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신영신,여영훈 사단법인 인문사회과학기술융합학회 2016 예술인문사회융합멀티미디어논문지 Vol.6 No.2
he purpose of this study is to research on the leisure activities on elderly in islands, and to evaluate the effect of leisure activities on life satisfaction. For this study, a survey was conducted on the elderly residing in 6 islands in the west coast, and 256 respondents were used for analyses. Descriptive statistics were utilized to investigate the actual condition of their leisure activities, and multiple regression were applied to evaluate the effect of each type of leisure activities on life satisfaction after grouping leisure activities into two categories (active leisure activity, passive leisure activity) by the characteristics of leisure activities. The results showed that the respondents involved most in passive leisure activity such as watching TV/listening to the radio, and taking a nap/having a rest. Active leisure activity had a statistically significant effect on life satisfaction, but passive leisure activity did not. This study implies that infrastructure should be built and social policy support needs to be given to support active leisure activity to island elderly. 본 연구는 도서지역에 거주하는 노인의 여가활동 실태를 알아보고, 여가활동이 생활만족도에 미치는 영향을 검증하는 것을 목표로 한다. 연구대상은 서해안 6개 섬의 65세 이상 노인이며, 각 섬의 노인 인구 및 성별을 기준의 할당표집을 실시하였고, 총 256명의 자료가 최종분석에 포함되었다. 기술통계를 통하여 여가활동 실태를 알아보았고, 여가활동의 생활만족도 영향력 검증은 인구사회학적 특성을 통제한 중다회귀분석을 활용하였다. 연구결과, 도서지역 거주 노인은 TV 시청/라디오 청취, 낮잠/휴식 등의 소극적 여가활동을 많이 하는 것으로 나타났으며, 적극적 여가활동은 미비한 것으로 조사되었다. 생활만족도는 적극적 여가활동에 영향을 받으나, 소극적 여가활동과는 유의미한 관련성이 없는 것으로 나타났다. 본 연구는 지금까지 연구가 극히 미진했던 도서지역 노인의 여가활동에 관한 실증적 연구로서 의의를 지니며, 도서지역 노인의 적극적 여가활동을 뒷받침할 인프라 구축과 정책적 지원이 절실함을 보여준다.
신영신 문학과영상학회 2009 문학과영상 Vol.10 No.3
Kim Giduk’s 3-iron conveys a story of socially marginalized figures such as an abused wife, Sun-Wha, and a wandering youngman, Tae-suk who appropriates empty houses of other people. While bringing the unnoticed space of an ‘empty house’ into focus and taking the alienated in the society as main characters, the film unveils the significance of the house as a convergence point of two systems, capitalism and patriarchism in Korean society. That is, focusing on the preposterous domination which a fetishized house exerts over its owner, this film represents the ideologically structured reality in which alienation and exploitation are prevalent. This paper argues that this film reveals the phantasmic structure of our home, the space of our living, which is sustained by the compulsive desire for possession. Disclosing this imaginary nature of reality, the director skillfully interweaves fantastic elements with realistic representational techniques. This tactical combination enables its male character to act out the ambivalent roles of the real in Lacanian theory. The Lacanian real functions not only as a threat—“traumatic return”—to the symbolic system but also as its supporting buttress. Likewise Tae-suk sometimes explodes a gap of the symbolically structured reality with his temporary suturing; he also fills out the gap and makes the reality look more plausible than before. Through an encounter with Tae-suk, Sun-wha finds strength to endure her unhappy marriage since he lets her recognize the hidden void in the oppressive reality. At the same time, his spectral apparition supports the extremely troubled conjugal relationship between Sun-wha and her husband. In this way, Sun-wha fantastically negotiates with the void in the Symbolic system. To investigate how the fantastic real performs its ambivalent roles in 3-Iron, therefore, significantly helps us to understand the film’s strategy in revealing that reality is inherently structured fantastically. Kim Giduk’s 3-iron conveys a story of socially marginalized figures such as an abused wife, Sun-Wha, and a wandering youngman, Tae-suk who appropriates empty houses of other people. While bringing the unnoticed space of an ‘empty house’ into focus and taking the alienated in the society as main characters, the film unveils the significance of the house as a convergence point of two systems, capitalism and patriarchism in Korean society. That is, focusing on the preposterous domination which a fetishized house exerts over its owner, this film represents the ideologically structured reality in which alienation and exploitation are prevalent. This paper argues that this film reveals the phantasmic structure of our home, the space of our living, which is sustained by the compulsive desire for possession. Disclosing this imaginary nature of reality, the director skillfully interweaves fantastic elements with realistic representational techniques. This tactical combination enables its male character to act out the ambivalent roles of the real in Lacanian theory. The Lacanian real functions not only as a threat—“traumatic return”—to the symbolic system but also as its supporting buttress. Likewise Tae-suk sometimes explodes a gap of the symbolically structured reality with his temporary suturing; he also fills out the gap and makes the reality look more plausible than before. Through an encounter with Tae-suk, Sun-wha finds strength to endure her unhappy marriage since he lets her recognize the hidden void in the oppressive reality. At the same time, his spectral apparition supports the extremely troubled conjugal relationship between Sun-wha and her husband. In this way, Sun-wha fantastically negotiates with the void in the Symbolic system. To investigate how the fantastic real performs its ambivalent roles in 3-Iron, therefore, significantly helps us to understand the film’s strategy in revealing that reality is inherently structured fantastically.
신영신,이정민,박경수,김창환,유혜영,장은덕,방병기,정소령,박철휘 대한신장학회 1999 Kidney Research and Clinical Practice Vol.18 No.1
Eosinophilic cystitis is an uncommon disease which is characterized by eosinophilic infiltration into all layers of bladder. It was first described in 1959 by Brown and 50 cases have been reported in the literature. The presenting symptoms are frequency, urgency, dysuria and hematuria. It is chronic disease with remission and exacerbation and mimics other forms of chronic cystitis, such as interstitial cystitis, tuberculosis and bladder neoplasm. Diagnosis is made by biopsy. Treatment consists of removal of inciting allergens, corticosteroids, antihistamines, and antibiotics for secondary bacterial infection. Most women and children with eosinophilic cystitis had the history of allergic disease or asthma and most male patients had bladder or prostatic disorders, such as benign prostatic hypertrophy, bladder carcinoma, and congenital anomalies. But eosinophilic cystitis has not been found in diabetic patients yet. We report a case of eosinophilic cystitis in a 59-year-old diabetic patient with brief review of the literature.