관련자들의 김옥균에 대한 회유 모색이 발각되고 조선정부가 장은규와 지운영을 파견해 김옥균을 암살하려 하면서 변화되었다. 이로 인해 김옥균의 일본체류가 일본국내 치안을 불안하게 만들고 외교 분쟁의 빌미를 제공한다는 사실이 표면화 되었기 때문이었다. 그러자 일본정부는 김옥균문제를 해결할 방안을 강구했는데, 공교롭게도 이때 스스로를 지키고자 한 김옥균의 행동이 일본정부를 더욱 자극했다. 일본정부는 1885년까지 망명 국사범의 보호라는 명분과 대조선 정책에서의 활용이라는 실리를 모두 얻고자 김옥균의 일본체류를 묵인했다. 그렇지만 점차 조?청 양국의 반복적인 송환 요구와 일본내 반정부세력과의 연계, 암살자들의 도일 등으로 김옥균을 내치외교의 걸림돌로 판단하게 되었다. 결국 일본정부는 김옥균의 공식적인 신변보호 요청을 계기로 추방을 결정해 오가사라와에 유폐시켰다고 하겠다. The Korean government had constantly promoted the repatriation of political asylum in Japan like Kim Ok-kyun(金玉均) who led a failed coup and fled to Japan. At that time, the Korean government recognized Kim was a threat to the regime and made the feelings of the people disturb. However, the Japanese government opposed the Korean government for they permitted Kim’s residence in Japan. By the way, the Japanese government’s policy had changed because of the discovery of the Osaka plot(大阪事件) with Kim Ok-kyun and an assassin dispatched by the Korean government. The Japanese government had to prevent a coup by the opposition with Kim Ok-kyun or the assassins would kill Kim in Japan. Therefore, the Japanese government had decided on Kim’s deportation from Japan because of the obstacles in diplomacy and sedition. Then Kim had consulted his personal problems with an Englishman belonging to the judiciary of Japan and moved to a hostel of France concession in Yokohama, leaving Tokyo. Kim then sued Ji un-yeong(池運永) in court. In addition, Kim asked for personal protection and asylum in Russia from the Speyer of Russian consul in Japan. However, Kim Ok-kyun’s formal request for personal protection antagonized the Japanese government and made his expulsion one of force. As a result, Kim Ok-kyun was confined to Ogasawara(小笠原) Island.

김북원(金北原)의 문학사적 복원과 해방기 활동 연구

김진희 ( Kim Jin-hee ) 한국문학연구학회 2019 현대문학의 연구 Vol.0 No.68

남북한 문학사에서 김북원에 대한 소개 및 평가는 해방 전 문학성과를 봉인한 채, 한국 전쟁기 이후의 성과에 집중되어 왔다. 이는 해당 작가의 자료를 남한과 북한이 비교 논의하지 않았기 때문이다. 이에 본 연구에서는 김북원의 해방 전 문단 활동이 비교적 일찍부터 시작되었음을 필명을 찾아 밝히고 창작의 영역이나 경향 역시 다양했음을 자료 발굴 및 제시를 통해 논의함으로써 김북원에 관한 전체적 연구의 토대 마련을 시도했다. 그간 남한의 아동문학사에서 『별나라』에 실린 아동소설 및 동시의 작가로 알려진 필명 ‘북원초인’이 김북원임을 북한의 아동문학사와 비교하고, 1930년대 김북원의 농업학교 재직 경험 등을 통해 밝혔다. 그리고 소설로 알려진 「완구」가 꽁트임을 밝혔고, 『삼천리』에 추천된 「유랑민」이라는 소설을 통해 김북원이 당대 노동자로 전락하는 농민의 삶을 핍진하게 그림으로써 이후 북한문단에서 농촌작가라는 평가의 단초를 읽을 수 있었다. 『신인문학』이나 『시인춘추』 등에 발표한 김북원의 시를 최초로 소개했고 1930년대 후반 『맥』과 1940년대 『시현실동인』으로서 초현실주의와 포르말리즘의 작품 창작 및 이론을 고찰함으로써 1930년대 초반 초현실주의 및 모더니즘을 이론적, 지역적으로 확장하여 만주모더니즘을 선도한 작가임을 밝혔다. 1943년까지 초현실주의 시의 창작방법론을 시도했던 김북원은 해방기에는 북한 문단의 정책과 변화하는 현실의 요구에 맞는 작품들을 창작했다. 김일성에 대한 찬양을 기본 골자로 하면서, 농촌의 토지개혁, 빨치산 전투에 참여한 영웅적 주인공, 노동 현장의 변화, 소련과의 친선 등 북한의 중요한 이슈들을 시화했다. 이상과 같은 논의를 통해 식민지 시기와 해방기 이후 김북원의 문학 활동의 연속성을 확보함으로써 남북한 문학사에서 김북원에 관한 전체적인 평가의 토대가 구축될 수 있었다. In the history of North and South Korean literature, the introduction and evaluation of Kim Buk-won has focused on the achievements after the Korean War, sealing the literary achievements before liberation. This is because both South Korea and North Korea did not discuss comparative resources of the author. In this study, research on Kim Buk-won was attempted for the first time by unveiling that Kim Buk-won’s preliberation literary activities had started relatively early by finding his pen name, and by discussing that his creative territory or tendency were also diverse through data supplement. This study uncovers that the author of children’s stories and poetry published in The Land of Stars (별나라 Byeolnara) in the history of children’s literature in South Korea, under the pen name “Buk-won-cho-in” was in fact Kim Buk-won by comparing Kim’s identity with the history of children’s literature in North Korea, and through Kim’s experience working in agricultural school in the 1930s. Moreover, I uncover that the work, Toy (Wan-gu) that was known as a novel, was in fact a conte (short story), and was able to read the start of the assessment of Kim Buk-won as an agricultural writer in the North Korean literary circle after depicting the lives of farmers turning into laborers in the novel Nomads (Yurangmin), which was nominated in The Land of Korea (삼천리 Samcheolli).Kim Buk-won’s poetry, which was published in New Face of Literature (신인문학 Sininmunhak) or Spring and Fall of Poets (시인춘추 Siin chunchu), was first introduced and discussed in this study. By reviewing the creation and theories of Maek in the late 1930s and ‘Poetry Reality Coterie’ in the 1940s, it became possible to evaluate that Kim was a writer led Manchurian Modernism, by theoretically and geographically expanding surrealism and modernism in the 1930s. Kim Buk-won, who tried to create surrealistic poetry creative methodology by 1943, created works that fit the policies of North Korean literary circles and the demands of changing reality. With the praise of Kim Il Sung as the basic framework, he has poeticized North Korea’s major issues such as land reform in rural areas, the heroic protagonist who participated in the battle of partizan, changes in the workplace, and goodwill with the Soviet Union. Through these discussions, I believe that securing of the continuity of Kim’s literary activities after the colonial period and the liberation period, and the complete description of the history of literature in North and South Korea became possible.

