뉴 시니어 여성의 디자인 선호도를 반영한 스카프 디자인

김은혜 ( Eun Hye Kim ),권영숙 ( Young Suk Kwon ) 복식문화학회 2015 服飾文化硏究 Vol.23 No.4

In this study, nine scarf designs expected to be effective for accent design for the fashion style of new senior women were suggested by reflecting purchase behavior and scarf preference after conducting surveys and an analysis by targeting 136 new senior women in order to propose scarf design-matching with the preferences of new seniors. As a result of the study on the scarf purchase features of new seniors, it was revealed that the purchase time for scarves was mainly autumn and winter, even though it is regardless of season, and in spring and summer, they seldom purchased scarves. The purchase frequency was four times a year, and what they first thought of at the time of purchase was represented in the order of color, design, and the material of the scarf. They most preferred department stores, mixed and achromatic colors, cotton and silk fabrics, natural and geometric patterns, and long scarves of a rectangular shape. In the case of the consumer attributes of scarves, it was revealed that 50th desired more individuality-oriented, unique scarf designs than 60th, and 60th desired scarf designs with convenient management considering others’ attention compared with 50th. As concepts for scarf designs, the aspects of individuality, co-existence, and maturity were extracted by reflecting the features of new senior women, and a total of nine scarf designs were suggested by developing three sub-designs for each concept.

니트와 비딩기법을 이용한 여성 스카프 디자인

이인영 ( Lee In Young ),유태순 ( Yoo Tai Soon ) 한국디자인트렌드학회 2014 한국디자인포럼 Vol.44 No.-

본 연구는 현대사회에서 빠른 속도로 성장한 패션산업과 더불어 발전한 패션 소품의 대표적인 스카프를 여러 가지 종류의 섬유소제와 니트 조직의 연구를 통해 니트 스카프 제작으로 표현될 수 있는 다양한 디자인을 소개하고자 하였으며 작품제작을 바탕으로 본 연구자는 다음과 같은 결론을 얻을 수 있었다. 첫째, 스카프의 형태와 크기에 따라 그 용도가 숄로도 사용될 수 있으며 착용 시 시각적으로 표현되는 느낌이 다양하게 연출될 수 있었다. 둘째, 소재는 완성된 스카프에서 외적으로 그 스카프가 가지고 있는 디자인적 느낌을 가장 많이 나타내기 때문에 디자인 콘셉에 따른 소재 선택이 중요하다고 할 수 있다. 셋째, 스카프 표면에 나타나는 조직은 그 스카프의 디자인에 감성표현에 가장 중요한 역할을 한다. 넷째, 스카프에 비딩작업은 스카프의 고부가가치 창출하는 역할을 하며 비즈의 선별은 스카프의 디자인을 더 섬세하고 고급화 하는 원동력임을 알 수 있었다. 본 연구를 통해, 스카프는 개인의 개성표현은 물론이고 패션산업의 중요한 일원으로 특히 니트 스카프의 더 많은 관심과 디자인 개발의 중요성을 인식하며 본 연구가 니트 스카프 디자인 연구에 도움이 될 수 있기를 기대한다. The purpose of this study is to exploit the knit scarves in the aspects of aesthetic sensations and requiring the high qualities of the consumers and on the purpose of the ways of commercialization of scarf design. The results based on such working methods were as following: First, the shape and sizes of the scarves might determine the use of the scarf such as a shawl. When others view the different kinds of scarves on a person, it can produce and present various feelings. Second, this study showed the fact that the selection of the material was the most important choice rather than other choices. Third, this study showed the fact that the syndicates which were appeared from the surface of the scarf had important roles for representing the emotions in the design of the scarf. Fourth, the study showed and recognized the fact that the beading working on the scarf was very important role for the creations of high value-added, particularly, the selections of beads were the impetus for designs of scarves which were made the scarf for more delicate and high qualities. Finally, through this study the researcher recognized the scarf not only showed to represent of person`s character but also to need to pay attention to the knitted scarf and to recognize the importance for development of design. In addition, the researcher hopes and expects that this study can be helpful to the scholars who study in the design of knit scarf.

