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        • KCI등재

          실내디자인 보호체계 및 현황에 관한 연구- 미국과 한국의 디자인 및 상표등록 사례비교를 중심으로 -

          유호정,하미경 한국실내디자인학회 2014 한국실내디자인학회논문집 Vol.23 No.3

          The protection of Design is very important issues in these days. Even though Interior Design is also one of important design sections, it is relatively unprotected by formal intellectual property laws, yet creativity and innovation flourish. The needs for protection of Interior Design have been creased. The aim of this study is to suggest the weakness of the system for protection of Interior Design. The proposed research is comprised of two themes. One is to research Acts related to protection of Interior Design. The second is to study the registered cases under the Design Protection Acts. These two theme is generated by the comparative review between ROK and U.S.A. Through these comparative results, this study propose some considerations for an effective protection for Interior Design. Design need to be registered in the hole image of the space not a partial element. The concept needs to be protected because it is more effective way to respond the copying. Exterior for facade and Interior Design need to be registered in one registration to use the protection system actively. 디자인의 권리 보호는 매우 중요한 이슈이다. 실내디자인은 중요한 디자인 분야 중 하나이며 실내 디자인의 창작권 보호에 대한 필요가 증대되고 있다. 이 연구의 목적은 실내디자인의 보호를 위한 보호 제도와 등록된 사례를 고찰함으로서 실내디자인 보호의 어려움 및 문제점을 밝히는 데 있다. 본 논문은 두가지 구체적인 목적으로 진행되었다. 첫째, 디자인 보호제도의 고찰이다. 미국과 한국의 디자인 보호제도를 고찰하고 실내디자인을 현행법으로 보호할 수 있는지, 무엇을 어떻게 보호할 수 있는 지 알아보고자 한다. 둘째, 실제 실내디자인의 보호를 위해 등록되고 있는 사례를 고찰함으로서 등록 절차에서 나타나는 문제점을 파악하고자 한다. 미국과 한국의 제도와 사례를 비교함으로서 향후 디자인 보호법과 디자인 보호제도의 활용과 개선방안을 제안하고자 한다.

        • KCI등재

          사용자 성격유형에 따른 주거공간 실내디자인 요구에 관한 연구

          이헌주(Lee, Hunju),박수빈(Park, Soobeen) 한국실내디자인학회 2013 한국실내디자인학회논문집 Vol.22 No.6

          This study aims to find out various users’ diverse interior design needs for their housing and interior design through the personality, which is intrinsic and consistent traits of the individual. The survey research followed the literature reviews including personality studies and interior design assessments. 176 undergraduate and graduate students as controlled by age, sex, and major answered the questionnaire. Their housing and interior design attitudes, the semiotic assessment of interior design styles, and interior design preference were compared in accordance with four pairs of preference dichotomy of MBTI (Myers-Briggs Type Indicator): Extraversion-Introversion, Sensing-iNtuition, Thinking-Feeling, Judging-Perceiving. As a result, the framework of housing and interior design needs by the users’ personality types are proposed. It shows specific needs for 16 types of personality based on eight preference dichotomy: extroversion-open, introversion-closed, sensing-functional, intuition-emotional, thinking-restricted, feeling-receptive, judging-simple, and perceiving-creative.

