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      • 身體의 柔軟性 및 瞬發力과 成長狀態와의 聯關 : 女子大學生을 中心으로

        權永玉 충남대학교 자연과학연구소 1976 學術硏究誌 Vol.3 No.2

        The present study was performed to see whether the growth of height and weight can be the condition of variety of flexibility and power. Chungnam Kational University students were chosen as objects for this study. Total number of objects were 130, who had been randomly selected. The followings can be presented as main findings of this study: (ⅰ) No significant relationship Iq-as shown between heigt and flexibility, or height and power. (ⅱ) No signifiacnt relationship between weight and power, or weight and flexibility. (ⅲ) No significant relationship between flexibility and power. (ⅳ) Significant relationship appeared between flexibility and physical size. (ⅴ) No significant relationship between power and physical size.

      • 초등학교 무용교육과정 운영 실태에 과한 연구

        권영옥,김영미 忠南大學校體育科學硏究所 1997 體育科學硏究誌 Vol.15 No.1

        The purpose of this study was to investigate the actual curriculum management of dance education in elementary school. For the purpose of this study, the questionnaires were given 268 male and female elementary school teachers in Taejon as the subjects to examine the variables in this study. Collected data through the self-administered questionnaires were analyzed by statistical methods such as crosstabulation analysis with Chi-square tests. Major findings in this study were summarized as followings : First, most teachers recognized that dance education was necessary for the students to enchance self-expression and balanced body in elementary school. But the teachers did not desire curriculum in dance education and most elementary school had no professionals of dance education. Second, most teachers managed dance classes on the basis of temporal conditions rather than dance education curriculum. And the teachers had the lack of understanding of the knowledge about the present standard curriculum of dance education in elementary school. Third, most teachers evaluated students by means of observation methods and emphasized creativity and expression in evaluation of dance education rather than objective self-criterion, frequencies of participation in the class, and improvements between pre and post class. Fourth, even though there were no significant differences according to student's grades. teachers who teached low grades students emphasized more imitative expression and extemporaneous expression, while teachers who teached high grades ones put imaginary expression the first in the importance of dance education. And most teachers used children's song in dance music for low grade students, while modern light music for high grade students. Fifth, most elementary school had inadequate and insufficient facilities and equipments for dance education, and visual materials were more frequently used in low grade class than in high grade class.

      • KCI등재
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        노천명시에 나타나는 고독의 변모 양상

