국내 미술치료 대학원 석, 박사 교과과정 현황 및 인식에 관한 연구

최선남(Sun-Nam Choi),이계희(Ke-Hee Lee),황현주(Hyun-Ju Hwang),김선희(Sunhee K Kim) 한국미술치료학회 2022 美術治療硏究 Vol.29 No.6

본 연구는 국내 미술치료 전공 대학원 교과과정의 현황을 조사하여 미술치료학의 정체성 형성과 미술치료사 교육 및 훈련을 위한 기초 자료로 사용하기 위한 목적으로 수행되었다. 이를 위하여 국내 미술치료 석/박사과정이 개설된 대학을 중심으로 석사 수료생 및 졸업생, 박사 재학생, 수료생 및 졸업생을 대상으로 설문조사를 실시하였다. 2022년 2월 26일부터 3월 10일까지 네이버 폼을 통해 설문을 실시하였으며, 석사용 설문 143부, 박사용 설문 77부의 자료를 최종 분석에 활용하였다. 설문 응답자의 기본적 인적사항, 미술치료 교과과정, 교과 운영 환경 및 만족도를 분석한 결과는 다음과 같다. 미술치료 전공 대학원이 일반대학원, 전문대학원, 특수대학원 등으로 다양하게 개설되어 이수학점의 기준이 상이하였다. 미술치료 교과과정에 대해 응답자들은 높은 만족도를 보여주었는데, 교재, 교수자의 수업 진행, 교과목 항목이 높은 만족도를 나타내었다. 졸업 후 수강을 원하는 과목에서 박사과정 응답자는 치료사의 자기돌봄과 자기분석 과목을 중시하였고, 석사과정 응답자는 발달재활서비스 관련 과목에 대한 요구가 높았다. 이러한 결과를 바탕으로 미술치료 교과목에 대한 기초연구가 학문에 미치는 영향에 대해 논의하였다. The purpose of this study was to investigate the current status of the graduate school curriculum for art therapy major in Korea, and to use it as a basic data for the formation of art therapy education and training. For this purpose, a survey was conducted in the graduate program of both art therapy master's and doctoral studies in Korea. From February 26 to March 10, 2022, a Naver Form questionnaire was distributed to survey, and data both from 143 at the master’s level and 77 at the doctoral level were used for final analysis. The results of analyzing the questionnaire based on respondents' personal information, art therapy curriculum, educational environment, and coursework satisfaction are as follows. The graduate art therapy programs in Korea were established in different formats, such as general graduate school, professional graduate school, and specialized graduate school, based on the coursework requirements. The results showed a high level of satisfaction with the art therapy curriculum in terms of the textbooks, the instructor’s class progress, and the curriculum of the studies. Regarding the coursework preference of the respondent who wanted to take it after graduation, the doctoral level emphasized the therapists’ self-care and psychoanalysis of self-related subjects. The master’s level presented high demands on developmentalrehabilitation service-related coursework. Based on these results, the effects on art therapy coursework research in graduate studies were discussed.

인공습지의 수질정화효율 평가

최선화 ( Sun Hwa Choi ),안열 ( Yeu Ahn ),김호일 ( Ho Ill Kim ) 한국물환경학회 2006 공동 춘계학술발표회 Vol.2006 No.-

