암 환자 대상 설문지, 맥진기, 설진기 결과를 활용한 한열허실변증에 대한 예비 연구

최유진(Yujin Choi),김수담(Soo-Dam Kim),권오진(Ojin Kwon),박효주(Hyo-Ju Park),김지혜(JiHye Kim),최우수(Woosu Choi),고명현(Myung-Hyun Ko),하수정(Su-Jeung Ha),송시연(Si-Yeon Song),박소정(So-Jung Park),유화승(Hwa-Seung Yoo),정미경(Mi-Kyung 대한한의학회 2021 대한한의학회지 Vol.42 No.1

조선시대 직물의 곡수문(曲水紋) 유래와 전개 양상

강서영,안보연 한국의류학회 2023 한국의류학회지 Vol.47 No.2

Patterns abstractly depicting flowing water with Chinese characters such as gong, wan(man), or wang con- tinued endlessly and curved water patterns began appearing on textiles during the Song Dynasty. Though Song curved water patterns encompassed poetic sentiments such as “falling flowers and flowing water,” the meaning faded with time, and these patterns were depicted in backgrounds with flowers added to brocade (Geum-sang-cheom-hwa). During the Ming and Qing Dynasties, combinations of diverse patterns, including flowers, butterflies, dragons, and auspicious treasures became fashionable, rather than the gong- and wan-shaped curved water patterns. Likewise, during the Joseon Dynasty, curved water patterns were preferred as background rather than as primary patterns. They were overlaid with flowers and clouds. The overlaid flow- er patterns included four-season flower patterns (17th-18th centuries), round flower patterns (19th century), and large flower patterns (20th century), which were identical to flower patterns fashionable at the time and ar- ranged at intervals on complex curved water pattern backgrounds. In contrast, simple Ruyi types were more numerous than the four-Ruyi types fashionable at the time with regard to cloud patterns. Added here were Taiji (great ultimate symbol) or crane patterns, thus seeking to depict diverse auspicious Ruyi such as wish fulfill- ment and longevity.

건축 파사드의 디지털 패턴 디자인 유형에 대한 감성 특성* - 밴 팰(Ben Pell)의 파사드 패턴 유형을 중심으로 -

오영은 한국실내디자인학회 2022 한국실내디자인학회논문집 Vol.31 No.4

Pattern is a visually important element in designing an architectural facade. The digital pattern design such as a facade is deeply related to aesthetic characteristics in architecture and interior design. However, the lack of research on a systematic design process for digitalized pattern design such a facade, poses a problem for designers. This research provides emotional characteristics on five types of architectural facade pattern: applied, perforated, layered, cast, and tiled. The analysis is based on an existing study that briefly analyzed their emotional characteristics, and this is combined with the results of other research on emotional characteristics of applied and perforated patterns. First, reviewing previous research reveals the reasons for selecting façade pattern types classified by Ben Pell and determines their classification criteria, the definitions, the general characteristics and the representative projects of the five types of architectural facade. Second, the survey method from existing research is used to establish targets, method, and analysis. Third, general information of survey respondents is analyzed in terms of gender, age, education, occupation, and experience. Results represent emotional characteristics by case and by type of digital pattern design of architectural facade and reveal a correlation between determined emotional characteristics by type and by case. After deriving their correlations, this study finally determines the emotional characteristics by type and case. Emotional responses are then presented by type and case. Fourth, the results are compared and analyzed with those of existing research. The results in the emotional characteristics show that the applied and layered patterns are continuous and discontinuous-continuous, respectively, the perforated pattern is irregular and irregular–regular, and the cast and tiled patterns are regular and irregular-regular, respectively. In the comparison of the average value by facade pattern design type, based on the results and as a design concept, a continuous continuity is more suitable for the layered pattern than the applied pattern, a regular regularity is more appreciated for the cast pattern than the tiled pattern, and an irregular regularity is good for designing the perforated pattern.

