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          대중문화 이론을 통해 본 복식 문화의 연구방법에 대한 연구

          엄소희,김문숙 服飾文化學會 1997 服飾文化硏究 Vol.5 No.1

          The purpose of this study is to present the study method in order to analysis the fashion phenomena in popular culture by popular culture theory. The method of this study is showed the method of fashion culture, after it was examined that the trends of popular cultural method, the type of Koran popular culture discussion, and the relationship of fashion and popular culture. The results of this study are following as: 1. Analysis of this study are structuralism stand and culturalism stand, and the application of criticism about the cultural technology in a new stand by means of the composition of Gramscic. A and Foucalul. 2. Application of the ethnographic access method as anthropological approach method about C. Geertz's culture. This is to describe and interpret the practice of subject through directive observation and conduct on a spot, thus is likely to be useful in the fashion study. 3. It needs a historical access method for that purpose, If it applicate Weber's methodology, it will have the use of both meaning interpretation and explanation of cause and effect on the basis of realistic conditions(historical data), and would appear that the peculiar apportunity of mental(cultural) progressional process became definitive explanation. 4. It must be made up of the discussion (which is) based on the durability of tradition and culture. It is undeniable that the discussion, which related to popular culture up to the present, showed the disconnectedness of the past tradition and culture, and naturally accepts it's connection to epepistemology. The cultural study is a theory interested in what it brings about, what way it's organized and what way it's used. The research of the fashion's connection to popular culture is composed of such topic : how fashion is produces, how it is consumed, and then, the proposition whic his concerned in what meaning it produce is made up of. The regulation of the realm of this research will be to help a researcher explain where to begin and how to do it. Although this cultural study method is more or less quantitative, or despite the expense of the accuracy of statistical analysis, this means that such method of cultural research needs to give attention to both aspects of phenomena and basic problems.

        • KCI등재
        • KCI등재

          한국복식 디자인의 연구동향에 관한 고찰 - <복식>과 <한복문화> 학술지를 중심으로 -

          한민재,이연희 복식문화학회 2020 服飾文化硏究 Vol.28 No.5

          A lot of work has been done on the topic of Korean traditional costume. In spite of the amount of the work, however, not much work has appeared that summarizes the overall research trend in such a way that we gain insights into the future direction of the Korean traditional costume field. This study aims to work out an analysis of the research trend that may shed light on the current status of the field and also on the things that have to be done to further develop the Korean costume design field. The analysis reported in this work is based on the articles that appeared in two journals: Journal of the Korean Society of Costume published by the Korean Society of Costume (2,661 articles from the year 1977 to 2019) and Journal of Korean Traditional Costume published by the Society of Korean Traditional Costume (762 articles from the year 1998 to 2019). The result of the analysis shows that only a very small amount of work is devoted to actual designing of Korean traditional costume, and this has to change to globalize Korean traditional fashion and draw worldwide attention to it. So more work is needed particularly on actual designing of Korean traditional costume. This does not mean that we simply have to maintain tradition and replicate the original designs, but we have to endeavor to work out novel designs by, for instance, creative destruction and restructuring, maintaining the essence of the tradition of Korean costume.