비상장주식 거래시 시가산정의 문제와 상속세법상 보충적 평가방법의 효력

崔先集(Sun Jip Choi) 한국세법학회 2004 조세법연구 Vol.10 No.2

비상장주식의 거래는 현실세계에서 빈번히 발생하지만 상법 등에는 주식거래시 매매가격을 산정하는 방식에 대한 규정이 전혀 없다. 이 경우 선례가 될 다른 거래가 없는 경우에는 적정한 거래가격을 파악하기 위한 노력을 하게 되는데, 그 중의 하나가 상속세법상 보충적 평가방법이다. 외국사례를 살펴보면 일본에서는 시가가 형성되지 아니한 비상장주식거래가격에 대하여 주식에 대한 평가방법(구체적인 방식은 변천이 있으나 최근에는 배당환원방식을 채택함)에 따라 시가를 산정하여야 한다는 점을 인정하고 있다. 한편 우리나라의 경우에는 비상장주식의 평가에 대하여 일본과 같은 분명한 기준이나 선례가 없는바, 이 논문에서는 상속세법상의 보충적 평가방법이 시가로 인정될 정도의 객관성과 합리성이 있는지 여부 및 나아가 보충적 평가방법을 시가로 인정하는 것이 법리상 문제가 없는지 여부 등을 검토하고자 한다. 상속세법상의 평가기준은 시가주의를 대전제로 하고 있으며, 보충적 평가방법의 변천을 보면 시가에 근접하도록 끊임없이 관련 규정이 개정되어 왔고, 판례도 보충적 평가방법이 시가를 반영하므로 이를 함부로 변경할 수 없다고 판시하고 있다. 세법이 규정하는 시가는 객관적으로 존재하는 가격이 아니라 완전시장조건이 갖추어진 뒤에 이루어질 수 있다고 인정되는 당위가격인바, 부동산이나 비상장주식 등 시장조건의 제약이 많은 경우에는 엄밀한 의미의 시가는 현실적으로는 존재한다고 보기 어렵다. 세법은 거래의 실례 및 감정가격 등이 없는 경우에는 보충적 평가방법에 따르도록 규정하고 있고, 시가로 인정받을 가격이 사후적으로 있는 경우에는 예외적으로 이를 시가로 인정하고 있다. 이 논문은 보충적 평가방법이 가지는 법률상의 효력이 무엇인지 검토하고 나아가서 보충적 평가방법을 따른 납세의무자의 행위는 적법한 것으로 추정되며 법원은 편견 없이 이를 받아들여야 하는지 여부를 살펴본다. 보충적 평가방법이라는 것은 이미 재산의 종류, 규모, 거래상황 등 객관적이고 합리성을 담보할 수 있는 사유를 충분히 고려한 끝에 대통령령이 인정한 재산가액 산정방법으로서, 이는 보충적 평가방법으로 산정한 가액이 시가에 근접한 가액임을 의미하는 것이므로, 대상판결이 보충적 평가방법에 더하여 시가 산정의 객관성과 합리성을 요구하고 있는 것은, 이미 입법자가 객관성과 합리성이 갖추어진 시가산정 방법으로 보충적 평가방법을 인정하고 있음에도 불구하고, 다시 동일한 사유를 들어 자의적인 해석을 하고 있는 것으로 세법의 입법취지에 반한다. 대상판결은 시가에 대한 평가를 법령의 내용과 다르게 판단하고 있으나, 이는 국민들에 대한 행위규범으로서의 측면에서 그 간의 법적 안정성 일체를 부인하는 것으로서 부당하며, 보충적 평가방법에 따라 선정된 가액을 시가와 가까운 가격으로 보지 않은 것은 시가산정에 대한 법인세법과 상속세법의 입법취지 및 대법원의 판례에 반하는 것으로 보충적 평가방법의 법리를 오해한 것이다. 결국 대상판결은 비상장주식의 매각과 관련하여 보충적 평가방법이 시가산정에 대한 법규범으로서 행위규범이자 재판규범의 성질을 가지고 있으므로 상법상의 비상장주식 거래시시가산정의 기준이 될 수 있다는 점을 오해한 근본적인 잘못이 있다. While transfers of non listed shares occur frequently in the real world. there is no provision specifying the calculation of the transfer price in the Commercial Code or other laws. If there is no actual case of transfer that can serve as precedent. efforts are made to determine the appropriate transfer price. one of which being the supplemental valuation method under the Inheritance Tax Law. A study of cases in foreign countries reveals that. in Japan. it is recognized that the transfer price of non listed shares for which no market price is formed should be calculated pursuant to a valuation method (the specific method of such valuation has changed over time, but the most recent one adopted is the dividend-yield method). In this country, there is no clear standard or precedent as in Japan concerning valuation of non listed shares. Accordingly, this paper intends to review whether the supplemental valuation method under the Inheritance Tax Law possesses sufficient objectivity and rationality to be recognized as market price determination method and, further, discuss issues such as whether there is any problem in legal theory in accepting a price rendered by the supplemental valuation method as the market price. The valuation standard in the Inheritance Tax Law is premised on the market price principle, and the evolution of the supplemental valuation method shows constant revisions of the relevant provisions to approximate the market price more closely. Further, court precedents have held that the supplemental valuation method reflects the market price and one should not deviate from it arbitrarily. The market price specified by the tax law is not an objectively available price. Rather, it is a normative price. which is considered possible only if conditions of a perfect market are satisfied. Accordingly, it is difficult to say such a price in a strict sense exists in reality where there are many restrictions on market conditions such as markets for real property or non listed stock. In the case where no actual case of trade or appraisal value is available, the tax law requires the valuation in compliance with the supplemental valuation method and, by way of exception. recognizes as market price such qualifying prices that are available after the transaction. This paper studies the legal effect of the supplemental valuation method and, further. whether the taxpayer's actions in compliance with the supplemental calculation method should be presumed legitimate and the court should accept it without any criticism. Further, the supplemental valuation method is an asset value determination method endorsed by the Presidential Decree that already takes into account factors with verifiable objectivity and rationality such as types of assets, size, trading status, etc. sufficiently. This means a price rendered by the supplemental valuation method is already the one closely approximating the market price. Accordingly, the subject decision's requirement of the objectivity and rationality of the price determination method in addition to the supplemental valuation method itself is essentially questioning the objectivity and rationality of the supplemental valuation method based on an arbitrary interpretation in spite of the legislator's recognition of the supplemental valuation method as one equipped with objectivity and rationality and, thus, is contrary to the legislative intent. The subject decision is approaching the market price valuation in a manner different from the relevant laws and regulations. This is improper, as it would be denying the legal stability in its entirety that has long been promoted from a perspective of presenting law as rules of behaviorto the people of the nation. Not recognizing a price rendered by the supplemental valuation method as one closely approximating the market price is contrary to the legislative intent concerning the market price determination in the Corporate Income Tax Law and

