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윤익,최재현,김주영,박선민,김철영,정록선,김용식,진윤태,이홍식,전훈재,이상우,김창덕,류호상,현진해,한은미,신재승 대한소화기내시경학회 2003 Clinical Endoscopy Vol.27 No.3
A 35-year old male developed epigastric pain and hematemesis one week before admission. Esophagogastroduodenoscopy was performed and a communication between the esophagus and another opening was discovered. On a follow- up CT and barium esophagogram, a tubular duplication was suspected and the patient was referred to the department of cardio-thoracic surgery. A pathological diagnosis of esophageal duplication (tubular type) was established. The patient was discharged and is currently being followed up. Eso-phageal duplication is a rare congenital malformation. Moreover, it has not heen reported in Korea that esophagealduplication presents with hematemesis. (Korean J Gastrointest Endosc 2003;27:133-136) 35세의 남자가 내원 1주 전부터 발생한 심와부 동통 및 토혈을 주소로 내원하여 상부위장관 내시경검사에서 식도와 교통된 개구부를 보이는 병변이 관찰되었으며, 흉부 컴퓨터 단층 촬영과 식도 조영술 검사에서 식도와 붙어있는 관형의 식도중복증이 의심되어 흉부 외과에서 절제술을 시행하였다. 세관형 식도중복증으로 진단되었으며 현재 퇴원 후 추적관찰 중이다. 식도 중복증은 드문 선천성 기형으로 토혈을 주소로 내원하여 발견된 식도 중복증의 국내보고는 없었다. 이에 저자들은 토혈을 주소로 내원한 세관형의 식도중복증 환자 1예를 경험하였기에 보고하는 바이다.
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윤익 유럽문화예술학회 2011 유럽문화예술학논집 Vol.2 No.1
Squares are defined as the most fundamental elements for the formation of European cultural identity. There is no city without a square or squares in Europe. Whether they were formed in the process of expansion or existed when cities were built, the fundamental concept that cities are the center of urban lives has been being maintained. Cities originally acted the role of marketplaces where the dåily lives of the residents were unfold through commercial transaction, like Agora of the ancient Greek cities. They also have performed the roles of ritual space or the social furnace boiling with the assembly of mass for a long time. It also should not be forgoUen that they, as the aggregate of arts, representing the new scenes every moment with the peoples' trace which encompassed various sculptures and in which peoples were pushed around to live. Like this, the role of squares is diversified. However, the most important concept is that there are people in the center of that. Squares exist with people and they are the open spaces for citizens. They are the living space where passing and gathering, conflict and reconciliation are intersected, and where infinite possibilities are contained. The squares in cities are the spaces that symbolize the formation of citizens' democratic discourse and the history of democracy is also related to the development of square culture. The European squares with the history like this have been pushed behind by the roads and the buildings and became the neglected spaces. However, in the 21st century, they became the pivotal points for the urban renewal projects for many cities and took their places as the most beloved asset for the communities. Like all people cooperated and communicated in the squares in the past, the lives of modern people are in the era of infinate cooperation not infinite competition. For example, mordern people meet many people on line everyday through internet services. Things that were never dreamed a dozen years ago, the initial stage of internet, such as daily lives starting with networks and ending with network, and the communication with many people on line as a part of our lives, have become our natural daily lives. Internet environment, the driving force of modern civilization opens the era for cross-connection that is ruled by the paradigm of communication, openness and participation and now opens the era of revolution that greets another new changes that have been accelerated faster than that combines everything until now. Fortunately, the era of revolution is not the era of infinite intensified competition but the era of cooperation associated with love and spontaneity. Like this, the square culture with the concept of communication, one of the features of European cultures awakened the era of communization and cooperation for us and taught us a lesson that in this the era. the more we communicate, the more propsperious and leisurely we will become.
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윤익한(Ik-Han Yoon),김균(Kyun Kim) 한국언론정보학회 2011 한국언론정보학보 Vol.55 No.3
디지털 컨버전스의 기술 혁신은 언론 부문에서 핵심적인 노동이라고 할 수 있는 기자노동에도 막대한 영향을 주고 있다. 노동과정론에 따르면, 자본주의적 생산양식에서 기술혁신으로 인해 노동자들은 노동에 대한 통제력을 상실해가면서 탈숙련화의 과정을 겪어 왔고, 경영진들은 억압적인 노동조건을 은폐하고 노동자들을 더욱 효율적으로 통제하기 위해 이데올로기적, 정치적 장치들을 도입해 왔다. 이러한 문제의식 위에서 본 연구는 뉴스룸 통합의 기술혁신이 기자노동의 숙련도에 어떠한 영향을 주는지, 또 경영진들이 기자들을 통제하기 위해 사용하는 전략이 무엇인지를 CBS 통합뉴스룸의 사례를 통해 실증적으로 분석하였다. 분석 결과, 통합뉴스룸 도입으로 인해 기자들은 숙련노동에 대한 통제력을 상실해가면서 탈숙련화되고 있었다. 또한, 경영진들은 새로운 뉴스생산관행, 가족주의 노사문화에 대한 노동자들의 동의를 획득해 나갔으며, 내부노동시장 분절화를 통해 기업권력의 강화와 노동사회의 고립화 전략을 취하고 있었다. Technology innovation of digital convergence in recent years of the media sector has produced a series of significant changes in journalist labor. This study analyzes how recent introduction of convergent newsroom changed the nature of journalist labor and what strategy the management used to control journalists within the technologically innovated working condition with case of CBS. As the labor process theory tells us, the analysis found that technological innovation in the newsroom has encouraged a couple of aspects regarding labor process. First, losing control over their own labor journalists have undergone the process of significant deskilling. Second, the management have made a constant effort to introduce ideological and political apparatuses with twofold purposes, effective control over workers on one hand and concealing oppressive labor conditions on the other. The effort generated journalists’ acceptance of new news-making routine and their consent on labor-management culture founded upon naive familism, which at last resulted in reinforcement of corporate power and isolation of labor society by separating internal labor market.
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윤익 全南大學校 藝術硏究所 2003 藝術論集 Vol.5 No.-
On the concepts of place and sculpture space in contemporary art and logic of relation with viewers, two specific concepts of "installation" and "In-situ" were developed. These two concepts are applied to all arts using concept of place and space and logic that considered concept of art and daily life as the same is very important. Reality of one plastic art experienced at a specific space and time like routine is occurred in such a logic. I could feel a situation in such a condition. It was a chage of concept of art work and place as an overcome of concept of place and meant that concept of art work was transferred to an place or a common place became an art work. In my opinion, what is more attracting me in such a situation is on concept of "experience" and it is applied to art, routine and all spaces of life. Extension of concept of place and space in art works induces a serious question. This question is on whether art work is existing object to give a vigor to viewers or it is just a kind of space with change by an existing object. Such a question can be also applied to artist himself because it questions that art is making a kind of artistic object or a space for artistic experience. This study aims to enrich actual production through research on functionality of space and work. And it asks a question of identity of viewers' momentary experiences of place and spatiality of "installation-sculpture" and it is dealt with the theme of breath-inspiration / life space. I feel my work is progressed to create any space for experiencing an art work and as it were, it is not to present an object to viewers, but suggest a life space. The purpose of my works is a kind of invitation for viewers to experience a pure moment of their own life. I wish that a part of moving life presented by my works symbolizes eternal reality to which my work and myself are subject.
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