        • KCI등재

          高麗時代 地藏菩薩圖의 服飾에 관한 硏究

          全惠淑,金眞熙 服飾文化學會 1999 服飾文化硏究 Vol.7 No.1

          In this study, I tried to find out the diffusion and the receptive process of new culture with examining the costume of Ksitigarbha Bodhisattva Buddist drawings, which were drawn by our people in the Koryo dynasty. I classified each part of the costume of Ksitigarbha Bodhisattvas and found out overall characteristics and analyzed their meaning. The results are as follows: First, because there were several 'du-guns' of peculiar types, Ksitigarbha Bodhisattvas were supposed to have 'du-gun' before Buddhism was diffused throughout China through the Weat. The type of 'du-gun' was developed more and more through the Weat and appeared as the type of 'du-gun' of Ksitigarbha Bodhisattvas in 'Ji-Jang Do' in the Koryo dynasty. And the pecuilar type of du-gun was supposed to have been under the influence of the costume of Taoism in those days. Second, I think that the Buddhist defication of the costume in Ksitigarbha Bodhisattvas was a phenomenon in the process that belief in Ksitigarbha was united with popular belief and widely diffused and became to have its important meaning of its own. Third, the feminine tendency of the costume in Ksitigarbha Bodhisattvas is supposed that the meaning of the early goddess remained partly in the costume even though Ksitigarbha Bodhisattva was god in India. Fourth, Several round shape designs are supposed to be affected by the diplomatic relationshoip with the West. As mentioned above the costume 'Ji-Jang Do' in the Koryo dynasty was affected by china's, India's, and several countries' in the Weat. The costume of 'Ji-Jang Do' in the Koryo dynasty is supposed to have cultural factors of world-wide in that ga-sa was Gandira style based on Hellenistic art. Therefore, the reception of new culture was selective on the basis of the country's need and this new culture was changed into something peculiar to affect other countries simultaneously with reception.

        • KCI등재

          패션연구 및 패션디자인,미학,복식사 분야 관련 연구동향 -2004~2013년 <Fashion Theory> 및 <복식문화연구>를 중심으로-

          한수연 ( Soo Yeon Hahn ),김영선 ( Yon Son Kim ) 복식문화학회 2014 服飾文化硏究 Vol.22 No.4

          The areas of fashion research and fashion design aesthetics & fashion history have been studied under a common research heading as a Humanities subject in the UK and the USA, and as Clothing and Textiles Studies in Korea. The purpose of this paper was to analyze the 2004~2013 research tendencies in terms of reporting methods and contents from 181 world-renowned Fashion Theory research papers within the UK and USA fashion research corpus, and 359 Korean research papers from The Research Journal of Costume Culture related to fashion design aesthetics & costume history field. The subject areas, periods, methodologies, and differences in the topics of the studies were examined. The results of the research are as follows. Regarding the research authorship and length of the research papers, in Fashion Theory most papers were written by a single English-speaking or other foreign language-speaking author and were on average longer than 21 pages, while in The Research Journal of Costume Culture, many papers were jointly written by two Korean researchers and were between 11 and 20 pages. Regarding the content, Fashion Theory was connected to relatively wide and diverse periodical and regional boundaries including the body, clothing, the fashion media, and the overall fashion system, while The Research Journal of Costume Culture revolved around the body and clothing, textiles, the fashion media, and costumes. In addition, since the late 20th century, the studies appeared to be related to the current Western world overall or to the country of the author. Regarding the research methodology, Fashion Theory used diverse research subjects and methodologies, and research was conducted on topics relating to fashion culture or fashion aesthetics. On the other hand, The Research Journal of Costume Culture featured relatively more dynamic studies aimed at suggesting developments or solutions to problems. It was found that a large share of that research focused on detailed style analyses and suggestions for aspects such as design elements and design developments. Such differences are considered to be caused by the inherent differences between the academic departments for the Humanities, and the Human Ecology. The above research results are expected to provide fundamental information in setting a direction for future research to assist the globalization of domestic research.

