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Objectives : Medical treating with eating foods is one of important therapies in East Asian traditional medical knowledge and is referred as a therapy to treat diseases through foods. Since the food cannot be separated from ordinary people living, the medical treating with eating foods is a therapy with strong locality and contains many autogenous parts. Methods : Recently, the world is showing much interest for genetic resources, and the concept of intellectual property is rapidly expanding as the field of 'new knowledge property right' as well. Thus, the knowledge of medical treating with eating foods recently draws much attention in the economic aspect beyond the scholarly interest for traditional medicine. Here, I would like to summarize and report the contents related to medical treating with eating foods on "Yi, SeikKan experience prescriptions" which was discovered before. Results & Conclusions : First, medical treating with eating porridge on "Yi, SeikKan experience prescriptions" is classified into one with nonglutinous rice as the main ingredient and the other with other grains as the main ingredient. It is differently utilized depending on the nature of the grain. Second, medical treating with eating rice on "Yi, SeikKan experience prescriptions" was born from our nation's unique way of living and is classified into one way to eat rice mixed with ground medicinal herbs, another one to cook and eat rice with mixed grains and the other way to use as the external application. Medical treating with eating rice is assumed to replace the meal. Third, "food section" was given separately and discussed in this book. There were some parts different from existing medical knowledge due to the accumulation of experience using medicinal herbs. Fourth, we should pay attention to experience a book on medicine where vibrant medical information has been recorded in order to discover and process our traditional knowledge resources as a useful form.
'스콜라' 이용 시 소속기관이 구독 중이 아닌 경우, 오후 4시부터 익일 오전 7시까지 원문보기가 가능합니다.
Objectives : The purpose of this study is to compare the similarities among Donguibogam(DO), Uihagibmun(UI), and Gyeongagjeonseo(GY) in order to examine whether the medical thoughts embedded in the texts can be compared in a quantitative way. Methods : Under an empirical assumption that medical thoughts can be reduced to the frequency of major key words within the text, we selected the fourteen words of the four categories that are commonly used to describe physiology and pathology in Korean medicine as key words. And the frequency of these key words was measured and compared with each other in the three important medical texts in Korea. Results : As a result of quantitative analysis based on χ2 statistic, the key words in the books were distributed most heterogeneously in DO and distributed most homogeneously in UI. In comparison of the similarity analyzed by the same method, DO and UI were significantly more similar than those of DO and UI. The results of the word frequency pattern and the similarities of the book contents(CBDF) show that DO is influenced by UI, and the differences between standardized residuals and homogeneity tells us that internal context of both books are constructed differently. Conclusions : These results support the results of traditional research by experts. With the above, we were able to confirm that medical thoughts can be reduced to the frequency of major key words within the text, and compared through the frequency of such key words.
'스콜라' 이용 시 소속기관이 구독 중이 아닌 경우, 오후 4시부터 익일 오전 7시까지 원문보기가 가능합니다.
Objectives : The purpose of this study is to help select an appropriate word embedding method when analyzing East Asian traditional medicine texts as data. Methods : Based on prescription data that imply traditional methods in traditional East Asian medicine, we have examined 4 count-based word embedding and 2 prediction-based word embedding methods. In order to intuitively compare these word embedding methods, we proposed a "prescription generating game" and compared its results with those from the application of the 6 methods. Results : When the adjacent vectors are extracted, the count-based word embedding method derives the main herbs that are frequently used in conjunction with each other. On the other hand, in the prediction-based word embedding method, the synonyms of the herbs were derived. Conclusions : Counting based word embedding methods seems to be more effective than prediction-based word embedding methods in analyzing the use of domesticated herbs. Among count-based word embedding methods, the TF-vector method tends to exaggerate the frequency effect, and hence the TF-IDF vector or co-word vector may be a more reasonable choice. Also, the t-score vector may be recommended in search for unusual information that could not be found in frequency. On the other hand, prediction-based embedding seems to be effective when deriving the bases of similar meanings in context.