        • KCI등재

          한국 대학 실내디자인 관련 교육 현황 분석과 개선 방향 연구

          서수경(Suh, Swoo Kyung) 한국실내디자인학회 2010 한국실내디자인학회논문집 Vol.19 No.6

          Interior design education has been developed rapidly since the discipline established in Korea in 1980s but unfortunately the development was without any progressive transition until 1990’s. When Korean Institute of Interior Design/KIID inaugurated in 1992, interior design education and related research activities began to be intensified. Despite its effort, there were still confusion about the discipline as there were many similar discipline tracks (architecture, design, fine art, & home economic, etc.) each having an own definition of interior design and introducing different aspects of educating the subject. Education program for interior design still not sufficiently supporting the needs of today’s rapidly changing industry nor to prepare the diverse needs of the client. In order for interior design major to be effective in the future and fulfill the needs of current industry development within our society, re-evaluation of our current interior design educational programs in Korea is important. This study will be the beginning of a research series. As the first part of the research series, this particular study has been focused on reviewing of current status of interior design majors in the nation and its current condition. While making suggestion for the changes in curriculum, the following points will have to be considered as basic principle. First, understanding the duality of technology and design to accommodate the contents of design discipline. Second, understanding the need of practice and theory combined for practical education. And lastly, considering ways to adopt the human experience in order to develop creativity in oneself. The focus of this research is only on the interior design discipline, and research method as the following; first, analyze current status by reviewing admission data for 2010. Second, process a survey regarding the interior design education and practice-related issues in admissions and collect opinions from educators and professional designers in the field. Thirdly, with reference to previous studies, suggestions will be made for the discipline to be effective in the field. As mentioned earlier, this study series will continue and develop to suggest improvement in interior design program as well as to provide curriculums for students get ready for the industry with more up-to-date knowledges and creativities.

        • KCI등재

          교통약자용 무료 셔틀버스 실내의 물리적 환경 특성 예비연구

          정상원,남경숙 한국실내디자인학회 2018 한국실내디자인학회논문집 Vol.27 No.1

          본 연구는 서울시에서 운영 중인 교통약자용 무료셔틀버스의 이용 빈도가 높은 노인을 중심으로, 기존 무료셔틀버스(구형, 신형)의 실내를 분석하여 실내디자인 특성을 파악하고 개선에 참고 가능한 기초자료 제시를 목적으로 진행되었으며 분석 결과는 다음과 같다. 구형의 경우, 접근성 측면에서 가운데 출입구가 휠체어 탑승자의 탑승 외에 평상시에는 열리지 않아 항상 전륜부의 출입구만 이용하게 되어 대부분의 노인들이 뒷좌석까지 가는 데 이동거리가 두 배정도 길었다. 또한 계단의 수가 많아 오르내리는 데 잦은 불편을 겪는 것으로 나타났다. 신형의 경우, 저상형으로 계획되어 있으며 다양한 형태의 안전봉과 손잡이, 정보의 용이성을 높이는 픽토그램 등이 잘 갖추어져 있어 전반적인 디자인 특성의 측정값이 높게 나타났다. 그러나 심리적 안정성 측면에서, 버스의 좌석이 한색 계통으로 배색되어 난색계통에서 얻을 수 있는 심리적 안정감과는 상이한 관계에 놓여 있음을 확인할 수 있었다. 전반적으로 살펴보면, 구형 및 신형 두 셔틀버스 모두 지원성 측면에서 버스 노선도와 노선 안내에 대한 시청각적 피드백이 결여되어 있었다. 또한, 실내에 청소도구 및 기타 잡동사니가 비치되어 있어 수용성 측면에서 공간 활용에 장애요인이 되었으며, 안전성 측면에서도 두 셔틀버스 모두 소화기가 잡동사니에 가려져 시야에 들어오지 않아 위급상황 시 즉각적인 대처가 어려울 것으로 판단되어 대책이 시급한 것으로 사료된다. This study analyzed the characteristics of Physical Environment of existing free shuttle bus Interior centered on elderly people who frequently use free shuttle buses. The purpose of this study is to provide basic data that can be used for improvement of existing free shuttle buses. In the case of the old type, in terms of accessible design, the middle entrance is not normally opened except the wheelchair occupant, so that the entrance of the front wheel is always used. Therefore, most elderly people go to the back seat and travel distance is twice longer. In addition, many stairs caused frequent inconveniences for boarding. In the case of the new type, it is planned to be a low-floor type, and various types of safety rods and handles, pictograms for enhancing the information convenience are well-equipped, and the measured value of the overall design characteristic is high. However, in the case of mental stability, it was confirmed that the seat of the bus is colored with a cold color system and is in a different relationship with the warm color which can feel mental stability. Overall, both old and new shuttle buses lack audiovisual feedback on bus routes and route guidance in terms of Supportive design. Also, since the cleaning tools and other miscellaneous items were left in the room, it became an obstacle to space utilization in terms of adaptable design. In terms of safety, both shuttle buses did not come into view with fire extinguishers shaded by miscellaneous items. Therefore, immediate action is unlikely in case of emergency. This problem should be resolved quickly.

