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Sequence dicriminative training 기법을 사용한 트랜스포머 기반 음향 모델 성능 향상
이채원,장준혁,Lee, Chae-Won,Chang, Joon-Hyuk 한국음향학회 2022 韓國音響學會誌 Vol.41 No.3
본 논문에서는 기존 자연어 처리 분야에서 뛰어난 성능을 보이는 트랜스포머를 하이브리드 음성인식에서의 음향모델로 사용하였다. 트랜스포머 음향모델은 attention 구조를 사용하여 시계열 데이터를 처리하며 연산량이 낮으면서 높은 성능을 보인다. 본 논문은 이러한 트랜스포머 AM에 기존 DNN-HMM 모델에서 사용하는 가중 유한 상태 전이기(weighted Finite-State Transducer, wFST) 기반 학습인 시퀀스 분류 학습의 네 가지 알고리즘을 각각 적용하여 성능을 높이는 방법을 제안한다. 또한 기존 Cross Entropy(CE)를 사용한 학습방식과 비교하여 5 %의 상대적 word error rate(WER) 감소율을 보였다.
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이청준 소설에서의 자의식적 서술과 자기반영성 : 『축제』(1996)를 중심으로
이채원 ( Lee Chae-won ) 한국문학이론과 비평학회 2010 한국문학이론과 비평 Vol.47 No.-
This paper is to study about the self-conscious and self-reflexivity in fiction by Lee, Chung-Joon, focusing on The Festival. Especially this paper pays attention to the properties of metafiction. It constructs the dual structure: the writing of story and the story of writing. This structure is the narrative device that betrays the expectation of illusion and disturbs the absorption toward the virtual world. Besides the meta-narration and self- conscious narration lead to the world the border which separates between the real and fiction. In self-conscious metafiction, the narrator becomes a character, a critic, a theorist and an author. In The Festival, there are the first person narrator and the third person narrator but the aspects of narration by the narrators are undiscerned. So the same meaning and interpretations are emphasized repeatedly by the self-conscious and meta narration in a frame structure. In film, there are cinematic self- conscious devices instead of eliminating the critical narrations belongs to fiction. Especially an fairy tale inserted in film shows the cinematic self-reflexivity interfering illusion. While fiction is the genre where the language of the narrator governs the narrative, the dominant factor in film is the visual image. The narrator dominates the narrative in fiction becomes weak in film and other characters come to the surface. Also as a cinematic device, the frame in outer frame leads to different ending scene from ending of fiction. These differences in fiction and film extend the reception esthetic of readers and audiences.
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비교문학의 관점에서 본 「베니스에서의 죽음(Der Tod in Venedig)」(1912)과 『은교』(2010)
이채원 ( Chae Won Lee ) 국제비교한국학회 2015 비교한국학 Comparative Korean Studies Vol.23 No.1
The purpose of this thesis is to analyze Death in Venice by Thomas Mann and Eungyo by Park, Beom Shin in the respect of comparative literature and comparative culture. It studies the theme and motif discovered across epoch and cultures. Also it inferences aspects of modification stem from the cultural context and the differences of author’s disposition. Especially it observes transition in the result of means of narration. While Death in Venice shows property of genre as bildungsroman and artist novel, Eungyo views the contemporary history of Korea and epoch’s feature that faces from macro discourses to micro discourses. In spite of differences due to cultural context, both of them embody the relationship of conflict between moral and art, civilization and nature, reason and sensibility. The author’s sense of identity which creates and interprets the world exists in the middle of the conflict. In Death in Venice, the main character struggles between citizenship and artistry, moderation and pleasure, reputation and deviation. After all he throw away the reputation stemmed from his moderation and abstinence, chose the way into ruin. This is motivated from a longing for a teenager boy. Especially Thomas Mann shows the relationship between a wise old man and a beautiful young boy like at ancient Greece. Though the idea of enlightenment is on the center of the modern European sprit, the destructive power of romance which is spread from surroundings is never weak. And this is the room that irony is arisen. In Eungyo, a seventy years old poet’s love and desire toward a teenager high school girl is narrated by the old man’s eyes. So he argues against the society that consider the old man’s desire a sin. In Eungyo, the sense of identity shown by the old poet does not pursue dialectic between citizenship and artistry, but resists norms and orders. Accordingly, the style of narration and focalization are spread out by the first person narrator. In spite of these differences, both of texts perpetuate the male centered norm, so even the sharing theme of love that contains rebellious features has limitation of phallicism.