레이저 컷팅 기법을 활용한 스카프 디자인 연구

신주영 ( Ju Young Shin ) 한국기초조형학회 2016 기초조형학연구 Vol.17 No.3

본 연구는 패션소품으로 다양하게 활용되는 스카프의 고부가가치 창출을 위해 실크 소재와 레이저 컷팅 기법, 금속 조형물을 사용하여 자연적 이미지를 조형화시킨 스카프 디자인 총 10개를 제안하였다. 레이저 컷팅 기법을 스카프 제작에 접목하여 소재표현에 다양성을 부여하고, 형태와 색상을 재조합함으로서 스카프에 다양한 디자인을 제안하는데 그 목적을 두었다. 연구방법은 선행논문과 사례분석을 통해 스카프에 사용된 장식기법 등을 살펴보고, 소재개발에 활용될 수 있도록 레이저 컷팅법을 활용한 디자인 사례 등을 분석하였다. 스카프 디자인의 주요 모티브인 자연의 나뭇잎과 꽃잎을 단순화시켜 세련된 이미지를 창출하여 스카프에 조합하였으며, 나뭇잎, 새, 꽃 등을 모티브로 하여 금속 부조물을 제작하여 사용하였다. 작품제작을 바탕으로 다음과 같은 결론을 얻었다. 첫째, 스카프가 패션소품으로 다양하게 활용되어왔으며, 실용적인 측면 뿐 아니라 장식적인 측면에서 다양한 디자이너 컬렉션에 사용된 것을 알 수 있었다. 둘째, 기존 스카프에 사용되는 장식기법에는 프린트 기법과 프린지 장식 스터드 장식 등이 주를 이루었다. 본 논문에서는 색상과 형태의 다양화를 시도하기 위해 하이패션에 사용되는 레이저 컷팅 기법을 활용하였으며, 디테일과 색상 등의 조합으로 스카프 디자인의 다양화를 시도하였다. 셋째, 실크 소재의 경우 고급스러운 장점을 가지지만 두께가 두껍지 않아 다루기 쉽지 않으며, 시접처리가 까다로우나 본 논문에서는 레이저 컷팅 기법을 활용하여 10가지의 다양한 디자인을 제안 및 제작이 가능함을 알 수 있었다. This research suggests 10 scarf designs using laser cutting techniques and metallic formativeness to create scarf, which is used variously as fashion item, as a high value product. Our purpose is to suggest various scarf designs by creating diversity in materials through new technology combination and recombining forms and colors. Our research method was to go through previous papers and case analysis to find decorating techniques used on scarf, utilize possible laser cutting techniques and precision casting process to suggest potential decorations that can be used on scarf designs. We have combined natural images, which is major motives for scarf designs, on scarf designs, and metallic ornaments were also made motivated from leaves, birds and flowers. Based on final product creation we came to three conclusions. First, we were able to learn that scarf was used variously as fashion item and has been used in many designer’s collection for not only practical use, but also for decorative purposes. Also, beads and tassel, or printing techniques were used to increase the decorativeness of the scarf. Secondly, the development of science made it possible for more numbers of techniques to be used on scarf design. Amongst them, laser cutting technique allowed various design layouts to be possible using natural images. Thirdly, metallic ornaments used as points, made to express natural motives on scarf, differentiated the scarf by making it look more high-class. Also, we were able to find the possibility of using scarf as high-value product industry’s item by using various materials.

뉴 시니어 여성의 디자인 선호도를 반영한 스카프 디자인

김은혜,권영숙 복식문화학회 2015 服飾文化硏究 Vol.23 No.4

In this study, nine scarf designs expected to be effective for accent design for the fashion style of new senior women were suggested by reflecting purchase behavior and scarf preference after conducting surveys and an analysis by targeting 136 new senior women in order to propose scarf design-matching with the preferences of new seniors. As a result of the study on the scarf purchase features of new seniors, it was revealed that the purchase time for scarves was mainly autumn and winter, even though it is regardless of season, and in spring and summer, they seldom purchased scarves. The purchase frequency was four times a year, and what they first thought of at the time of purchase was represented in the order of color, design, and the material of the scarf. They most preferred department stores, mixed and achromatic colors, cotton and silk fabrics, natural and geometric patterns, and long scarves of a rectangular shape. In the case of the consumer attributes of scarves, it was revealed that 50th desired more individuality-oriented, unique scarf designs than 60th, and 60th desired scarf designs with convenient management considering others’ attention compared with 50th. As concepts for scarf designs, the aspects of individuality, co-existence, and maturity were extracted by reflecting the features of new senior women, and a total of nine scarf designs were suggested by developing three sub-designs for each concept.

