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나희경 한국문학과종교학회 2001 문학과종교 Vol.6 No.1
Herbert in The Temple, studies both the inside and the outside of a church, a building in which to serve God. This substantial temple generally matches the inner temple of a human heart in Herbert's poems. He depicts every important part of the church and the religious activities in it. Using vivid visual images of the human heart, a spiritual correlative of the substantial temple, as well as of the church itself, Herbert, a country parson and poet, intended to help his parishioners and readers learn the way in which their broken hearts should be reformed. He accomplishes this mission by painstakingly examining both the dark and bright sides of his own heart which sometimes sinks in its pain and dejection but other times rises in its joy and hope. Attempting to emulate the paradoxical nature of Christ's heart, a cure for the dejected human soul and a complete sacrifice for God at the same time, Herbert tried to make his poetry a cure for the fallen human heart and an offering to be burned for God. These double natures of Herbert's poetry represented by $quot;a heart and an art$quot; seem to be fused into one in Herbert's infinite attempt to offer both to God as his final offering.
나희경,이정훈,박영수,안지영,최귀숙,김도훈,최기돈,송호준,이진혁,정훈용,김진호 대한소화기내시경학회 2015 Clinical Endoscopy Vol.48 No.2
Background/Aims: To evaluate the yields and utility of 19-gauge (G) Trucut biopsy (TCB) versus 22 G fine needle aspiration (FNA) for diagnosing gastric subepithelial tumors (SETs). Methods: We retrieved data for 152 patients with a gastric SET larger than 2 cm who had undergone endoscopic ultrasonography (EUS)-guided 19 G TCB (n=90) or 22 G FNA (n=62). Relevant clinical, tumor-specific, and EUS procedural information was reviewed retrospectively. Results: A specific diagnosis was made for 76 gastrointestinal stromal tumors (GISTs) and 51 non-GIST SETs. The diagnostic yield of TCB was greater than that of FNA (77.8% vs. 38.7%, p<0.001). The percentage of non-diagnostic specimens (suspicious and insufficient) was significantly lower in the TCB group (6.7% and 15.5%, respectively) than in the FNA group (22.6% and 38.7%, respectively; both p< 0.001). TCB accurately diagnosed 90.9% of GISTs and 81.1% of non-GIST SETs, whereas FNA accurately diagnosed 68.8% of GISTs and 14.3% of non-GIST SETs. There were nine technical failures with TCB, and the rate of adverse events did not differ between the groups (TCB vs. FNA, 3.3% vs. 8.1%; p=0.27). Conclusions: Nineteen-gauge TCB is safe and highly valuable for diagnosing gastric SETs larger than 2 cm if technical failure can be avoided.
개인의식의 소통 가능성과 한계 -『댈러웨이 부인』과 『등대로』-
나희경 21세기영어영문학회 2004 영어영문학21 Vol.17 No.1
In Mrs. Dalloway and To the Lighthouse, Virginia Woolf explores the possibility and limitations of a complete communication of individual consciousness. Such main characters of the two novels as Mrs. Dalloway and Lily Briscoe have a wish that their consciousness can assimilate completely the consciousness of others. While they respectively try to embrace the individual consciousness of Septimus Warren Smith and Mrs. Ramsay, they usually feel frustrated partly because of the divided condition of their self and partly because of the unstable linkage between their sensational experience and their consciousness. Ironically, their wish seem to be finally fulfilled after the death of their doubles, that is, Septimus and Mrs. Ramsay. They receive an impression that the individual consciousness of Septimus and Mrs. Ramsay is revived and then assimilated into their own. At the very moment of the assimilation of consciousness, however, they feel emptiness and isolation in the center of their individual consciousness. Woolf as a modernist writer suggests that the communication of consciousness between individuals is fundamentally imperfect, and that the personality of an individual ultimately remains a mysterious phenomenon which avoids being captured by either our intellectual or sensational perception.
랠프 엘리슨의 『보이지 않는 인간』에 사용된 상징물 -"그 본래의 의미를 훨씬 넘어서는" 사물들-
나희경 21세기영어영문학회 2009 영어영문학21 Vol.22 No.1
The multifaceted symbolism adopted by Ralph Ellison in Invisible Man is considered as an attempt to understand the painful reality of the African-Americans by giving order and form to the chaos of their experience. Working as an effective means to express the tragically ironic implications of their chaotic experience, his symbolism includes diverse ways of expression such as symbolic objects, symbolic acts, and symbolic incidents and episodes. Among those various descriptive techniques, Ellison's use of symbolic objects is of primary importance in Invisible Man, in that they are heavily charged with the protagonist's recognition of the social reality that American blacks face. This paper explores the unique way in which the symbolic objects function as substantial signifiers in the novel. Some of the symbolic objects absorb the historical accumulation of the African-Americans' painful experience, whose will was severely pulled this way and that because of their “double consciousness.” The other symbolic objects become signifiers to which the protagonist projects his personal desire for social climb. Yet in both cases, they cause him “discomfort far beyond their intrinsic meaning as objects.” The protagonist undergoes inner conflict caused by two disparate psychological impetuses: his will to successfully assimilate into American society and his innermost impulse for racial awareness. The meaning that he projects to the symbolic objects becomes also sharply contradictory because it is based upon his double consciousness. Ironically, however, Ellison incarnates the physical experience of the ‘invisible man' by using visible and tangible symbolic objects. Thanks to such an ironic feature of his symbolism, the meaning of the African-Americans' experience can accommodate its universality and uniqueness at once without being thinned out into abstractness and ambiguity.
“강렬한 경험의 잔” —『프린세스 카사마시마』에서 관념과 감각 경험
나희경 21세기영어영문학회 2018 영어영문학21 Vol.31 No.4
The Bostonians and The Princess Casamassima, out of the complete novels of Henry James, are assorted as social novels which directly deal with the social issues of the time. In the writing of the latter, James arranges the concrete description of the social environment of London in the late 19th century along with the impressionistic description of the psychological condition of Hyacinth Robinson, the hero of the novel. Thus it effectively shows how some contemporary social ideas have been projected in the consciousness of the protagonist. This paper interprets the characteristics of the experience of Hyacinth in the light of the contrasting epistemological viewpoints of rationalism and empiricism. Hyacinth undergoes a biting inner conflict and confusion while he struggles to achieve his self-definition and self-accomplishment in the fluid social atmosphere of London in 1880’s. James, as writer of psychological realism, tends to focus the narration of most of his novels on how such elements of perception as impressions, ideas, thoughts and feeling, experience and personality are functioning in human consciousness. He explores the epistemological aspect in which the two contradictory tendencies, that is, the rationalistic and the empirical, interplay in our mind. In The Princess Casamassima, the opposing perceptive traits, such as reason and ideas versus thoughts and feeling, cause severe inner contradictions in the hero’s mind, which finally lead to his tragic self-destruction.