무지 외반증 재발의 한 원인으로 생각되는 종자골 정복에 영향을 주는 인자

윤영필,이철형,정현윤,김영우,정재용,Yune, Young-Phil,Lee, Chul-Hyung,Jeong, Hyun-Yoon,Kim, Young-Woo,Jung, Jae-Yong 대한족부족관절학회 2010 대한족부족관절학회지 Vol.14 No.1

Purpose: The incomplete reduction of the sesamoid has lately been issued as cause for recurrence. In this study, we analysed factors that may influence reduction of sesamoid. Materials and Methods: The study consists of 50 cases operated by single surgeon. Eighteen cases were done by proximal chevron osteotomy, and 32 cases were done by scarf osteotomy. Hallux valgus (HV) angle and intermetatarsal (IM) angle were measured before and three months after the surgery. Sesamoid position (SP) was classified according to Hardy and Clapham grade system. Results: After the proximal chevron osteotomy, the correction of the mean HV angle was $19.5^{\circ}$, and IM angle was $6.2^{\circ}$. SP was changed from 5.6 to 3.4 grade. After the Scarf osteotomy, the correction of the mean HV angle was 25 degree, and IM angle was $9^{\circ}$. SP was changed from 5.5 to 2.8 grade. There was difference of sesamoid's correction between two different method of surgery (p=0.127). However, better correction of sesamoid was witnessed with bigger correction angle regardless of method of surgery (p=0.002, 0.001). Conclusion: We believe surgical method do not effect sesamoid's correction but more correction angle can result in better correction of sesamoid position.

인간과 동물의 사이를 사유하기: D. H. 로렌스의 동물시

윤영필 ( Young Phil Yoon ) 한국로렌스학회 2014 D.H. 로렌스 연구 Vol.22 No.2

D. H. Lawrence’s Birds, Beasts and Flowers has been acclaimed for the poet’s remarkable sensitivity to the inhuman otherness of natural beings. In it, he parts resolutely from the legacy of English nature poems since the Romantics that were in the habit of projecting human feelings onto the natural objects. Instead he penetrates into the inner being of each living thing he encounters and presents what it is in itself. Focusing on the poems collected in the “Creatures” section, this paper aims not only to show how the poet responds to and captures the strange otherness of such small animals as mosquito, bat and fish, but also how he highlights the limits of human perception and puts into question the dominant position of human subjectivity. In addition, it points out that these poetical works compose an integral part of Lawrence’s lifelong efforts to challenge and subvert anthropocentrism embedded in the Western philosophical, cultural discourses and practices.

로렌스 소설에 있어서의 죽음의 문제 : 『무지개』와 『연애하는 여인』들을 중심으로

윤영필 ( Young Phil Yoon ) 한국로렌스학회 2004 D.H. 로렌스 연구 Vol.12 No.1

『쓴트모어』에 나타난 로렌스의 생태적 상상력

윤영필 ( Young-phil Yoon ) 한국로렌스학회 2021 D.H. 로렌스 연구 Vol.29 No.1

St. Mawr was written in the summer of 1924 when Lawrence stayed at Kiowa Ranch, in Taos, New Mexico. As he lived on the ranch and experienced the Indian tribal culture, his thinking on the organic relationship between man and his universe was remarkably intensified at this period. As a result, his ecological imagination thoroughly permeates St. Mawr, the representative novel of his Taos period. This aspect of the novel, however, has been frequently overlooked while its unusual narrative style and structure, with the apparent lack of unity, drew much critical attention. Taking this into consideration, this paper aims to examine Lawrence’s ecological imagination as embodied in the work and find out the hidden unity of its form. It will be shown that the novel brings to the fore the pernicious consequences of idealism and anthropocentrism prevalent in the modern Western civilization. Pointing out the importance of Pan-figure Lewis as a clue to get over the modern mechanistic world-view, this paper will proceed to probe the ecological implications of the latter part of the novel including the main character Lou Witt’s resolution to settle on the American wilderness ranch.