『마사 퀘스트』의 곤경 : 1차 대전의 상처와 “분리 원칙”에 사로잡힌 현대적 공동체의 위기

최선령(Choi Sun-Ryoung) 새한영어영문학회 2010 새한영어영문학 Vol.52 No.4

This paper studies Martha Quest focusing on the heroine’s desperate struggle for a new community. Martha is a sensitive and precocious English girl growing in a southern African country. With a painful sense of estrangement and frustration, she finds herself and the world only through books. To begin with, this paper defenses the heroine’s strange passivity and inertia that have frequently been criticized as a flaw in characterization since the publication of this novel, and explains how deeply it is influenced by her father’s “fatal lethargy”. He left England with a trauma from the participation in World War I and came to Africa, but he was still fettered by the old European ideologies. In a sense, Martha takes over her father’s failure in the reconciliation between self and society, as well as “the morbid strain”. But by virtue of her imaginative and intelligent power, Martha catches an impressive vision of “a noble city” where people live harmoniously with no discrimination. It may be regarded as an idealistic innocent vision of a teenage girl. Nevertheless, by intuitively reflecting that there can exist no community without a mechanism of exclusion, Martha’s vision has something more than just a sheer ideal. Of course, the accomplishment of her vision is another question not only because she lives in a split community where “the principle of separateness” dominates, but because she cannot easily overcome her own inveterate inertia. Thus Martha Quest presents the passionate vision of an ideal community and leaves it rarely accomplished or even attempted; however, this unique balance between vision and anti-vision is more convincing and persuasive in the whole context of this novel.