김우진 시의식 고찰

김낙현(Kim, Nak-hyeon) 한국비평문학회 2018 批評文學 Vol.- No.69

본고의 목적은 김우진의 시의식의 전개양상을 살펴보는데 있다. 김우진의 시의식은 ‘유교적 전통에 대한 거부와 순응의 태도’, ‘새로운 세계에 대한 동경과 열망’, ‘죽음의식과 그 역설적 의미’ 등으로 전개된다. 기존의 연구에서는 가부장적인 부친의 엄격한 태도와 일본 유학시절 김우진이 심취했던 표현주의 영향에 의해, 그가 유교적 전통과 인습에 대한 강한 저항과 거부의 태도를 보인 것으로 논의하였다. 그러나 전통과 인습에 대한 김우진의 태도를 단선적으로 저항과 거부의 태도만으로 설명할 수 없는 한계가 있다. 오히려 여러 작품과 일기 등에서 유교적 가정에서 장남으로 태어난 김우진은 유교적 도리를 실천하려는 태도를 보인다. 자아와 세계 사이에서 끊임없이 갈등했던 김우진은 특히 자신의 꿈의 원천이었던 어머니라는 매개체를 통해 새로운 세계로 나아가려는 시의식을 드러낸다. 5살 때 여읜 어머니에 대한 그리움과 동경은 김우진을 더욱 더 새로운 세계에 대한 동경과 열망으로 이끄는 강렬한 기폭제가 된다. 그러나 현실에서 부재한 어머니를 통해 새로운 세계에 도달할 수 없기에, 결국 김우진은 절망으로 치닫게 되며 이는 곧 죽음의식으로 나아가는 결정적인 동인이 된다. 김우진 시에서 죽음이란 단순한 육체적인 생의 마감을 뜻한 것이 아니다. 그의 시에서 죽음이란 곧 새로운 생의 시작이고 그 죽음을 통해 영원한 안식과 구원을 얻을 수 있다는 역설적인 의미를 뜻한다. 이러한 죽음에 대한 김우진의 고고한 역설적 진리는 결국 그가 29세의 나이에 스스로 생을 마감하게 하는 요인으로 작용하였다. 이와 같은 시의식을 살펴보면, 김우진은 희곡작가로 널리 알려져 있지만, 오히려 그의 삶과 문학은 시에서 보다 더 잘 표출되었다. The purpose of this study is to examine the aspect of development on the Kim Woo-Jin’s poetic consciousness. The poetic consciousness of Kim Woo-Jin is unfolded into ‘disapproval and conformity to Confucian tradition’, ‘admiration and longing for a new world’, and ‘the awareness of death and the paradoxical meaning.’ Previous research has suggested that he shows strong resistance and rejection to Confucian tradition and conventions due to his patriarchal father’s strict attitude and the influence of expressionism that Kim Woo-Jin engrossed during his study abroad in Japan. However, there are limitations that Kim’s attitude toward tradition and convention cannot be explained only by his attitude of resistance and rejection. Rather, Kim Woo-Jin, who was born as the eldest son in Confucian families shows an attitude to practice Confucian doctrine in his various works and diaries. Kim Woo-Jin, who constantly conflicted between himself and the world, reveals his poetic consciousness of moving into the new world, especially through the medium of his mother who was the source of his dream. The longing and admiration for his mother, who died when he was five years old, becomes a powerful catalyst for Kim Woo-Jin for a new world even more. However, as Kim cannot reach the new world through her absent mother in real life, he eventually goes to despair, which is the decisive driver of the awareness of death. In Kim’s poem, death does not mean the end of a simple physical life. In his poem, death means the paradoxical meaning that it is the beginning of a new life, and by its death it can obtain eternal rest and salvation. Kim Woo-Jin’s paradoxical truth about death eventually served as a factor that led him to end his own life at the age of 29. Examining his poetic consciousness, Kim Woo-jin is widely known as a playwright, but his life and literature are better expressed in poetry.