에르메스(Hermes) 스카프에 나타난 프린팅 디자인의 표현특성

유연재 ( Yeon Jae Yoo ),최정화 ( Jung Hwa Choi ) 한국패션디자인학회 2013 한국패션디자인학회지 Vol.13 No.2

본 연구는 대표적인 스카프 브랜드인 에르메스 스카프에 나타난 프린팅문 디자인의 표현특성을 고찰하였다. 대대로 내려온 에르메스 브랜드의 계보와 스카프 제작과정, 스카프 프린팅의 시대적 흐름을 알아보고, 프린팅 디자인의 시각적 표현방법과 미적특성을 도출함으로써 국내 스카프 시장에서도 고유의 아이덴티티를 가진 창의적인 디자인을 개발하는 데 도움이 되는 자료로 활용하고자 하였다. 연구방법은 관련 국내외 이론서, 단행본, 학회지, 학위논문 등의 문헌자료를 통하여 스카프에 대한 개념을 고찰하였고, 에르메스 스카프가 최초로 만들어진 1937년 이후부터 최근 2012년까지 출시된 작품들을 참고하였다. 연구결과 에르메스 스카프 프린팅 디자인에 나타난 시각적 표현방법은 사실적 재현, 단순화, 착시가 있었고, 미적특성은 계보적 영속성, 다문화적 상징성, 역사적 사실성, 현대적 대중성, 비구상적 추상성으로 나타났다. 첫째, 계보적 영속성은 브랜드를 상징하는 말과 마구용품 모티브, 리바이벌 되는 디자인으로 변하지 않는 에르메스 브랜드의 아이덴티티를 표현하였다. 둘째, 다문화적 상징성은 다양한 국가와 민족의 문화에서 영감을 얻은 것으로, 에르메스 스카프를 시대적 상황과 흐름을 표현하는 예술적인 아이템으로 승격시켰다. 셋째, 역사적 사실성은 인류사회의 변천과 흥망의 과정 또는 오래된 물건을 나타냄으로써 에르메스 브랜드의 고급스럽고 귀족적인 아이덴티티를 보여준다. 넷째, 현대적 대중성은 에르메스 스카프에 대중적인 친근함과 유희성이라는 새로운 매력을 더하여 젊은 소비자들에게 새롭게 어필하였다. 다섯째, 비구상적 추상성은 에르메스 스카프가 브랜드의 아이덴티티를 드러내던 방식에서 벗어나 2000년대 이후 심플하고 모던해진 패션트렌드 경향을 반영한 것이라 볼 수 있다. 이러한 에르메스 스카프에서 볼 수 있는 장인정신과 다양한 표현방법, 시대적 트렌드를 반영하는 디자인은 앞으로도 계속 될 것으로 보이며, 국내 스카프 시장에서도 활발한 디자인 연구가 이루어지길 기대해 본다. The purpose of this study is to examine the genealogy of the Hermes brand, the process of making scarves and the historical flow of scarf patterns, and to derive various visual representations and aesthetic characteristics of print designs. This study can be used to develop creative designs with a unique identity in the domestic scarf market. Realistic reproduction, simplification, and illusion are visually presented in Hermes scarf print designs. The results of examining the aesthetic characteristics of Hermes scarf print designs are as follows. First, the genealogical continuity is composed of a family-oriented business which was passed on from generation to generation and based on thorough craftsmanship. Second, the multi-cultural symbolism inspired by the culture of the various countries and peoples promotes Hermes scarves as artistic items expressing circumstances and the times. Third, the historical realism shows the luxurious and aristocratic identity of the Hermes brand by representing the transition of human society, the process of rise and fall or old things. Fourth, the modern edge adds new charm like intimacy and playfulness to the Hermes scarves and appeals to young consumers. Fifth, non-objective abstract that breaks away from the Hermes scarf`s traditional way of expressing a specific target and introduces non-objective and abstract images, reflects the simple and modern fashion trends since the 2000s. As indicated through the study, the traditional identity and a wide variety of modern representations and balanced coexistence of contemporary trends on Hermes scarves are expected to assist actively with the study of design in the domestic scarf market and have a positive influence on the development of creative design in the future.

현대패션에 나타난 스카프 연출 특성에 관한 연구

김선영 ( Sun Young Kim ) 대한가정학회 2010 Human Ecology Research(HER) Vol.48 No.6

This study aims to analyze the characteristics and styles of wearing scarves in the contemporary fashion. Scarf-wearing styles found in the contemporary fashion are as follows: 1) Scarves are used as gorgeous hair accessories which are tied around the head like a headband, turban. 2) The second style is to wear scarves around the neck, which involves a variety of ideas. 3) Shawl-like scarves add elegance and femininity to any outfit when they are draped over the shoulders. 4) Scarves are also worn instead of or in addition to a belt with a dress, skirt, pants. 5) The style is to tie a scarf in knots at the back of the neck and the waist as it is shaped or in a diagonally half-folded shape. 6) You can tie a scarf to your hat or handbag or connect a long scarf to one part of your body.