『트리스트럼 섄디』의 "현대성"과 그 의미

윤영필 ( Young Phil Yoon ) 영미문학연구회 2004 영미문학연구 Vol.7 No.-

Laurence Sterne has been radically revaluated since the rise of modernism, and the tendency to valorize his artistic achievements and thoughts gains more force in the postmodern period. This paper examines Tristram Shandy to clarify what makes his work so peculiarly modern, and what are the implications thereof. It is shown that, in this inventive novel, Sterne, imbibing epistemological subjectivism from Locke, not only probes the central issues of modernity such as the monadic state of being or the separation between the subject and the outer world, but also nimbly explores the subtle inner depth of human consciousness. Then this paper takes a glance at the insufficiency of ``sentimentalism`` as a remedy for the monadic state of being, and goes on to argue that the narrator Tristram, who might be considered by some as a model of new identity beyond solipsism, evinces some questionable modern symptoms of the loss of the integral unity of being, as hinted by his deterministic world view or his unwholesome attitudes to death and sex. This paper concludes by indicating a few basic artistic traits and implied problems shared by Sterne and the modern novelists.

로렌스와 "살아있는" 태양

윤영필 ( Young Phil Yoon ) 한국로렌스학회 2004 D.H. 로렌스 연구 Vol.12 No.3

대처시대를 전후한 영국 노동계급의 위기 -팻 바커의 『유니언 스트리트』와 『리자의 영국』-

윤영필 ( Young Phil Yoon ) 영미문학연구회 2009 안과 밖 Vol.0 No.26

전후 영국노동계급소설과 교육 계급적 정체성: 데이비드 스토리의 『패스모어』, 레이먼드 윌리엄즈의 『접경지역』, 『제2세대』

윤영필 ( Young Phil Yoon ) 한국현대영미소설학회 2011 현대영미소설 Vol.18 No.1

In the period of mid-1950s to late `60s which witnessed the renaissance of working-class literature, unprecedented number of working-class novels were produced by the writers who were themselves working-class. One of the recurring theme in many of these novels was education and its effects. This is not something to be wondered at; education was the fulcrum of the entire postwar British social project which aimed for welfare state, getting over class division and social inequality. As educational opportunities expanded, social mobility considerably increased. Still in so far as education system remained class-bound, the effects of education for working-class people were complex and ambiguous. Especially those individuals who managed to move out of their own roots through education were likely to suffer from identity crisis and alienation, being torn between two conflicting worlds. Being haunted themselves by these experiences, many working-class writers explored the personal, social implications of educational opportunity throughout their novels. In view of this problematic of education, social mobility and class identity, this paper successively examines David Storey`s Pasmore and Raymond Williams`s Border Country and Second Generation. Each of these novels presents the spiritual crisis of a young academic who, having moved beyond his working-class background, has to go through painful renegotiations with his roots. Pasmore focuses on the confusion, anxiety, alienation and self-division resulting from the thoughtless pursuit of the upward movement through education. On the other hand, Williams`s novels interrogate the ambivalent nature of education and probe the complicated ``return`` journey of the protagonist, which turns out to be essential, though fraught with tension, for the future of his working-class community as well as for the integrity of his being.

이언 매큐언의 소설과 서사윤리 -『버텨내는 사랑』과 『속죄』를 중심으로

윤영필 ( Young Phil Yoon ) 한국현대영미소설학회 2010 현대영미소설 Vol.17 No.1

As a writer of deep ethical sensibility, Ian McEwan has grappled with the moral issues of his time throughout his novels. Also his quest for an ethical vision is accompanied by an acute sense of the problematic nature of narrative and its ethical implications. Keeping in view the `ethical turn` of literary criticism since the late 1980s and its increasing attentiveness to narrative ethics, this paper aims to examine the ethical dimensions of narrative explored in his recent two novels, Enduring Love and Atonement, each of which is conspicuously self-reflexive. Enduring Love brings to the fore both the vital role of storytelling in all human sense-making activities and the epistemological problems that disturbingly undermine the status of narrative as a transparent medium of truth. While sharing the postmodern incredulity towards the grand narratives, this novel doesn`t give way to the postmodern relativistic view of truth in that the narrative of the first person narrator, Joe, though not free from self-interest and guilt, turns out to be basically right and reliable, and that truth gradually takes shape in the polyphony of various competing narrative voices. Atonement probes and extends the ethical capacities of the novel narrative with the growing process of the author-heroine being enacted in the novel-within-the-novel. By the unexpected turn of its coda, however, it raises subtle questions about the dubious moral status of authorship, and about the novel form as an inherently moral medium. As a result, the novel is illumined as a peculiar space in which the ethical possibility and impossibility paradoxically coexist.

「국화향기」의 예술적 성취와 타자성의 주제

윤영필 ( Young Phil Yoon ) 한국로렌스학회 2006 D.H. 로렌스 연구 Vol.14 No.1