소음인 乾癬 患者 (3-p.228)

최석훈 체형사상학회 2006 체형사상학회지 Vol.- No.4

Prepare of PU-RGO composite and changing properties of chain extender

최석훈,허훈,이지현,박성진,소대섭 한국공업화학회 2016 한국공업화학회 연구논문 초록집 Vol.2016 No.1

Recently, electronic and smart devices have been faced on heat dissipation problems. Polyurethane has been known as a polymeric material that has good mechanical strength so it has been widely used as adhesive, film, and etc. In order to be used as heat dissipation for electronics devices, PU/graphene composite materials has been widely studied. In this work, we synthesized PU-RGO composites by chemical method to improve both thermal conductivity and mechanical properties. We observed chemical structure, morphology, thermal properties and adhesion strength of PU-RGO composites with various type of chain extender.

Utility of QuantiFERON-TB In-Tube Test for Differentiating Active Tuberculosis from Latent Tuberculosis Infection in an Intermediate Burden Country

최석훈,Bum Sik Chin,Sang Hoon Han,Han Sung Lee,Chang Oh Kim,Su Jin Jeong,Hee Kyung Choi,Myung Soo Kim,Jun Yong Choi,Young Goo Song,June Myung Kim 대한감염학회 2008 Infection and Chemotherapy Vol.40 No.6

Background : The aim of the present study was to assess the contribution of a QuantiFERON-TB Gold In-Tube test (QFT-IT) in differentiating active tuberculosis (TB) from latent tuberculosis infection (LTBI) by quantifying interferon-γ levels. Materials and Methods : We retrospectively reviewed clinical records of 314 patients older than 15 years who had performed QFT-IT between July 2006 and August 2007 at a tertiary care teaching hospital. Results : Subjects with active TB (n=81, culture confirmed active TB in 40 subjects) and LTBI (n=76) were included. Mean±SD IFN-γ levels were 4.96±3.98 IU/mL (range -0.08-10) for all subjects with active TB, 4.54±4.05 IU/mL (range -0.08-10) for culture confirmed active TB, and 4.11±3.57 IU/mL (range 0.35-10) for subjects with LTBI. The quantitative results of QFT-IT on IFN-γ levels between all the subjects with active TB and those with LTBI were not statistically significant (P=0.16). The result was similar when compared between those with culture confirmed active TB and those with LTBI, showing little statistical significance (P=0.554). Conclusion : The production of IFN-γ measured by QFT-IT showed no correlation between its level and the activity of Mycobacterium tuberculosis infection. These results suggest that measuring IFN-γ using QFT-IT might not be useful for distinguishing active TB from LTBI. Background : The aim of the present study was to assess the contribution of a QuantiFERON-TB Gold In-Tube test (QFT-IT) in differentiating active tuberculosis (TB) from latent tuberculosis infection (LTBI) by quantifying interferon-γ levels. Materials and Methods : We retrospectively reviewed clinical records of 314 patients older than 15 years who had performed QFT-IT between July 2006 and August 2007 at a tertiary care teaching hospital. Results : Subjects with active TB (n=81, culture confirmed active TB in 40 subjects) and LTBI (n=76) were included. Mean±SD IFN-γ levels were 4.96±3.98 IU/mL (range -0.08-10) for all subjects with active TB, 4.54±4.05 IU/mL (range -0.08-10) for culture confirmed active TB, and 4.11±3.57 IU/mL (range 0.35-10) for subjects with LTBI. The quantitative results of QFT-IT on IFN-γ levels between all the subjects with active TB and those with LTBI were not statistically significant (P=0.16). The result was similar when compared between those with culture confirmed active TB and those with LTBI, showing little statistical significance (P=0.554). Conclusion : The production of IFN-γ measured by QFT-IT showed no correlation between its level and the activity of Mycobacterium tuberculosis infection. These results suggest that measuring IFN-γ using QFT-IT might not be useful for distinguishing active TB from LTBI.

ARIA 암호 알고리즘을 이용한 원격측정 시스템 암호화 기법

최석훈,이남식,김복기 한국항행학회 2020 韓國航行學會論文誌 Vol.24 No.2

Telemetry system is a communication system that measures and transmits various signals in the aircraft to the ground for collecting and monitoring flight data during the development of unmanned air vehicle and satellite launch vehicles. With the recent development of wireless communication technology, it is becoming important to apply encryption of telemetry system to prepare with security threats that may occur during flight data transmission. In this paper, we suggested and implemented the application method of ARIA-256, Korean standard encryption algorithm, to apply encryption to telemetry system. In consideration of the block error propagation and the telemetry frame characteristics, frame is encrypted using the CTR mode and can apply the Reed-solomon codes recommended by CCSDS. ARIA algorithm and cipher frame are implemented in FPGA, and simulation and hardware verification system confirmed continuous frames encryption. 원격측정 시스템은 무인기, 위성 발사체 등의 비행체 개발과정에서 비행 데이터 수집과 모니터링을 위해 비행체 내 다양한 신호를 계측하여 지상으로 전송하는 통신시스템이다. 최근 무선통신 기술의 발전으로 비행 데이터의 전송 과정에서 일어날 수 있는 보안 위협에 대응하기 위해 원격측정 시스템의 암호화 기술 적용은 중요해지고 있다. 따라서 본 논문에서는 원격측정 시스템의 암호화 적용을 위해 국가 표준 암호 알고리즘인 ARIA-256의 적용 방법을 제안하고 구현하였다. 블록 오류 확산과 원격측정 프레임의 특성을 고려하여 CTR (counter) 모드를 응용하고, 위성통신 표준화 기구(CCSDS)에서 권장하는 리드솔로몬 코드를 적용할 수 있도록 프레임을 구성하여 암호화하였다. ARIA-256 알고리즘과 암호 프레임은 FPGA(filed programmable gate array)로 구현하였고 시뮬레이션과 하드웨어 검증 시스템을 통해 연속성 있는 프레임의 암호화를 확인하였다.

