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COVID-19를 경험한 대학생의 우울, 불안, 스트레스가 건강증진 행위에 미치는 영향
장유진,박정희,조혜은,김진영 한국응급구조학회 2023 한국응급구조학회지 Vol.27 No.1
Purpose: The study attempted to improve the health promotion behavior of university students by identifying the factors that affect health promotion behavior and by checking depression, anxiety, and stress levels of university students after the COVID-19 pandemic. Methods: We collected data using a structured questionnaire targeting 170 university students in C-province between December 1 and December 31, 2022. Results: Health promotion behavior had a significantly negative correlation with Depression (r=-.361, p<.001), Anxiety (r=-.191, p=.012), and Stress (r=-.301, p<.001), respectively. The influencing factors of health promotion behavior are gender (r=0.184, p<.001) and depression (r=-0.303, p<.001); the explanatory power is accounted for 15%. Conclusion: A practical method with counseling programs and mental health support services for early detection of risk groups by periodically monitoring the depression state of university students requires practicing health promotion behavior. Therefore, active support and attention should be provided to manage the mental health of university students.
장유진 서울대학교 기술과법센터 2022 Law & technology Vol.18 No.1
This paper aims to reflect the necessity of protecting the rights of audiovisual performers including supporting roles in an era of new platforms such as OTT platforms. Starting with that, I will briefly explore the history of protecting rights for audiovisual performers from the Treaty of Rome in 1961 to the Treaty of Beijing in 2012. Unlike the United States copyright law, Korean copyright law stipulates the rights of audiovisual performers. However, the exceptional clause on video works acts as an inhibitor of protecting the rights of audiovisual performers and the compensation rules are biased towards hearing performers. Though Korea Broadcasting Performers’ Rights Association has attempted to realize the rights of performers through collective agreements with broadcasting stations, there needs to be another solution as a new generation of online platforms such as OTT platforms emerges. Therefore, the direction of protecting the rights of audiovisual performers on new platforms is suggested by the following chapter.