Numerical Prediction of Failure Load of Scarf-Patch-Repaired CFRP Composite Using Damage Zone Model and Cohesive Zone Model

Van-Tho Hoang,이대성,남영우,권진회 한국항공우주학회 2023 International Journal of Aeronautical and Space Sc Vol.24 No.2

A numerical study was conducted to investigate the tensile behavior of carbon fiber-reinforced polymer (CFRP) scarf-repaired structures with different scarf ratios (1/5, 1/10, 1/20, and 1/30) using two approaches associated with the finite element method (FEM): the damage zone model (DZM) and cohesive zone model (CZM). The experimental data of CFRP laminates with the stacking sequence [45/ − 45/ − 45/0/90/0/45/ − 45/90/0]S, an over-ply layer (additional ply covering the outermost layer of the scarf-patch-repaired structure), and four different scarf ratios were obtained and analyzed. First, an empirical formula was established to describe the mathematical relationship and correlation between the failure load and scarf angle. Subsequently, the strength recovery rate was calculated to evaluate the mechanical performance of the scarf-repaired structures with different scarf ratios. Finally, the experimental data were used to verify the numerical results. The experimental and numerical results exhibited good agreement with each other. The effect of the scarf angle of scarf-patch-repaired composite laminates on the selection of the reference sample in the DZM method and the cohesive parameters in the CZM method were discussed as well.

골다공증을 동반한 노인의 무지외반 변형의 치료에 사용한 장 회전 Scarf절골술

남일현(Il Hyun Nam),김대근(Dae Geun Kim),이영훈(Young Hoon Lee),이동현(Dong Hyun Lee),최영득(Young Duk Choi),이희형(Hee Hyung Lee) 대한정형외과학회 2018 대한정형외과학회지 Vol.53 No.5

목적: 본 연구에서는 골다공증을 동반한 노인에서 무지외반 변형의 치료로 사용한 장 회전 scarf절골술의 경험을 보고하고자 한다. 대상 및 방법: 2005년 1월부터 2014년 7월까지 70세 이상의 고령 환자에서 무지외반 변형으로 장 회전 scarf절골술을 시행한 36명 56예 중 3년 이상 추시 관찰이 가능하였던 24명 37예를 대상으로 하였다. 수술 당시 환자들의 평균연령은 73.9세였으며, 전 예에서 술 전 골다공증 검사를 시행하였다. 평균 추시 기간은 5.1년이었다. 골두를 포함하는 족저 골편을 내측으로 회전시켜서 원위 중족골두 관절면 각을 교정하였으며, 위 아래 골편을 X자 형태로 교차시켜 안정성을 갖도록 하였다. 변형 교정 후 2-3개의 무두 나사못을 사용하여 두 골편을 견고히 고정하였다. 수술 당시에 교정 전 및 교정 후의 원위 중족골두 관절면 각을 측정하였고, 술 전 및 최종 추시에서의 무지외반각, 제1-2 중족골간각 및 제1 중족족지관절 운동 범위를 측정하였고, 임상 점수로는 AOFAS 점수를 사용하였다. 술 후 1주째부터 보조기 착용하에 부분적 체중 부하 보행을 시행하였다. 최종 추시에서 피로 골절 여부를 조사하였다. 결과: 술 전 시행한 골다공증 검사에서 T-score는 평균 -3.54였다. 수술 당시에 측정한 원위 중족골두 관절면 각은 교정 전은 평균 24.8°에서 교정 후에 6.7°로 교정되었다. 제1-2 중족골간각은 술 전 평균 17.6°에서, 최종 추시 6.2°로 교정되었고, 무지외반각은 술 전 평균 36.7°에서 최종 추시 시 6.5°로 교정되었다. 제1 중족지간 관절 운동 범위는 평균 37.4°에서 64.3°로 관절 운동이 개선되었고, AOFAS 점수는 평균 56.4점에서 89.2점으로 호전되었다. 수술 당시 관찰상 troughing은 한 예도 경험하지 않았으며, 3예에서 나사못 고정의 실패를 경험하여 1개의 나사못을 추가로 고정하여 해결하였다. 최종 추시 시 전 예에서 골유합을 얻었고, 피로 골절 등은 경험하지 않았다. 결론: 골다공증을 동반한 노인의 무지외반 변형의 치료에 사용한 장 회전 scarf절골술은 원위 중족골두 관절면 각의 교정과 troughing 및 피로 골절 등의 예방 효과를 동시에 얻을 수 있었다. 이에 골다공증을 동반한 노인의 무지외반 변형 치료에 장 회전 scarf절골술은 원위 중족골두 관절면 각을 교정시킬 수 있고, 증상을 호전시키는 술식의 하나로 생각한다. Purpose: This paper reports an experience of rotational long scarf osteotomy for elderly patients with a hallux valgus deformity. Materials and Methods: From January 2005 to July 2014, 37 cases in 24 patients over 70 years of age, who received rotational long scarf osteotomy for hallux valgus and were followed-up for at least 3 years, were evaluated. The bone mineral density (BMD) was checked in all cases preoperatively. The mean age at surgery was 73.9 years old. The mean follow-up period was 5.1 years. The plantar head fragment was rotated medially to correct the distal metatarsal articular angle (DMAA) and to cross the two cortices to form an “X” shape to prevent troughing. In the operating room, the DMAA was measured before and after rotation of the plantar head fragment. The hallux valgus angle, 1st intermetatarsal angle, range of motion of the first metatarsophalangeal (MTP) joint and American Orthopedic Foot and Ankle Society (AOFAS) score were measured both preoperatively and in the final follow-up. In addition, stress fractures were checked in the routine follow-ups. Results: The average T-score of the preoperative BMD was -3.54. The mean DMAA measured in the operation room was corrected from 24.8° to 6.7°. The 1st intermetatarsal angle was corrected from 17.6° to 6.2° and hallux valgus angle was corrected 36.7° to 6.5°. The average range of motion of the first MTP joint was improved from 37.4° preoperatively to 64.3° in the final follow-up, and the average AOFAS scores were improved from 56.4 preoperatively to 89.2 at the final follow-up. No troughing was observed in any of the patients. In 3 cases, screw fixation failure made an additional screw necessary to obtain stability between the two fragments. No stress fractures were observed at the follow-up. Conclusion: The rotational long scarf osteotomy produced the effect of a DMAA correction. The rotational long scarf osteotomy might correct the DMAA and improve the clinical score in elderly hallux valgus patients.