나주 다보사 명부전 불상과 조각승 지견(智堅)

최선일(Choi, Sun Il),조태건(Jo, Tae Gun) 명지대학교 문화유산연구소 2012 미술사와 문화유산 Vol.1 No.-

본 논문은 나주 다보사 명부전 불상을 조성한 조각승 지견(智堅)에 대한 연구이다. 나주 다보사 명부전은 최근 공개된 발원문에 의해 1659년 지견을 포함한 10명의 조각승들에 의해 조성되었다. 나주 다보사 명부전 권속은 지견이 처음으로 수화승으로 활동한 작품으로 그의 작품 양식을 분석할 수 있는 귀중한 자료이다. 지견은 17세기 중반을 대표하는 조각승 무염(無染)과 해심(海心)을 연구하면서 존재가 알려진 조각승이다. 지견은 주로 무염과 해심 집단에 속하면서 불상을 조성한 것으로 보인다. 지견은 1654년에 수화승 해심과 영광 불갑사 명부전 존상을 조성하였다. 그리고 1661년에 수화승으로 전남 영광 대웅전 목조아미타불좌상을 개금하였으며, 무염 계보와 관련된 사찰들의 시주자로 참여한 기록들이 확인된다. 따라서 지견은 무염 계보와 밀접한 관련성을 가졌던 승려로 볼 수 있다. 하지만 나주 다보사 명부전 권속들의 양식적 특징에서는 무염 계보 특유의 표현이 잘 나타나지 않는다. 무염 계보가 조성한 지장보살상들과 시왕상을 비교해 볼 때, 지견이 제작한 나주 다보사 지장보살좌상은 턱선이 완만하고, 얼굴의 양미간이 좁다. 또한 무염과 해심이 조각한 지장보살상과 달리 어깨가 좁고 옷주름에서도 무염 계보의 특징적 표현이 나타나지 않는다, 지장보살좌상에서의 이질적인 양상은 시왕상에서도 그대로 반영된다. 무염 계보 시왕상은 온화하고 해학적인 표정이 주를 이루지만 다보사 시왕상은 전부 엄숙한 모습이다. 그리고 무염계보 시왕상에서는 최소한 한 구씩의 시왕은 동물을 발아래 밟은 모습으로 묘사되는데 반하여, 나주 다보사에서는 이 같은 모습의 시왕상을 찾아볼 수 없다. 따라서 지견은 무염 계보의 불상 조성양식을 직접적으로 수용한 조각승은 아니었던 것으로 판단된다. 이상으로 17세기 전반에 조각승 무염, 해심과 같이 활동한 지견에 대하여 살펴보았다. 앞으로 전국 사찰에 봉안된 조선후기 불상의 조성발원문이 체계적으로 공개된다면 조각승 지견과 관련된 분석을 더욱 다양하게 할 수 있을 것으로 기대한다. 17th Century, Buddhist Sculpture, Monk Sculptor, Kisitigarbha, the Ten Kings, Ji Gyeon, Naju Dabosa (多寶寺) Myeongbujeon Buddhist sculptures was found. According to this document, Ji Gyeon and other nine monk sculptors rendered these images in 1659. These sculptures are important works for analyzing Ji Gyeon’ artistic disposition. The activities of Ji Gyeon have been found on various written records. He seems to mainly work with Mu Yeom monk sculptor school, which was the one of the most influential sculptor schools in the mid 17th century. In 1654, Ji Gyeon participated in Buddhist sculptures rendering project in Yeonggwang Bulgapsa (佛甲寺) Myeongbujeon. The main artist for this project was Hea Sim (海心) who was regarded as the heir of Mu Yeom school. In 1661, Ji Gyeon also led the glittering project for Yeonggwang Bulgapsa Buddha traids, all of which were created by Mu Yeom in 1635. Ji Gyeon’ name was also found in various temples’ votive tablets, listing all patrons’names. Ji Gyeon seemed to pay some tributes for these temples, enshrining Mu Yeom School’s Buddhist sculptures. As a result, Ji Gyeon appeared to maintain a close relationship with Mu Yeom school monks. However, the stylistic features of Naju Dabosa Myeongbujeon sculptures do not seem to follow Mu Yeom School’ style faithfully. Comparing with Mu Yeom’ seated Ksitigarbha sculptures, Ji Gyeon’ Ksitigarbha’ chin and jaw line are more gently curved than Mu Yeom’, and Ji Gyeon Ksitigarbha’ potion of the middle forehead is narrower than Mu Yeom’. In addition, casting garments patterns on shoulders and legs are different from Mu Yeom’. Such a different stylistic features do not limited to the principal sculptures in the hall. These different approaches to materialize appearances are also displayed on the secondary sculptures, the Ten Kings. The majority of facial shapes of Ten Kings, rendered by Mu Yeom School, displays a bright or a jestful mood. However, most of Naju Dabosa’s the Ten Kings facial impressions, created by Ji Gyeon, are stern and austere. In additions, when Mu Yeom School participated in the Ten Kings producing projects, they usually carved one or two animals underneath one or two kings’ legs. However, in the Naju Dabosa Ten Kings’ set, there is no such an animal expression. It is true that this set of Buddhist sculptures in Naju Dabosa Myeongbujeon is not enough data for analyzing monk sculpture Ji Gyeon’ artistic world. However, this approach can be a threshold to introduce Ji Gyeon’ artistic world.