SFAA 컬렉션에 활용된 서페이스 디자인 연구

김주희(Joo Hee Kim),금기숙(Key Sook Geum) 한국복식학회 2002 服飾 Vol.52 No.1

Patterns are something that comes out of necessity in human life, which is closely associated with it. Thus come the SFAA (Seoul Fashion Artists Association) collection which uses patterns varying in form, color, way of expression and material. For this research. I first categorized the patterns the SFAA designers used into: natural patterns, symmetric patterns, traditional patterns, stripe, plaid, dot and abstract patterns. As a result of the process, the designers most favored the natural patterns and symmetric patterns, and dot patterns were rarely used. The designer who most favored patterns in general was Sul Yun-hyoung, and the designer Kim Chul-ung rarely favored the surface effect. The seven kinds of patterns naturally differ according to the designer, as Park Hang-chi liked to use the plaid patterns along with yarn dyeing material, whereas Jin Teok expressed stripe patterns using the yarn dyeing fabric. Natural patters were presented in a bizarre way with Lie Sang-bong, who took the motives appearing in Eastern ceramic and paintings into the clothes, using the print method. The symmetric patterns, which the SFAA designers most preferred, was used evenly among designers like Chang Kwang-hyo, Gee Choon-hee, Rubina, and Haneza. In contrast, Lie Sang-bong, who used abstract patterns that do not give out meaning of the actual form of the pattern, rarely used symmetric patterns. The dot patterns were most often used by Park Youn-soo, and traditional patterns were overwhelmingly chosen by Sul Yun-hyoung. Secondly, in expressing the colors, SFAA designers were much more likely to choose achromatic colors, not choosing to show off colors. This is especially apparent in works by Haneza and Lie Sang-bong. In the SFAA collections, numerous methods were used to create. For instance, Sul Yun-hyoung used the oriental embroidery method, and Rubina and Lie Sang-bong used many unique dying methods. In terms of materials, Sul Yun-hyoung preferred silk, due to her methods, and Lie Sang-bong was one of the designers that used a number of different materials such as vinyl. Jacques Mueclier of the Paris Clothes Association in France, who was invited to SFAA collection once, remarked, While the choice of material and the actual sewing done were excellent, there lacked much difference among the designers, as most of them choose flowing silhouette in terms of composition, which is all too correct. In addition, there were cases in the collection where the inherent feelings of cultural artifacts was expressed without alteration. Summing up, the research aimed to analyze the surface expression methods, forms and color of SFAA designs, and I hope that it can open up ways for new projects in the future.