        • KCI등재

          현대 상업공간 실내에 나타난 앗상블라주 표현특성에 관한 연구

          최대기,김문덕 한국실내디자인학회 2017 한국실내디자인학회논문집 Vol.26 No.2

          This study was conducted by the awareness that although interior spaces using the techniques and characteristics of assemblage are excellent means to reveal distinctiveness and identity with preeminent originality which are different from other spaces, there are few domestic studies and literatures on them. The results analyzed by preceding studies and cases on the characteristics of expression of assemblage which appear in the interior spaces of commercial areas can be summarized as follows; First, assemblage expresses identity of spaces with symbols capable of multiple interpretations through the method of integration and repetition of the materials used. Second, it strongly reminds visitors of memories on spaces by producing odd and unfamiliar scenes with such designs as installation art. Third, when it uses ordinary materials, it adds combination, integration, transformation or colors to the materials for extraordinary traits. Fourth, it pursues sustainability through recycling or upcycling by using wastes or natural materials. Fifth, in order to express materials to fit the purposes of spaces, it formulates outcomes with intentional plans. To sum up above analysis results, expressions of assemblage which appear in modern commercial spaces are characterized by expression of symbols with multiple meanings, purse formativeness which fit the purposes and meanings of spaces, play the role of reminding memories on places by producing extraordinary spaces with strangeness and unfamiliarity such as installation art and sometimes show sustainability by using recyclable materials. The results of this study are expected to be utilized as reference materials which suggest directions of approach to interior spaces through assemblage techniques and materials which can be used in various design terms by domestic designers. 20세기 기계문명의 급진적 발달은 현대 미술과 디자인에 급격한 변화를 가져왔다. 이러한 시대적 흐름에서 태동하였던 앗상블라주(assemblage)는 조형예술의 새로운 유형을 제시하였다. 모으기, 집합, 조립이란 의미를 지닌 앗상블라주는 작가의 손에 의해 만들어진 것이 아닌 자연물 또는 공업제품들을 조합, 하나의 작품으로 만드는 것으로 오늘날 미술은 물론 건축 및 실내디자인에도 많은 영향을 미쳤다. 앗상블라주의 기법과 특성은 실내공간을 위해 생산되는 일반적인 재료만을 사용하기보다 우리 주변의 다양한 일상적인 재료를 조합과 집적하는 방법을 사용, 본래의 재료가 갖고 있는 기능과는 전혀 다른 생경한 장면을 연출하여 방문자에게 심미적 자극을 전달한다. 이처럼 앗상블라주의 기법이나 특성을 이용한 실내공간은 뚜렷한 독창성으로 다른 공간과의 차별성과 정체성을 드러낼 수 있는 좋은 수단임에도 국내 연구나 문헌이 미비함에 주목하여 연구하였다. 현대 상업공간 실내공간에 나타난 앗상블라주 표현특성을 선행연구와 사례를 통해 분석한 결과를 종합해 보면 다음과 같다. 첫째, 사용되는 재료의 집적과 반복의 방법을 통해 다의적 해석에 의한 상징으로 공간의 정체성을 표현. 둘째, 설치미술과 같은 디자인으로 생경한 장면들을 연출, 방문자에게 장소에 대한 강한 기억의 환기. 셋째, 일상적 재료를 사용하지만 비일상성을 위해 재료의 조합이나 집적, 변형, 채색 등의 가미. 넷째, 폐품이나 자연물을 사용, 리싸이클과 업싸이클에 의한 지속 가능성 추구. 다섯째, 재료들을 공간의 목적에 따라 표현하기 위해 의도적 계획에 의한 결과물의 형상화. 상기의 분석 결과를 종합한 내용으로 살펴보았을 때, 현대 상업공간에 나타난 앗상블라주 표현 특성은 일상적 재료를 사용하여 다의적인 상징을 표현하고 있으며 공간의 목적과 의미에 맞는 형상성을 추구, 설치미술과 같은 생경함으로 비일상적 공간을 연출하여 장소의 기억을 환기시키는 역할을 하며, 때로는 재생 가능한 재료를 이용한 지속 가능성을 보여주기도 한다. 본 연구의 결과가 실내공간의 앗상블라주 기법에 의한 접근 방향을 제시하는데 참고 자료로 활용되는 것과 국내 실내디자이너들에게 다양한 디자인 어휘에 적용할 수 있는 자료로 활용하기를 기대해 본다.

