A Case of Congenital Nephrogenic Diabetes Insipidus Confirmed by Gene Analysis

조은영,오진희,고대균 대한소아청소년과학회 2005 Clinical and Experimental Pediatrics (CEP) Vol.48 No.6

Nephrogenic diabetes insipidus (NDI) is a disorder in which the secretion of antidiuretic hormone is normal, but the response of the renal collecting tubules to vasopressin is impaired. Compared with acquired NDI (a-NDI), which is secondary to chronic bilateral incomplete urinary tract obstruction with hydronephrosis, congenital NDI (c-NDI) is a very rare heritable disorder that usually follows the X- linked recessive pattern. Clinical symptoms of c-NDI can be non specific, and often the disease ultimately results in failure to thrive, or mental retardation. Recently, the diagnosis can be confirmed by direct sequencing analysis of the peripheral blood specimens. The long-term results of treatment for c-NDI are not satisfactory. Reports on the follow up of c-NDI cases are rare and there is no report on the cases treated with combinations of three drugs. We report herein a case of severe c-NDI in an 8 year-old-boy with a severely dysconfigurated urinary tract system. The patient and his mother showed a frameshift mutation on the AVPR2 gene on chromosome Xq28:.847_851delTGCTG (p.C283fsX90). The patient showed normal growth and development by treatment with combinations of hydrochlorothiazide (65 mg/m2), amiloride (0.3 mg/kg/d) and indomethacin (100 mg/m2), yet after five years he needed adjuvant cystostomy to relieve him from the residual symptoms of urgency with polyuria. 유전자 분석검사로 확진된선천성 신성 요붕증 1례가톨릭대학교 의과대학 소아과학교실조은영·오진희·고대균신성 요붕증은 항이뇨호르몬의 정상적 분비에도 불구하고, 신장의 집합관의 항이뇨호르몬에 대한 반응이 저하되어 요농축능에 이상이 초래되는 질환이다. 특히 선천성 신성 요붕증은 대게 반성 열성 유전 양식을 따르는 유전 질환으로 매우 드물어 소아에서는 간헐적 보고만 있어 왔다. 어린 소아에서는 증상이 비특이적일 수 있고, 임상적 진단도 쉽지 않은데, 최근에는 항이뇨 호르몬 수용체 유전자의 돌연변이들이 확인되어 유전자 검사로 확진이 가능하게 되었다. 기존의 보고들은 선천성 신성 요붕증이 진단된 환아들에 대한 이뇨제나 비스테로이드성 항염증제 등을 포함한 치료가 이루어진 증례보고이었으나 이들의 치료 후 장기적 추적 결과 보고가 극히 드물며, 이들 약제에 의한 치료 효과는 낮은 것으로 알려져 있다. 저자들은 극심한 이뇨로 인한 이차적 요로기관의 변형이 초래되었던 8세 소아에서 환아와 엄마의 말초 혈액 유전자 분석 검사상 Xq28 염색체 부위의 AVPR2 유전자의 돌연변이가 확인되었고 hydrochlorothiazide, indomethacin 및 amiloride 병합 치료 후 배뇨량은 하루 12리터에서 4리터로 감소하였고, 성장 발육도 정상이었으나 더 이상의 호전이 없고 일상 생활에 불편함이 지속되어 보조적 방광루 형성술을 시행받은 후, 증상 호전 및 심리적 안정을 얻었던 심한 선천성 신성 요붕증 1례의 5년간의 추적 관찰 결과를 보고하는 바이다.

“가족의 서비스 욕구와 지역사회 자원”에 관한 토론 1 ( 조은영 )

조은영 한국정신보건사회복지학회 1998 춘계 학술대회 및 수련교육 Vol.1 No.-

日本語試験対策のための実用日本語検定についての一考察

조은영 한국일본어교육학회 2019 日本語敎育 Vol.0 No.90

In this study, we introduce the summary, composition, and reading comprehension of J.TEST, which is not well known to the public and clarify the appearing trend of adverbs as part of adverb vocabulary education of Japanese learners in Korea. The results of this review are as follows; ① The sequence of appearance in J.TEST’s reading comprehension questions was the mail, notice, notification, sentence, book, and newspaper. The publication years of the books were about 13 years ago, and the exam questions for the newspapers were written from the newspapers of the previous year of the examination year. ② In the reading comprehension type, for the questions of selecting expressions in parentheses was asking for conjunctions or adverb expressions. ③When the adverbs appearing in J.TEST were examined using the JLPT levels, 25 adverbs that did not appear at the JLPT levels appeared and there were a large number of onomatopoeia and onomatopoeia. ④ Onomatopoeia and mimic words were the distractors for the questions on adverbs, and the adverbs of J.TEST were similar in terms of the appearing trend to the adverbs in the JPT rather than JLPT among the adverbs commonly found in the JLPT and JPT tests.