본 논문은 모바일 디바이스에 설치된 어쿠스틱 센서를 이용하여 가상의 터치패드를 구현하는 방법을 제시한다. 어쿠스틱 센서를 이용한 가상 터치패드 구현은 기존의 터치패드 방식에서 나타나는 대형화에 대한 한계를 극복함과 동시에 설치 및 유지비용을 낮추는데 큰 기여를 할 것으로 기대 된다. 2 대의 아이폰에 설치되어 있는 단일채널 마이크 2 개, 자이로스코프와 가속도계, 블루투스 통신을 사용하여, 정해진 경계면에서 나오는 소리의 위치를 식별하고, 이를 화면과 동기화하여 간단한 조작을 가능하게 한다.
Objective : This study was carried out with focus on <Sanghankyeongheombangyochal> written by Joh, Taek-seung(曺澤承) and Joh, Byeong-who(曺秉矦) in the relation of father and son in 1933. This book is a medical book including rare data, which has never been reported to academic circles all this while. Method : First, this study looked into the authors of this book and its history of publication. Further, this study analyzed the composition and contents of this book. Lastly, this study summed up the meaning of this book from the standpoint of medical history. Result : The authors were Confucian doctors who were active in the latter era of the Joseon Dynasty and also in the period of Japanese colonial rule. They lived in Haenam district of Jeonlanam-do, and cured its neighboring local residents while studying. They published the book of <Sanghankyeongheombangyochal> by putting together their own medical experiences. The authors suggested their remedial prescription according to gender and age whereas Zhang Zhongjing(張仲景) suggested the remedial prescription according to Six-Meridian Pattern Identification & Syndrome Differentiation(六經辨證). In addition, the authors of <Sanghankyeongheombangyochal> gave weight to the relationship with internal damage. Additionally, the authors not only thought much of the relationship between internal damage and external damage but also thought of the weakness and strength of the healthy qi, and the new and the old of a disease as an important clue to medical treatment. It seems that such contents was influenced by <Donguibogam>(東醫寶鑑). Conclusion : <Sanghankyeongheombangyochal> shows the results of the research on <Treatise on Cold Damage Diseases> which was spontaneously conducted in Joseon.
본 논문은 뉴미디어 예술의 창작과 비평에서 시스템 구현에 사용된 기술의 진보성을 중심으로 작 품의 가치를 평가하는 경향에 대한 반성적 고찰로 서 1960-70년대 아방가르드 예술에서 체계 개념 등장의 배경을 분석한다. 1940-50년대 과학에서 사이버네틱스와 체계이론 그리고 1960-70년대 아방가르드 예술에서 체계 개념은 과학과 예술 내에 서 자기반성의 결과였고, 메타포적으로 평행한 관계 에 있었다. 이를 논증하기 위해 본 논문은 루드비히 폰 버틀란피의 일반체계이론을 검토하고 잭 번햄의 체계 미학과 비교, 분석한다. 그리고 한스 하케와 위르겐 레블레의 작품을 중심으로 물질에서 물리적 체계로 이행하는 과정의 미학적 특성을 분석하고 미술과 영화라는 매체와 제도의 차이를 넘어 체계 개념과 실천에 관한 지형을 연구한다. This paper reflects the tendency to evaluate artworks on the basis of technological advancements in new media art practice and criticism through the analysis of the concept of the system in 1960-1970s avant-garde art. Cybernetics and system theory in 1940-1950s science and the concept of the system in 1960-1970s avant-garde art arose from the self-reflection within each discipline and were in metaphorical parallel with one another. To explain this, Ludwig von Bertalanffy`s general system theory is examined in comparison with Jack Burnham`s system esthetics. In addition, this paper analyzes the esthetic properties of the passage from a material to a physical system by focusing on Hans Haacke and Jurgen Reble, and studies the geography of the concept of the system and its practices beyond the mediumistic and institutional differences between art and film.