From Rite of Passage to Rite of Sacrifice: Modern Oedipus and Dysfunctional Family in Polly Stenham’s That Face

최석훈 한국영미문화학회 2015 영미문화 Vol.15 No.2

The paper reads Stenham’s debut play That Face as a tragedy of ritual paucity in contemporary society and its impact on youth. While no serious scholarly research has been conducted on the play so far, several critics have reviewed That Face in light of Oedipus complex. While the mother-son relationship is central to the plot and it is possible to see their bond as incestuous, too much focus on the sexual aspect of the play led the critics to overlook it’s ritual dimension. Instead of limiting the analysis to the theme of incest, the essay compares the play with Sophocles’ Oedipus Rex to examine the young protagonist’s abjection and self-sacrifice in ritual terms. This comparative analysis begins by challenging the two major traditional interpretations of the Attic tragedy based on Aristotle’s Poetics and Sigmund Freud’s The Interpretations of Dreams, which still influence the scholarly and popular understanding of the Oedipal myth. A close textual analysis reveals that the fall of Henry, the 18-year-old boy taking care of his mother suffering from alcoholism and a mental disorder by himself, does not derive from his hamartia, often translated as ‘error of judgment’ or ‘moral flaw,’ or incestuous desire for her. Rather, his tragic fate is caused by his irresponsible parents and the family’s poor ritual condition; he is not an immoral hero seeking to take the bed of his father but an innocent scapegoat that sacrifices his life and dreams to care for his mother. Without any proper rite of passage that should transition him into adulthood, the critical period of his late-teen life becomes his rite of sacrifice.

Si 기판에 주입된 Boron , BF2이온이 RTP법에 의한 Titanium-Silicides 형성에 미치는 영향 ( Effects of Boron , BF2 ions Si Substrates for the Titanium-Silicides formation vy RTP method )

최석훈,최진석,백수현 대한전자공학회 1989 대한전자공학회 학술대회 Vol.1989 No.11

Desire, Affect, and Becoming: A Deleuzian Reading of A Streetcar Named Desire

최석훈 한국영어영문학회 2019 영어 영문학 Vol.65 No.1

The paper attempts a revisionary analysis of Tennessee Williams’ A Streetcar Named Desire by focusing on the positive aspect of desire in light of Gilles Deleuze and Félix Guattari’s postmodern philosophy of affect and becoming. While the critical interpretation of the play has tended to revolve around Blanche and Stanley’s conflict in terms of binary oppositions, their similarities—sexual and alcoholic indulgence, for instance—and the complexity of their characters challenge such a schematic reading. Inconsistent and often similar to each other, the characters of Streetcar are non-hierarchical and anti-essentialist entities—what Deleuze and Guattari call ‘desiring machines’—whose differences are only a matter of degree or intensity. Driven by desire, they affect and are affected by each other while making new connections and reconstituting old ones as they become something else. Rather than dramatizing a clash between different individual beings and the destructive consequences of desire, Streetcar is a play of becoming that attests to the productive and revolutionary potential of desire. Blanche’s relations with the other characters ultimately lead to the deterritorialization of the French Quarter and destabilize old ties that kept them dependent on or even subject to others. In this respect, the play celebrates body’s infinite potential to affect and be affected and produce real consequence as a play of anti-fascism. The play’s politics of becoming, evinced by Williams’ nuanced portrayal of the characters, challenges us to imagine new possibilities of identity and relationship in postmodernity.

『21세기 초 미국무대 위의 여성의 목소리: 사라 룰과 동시대 여성 작가들』

최석훈 명지대학교(서울캠퍼스) 인문과학연구소 2015 인문과학연구논총 Vol.36 No.1

소양인 癊疹 患者

최석훈 체형사상학회 2007 체형사상학회지 Vol.- No.14

하와이 폴리네시아문화센터 공연 Ha: Breath of Life에 나타난 생태정치학

최석훈 동국대학교 영어권문화연구소 2019 영어권문화연구 Vol.12 No.3

In this paper, I discuss the ecopolitical and dramaturgical significance of Ha: Breath of Life, a popular show performed daily at The Polynesian Cultural Center in Oahu, Hawai’i, focusing on the show’s central motif of ‘journey.’ Featuring traditional Polynesian music and dances, the play represents a family’s migration in the Pacific region caused by a volcanic eruption. During their sojourns in the six islands of Tonga, Hawai’i, Aoteora, Samoa, Tahiti, and Fiji, the family enjoys the hospitality of local communities and learns about their cultural traditions. From an ecocritical point of view, the repeated sequence of the family’s migration and peaceful integration into a foreign culture showcases a sound engagement with the environment. Rather than conquerors or masters of the new environment that they encounter, the family humbly tries to blend into the new environment and respectfully follows the existing custom of local community as temporary guests. In light of the colonization history of Hawai’i and the ecological crisis fundamentally caused bythe human belief in their superiority to other creatures on the planet, there is much to learn from this attitude of ‘temporary guest.’ In addition to its ecopolitical value, Ha: Breath of Life deserves particular attention due to its dramaturgical significance as an American drama. The show’s sensual and technique-oriented representation of Polynesian cultures and the central theme of ‘ohana’ (universal family) not only widen the spectrum of diversity but also challenge the dominant model of realist family drama in modern American theatre.