        권영옥 한국여성문학학회 2011 여성문학연구 Vol.26 No.-

        이 논문은 노천명이 섬세하고 절제된 일상적인 삶과는 달리, 구원으로서의작가의식과 명예의식적 삶에 대해서는 절제되지 못한 것으로 평가된다. 이는노천명 스스로가 작가의식의 짐을 지고 있기 때문이며, 타자를 기준점으로 두고 있는 세상의 시선에 대한 저항의식을 갖고 있기 때문이기도 하다. 이런 것들이 노천명 시의식의 부정적인 한 정서로 작용하여 고독 속에 갇히게 되는이유이다. 노천명의 시에서 고독은 작가의식에 의한 결핍으로서의 나르시시즘적 고독과 신체적 고통으로 인한 고독과 죽음으로 나타난다. 이를 통해 노천명은 고독의 탈피로서 타자를 향한 초월에 어떻게 이르게 되는지 규명하는데 그 목적이있다. 근대 이후 실존적 고독은 타자 속에서 주체가 주체로서 자신의 존재를 확립해 가는 과정을 말한다. 그러나 본 연구인 노천명의 고독은 존재자인 주체가타자와의 관계에서 존재성을 내안에 필연적으로 갖고 있는 걸 의미한다. 이때주체는 흐르는 현재의 존재를 포획하고 홀로서기로서 자신 안에 얽매이게 되는데, 이때 주체의 실존이 그 자신에게 속한 무게를 극복하기 위한 것이라고할 수 있다. 노천명의 고독에 대한 논의는 지금까지 꾸준히 이루어져 온 편이다. 그러나소재적인 측면에서 다루었기에 피상적인 것에 머물거나 전체로 끌어올리지 못한 한계를 보인다. 본고는 선행연구의 성과를 받아들이고 한계를 지양하여 노천명의 시 전체를 통해 고독의 변모를 알아보았다. Ⅱ장은 고독의 형성과정과의미를 살피는 장이다. 여기서 노천명 시에 나타나는 고독 중 하나는 결핍에의해 형성된다. 이때 고독은 성의 정체성 혼란, 세속적인 이유, 작가 의식에 기인한다. 이는 자아의 이중성과 불만의식을 드러내는 것으로서 주체는 타자와화합하지 못한 채 고독의 비극성 속에 갇힌다. Ⅲ장에서 하나는 우울과 의기소침의 반어적 의미로 결핍에 의한 나르시시즘적 고독에 대해 규명했다. 또 하나는 신체적 고통으로 인한 고독과 죽음에 대해 규명해 보았다. 여기서는 전기적사실, 부역, 조실부모에 대한 고독과 죽음의식이 깔리게 된다. 노천명의 죽음의식은 오랜 신체적 고통에 의해 강박증을 낳을 수 있다고 과정하면, 이런 강박증 속에는 죽음욕동과 연결된 삶의 욕동에 의해 주체는 고독에서 벗어나고타자 속으로 나아가게 된다. 이로써 노천명시에서 고독은 타자에 의해 갇히고자신 안에 있는 삶의 욕동에 의해 타자를 맞아들이고, 타자에게로 나아가게 된다. Ⅳ장에서는 고독의 탈피로서 초월을 규명해 보았다. 이는 하나의 존재양식에서 다른 존재 양식으로의 이행을 뜻한다. 즉, 의식의 차원에서 인식의 차원인 신에게 의탁을 의미한다. 이때 신의 섭리는 인간의 역사 속에서 타자들에대한 경외를 통해 실현된다. 타자들은 나뭇잎, 호수의 물결, 낯선 타인의 열굴등으로 존재한다. 이처럼 정화된 타자의 얼굴은 윤리적 질서를 전달하는 ‘그무엇에 이르게’ 되는 것과 연결되어 타자들의 ‘정신 부활’을 나타낸다. 따라서 노천명의 고독에 관한 문학적 의의는, 노천명이 타자와 관계의 흐름에서 단절되어 있다가 정신적 부활을 통해 다시 타자로 향하는 것이다. 이는고독에 대한 속죄양을 의미하며, 속죄양은 아가페적 문학관을 형성하게 된다. 아가페적 문학관은 인간이 하느님께 보내는 사랑처럼 타인의 얼굴에서 신의섭리가 작용하는 것을 의미하는 것이다. In this study on the poetess of Roh Cheonmyeong, writer selfperception as means of salvation from her ordinary life which was delicate and temperate, and her self-honored life within a male chauvinistic society could not be restrained. Therefore she became to shoulder a burden of self as a writer and further embrace consciousness of resistance against the eyes glued to the other side that has always been centered around. All the things above had a sort of negative influence on her emotion only to put her behind the bars of loneliness. Solitude as shown in Roh Cheonmyeong’s poems comes to being narcissistic loneliness resulted from the lack of writer selfawareness and self concept, and lonesomeness and ultimately death due to her physical pain. The purpose of this study is as well to closely examine how molting out of solitude led to transcendence toward the other side. Existential solitude after modern era means the process which the subject undergoes and establishes self-existence as a main body. In this study, however, it means that the subject that is an etant or existant as to Rho cheonmyeong’s solitude inevitably contains existence inside my being. Then the subject seizures the present flow of existence to be fettered inside self by stand-alone,which means the subjective existenz manages to overcome weight caused by belonging to the self. Solitude from Roh Cheonmyeong has rather been consistently discussed until now. By being dealt in terms of material, its limit has been reached because it appeals to a superficial thing or is not raised as a whole. Transfiguration of Roh Cheonmyeong’s solitude has been studied throughout her poems while accepting the outcome of the precedent studies and rejecting the previously mentioned limit. In this context, chapter II examines the formation procedures of her solitude and its meaning. A type of solitude shown in the Roh Cheonmyeong’s poems hereto is built from dearth. Solitude in this perspective comes from sexual identity,disorder, earthly excuse, and writer self-perception. It reveals duplicity in self and dissatisfaction so that the subject is shut in tragedy of solitude while not being incorporated with another. In chapter III is closely examined the one, that is narcissistic solitude due to deficiency by ironic means of melancholy and depression. The other to be investigated is solitude and death resulting from her physical pain. At this point, fear for loneliness and death that comes from her biographic facts, compulsory labor and parents'death in her early life falls on her poems. Death is generally located outside cognition so that you may not discuss it in death status. Through the perspective of poetic consciousness, however, assume that Roh Cheonmyeong’s concept of death could bear obsessive compulsive disorder due to very long-time physical pain, then the subject caught up with such disorder cannot but escape from solitude and move forward into the others by means of Lebenstriebe linked with Todestriebe. Hereby the others lock solitude in as known in Roh Cheonmyeong’s poems, and Lebenstriebe within self makes it welcome and greet another to eventually make progress toward the others. Chapter IV makes a close inquiry into transcendence as escape from solitude. It means transition from one mode of being to another and also from survival in the restricted space to mode of being in the unrestricted space, which means transition from dimensions of consciousness to trust in god which belongs to dimensions of cognition. Then in the history of human beings Divine Providence comes true through in awe of the others. The others exist in such the forms as leaves,wave on a lake, stranger’s face, etc. These purified faces of the others connect to the thing that ‘gets to something’ that transfers ethics order so as to indicate ‘resurrection of their consciousnesses’. The significance of Roh Cheonmyeong’s solitude themed literature consists in that Roh Cheonmye...