바이마르 공화국 실업문제와 사회정책 -여성 청소년을 중심으로-

최선아 ( Sun Ah Choi ) 한국서양사학회 2010 서양사론 Vol.0 No.105

As the political system of Germany shifted from an empire to Weimar Republic, German society pushed ahead with a policy to incorporate contemporary youth into the national system. The Weimar government determined to supervise and control adolescents as one of major social policies, and tried to embrace them in the order of the Republic. The importance of the youth generation was already stressed in that society before World War 1, and that generation was viewed as ones in whom the government should intervene. So the government tried to get teen laborers in control from an educational perspective. The coverage of the social policies was extended to adolescent girls, which contributed to the equity of legislation. Women acquired the franchise along with the establishment of Weimar Republic, and the government started to discuss problems with teen girls as a national policy. In fact, however, the equity of legislation wasn`t actually concomitant with a practical change in social perception or the equity of social rights. Contemporary social policies merely centered around teen boys, and adolescent girls were disregarded and discriminated. Job training programs catered to boys only and dealt with jobs suitable for them. Girls didn`t need to receive compulsory education during a fixed period of time, and no unemployment benefits are provided to them, either. The reason seemed that there was no consensus about view of occupation for teen girls in not only the age of the German Empire but Weimar Republic. Vocational education that targeted adolescent girls merely focused on maternity, regarding them as prospective mothers and homemakers. Some believed women just had to stay at home if national circumstances required it, and others believed they should continue to work as wage earners in the labor market. The two parties didn`t find anycommon ground, which resulted in weakening the historical meaning of contemporary social policies for teen girls. In terms of youth policies and matters related to teen girls in Weimar Republic, the government found it difficult to carry out social policies in a way to ensure gender equity, and there was a broad gap between ideal and reality. That country just made a partial achievement by realizing the equity of legislation.

지역사회 노인가정의 안전보건실태와 건강상태

최선하(Sun-Ha Choi),전은남(Eun-Nam Jeon) 한국생활환경학회 2014 한국생활환경학회지 Vol.21 No.1

This is a cross sectional descriptive study to explore home safety health and health status and determine the relationships between them in elderly family. A structured questionnaire was used to collect the data from the elderly and their home in one community from Oct. 7 to Oct. 16, 2013. The data of 192 the elderly and their home were included in data analysis. Their mean home safety health score was 3.24 (±0.53) as a 5 Likert scale. In the elderly, they perceived their physical health poor (2.57±0.88) and most of them were depressed (5.88±2.10). The relationship between home safety health and perceived physical health was significant (S=.383, p<.001). Lower score of home safety health seems depressed, but did not present statistically significant difference. Especially the elderly who have not screening test, women, uneducated, unemployed, and lower income were considered in home safety health. In conclusion, home safety health, perceive physical health and depression in the elderly were all associated each other. It is highly recommended to consider home safety health to assess and intervene health problems in the elderly.