Scavenger receptor class F member 2 (SCARF2) as a novel therapeutic target in glioblastoma

Kim Chaeyeong,Kong Gyeyeong,Lee Hyunji,Tran Quangdon,Vo Thuy-Trang T.,Kwon So Hee,Park Jisoo,Kim Seon-Hwan,Park Jongsun 한국독성학회 2022 Toxicological Research Vol.38 No.2

Scavenger receptor class F member 2 (SCARF2) is expressed by endothelial cells with very large cytoplasmic domains and is the second isotype, also known as scavenger receptor expressed by endothelial cells 2 (SREC-2). SREC-1 plays an important role in the binding and endocytosis of various endogenous and exogenous ligands. Many studies have been carried out on modified low-density lipoprotein internalization activity, but there have been few studies on SCARF2. Higher expression of SCARF2 has been found in glioblastoma (GBM) than normal brain tissue. Through analysis of The Cancer Genome Atlas database, it was confirmed that SCARF2 is widely expressed in GBM, and increased SCARF2 expression correlated with a poor prognosis in patients with glioma. The results of this study showed that the expression of SCARF2 is increased in GBM cell lines and patients, suggesting that SCARF2 may be a potential diagnostic marker and therapeutic molecule for cancers including glioma.

Effect of curing condition on mechanical properties of scarf-repaired composite laminates

Xiaoquan Cheng,Jie Zhang,Yujia Cheng,Xin Guo,Wenjun Huang 국제구조공학회 2020 Steel and Composite Structures, An International J Vol.37 No.4

Composite structures are generally pressurized at both sides when repaired by the scarf repair method. But single-face vacuum bag curing (SVC) may be used in some practical scarf repair of penetration damage due to the low accessibility of composite structures, which can decrease bonding quality and may reduce structural mechanical properties. In this paper, experimental investigations were conducted on tensile and compressive properties of scarf-repaired composite laminates using SVC and double-face vacuum bag curing (DVC) in four hygrothermal environments. Finite element models of composite scarf joints with voids were established to further explore the failure mechanism of scarf-repaired laminates. Results show that the curing condition hardly affects tensile and compressive properties of the repaired laminates though it significantly affects the bonding quality with adhesive inner voids. Failure loads of scarf joints almost keep unchanged with adhesive voids increasing.