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용량 보정 후 투여한 이소니아지드에 의해 노인에서 발생한 경련과 산증1례
신영신,심은희,여창우,강진두,김지연,박선자 고신대학교(의대) 고신대학교 의과대학 학술지 2014 고신대학교 의과대학 학술지 Vol.29 No.1
Isoniazid is one of the most commonly used antituberculosis drug. Acute into xication is characterized by repetitious convulsions, high anion gap metabolic a cidosis and coma. The basis of theraphy consists of parental pyridoxine admi nistration in a dose equivalent to that of isoniazid ingested. Here we present a case of seizure and metabolic acidosis due to only renal adjustment dosage of Isoniazid in an elderly woman.
신영신 문학과영상학회 2009 문학과영상 Vol.10 No.3
Kim Giduk’s 3-iron conveys a story of socially marginalized figures such as an abused wife, Sun-Wha, and a wandering youngman, Tae-suk who appropriates empty houses of other people. While bringing the unnoticed space of an ‘empty house’ into focus and taking the alienated in the society as main characters, the film unveils the significance of the house as a convergence point of two systems, capitalism and patriarchism in Korean society. That is, focusing on the preposterous domination which a fetishized house exerts over its owner, this film represents the ideologically structured reality in which alienation and exploitation are prevalent. This paper argues that this film reveals the phantasmic structure of our home, the space of our living, which is sustained by the compulsive desire for possession. Disclosing this imaginary nature of reality, the director skillfully interweaves fantastic elements with realistic representational techniques. This tactical combination enables its male character to act out the ambivalent roles of the real in Lacanian theory. The Lacanian real functions not only as a threat—“traumatic return”—to the symbolic system but also as its supporting buttress. Likewise Tae-suk sometimes explodes a gap of the symbolically structured reality with his temporary suturing; he also fills out the gap and makes the reality look more plausible than before. Through an encounter with Tae-suk, Sun-wha finds strength to endure her unhappy marriage since he lets her recognize the hidden void in the oppressive reality. At the same time, his spectral apparition supports the extremely troubled conjugal relationship between Sun-wha and her husband. In this way, Sun-wha fantastically negotiates with the void in the Symbolic system. To investigate how the fantastic real performs its ambivalent roles in 3-Iron, therefore, significantly helps us to understand the film’s strategy in revealing that reality is inherently structured fantastically. Kim Giduk’s 3-iron conveys a story of socially marginalized figures such as an abused wife, Sun-Wha, and a wandering youngman, Tae-suk who appropriates empty houses of other people. While bringing the unnoticed space of an ‘empty house’ into focus and taking the alienated in the society as main characters, the film unveils the significance of the house as a convergence point of two systems, capitalism and patriarchism in Korean society. That is, focusing on the preposterous domination which a fetishized house exerts over its owner, this film represents the ideologically structured reality in which alienation and exploitation are prevalent. This paper argues that this film reveals the phantasmic structure of our home, the space of our living, which is sustained by the compulsive desire for possession. Disclosing this imaginary nature of reality, the director skillfully interweaves fantastic elements with realistic representational techniques. This tactical combination enables its male character to act out the ambivalent roles of the real in Lacanian theory. The Lacanian real functions not only as a threat—“traumatic return”—to the symbolic system but also as its supporting buttress. Likewise Tae-suk sometimes explodes a gap of the symbolically structured reality with his temporary suturing; he also fills out the gap and makes the reality look more plausible than before. Through an encounter with Tae-suk, Sun-wha finds strength to endure her unhappy marriage since he lets her recognize the hidden void in the oppressive reality. At the same time, his spectral apparition supports the extremely troubled conjugal relationship between Sun-wha and her husband. In this way, Sun-wha fantastically negotiates with the void in the Symbolic system. To investigate how the fantastic real performs its ambivalent roles in 3-Iron, therefore, significantly helps us to understand the film’s strategy in revealing that reality is inherently structured fantastically.
신영신,이정민,박경수,김창환,유혜영,장은덕,방병기,정소령,박철휘 대한신장학회 1999 Kidney Research and Clinical Practice Vol.18 No.1
Eosinophilic cystitis is an uncommon disease which is characterized by eosinophilic infiltration into all layers of bladder. It was first described in 1959 by Brown and 50 cases have been reported in the literature. The presenting symptoms are frequency, urgency, dysuria and hematuria. It is chronic disease with remission and exacerbation and mimics other forms of chronic cystitis, such as interstitial cystitis, tuberculosis and bladder neoplasm. Diagnosis is made by biopsy. Treatment consists of removal of inciting allergens, corticosteroids, antihistamines, and antibiotics for secondary bacterial infection. Most women and children with eosinophilic cystitis had the history of allergic disease or asthma and most male patients had bladder or prostatic disorders, such as benign prostatic hypertrophy, bladder carcinoma, and congenital anomalies. But eosinophilic cystitis has not been found in diabetic patients yet. We report a case of eosinophilic cystitis in a 59-year-old diabetic patient with brief review of the literature.