        • 청학동의 문화와 의복행동에 관한 연구

          이경화,한명숙 복식문화학회 2001 服飾文化硏究 Vol.9 No.1

          Chunghahk-dong is located in a retired spot Jiri Mountain and has been built up. its own religion and culture thout any exchange outside world. People in Chunghahk-dong believe in a religion called Genjungyutaosim. Forming a trinity on which mind is Taoism, body is Buddhism, and behavior is confucianism. These are the principle elements to form a village. They made their own unique cultural factor such as longhaired boys and girls, wearing traditional cloths and hat, a monastic life, fDlk mores and family rituals, and private school system, This shows a great deal of affection on their life style and organization and is closely connected with community and culture. Grasping a culture and behavior on clothing, it has purpose to understand Chunghahk-dong properly according to this study. A method of study has a purpose to understand culture and clothing behavior precisely in Chunghahk-dong. 1 inquire into clothing behavior with investigation and study of picture script. The results are as followed; People in Chunghahk-dong show unique clothing and hair style behavior based on Genjungyutao. First, men and women wear a white cloth called HanBok(Korean costume) and footwear made of rubber, Only men wear a blue vest. A grown up men wear a long coat when they go out. They are dressed in tractional cloth for a ceremonial occasion. The reason why they put on the HanBok(Korean costume) is a belief on our traditional cloth becomes a standard dress in the future. They believe Korea becomes a standard dress in the future. They believe Korea become a leading county in the world. This clothing behavior is symbol of Genjungyutao and has a role of delivery system fur expressing their split. Second, In sign of being a Genjungyutao men, they let their grow hair Cutting hair is not to be a Genjungyutao men any more. There is few reason that people in Chunghahk-dong let grow their hair : First, because of importance in TanGun's ideology, they believe Korea is a first nation in the world and can't cut their hair which has grown from TanGun(The founding father of the Korean nation) Chosun traditionally. Second, Cutting their hair runs counter to the principle of nature. Third, They value their body for confucianism. They don't want to damage their body because of body firom their parents, Boys and girls braid and tie up their hair and adult tie a topknot and a chignon. Wearing a YouGun(A horsehair skullcap) at home and a Kat(A Korean top hat) when going out, they express as a Genjungyutao. Hemp cloth and synthetic fibers are main clothes. Also, they wear an improved HanBok(Korean costume) these days on influencing outside.

        • KCI등재

          朴通事 諺解의 服飾硏究

          金鎭玖 服飾文化學會 2000 服飾文化硏究 Vol.8 No.3

          The objective of this study was to trace and to examine costume terminologies recorded in Pak Tong Sa Eun Hae. Names of costumes and costume related terms were collected from Pak Tong Sa Eun Hae. Books and various references from China and Korea were used for this study. Costume terms were examined from the Chinese and Korean. Classifications of costume terminologies from the data were made for the analysis: man and woman's costume, accessories, names of fabrics, colors, and decorative motifs used, professional costume, special occasion dresses and so on. Conclusions and summary of results and findings can be summarized as fallows: It revealed that manes of man's costume and other costume related words were a large in number compared with those of woman. Olny one name of woman's costume appeared in the text: It was a kind of long vests, However, names of accessories such as a hat, a hat decorated with jewels and phoenix design, a hair pin, earings, bracelets, finger rings, a soft belt were shown in the text. While many costume names of man included in the text were of garments such as a kind of long vest, a short vest, an outer robe, a kind of long coat with pleated skirt, leg coverings, outer jacket and so on. Also names of undergarments such as an under skirt, a belly covering, and drawers were found in the text. Fabric names were mostly silks such as brocade, twill, sarcenet, damasks and plain silks. Blue was the most widely appeared fabric color in the text and red was the second. Design motifs of fabric design were of dragon, flowers, eight precious things, clouds which were characteristic design motifs of the Chinese. It was found that some of the Chinese costume terminologies were translated into the Korean although many Chinese costume terms were used as the original Chinese.

        • KCI등재

          한국 현대복식에 나타난 일본 패션의 영향 : 여대생을 중심으로(1998년) Focused on College Women(1998)

          朴吉順,金瑞姸 服飾文化學會 1999 服飾文化硏究 Vol.7 No.1

          The results of this study are as follows: 1. Though Korean college women have taken unfreindly attitudes and thoughts to Japan, they have enjoyed themselves over the various Japanese cultures. 2. They have thought that Japanese fashion becomes popular in Korea, Japanese clothes are superior to Korean clothes in quality, and they are suitable to express personality. 3. Japanese clothing elements which become popular now in Korea are the clothing style of 'school girl-look', 'Avant-garde', punk hair style, and the various shapes of shoes, accessories, and make-up.

        • KCI등재
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