청대(清代) 도자기에 나타난 수복(壽福) 문양에 관한 연구

쟝잉 한국도자학회 2023 한국도자학연구 Vol.20 No.3

청대는 중국 역사적으로 도자기 발전의 절정기였다. 이 시기의 도자기는 청나라의 문화 연구에 중요한 역사적 증거 자료를 제공하고 있다. 수복 문화는 중국의 지속적인 발전을 위한 전통적 문화이며, 도자기에 나타난 수복 문양은 수복 문화 연구의 중요한 표본으로 볼 수 있다. 청나라의 다양한 역사적시기에 오복봉수, 박쥐 문양, 그리고 인물 문양의 세 가지 범주에 관한 비교 연구를 포함하여 수복 문양의 특징을 연구함과 동시에 그 차이의 역사적 원인을 분석하기도 하였다. 초기 수복 문양은 여전히명나라의 특징을 계승하고 문양의 완정성이 강하며 전체 배치가 촘촘한 특징이 있었다. 중기의 경우, 수복 문양은 초기의 문양을 기초로 세부적 묘사 및 공간적 구조 측면에서 혁신을 진행하였다. 그리고후기의 수복 문양은 초기와 중기의 특징을 흡수하지만, 그 혁신과 품질은 이전 시기보다 현저히 떨어진 것으로 나타났다. 이 수복 문양의 차별화를 초래하는 주요 원인은 정치적 안정과 생산성의 발전이었다. 그래서 도자기를 탑재체로 한 수복 문양은 청나라의 정치·사회 생태가 흥기에서 번성, 그리고쇠락으로 치닫는 과정을 잘 반영한다고 할 수 있다. Chinese ceramics at Qing Dynasty reached the peak of the development of ancient ceramics, which can provide important historical evidence for the study of Qing culture. The happiness and longevity culture is a traditional culture that continues to develop in China, and the study of the happiness and longevity patterns on ceramics is an important sample to study the happiness and longevity culture. This paper makes a comparative study of the lucky and longevity patterns in different historical periods of the Qing Dynasty, through analyzing five bats holding longevity, other bats patterns and human figures patterns. Then the historical reasons for their differences were studied. The early happiness and longevity patterns still inherited the characteristics of the Ming Dynasty. The integrity of the pattern is significant. The layout and coincidence not only had the symmetrical beauty of five bats holding longevity, but also had the messy beauty of matching the figure pattern and bat pattern. On the basis of the early stage, the middle stage of the happiness and longevity patterns were innovated, and its innovation was mainly reflected in the details and spatial structure. The happiness and longevity patterns of the late period learned the characteristics of the early and middle periods, but the innovation and quality of the patterns had obviously declined compared with the previous periods. Political stability and productivity development were the main reasons for the difference in the patterns of happiness and longevity. Therefore, it can be said that the happiness and longevity patterns with ceramics as a payload reflects the process of the Qing Dynasty's political and social ecology from emerging bloom to prosperity til the decline.

Patterns for Development of Windows Form Applications and Web Applications

Rahim Lotfi 보안공학연구지원센터 2016 International Journal of Grid and Distributed Comp Vol.9 No.6

Design pattern is a mechanism to show experience in object-oriented design, as well as an appropriate solution which has been provided by experts for particular problems and which can be used over and over throughout the design. Using design patterns helps improve software quality and reusability. There are different patterns for development of data source (database, file, array, etc.) systems but most of them have features that are not appropriate for code generation. We seek in this research new patterns for development of data source systems that can accelerate the development of such systems and reduce costs and are appropriate for code generation as well. This article deals with challenges related to prototype, singleton and MV* (MVC, MVP, MVVM) patterns. As a solution, we will propose two patterns called MVC+ and MVC++ as well as a tool called LCG for code generation. We compare the proposed patterns with similar patterns in terms of efficiency. MVC+ and MVC++ are appropriate for model-driven architecture, code generation and the development of windows form applications and web applications.

Optimization of Intense Pulsed Light Sintering Considering Dimensions of Printed Cu Nano/Micro-paste Patterns for Printed Electronics

Yong-Rae Jang,Chung-Hyeon Ryu,Yeon-Taek Hwang,김학성 한국정밀공학회 2021 International Journal of Precision Engineering and Vol.8 No.2

An intense pulsed light (IPL) was irradiated for the sintering of screen-printed copper (Cu) nano/micro-paste patterns on a polyimide substrate. The pattern widths and intervals affect the sintering behavior owing to the opto-thermal relationship during IPL irradiation. The temperature histories of the patterns during the IPL sintering process were predicted using a selfdeveloped heat transfer simulation program. By comparing the experimental and simulation results, the tendency according to the size of the Cu pattern was confirmed. At the same IPL irradiation energy, the wider the pattern and the narrower the interval between the patterns, the higher the heat generated. To demonstrate the tendency, in situ resistance monitoring of the Cu patterns was conducted and their microscopic structures were investigated using a scanning electron microscope. Through the tendency of IPL sintering according to the widths and intervals of the Cu pattern, guidelines of IPL sintering process for electrodes with multi-size pattern were suggested: A dummy pattern was added between the existing digitizer patterns to achieve uniform sintering in all regions. When IPL sintering was conducted with the dummy patterns, the uniformly sintered line resistance could be obtained in entire areas of the digitizer pattern.