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일본군 ‘위안부’에 대한 페미니즘과 내셔널리즘의 역학관계 - 트랜스내셔널 페미니즘의 구축과 한일 여성연대 가능성
이채원(Lee, Chae Won) 숙명여자대학교 아시아여성연구원 2020 아시아여성연구 Vol.59 No.1
본고에서는 일본군 ‘위안부’ 문제에 대해 보다 진전된 해결을 위한 실천적 담론을 모색하기 위해 한일 여성들의 연대 가능성에 주목했다. 한국에서 일본군 ‘위안부’ 문제는 남성중심 내셔널리즘의 시각에서 ‘민족’의 아픔과 분노의 측면에서 다뤄져왔고, 일본에서는 안티페미니즘과 역사수정주의가 결합하여 일본군 ‘위안부’를 부정하고 있는 한편 일본의 젊은 여성들은 한국 페미니즘의 역동성을 학습하려는 움직임을 보이고 있다. 본고에서 집중적으로 분석한 소설 「세실, 주희」는 지금 현재 한국과 일본의 젊은 여성의 역사인식과 젠더인식의 차이를 보여주는 텍스트이다. 세실의 외증조모가 ‘히메유리 학도대’의 일원으로서 야스쿠니 신사에 합사되어 있지만 그녀 역시 ‘남성성’을 내포한 국가주의와 젠더 폭력의 희생자였음을 분석했다. 소설 속에서 언급된 일본군 ‘위안부’, 히메유리 학도대, 마르디 그라와 디지털 성범죄를 관통하는 맥락 속에 지속적인 폭력의 구심점이 있으며 ‘위안부’ 문제에 대한 한일 여성연대도 여기서부터 시작해야 한다. 정교한 트랜스내셔널 페미니즘의 구축을 통해 보다 진전된 해결을 위한 연대가 가능하며, 전 세계적으로 지속되는 성폭력을 근원에서부터 투시할 수 있다. This paper examines a radical and advanced solution to the problem of Japanese Army’s “comfort women”. Because this issue represents both a crime of colonialism and a historical example of gender violence, this study focused on the possibility of solidarity between Korean and Japanese women. In Korea, the issue of the Japanese Army’s “comfort women” is generally approached from the viewpoint of nationalism and specifically highlighted as a source of national pain and anger. Meanwhile, in Japan, young women have learned the dynamics of Korean feminism and started to connect the issue of the Japanese Army’s “comfort women” to the #Me Too movement. Park Min Jung’s novel, “Cecil, Joo Hee” highlights the differences between a young Korean woman and a Japanese woman when it comes to history and gender. By communicating with each other at the intersection of feminism and trans-nationalism, Korean and Japanese women could establish powerful solidarity that would advance their respective societies’ views of the issue of the Japanese Army’s “comfort women”. Such solidarity could also help to generate reasonable, forward-looking action to eliminate gender-based violence.
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이채원(Lee, Chae-Won) 한국역사민속학회 2010 역사민속학 Vol.- No.33
일제시기 경성지역의 ‘근대’식 여관업은 경성거류 일본인과 조선인의 증가에 힘입어 성장하였다. 그리고 1915년 개최된 공진회와 1929년의 조선박람회 등을 계기로 새로이 신설되거나 시설이 개선되었다. 그러나 이 같은 외형적인 성장에도 불구하고 조선식 여관업은 식민지 소비창출의 제반여건이 미약한 현실에서 식민지적 ‘근대’의 호황을 누리지는 못했다. 여관은 원래 일상적인 가정과는 다른 비밀상적 공간이었지만, 일제시기 경성으로의 인구유입 증가와 실업문제, 주택문제 등의 사회문제로 인해 일상적 거주공간의 성격을 나타내게 되었다. 또한, 자유연애를 지향하는 남녀의 연애 공간과 공공연하게 이뤄지던 밀매음의 공간적 기능을 하면서 성과 관련한 문화적 성격을 나타내기 시작했다. 경성의 생활상은 중소도시나 농촌지역에도 영향을 미쳤으며, 오늘의 사회?문화적 성격을 규정짓는 데에도 많은 영향을 주었다. 이러한 점에서 일제시기 경성의 일상생활을 살피는 작업은 일반 사람들의 삶의 모습을 보다 총체적으로 파악하는데 기여할 것으로 보인다. "The Modern Inn Business" in Keijo(京城) was developed by population growth of Korean and Japanese who lived in Keijo(京城) under the Japanese colonial period. With Gongjinhoe(1915) and Joseon Exhibition(1929), Inn Business in Keijo which had been developed such as to built many inn and renovated its facilities. In spite of the growth of Inn Business outwardly, Joseon Inn Business was not succeed in Morden Inn Business because of fundamental weak for creating consumption. Inn was not a space for daily life. But it became a living space due to population growth, unemployment problem, and urban housing problem in Keijo. Inn had been played one of the important roles in consisting of city life in Keijo. Meanwhile, Modern boys and Modern girls changed their view of love and were toward into free love. Inn was one of important functions which is used for the space of their free love. And also it seemed to be a place of the sexual service which was born by the colonial capitalistic spending culture. It seems to be that was one of the characteristic of cultural in Inn Business during that time. The city life of Keijo affected in other city and rural areas. And it had an effect on social-cultural character. So this study on daily life in Keijo will make a contribution to understanding of daily lives of the people at that time.
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