반말체 어미 '-게'의 문법화와 의미 변화

조은영,이한민 한국어의미학회 2011 한국어 의미학 Vol.36 No.-

This paper investigates the usage of Korean ending -ge as a final ending. According to our view, the phenomenon of which connective endings functioning as final endings is due to the grammaticalization. In Korean, especially in spoken language, some connective endings such as -ge are used as final endings at the end of the sentences. Final ending -ge which is grammaticalized from connective ending -ge shows diverse meanings and usage. Thus we contemplate grammaticalization phenonmenon―from connenctive ending -ge to final ending -ge―and examine the meaning change and syntactic change that occur in the process of the grammaticalization. The significance of this paper is that we do not merely list the various meaning of final ending -ge, but rather give attention to the ’process of the meaning change’ and ’relationship between the different meanings’. The subject of this paper is restricted to the Final ending -ge which is grammaticalized from connective ending -ge. Therefore Hage style ’-ge’ is excludes and the final ending -ge orginated from adverbial ending -ge is also excluded. Our research materials are mostly based on the spoken language corpus data of 21 Century Sejong project and TV drama scripts. For supplementation and objectivity, we also refer to example sentences in the dictionaries.

전통시장 활성화 시범사업 ‘문전성시’ 프로젝트에서의 SNS 활용 사례연구

조은영 한국문화예술경영학회 2012 문화예술경영학연구 Vol.5 No.1

본 논문은 문화체육관광부에서 2008년부터 주도하고 있는 문화를 통한 전통시장 활성화 시범사업 ‘문전성시’ 프로젝트를 살펴보고, 최근 활용하고 있는 소셜 네트워크 서비스의 사 례에 따른 효과를 분석하는 것을 연구의 목적으로 두고 있다. 이에 따라 소셜 네트워크 서비 스를 활용한 결과를 통해 홍보와 소통에 어떠한 역할을 하였는지를 살펴보았다. 무엇보다도 기존에 진행되었던 포털사이트의 블로그나 카페를 통해 시장의 모습을 홍보하 고 행사를 알리는 수준에서 페이스북이나 트위터를 통해 시장에 관심 없는 사람들의 관심을 독려하고, 각 시장의 문화 기획자들과 시장 상인들과의 의사소통을 하게 되는 변화가 있었다. 실제로 모바일 기기를 활용하여 실시간 업로딩 할 수 있는 소셜 네트워크 서비스의 특성 상 전국에 흩어져 있는 문전성시 문화시장의 소식들은 실시간으로 확인되고 있다. 또한 문전성 시 프로젝트를 진행하는 문화기획자들과 지역 문화 인력들은 소셜 네트워크 서비스를 통해 고민을 나누고, 네트워킹을 통해서 해결하고 있었다. 현재 문전성시 프로젝트의 소셜 네트워크 서비스 활용은 매우 적극적이다. 하지만 프로젝 트가 끝난 이후에도 시장이 지속적으로 홍보될 수 있기 위해서는 홍보의 도구보다 홍보가 될 대상이 만들어져야하는 것이 현실이다. 홍보가 될 수 있도록 지역의 문화 인력들은 꾸준한 문화적 콘텐츠를 만들어야 할 것이며, 이를 네트워킹하는 문전성시사업단의 경우 정확한 내 용을 균등하게 홍보할 수 있도록 해야 한다.

저체중 출생아에서 초음파를 이용한 두 개강내 출현의 진단과 추적

조은영 대한영상의학회 1993 대한영상의학회지 Vol.29 No.6

GMH/IVH(Germinal martix-Intraventricular hemorrhage) is an inportant factor that influences on the mortality rate of low-birth-weight infants. The real-time high resolution sonography with a mechanical sector scanner is a convenient and useful method for the detection and follow-up study of intracranial hemorrhage in low-birth- weight infants. Author analysed 112 cases of neurosonographic findings in low-birth- weitht infants, weighing less than 2, 500gm. The incidence of GMH/IVH was 54.5%. The severity of GMH/IVH was classified into 4 grades (I-IV) and their percentages were 41%, 41% 8.1% and 9.9% respectively. The onset of GMH/IVH was within the first week after birth in 75.4% of cases. The overall mortality rate of low-birth- weight infants with GNH/IVH first week after birth in 75.4% of cases. The overall nortality rate of low-birth-weight infants with GMH/IVH in neonates with pathologic lung conditions was 82.5% and that with normal lung conditions was 39%. In conclusion, sonography is very useful in the diagnosis and follow-up of GMH/IVH in low-birth- weight infants. Our study is the first step in the further study of the relationship between GMH/IVH and neuromotor outcome.