초등학생의 경향성 지식 생성 능력에 따른 경향성 지식 생성 과정 분석

김소이,신동훈 한국현장과학교육학회 2017 현장과학교육 Vol.11 No.2

Pattern-Knowledge is generated in the inductive reasoning procedure. And it is associated with relationship cognition ability of objects. Unlike observation and classification in the inductive procedure, pattern-knowledge was not that main subject of the science education researches. But, for the final knowledge of the inductive procedure called ‘hierarchy’, we should generate the ‘pattern-knowledge’. In this research, you can understand elementary students′ pattern-knowledge generating process by their pattern-knowledge generation ability. We modified ‘the classification framework of pattern-knowledge′ s sub-declarative elements’ and ‘the level of patternknowledge’ in the ‘pattern-knowledge generation ability index’. These two were already produced by other researchers. We developed the 4 tasks (2 animal tasks, 2 plant tasks) and compared the differences of students′ pattern knowledge generating procedures. Here are conclusions. First, elementary students generated various sub-declarative knowledge and ‘Oder’ stage should be added to ‘the classification framework of the pattern-knowledge’. Second, ‘the level of pattern-knowledge’ in the ‘pattern-knowledge generation ability index’ should be changed into 5 stage like ‘element - elementary variation - order - pattern - final pattern’. Third, the students having higher index tend to generate more sub-declarative knowledges. Fourth, high achieve students generated ‘element’s and ‘order’s more and low achieve students generated ‘elementary variation’ more. Fifth, there was advancement when we offer the scaffoldings especially in low achievement group. Sixth, there are some differences on kinds of the tasks when the two groups were working on. These conclusions provide implications to developing the enhancement program of pattern knowledge generating ability. 귀납적 지식 생성 과정에서 발생하는 경향성 지식은 여러 관찰 대상의 특징 사이 관계를 인식하는 능력과 밀접한 관련이 있다. 관찰, 분류와 같은 다른 귀납적 과정에 비해 연구가 많이 이루어지지 않았으나, 귀납적 지식 생성과정에서 최종적 지식인 ‘위계’를 생성하기 위해서 반드시 생성해야 하는 지식이다. 이 연구는 초등학생의 경향성 지식 생성 능력에 따라 경향성 지식 생성 과정에서 발생하는 사고과정 상의 차이점을 분석했다. 기존에 개발되어 있는 ‘경향성 지식의 하위 선언적 지식 분석틀’과 ‘경향성 지식 생성 능력 지수’의 ‘지식의 수준’을 수정하여 초등학생의 경향성 지식 생성 과정 분석을 위한 기초를 마련했다. 동물과제와 식물과제를 2개씩 제시하여 총 4개의 과제를 수행하는 동안 초등학생의 경향성 지식 생성 과정을 비교했다. 연구결과는 다음과 같다. 첫째, 초등학생은 경향성 지식 생성 과정에서 최종경향성(FP) 생성에 도달하기까지 다양한 선언적 지식을 생성하며, 순서(Od) 단계가 추가되어야 한다. 둘째, 초등학생의 경향성 지식 생성 능력 지수 산출식(PKQ)의 구성요소 중 ‘지식의 수준’을 ‘요소(E) - 요소변화(EV) - 순서(Od) - 경향성(P) - 최종경향성(FP)’의 5단계로 제시해야 한다. 셋째, 경향성 지식 생성 능력 지수가 높은 학생일수록 생성하는 전체 하위 선언적 지식의 수가 많다. 넷째, 상위집단은 경향성 지식 생성 과정에서 ‘요소(E)’와 ‘순서(Od)’을 높은 비율로 생성하고, 하위집단은 ‘요소변화(EV)’를 높은 비율로 생성한다. 다섯째, 경향성 지식 생성 과정에서 비계를 제공하면 초등학생의 최종경향성(FP) 생성 능력을 향상시킬 수 있다. 여섯째, 경향성 지식 생성 능력에 따라 과제 종류(동물과제, 식물과제)에 대한 수행 특징이 다르게 나타났다. 이러한 연구의 결론은 ‘초등학생의 경향성 지식 생성 능력을 향상시키기 위한 프로그램’ 개발에 시사점을 제공한다.