서양음악에 영향을 미친 아랍음악에 대한 연구 - 안달루시 지중해 악파(Al-Andalus, 711-1492)를 중심으로 -

최선화 ( Sun Hwa Choi ) 한국음악학회 2005 한국음악학회논문집 음악연구 Vol.34 No.-

“지성의 실패”와 “자기만의 방” : 레씽의 『19호실로』에 관하여

최선령(Sun-Ryoung Choi) 신영어영문학회 2010 신영어영문학 Vol.45 No.-

This paper examines the theme of woman's retreat to “a room of one's own”, with emphasis on the imbalance between intelligence and feeling, in Doris Lessing's “To Room Nineteen”. Since Virginia Woolf highlighted the importance of “a room of one's own” as an indispensable condition conductive to women's writing of fiction in the early twenties century, the desire and demand for “a room of one's own” as an independent space of refuge and creation has greatly increased. Nonetheless, the aloneness or oneness in “a room of one's own” both reflects and results in a withdrawal from human relationships or action, an addiction to reverie, and sometimes a “suicidal vulnerability” as Elaine Showalter points out. Presenting itself as a story about “a failure in intelligence”, “To Room Nineteen” represents the ontological and epistemological fragmentation of a middle class heroine who ceaselessly tries to reason about the predicaments of her “intelligent” marriage life but ultimately fails. The significance of this story lies on its unique combination of two relevant narratives, the imbalance between intelligence and feeling, and the preponderance of “a room of one's own” which had a tilt to neurosis or withdrawal symptoms in the mid-twenties century European feminism discourses.

「표 주세요」의 "거친 로맨스"에 담긴 의미

최선령 ( Sun Ryoung Choi ) 한국로렌스학회 2009 D.H. 로렌스 연구 Vol.17 No.2

As often in Lawrence`s fiction, the man and woman relationship explored in "Tickets, Please," one of the war-time short stories can be more richly understood in the context of his view on the crisis of human relationship in capitalist modern age. Even if the settings obviously reflect the first world war`s impacts and the characters` love relationship really takes a form of battle in "Tickets, Please," the frame of battle between man and woman may unduly restrict the implications of this story. Rather "Tickets, Please" can be read as an exploration of a modern man and woman relationship with both dangerous recklessness and liberative vitality that the Midlands tram car also stands for. The revenge of the girl conductors against their elusive lover, John Thomas, is put into a dilemma because their "wild romance" aboard the tram car relies on their "dash and recklessness" and his very elusiveness itself as well. In some sense, the romance between Annie, one of the girl conductors and the heroin of this story and John Thomas has a liberative power that they are supposed to explore and substantiate. But John Thomas and Annie just typically perform the conventional romantic love which the narrator parodies in the fairground scene by the insertion of many "of course`s" and "after all`s." Likewise, Annie`s will to revenge for his betrayal as well as her assurance of his love is an old and ineffectual response to his liberative and reckless love. As the girls` Bacchante-like attack subtlely intrigued with physical desire for John Thomas approaches the highest peak, and when John Thomas finally chooses Annie with full malice and violently confirms his male power, Annie finds herself in a kind of cul-de-sac. "Something" that "was broken in her" is the contradictory logic of the "certain wild romance" she and the conductor girls have involved in. Presenting an analogy between the violent liberating rush of the tram car and the adventurous romance of the conductor girls, "Tickets, Please" explores a new relationship between men and women who live and love as "shipmates aboard this careering vessel of a tram-car" in modern age. Now that the liberative and reckless power of their romance also corresponds to the ambivalence of modernity, the significance of this peculiar romance represented in "Tickets, Please" cannot be overemphasized.