        • KCI등재

          화장품 판매공간 디자인의 브랜드 인지도와 이미지의 관계성에 관한 연구

          이주형 한국실내디자인학회 2018 한국실내디자인학회논문집 Vol.27 No.1

          Recently, cosmetic shops are facing a complicate economy situation and a great number of brands are attempting two-way communication with customers, not one-way communication. 'Brand' equity is important to deliver virtual brand mark as visual image. We have 4 steps for brand identity structure, and this study is about the first ‘brand-awareness’ and the second step ‘brand-image’. We investigated the correlation between brand-awareness and brand-image after searching which spatial elements are highly effective to both steps as we designated 5 cosmetic shops. We already organized the means of spatial analysis and we separated into two elements, constructive and decorative. For constructive element, a shop needs a distinct ceiling and wall design, and for decorative element, strong brand image communication is required through showcase design. We proved that brand awareness and brand image have the correlation, which also can be in direct proportion, by regression analysis. The result of this study shows that improving brand awareness as the primary element for cosmetic road shop can be an effective way to enhance brand image. 최근 화장품 매장은 복잡한 경쟁 상황에 직면해 있으며 많은 브랜드 들이 화장품 공간 디자인에서 고객과의 일방향 커뮤니케이션이 아닌 쌍방향 커뮤니케이션으로 브랜드를 알리고 있다. 무형의 개념인 브랜드를 유형의 시각적 이미지로 전달하는 것에서는 브랜드 자산이 중요하다. 브랜드 자산의 구축 단계는 총 4가지로 구성되어 있지만 본 연구에서는 1단계 브랜드 인지도와 2단계 브랜드 이미지에 대해 연구한다. 화장품 매장 5곳을 지정하여 실내공간의 어떤 요소가 브랜드 인지도와 이미지에 크게 영향을 미치는지 알아보고 브랜드 인지도와 이미지의 영향관계를 알아본다. 실내공간의 분석의 도구로는 선행연구를 통해 정리하였으며, 크게 구축적 요소와 장식적 요소로 나누었다. 그 결과는 다음과 같다. 공간디자인에 있어서 구축적 요소로 처음 진입시 공간감을 느낄 수 있는 시각적 효과로는 천정의 디자인과 벽장 디자인을 차별화 해야하며, 장식적 요소는 쇼케이스 (집기)디자인을 통해 강력한 브랜드 이미지의 커뮤니케이션이 요구된다. 브랜드 인지도와 일치도에 대한 회귀분석 결과 브랜드 인지도는 브랜드 이미지에 정(+)의 유의한 영향관계임을 증명하였다. 이와 같은 결과는 화장품 로드숍의 중요한 요소로 브랜드 인지도를 높이는 것이 브랜드 이미지도 높이는데 효과적인 방법이라는 것이다.

        • KCI등재

          디자인경영 측면에서 본 공공디자인사업 관리프로세스에 관한 연구

          박수경(Park, Su-Kyoung),문정민(Moon, Jeong-Min) 한국실내디자인학회 2012 한국실내디자인학회논문집 Vol.21 No.6

          These days, design has been used a very useful means to achieve differentiated urban images and establish the identity of a city, and as an effort to specialize local industries through design, public design projects are competing one another. However, the projects have considerable negative effects because of diverse reasons such as unorganized procedures. For continuous and organized projects which meet demands of the interested persons of public design, reasonable design management should be introduced with a use of design as a strategic means of management Therefore, this study examined the concepts of design management and its meaning in space and analysed cases of implementing components for management of public design projects. It searched for the factors of design management indicating design-oriented management and presented a strategy model which complements design-oriented management. The results of the study are presented as follows: First, strategic implementing components needed for a space design management process were obtained. A design recognition process aimed at what space aims at and needed to identify active components such as physical and indigenous environment. A design inquiry process included problem solution considering characteristics of multi- imensional space active components, design development considering behavioral functions of humans, checklists needed to complete design and necessary components to institutionalize design. For definition of project space, guideline projects of public design should be progressed in the same context as urban design, and developmental directions of public design needed design inquiry in terms of space to create various experiences in space.