한의 중풍 변증 표준화 연구에서 어혈증에 관한 고찰

이정섭,김소연,강병갑,고미미,김정철,오달석,김윤식,이인,조기호,전찬용,한창호,방옥선,Lee, Jung-Sup,Kim, So-Yeon,Kang, Byoung-Kab,Ko, Mi-Mi,Kim, Jeong-Cheol,Oh, Dal-Seok,Kim, Yoon-Sik,Lee, In,Cho, Ki-Ho,Chen, Chan-Yong,Han, Chang-Ho,Bang, 대한한방내과학회 2009 大韓韓方內科學會誌 Vol.30 No.4

Background : Static blood is a kind of etiological factor including stagnated blood and blood overflowed out of the vessels. It is one of the causes of stroke in oriental medicine. Objectives : The purpose of this study was to evaluate the static blood pattern and its indicators in stroke pattern diagnosis. Methods : For the standardization of pattern diagnosis in stroke, we set 5 patterns (Fire-heat, Dampness-phlegm, Static blood, Qi deficiency, Yin deficiency) and developed 61 indicators. Patients with a first-ever stroke, within 1 month after the onset of stroke. Two physicians checked the indicators independently. They then performed pattern diagnosis and rechecked the indicators which were referred to pattern diagnosis. If pattern identifications were diagnosed the same, it would confirm pattern identification. We examined the frequency of all indicators and referred indicators in static blood pattern patients. Results : In 859 patients, static blood pattern was shared by 24(2.8%). The indicators which affect static blood pattern were mainly rough pulse and bluish purple tongue, other indicators were not major effectors. Conclusion : This result shows that it is inconsistent to set up static blood pattern as a major pattern in stroke. Nevertheless, static blood is still a valuable concept in the clinical field. Other study methods will be required to establish the pattern diagnostic indicators for static blood pattern.

설화에 나타난 서사 확장의 두 패턴

심우장 한국구비문학회 2022 口碑文學硏究 Vol.- No.65

When approaching a narrative from an oral culture point of view, one important passageway is patterns. This is because, in an oral culture where texts do not exist, the composition, storage, and transmission of information is done through patterns. Among folktales, there are basic narratives in a single form of disequilibrium-equilibrium, while there are many cases in which the narrative is expanded as the basic type is repeated. There are certain elaborately woven patterns in these narrative expansions. Among them, this paper pays attention to the pattern of disequilibrium-equilibrium-disequilibrium-equilibrium. In order to expand the narrative, it is necessary to newly secure the exhausted narrative drive. According to this securing method, the narrative expansion patterns are divided into two types: a context expansion pattern and a view shift pattern. In the recognition that the narrative equilibrium of the preceding story unit is incomplete, the “context expansion pattern” finds an incomplete point through context expansion to secure additional narrative drive. the “view shift pattern” finds the hidden disequilibrium through another view implied in the preceding story unit to secure a new narrative drive. These narrative expansion patterns have the effect of amplifying the subject, deepening and expanding the world perception, and strengthening the narrative closure. The narrative expansion pattern commonly found in a wide variety of works deserves attention as it reflects the process of dialectical thinking. This process of recognition from negation to unity and reconciliation through deepening and expansion of knowledge is a typical dialectical process of knowledge. In the end, the narrative expansion pattern shown in folktales can be said to be a refined process of oral cultural thinking that is wary of dogmatic recognition and aims for reflective thinking, just like dialectical thinking.