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글로리아 네일러의『린덴 힐즈』 -억압적 "원장면"과 왜곡된 "가족 로맨스"의 비극
황보경 ( Kyeong Bo Hwang ) 한국영어영문학회 2012 영어 영문학 Vol.58 No.1
Gloria Naylor`s second novel Linden Hills (1985) explores the issues of self-exploration, empowerment, history, and memory by delineating the communal and familial tragedies and the distortion of values prevalent in a prosperous African-American urban community called Linden Hills. Drawing upon the Freud`s concept of "primal scene" and "family romance," this paper aims to focus upon the Nedeed family, the founder of Linden Hills, and investigate the compelling traumatogenic force within the family, which is inseparably intertwined with the inversion of values and moral corruption permeating the entire community. The "primal crime" committed by the Nedeed ancestors serves to preserve and perpetuate a tyrannical rule by ruthless patriarchs who reign by underhanded strategies of purposefully neglecting and abusing others, including their own wives. The imprisonment, by Luther Nedeed, of his wife Willa in the family morgue epitomizes the long legacy running in the family? the oppression and burial of the pre-Oedipal, maternal history. Willa`s accidental encounter, at the nadir of the family estate and her personal despair, with the faded records of the forgotten and abused Nedeed women exposes the violence- ridden ground of the family`s primal scene and the absurdity of family romance the Nedeeds pursued. As the several lines of poem composed by Willie, Willa`s male double, show, the hidden, forgotten history of the Nedeed women, in a sense, is the real, which cannot be assimilated to the social symbolic governed by the inhumane patriarchy of the Nedeed family and the success-oriented Linden Hills society. By portraying a catastrophic downfall of the Nedeed family and the futile outcome of its family romance, the ending of Linden Hills conveys implicitly that the contingent symbolic order and its oppressive control, however solid and invincible they may seem, can be toppled down by the real, its nameless forgotten Other.
그림책을 매개로 한 또래와의 상호작용 중심의 읽기ㆍ쓰기 지도 프로그램이 유아의 읽기ㆍ쓰기 능력에 미치는 영향
황보영란(Hwang Bo Young Ran) 한국열린유아교육학회 2006 열린유아교육연구 Vol.11 No.1
본 연구의 목적은 유아교육기관에서의 그림책을 매개로 한 또래와의 상호작용 중심의 읽기ㆍ쓰기 지도 프로그램이 유아들의 읽기ㆍ쓰기 능력에 미치는 영향을 알아보는 데 있다. 연구대상은 만5세 남녀 유아 37명(실험집단 18명, 통제집단: 19명)이며, 실험집단은 그림책을 매개로 또래와의 상호작용을 촉진시키는 읽기ㆍ 쓰기 지도 프로그램을 실시하였고 통제집단은 대그룹으로 그림책 읽기 활동만 실시하였다. 유아들의 읽기ㆍ쓰기 능력은 읽기 검사, 쓰기 검사, 그림책에 대한 이해도 검사로 나누어 평가하였다. 연구결과 그림책을 매개로 한 또래와의 상호작용 중심의 읽기ㆍ쓰기 지도 프로그램은 유아들의 읽기ㆍ쓰기 능력 및 그림책에 대한 이해 능력 모두 향상시키는 것으로 나타났다. The aim of this study is to investigate the influence that literacy programs, which is focused on the interaction with peer group, have on young children' literacy ability. Subjects are 37 young children which are five years old (experimental group: 18, control group: 19). The experimental group were given literacy programs using picture books that encourage interaction with peers, while the control group were given activities in which young children only read picture books in large group. Young children's literacy ability were evaluated through reading test, writing test, and comprehension rest The results are as follows: literacy reaching programs using picture books that are focused on the interaction with peer group had influence on young children's literacy ability and comprehension ability.
사회적 돌봄정책의 윤리적 패러다임으로서 정의와 중용의 타당성에 관한 탐색적 연구
황보람(Hwang, Bo-Ram) 비판과 대안을 위한 사회복지학회 2012 비판사회정책 Vol.- No.37
본 연구는 사회적 돌봄정책의 윤리적 패러다임으로서 정의와 중용의 타당성 여부를 이론적으로 탐색함으로써 그동안 간과되었던 사회적 돌봄정책의 윤리적 정향성을 되살리고 주창하는데 그 목적이 있다. 이를 위하여 정의와 중용의 개념과 구성요소(전제조건, 내용과 범위, 기본원리, 실천기준)를 비판적으로 고찰하였다. 연구 결과 정의와 중용이 사회적 돌봄정책의 윤리적 패러다임 또는 준거틀로서 타당함을 돌봄 수급자와 제공자의 실존적 특성과 돌봄의 관계적 측면 및 실체적 측면, 그리고 돌봄이 올바른 사회에 갖는 의미 측면에서 밝혔다. The objective of this study is to examine whether the logic of justice and the mean (zh?ngyon?) could work as the moral paradigm of social care policy. Based on the critical review of various ideas on justice and the mean explained by some philosophers, I argued that justice and the mean could work as the moral foundation of social care policy and provided five grounds for the argument.
황보관 ( Kwan Hwang Bo ),성호경 ( Ho Gyong Seong ) 시학과 언어학회 2014 시학과 언어학 Vol.27 No.-
In this study, we investigated causes of combining Sijo with Daeyup`s tune music and the principles of lyrics allocation in the combination, for more advanced understanding of the relationship combined between Sijo and music-wconsisted of chapter 5, the music format itself of both things showed almost similar patterns. On the other hand, there were both similarities and differences in the patterns of lyrics allocation due to the differences in lyrics format. Although lyrics with a type of three rows and music with a type of chapter 5 were not combined proportionally in 『Yanggumsinbo』 Jungdaeyeop, in the case of Bukjeon, lyrics with a type of three rows and music with a type of chapter 3 were combined proportionally. Looking at the formal terms of lyrics and music, Bukjeon showed to be more appropriate for Sijo music than Daeyup`s tune music, Bukjeon has rarely used as sijo music, and only Daeyup`s tune music has been developed as a representative music since『Yanggumsinbo』. With regard to these phenomena for people at that time, it was Sijo music containing contents based on confucianism, and Daeyup`s tune music recognized as a representative music based on a view of confucian music was accepted properly, but it`s estimated because Bukjeon recognized negatively from the point of view of confucian music was not accepted appropriately as Sijo music. For these reasons, although Daeyup`s tune music was selected as a representative music of Sijo, a way of lyrics allocation in 『Yanggumsinbo』 Jungdaeyeop had similarities and differences with existing Mandaeyeop, because the lyrics and Sijo of Mandaeyeop showed differences in its format. The differences appeared in chapter 3, in lyrics allocation here, it seems to be selected as a way of allocation to reflect structure of poetic aspect among several ways of lyrics allocation to make contemporary music`s customary lyrics allocation possible.