        • KCI등재

          실내디자인 교과과정 및 교과목 사례연구 - 한국과 미국의 실내디자인학과 사례를 중심으로 -

          김석경(Kim, Suk-Kyung),박지연(Park, Jeeyeon),이은실(Lee, Eunsil),크리스티 켈럼(Kellom, Kristy) 한국실내디자인학회 2020 한국실내디자인학회논문집 Vol.29 No.3

          The purpose of this study is to analyze the characteristics of interior design curriculum and courses in Korea using case studies and conduct an intensive case study in a CIDA-accredited interior design program in the United States. The Interior Design Program at Michigan State University was chosen for the case study because it has been accredited since 1975 and has successfully renewed their accreditation a few years ago. The analysis of Korean curriculum shows that many interior design programs offer three categories of the courses: (1) theories and issues, (2) technique and skills, and (3) implications and practices. In Michigan State Interior Design Program, the main components of the curriculum and courses are based on the Professional Standards by the Council for Interior Design Accreditation, like other CIDA-accredited programs in the US. Their courses emphasize implications and practices so that students can start their professional career right after graduation. Course titles and contents are flexible, within the criteria that CIDA requires for the accreditation. The findings from these case studies indicate the strong need for interior design curriculum in Korea to provide diverse topics that CIDA"s standards recommend. Design studio projects should integrate other course contents and promote practical solutions so that students could be ready for their career right after graduation.

        • 실내디자인관련 대학 교과과정 분석을 통한 전문계고등학교 실내디자인과 교과과정 개선안 연구

          이현주(Lee, Hyun-Ju),최상헌(Choi, Sang-Hun) 한국실내디자인학회 2009 한국실내디자인학회 학술대회논문집 Vol.11 No.2

          Technical college was aiming students to graduate and have ability to work for employment however later with changes of industrial structure and over qualification, university entrance rate had increased from 20~30% which were in 1990s to 70~80% in 2008. This seems not to get decreased before social change and detailed alternatives about employment are given. Then course curriculum in technical college should be recognized and ran as not current employment centered education but as process to continue education. This study analyzed interior design department"s course curriculum of 4 years university and compare-analyzed interior design department"s course curriculum of technical college then advise that technical college should have course curriculum for resolution of creative design problems rather than basic follow suit. If righteous course curriculum is made to interior design department of technical college with these advices, this will surely will lead and contribute muchly to development of Korean interior design.

        • 디자인 트렌드가 적용된 웨딩공간 실내디자인에 관한 연구 -서울 지역을 중심으로 -

          윤혜영(Yoon, Hye-Young),남경숙(Nam, Kyung-Sook) 한국실내디자인학회 2020 한국실내디자인학회 학술대회논문집 Vol.22 No.1

          This study aims to intend to present new wedding facilities and ways to create spaces to meet diversified consumers’ needs, and to use them as data for deriving practical indoor plans for wedding spaces. As the perception changes in Korea, the types of wedding venues are diversifying. The interior design trends that have influenced the interior of the wedding hall over the past decade can be summarized into three categories. The use of wood materials, green styling, and the fusion of East and West design. This study suggests that the design space should be continuously reflected in the wedding space to stimulate diversified consumer sensibility and provide satisfaction. Since wedding space is changing depending on the size and culture of the wedding, design of the venue should be sensitive and variable to trends. As a follow-up study, we intend to continue the study on whether the wedding space reflecting these trends affects consumers’ positive brand perception. In addition, it is possible to examine and verify whether the reflection of the design trend is different depending on the location, price, and scale remodeling time of the wedding ceremony.

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