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해방 60년 국문학 연구의 성과와 과제 - 고전시가 분야를 중심으로 하여 -
성호경(Seong Ho-gyong) 우리말글학회 2005 우리말 글 Vol.34 No.-
This paper looks into the achievements of the study of Korean literature for the past 60 years since the Liberation of Korea in 1945 and its future tasks to do, focused on the field of classical Korean poetry.<br/> There has been a lot of research done by many scholars, who contributed to the correct understanding of Korean literature by improving new research and exploration methods. The study of Korean literature has made much progress by expanding its various aspects and making changes in its research trends.<br/> However, both corrections and enhancements are needed in the advanced study of Korean literature. Some important tasks among them are the followings:<br/> First, for the development of the study of Korean literature, it is necessary to have a serious test of the adequacy of the earlier research.<br/> Second, for the correct understanding and objective evaluation of Korean literature, it is necessary to avoid a nationalistic attitude in the research and correct its residual problems.<br/> Third, for the correct understanding of literary works, which is the basis of literary study and research methods, it is necessary to have a refined and analytic approach to the interpretation.<br/> Fourth, as for the study of classical Korean poetry, it is necessary to develop the study about the emotion and tone in poems.
성호경 ( Ho Gyong Seong ) 한국시가학회 2015 韓國 詩歌硏究 Vol.38 No.-
이 글은 체계적이고 충실한 한국시가사 서술의 바탕이 될 수 있을 시대구분의 시안을 제시하는 것이다. 한국시가사의 적절한 시대구분은 역사 시대구분의 의의를 구현하면서 시가사의 실상과 부합하도록 해야 한다. 필자는 한국시가사의 범위를 한민족이 이루어낸 시가들의 총체로정하고, 시대구분의 원리와 방법에 대해 살펴본 뒤, 기존 시대구분들을 검토하여 문제점을 지적하였다. 그리하여 시가 장르들의 발달과 정치적·문화적 환경 그리고 주요 변화의 시기들을 고려해서, 시가 장르의 사적 발달에서의 진행과 변화 위주로 시대구분의 구체적인 방안을 모색하였다. This paper presents a draft plan of periodization, which can be used as a foundation for systematic and fruitful description of history of Korean poetry. Proper periodization should realize the significance of periodization, while coinciding with facts in the history of poetry. Therefore, I began by setting the scope of history of Korean poetry to cover the whole poetry―including poetry in archaic Chinese and modern free verse―produced by Korean people, and then looked into principles and methods of periodization. After that, I examined the major problems in existing periodizations. Finally, I sought a concrete plan of periodization that could encompass overall progress and changes in historical development of Korean poetry, taking the followings into consideration: development of poetic genres, its political- cultural environment, and time of important changes.
성호경(Seong Ho-Gyong) 국어국문학회 2006 국어국문학 Vol.- No.143
This study finds out the poetic meaning of Jemangmaega, a mastery poem of the Shilla period, and looks into the characteristics in the composition and expression of the work. The findings of the study are as follows: This work consists of three strophes. The first strophe expresses the speaker’s decision and emotional experience, with its main topic; his sister’s attitude towards her own death. The middle strophe expresses the speaker’s realization and emotional experience of the transience of human life or human relationship, extending the separation of sister and brother. The last strophe expresses the speaker’s conviction of the sister’s rebirth in the Amitabha’s paradise and the expectation of the reunion of sister and brother there. As for the composition of the work, the coherence between the middle and the last strophe is lacking. However, the poetic image of the middle strophe induces that of the last strophe, following a Buddhistic view on transience, which in turn contributes a little to its completion. This work has an organization with unity as a whole, even though its structure of development shows a lot of change. For the expression, the tropes of the work is composed in the appropriate way to express the author’s view of world and life effectively, and the vehicles of the tropes contain Buddhistic meanings in depth.