現代日本語書き言葉均衡コーパス に見られる 「ついに」・「とうとう」の違いについて -共起する中頻度語群の述語を中心に-

趙恩英 한국일본언어문화학회 2014 일본언어문화 Vol.29 No.-

This study classified the meanings of “tsuini” and “toutou” based on the medium frequency verbs that are used with them among the high, medium, and low frequency verbs, to clarify how they vary in terms of meaning. This study examined BCCWJ for the subjects of study.① It was found that “tsuini” is found in written language and formal sentences for professional information, whereas “toutou” is usually found in verbal language and informal sentences. ② The first high frequency verbs used with “tsuini” and “toutou” was 「suru」,followed by 「naru」「kuru」「dekiru」,and「iu」.③ Medium frequency verbs was examined in 「abstract relations」and ”tsuini”was used to express change in situations, traffic of people, change in the existence or position of abstract or actual objects, or change in emotions with people’s physical movements. On the other hand, “toutou” was used to change the status of objects to the negative direction with the subject’s abstract or actual actions. In terms of 「human activities」, both adverbs were used to express people’s language habits, but it was different that “tsuini” was used for the language habits in response to someone’s questions, while “toutou” was used to affect someone else. Lastly

아시아 민속 의상에 나타난 색채 미의식 연구 - 오방색을 바탕으로 -

조은영 한국색채디자인학회 2006 한국색채디자인학회 학술대회 Vol.2006 No.1

도시의 기억을 어떻게 보존할까? - 서울미래유산 사업의 사례연구 -

조은영 한국문화예술경영학회 2016 문화예술경영학연구 Vol.9 No.2

본 연구는 도시의 기억을 보존하는 방법으로 서울미래유산 사업의 사례를 들어 정리하였다. 이에 대한 논의의 지점을 집단기억과 장소의 기억 개념을 통해 제시하고자 했다. 집단기억은 사회적으로 형성된 기억을 의미하며, 장소의 기억은 장소에 구현된 기억이 실체를 의미한다. 본 연구는 이러한 집단기억과 장소의 기억 개념을 중심으 로 서울미래유산 사업의 사례를 분석하고자 했다. 본 연구의 문제 설정은 도시의 기억을 어떻게 보존할까에 대한 질문에서 시작되었지만, 기억을 보존하는 구체적인 방법을 제시하지는 않았다. 본 연구는 서울미래유산 사업을 집단기억의 개념으로 이해하고자 했다는데 의미가 있으며, 도시의 공간을 기억, 보존 등의 측면에서 바라보았다 는데 가치가 있다. 연구는 차후 서울미래유산사업의 실증적인 분석을 진행하는데 기초적인 방향을 제시하였다. The present study analyzed the Seoul future heritage project, a representative example of the way of preserving urban memory. The major point of discussion was suggested through the concepts of collective memory and memory of place. Collective memory means the memory that is formed socially, and memory of place refers to the substance of memory that is realized in a place. The study aimed to investigate the case of Seoul future heritage project by exploring the concepts of collective memory and memory of place. Although the research began from the question of how to preserve urban memory, it does not suggest specific ways to preserve the memory. The study has a significant in that it attempted to understand the project with the concept of collective memory and shed light on urban space in the perspectives of memory, preservation, etc. A basic direction for empirical study has been suggested in the study, and it is expected that the research will be able to provide a perspective on the Seoul future heritage project in the future.

케니 샤프의 미술: 디스토피아와 유토피아

조은영 현대미술사학회 2018 현대미술사연구 Vol.0 No.44

With the ongoing re-examination of late 20th century art, Kenny Scharf ’s role is also being reevaluated. Starting in his early twenties during the late 1970s, Scharf has utilized a wide array of contemporary elements and references from consumer culture, television animation, street art, hip-hop, and punk in his paintings, sculptures, installations, fashion, and performance art. As a leader in the East Village art movement in New York, Scharf strived to showcase his groundbreaking work at Club 57 and otherdowntown venues, where his friends, including Keith Haring and Jean-Michel Basquiat, experimented with their collaborative works across diverse art forms. Scharf began customizing work by turning mass-produced ready-mades into unique works of art to suit the customer’s individual needs and tastes. It has evolved into his ‘closet’ projects as seen in the Cosmic Cavern series, which played a role as a new influential form of installation art. Scharf’s painting career likewise began primarily featuring works that utilize television cartoons, notably The Flintstones and TheJetsons, and his own fusion of the two, The Jetstones. As the inventor of “Super Pop,” he continued on unique projects, combining ludicrous facial images with symbols of pop culture and diverse biomorphic forms, and also his Jungle series featuring anthropomorphic trees that warn viewers of the destruction of the environment and the ecosystem committed by commercialism. Scharf’s works abound in paradox, as the artist employs a pleasurable imagery and a humorous mode of expression to address such grave issues of mankind as environmental degradation, drug addiction, the AIDS epidemic, the fear of world war and nuclear holocaust, and the apocalypse. Scharf’s art presents a dystopia masquerading as a fun and lively place full of garish neon colors and envisions a transformation/migration from dystopia to a space-age utopia. 1970년대 말부터 뉴욕 이스트 빌리지 아트혁명을 〈클럽 57〉을 중심으로 주도한 케니 샤프(Kenny Scharf)는 가전과 생활제품, 애니메이션, 거리미술, 힙합과 펑크 문화를 아우르며 일상을 미술화하는 슈퍼 팝을 주창했다. 그가 냉전기 미국에 확산된 전쟁도발 위협, 핵재난과 마약과 에이즈 공포, 생태환경파괴 등 디스토피아 지구의 주제를 현란한 팝 이미지로 포장하고, 우주시대로 향하는 유토피아적 신세계를 제시한 방법론을 고찰한다.