      • 胴體回轉에 따른 上肢運動의 變化에 關한 硏究

        權永玉,洪盛杓 忠南大學校體育科學硏究所 1987 體育科學硏究誌 Vol.5 No.1

        To study the good movement state of the trunk twisting and the segment of the upper limbs to get the correct logn throwing distance, the author got the kinematic changing elements of the upper limbs movement by the screen analysis of the displacement, and the movement velocity of joints, angles of joints, spending hours, and the wheel tracks, selecting the skilled and the unskilled. 1. In the throwing at his position, when the trunk twisting was great, the shifting distance of the joints was longer, and had the natural track in which ending was gentle. 2. The vertical movement of the body had a deep relation with the trunk twisting in the throwing movement. 3. When the trunk twisting was very slow, the direction of the joint track was direct opposite to the quick twisting. 4. The time each track got out of the body and the shifting distance of the slowest joint velocity by the trunk twisting of the skilled, vertical shift, and the enlargement of the angle of joints coincided. 5. The spending hours of the throwing movement became longer as the trunk twisting was big, and the slowest joint velocity which preparing time is ended in the throwing movement was in the position around 60% of the total spending hours. 6. In the skilled person the appearing of the slowest velocity of each joints coincided among joints, and brought the late half velocity rising at the slower velocity (skilled : 5m/sec, unskilled : 9m/sec) comparing the unskilled person. 7. The time of the late half velocity rising and shifting distance had a deep relation with the velocity of a ball when it was released.

      • 체육의 생활화에 관한 비교연구 : 大田과 서울의 女大生을 中心으로 Comparison of Chungnam National University Women with Seoul National University Women

        權永玉 충남대학교 자연과학연구소 1978 學術硏究誌 Vol.5 No.2

        The present study was performed to see the rate of taking pleasure in sports and to see whether there are mutual relations in facts of physical culture. Chungnam National University Students and Seoul National University Students were chosen as objects for this study. Total number of objects were 280, who had been ramdomly selected.

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