서술시 논의의 확산과 가능성

문혜원 민족문학사학회 1998 민족문학사연구 Vol.13 No.1

텅 빔과 섞임, 대상을 향한 두 가지의 시선

문혜원 천년의시작 2004 (계간)시작 Vol.3 No.1

김기림의 문학에 미친 스펜더의 영향

문혜원 韓國比較文學會 1993 比較文學 Vol.18 No.-

정현종 초기 시의 역동적 상상력

문혜원 한국학중앙연구원 한국학중앙연구원 2024 한국학 Vol.47 No.1

정현종의 초기 시는 독특하고 풍부한 상상력을 보여주는데, 이는 바슐라르의 상상력 이론으로 설명될 수 있다. 이 시들은 형태적 이미지를 넘어서 물질적인 차원에서 원소 간의 융합과 변화를 잘 보여준다. 초기 시에 두드러지게 나타나는 상승적 상상력은 춤에서의 도약과 일상에서의 ‘튀어오름’으로 표현된다. 상승적 상상력은 확장되어, 무의 상태에서 생명이 탄생하고 그것이 생장하는 것까지 연결된다. 또한 정현종 초기 시에 드러나는 하강의 이미지들은 형태상 하강이지만 물질적인 차원에서는 상승의 의지를 품고 있는 하강으로서 역상승에 해당한다. 물질 간의 융합이 대상의 감각적인 성질을 벗어나 전혀 다른 영역으로 옮겨갈 때 새로운 이미지가 창조된다. 이것은 역동적 상상력이 작용한 결과로서, 이때 상상력은 순수한 욕망이자 정신적인 힘 자체이다. 정현종의 시는 역동적 상상력에 이르게 되는 ‘가치부여작용’의 단계를 잘 보여준다. 이러한 역동적 상상력은 ‘공중’이라는 중간적인 공간에서 가능한 것이다. ‘공중’은 상승과 하강이 가능하고 물질의 자유로운 변화가 이루어지는 공간으로서 역동적 상상력이 발현되는 최적의 조건이다. 이러한 상상력의 발전은 정현종의 시 세계의 변화와 맞물려 있다. 초기 시의 상상력은 중기 시의 사회비판적 성격과 후기 시의 생명 지향적 특징을 이미 내포하고 있다. 그의 시는 내면적인 통찰과 창조적인 힘인 상상력을 바탕으로 하여 도출된 세계라는 점에서 고유하면서도 중요한 의의가 있다. Jeong Hyeon-jong’s early poetry showcases a unique and rich imagination, which can be explained by Bachelard’s imagination theory. This theory presents the fusion and change between elements in the material dimension beyond the formal image. The ascending imagination, which is prominent in early poetry, is expressed as a leap in dance and a “bounce-up” in everyday life. It also extends to the birth of life in the state of nothingness and its growth. The images of descent revealed in the early poems of Jeong Hyeon-jong are descending in form. Nevertheless, in the material dimension, they are descending with the will of ascending and correspond to reverse ascending. When the fusion between substances exits the sensory nature of the object and enters a completely different area, a new image is created. This is the result of dynamic imagination, which is both a pure desire and a mental force itself. Jeong Hyeon-jong’s poetry illustrates the stage of “La valorisation” that leads to dynamic imagination through morphological and material imagination. This is the same as explaining the general process in which poetry is created by the action of imagination.

F-scan System을 이용한 정상인의 보행시 족저압 분포

문혜원,박상일,나은우,이일영,임신영,김준환 大韓再活醫學會 1995 Annals of Rehabilitation Medicine Vol.19 No.2

오규원의 시론 연구

문혜원 한국문학이론과비평학회 2004 한국문학이론과 비평 Vol.25 No.-

The poetics of Oh Gyu-Won stays at the context such as a modernism poetics of the period of the colony. His poetics is based on a theory of literature for pleasure. His poetics is divided greatly into the three stages. Each stage copes with his three books for poetics. He excludes the problem of reality or life in the first stage of poetics. He emphasizes that we have to describe the object objectively. It is the method to overcome an abstract tendency of poetry. He paies attention to the cognitive faculty of the language in this stage. He emphasizes the reinterpretation of the object in the second stage of poetics. Because the poet interprets the world by language. It is to emphasize the recognition ability of the subject. As a result, the object is ideated again. He solves this dilemma in the third stage of poetics. He is presenting the phenomenon of the actual existence instead of the methodology in this stage. 'Living image' contains the phenomenon and course which the phenomenon is produced. So, Oh Gyu-Won reveals the phenomenon and interprets it. And he made the area of an image poetics enhance.

전봉건의 쾌락주의 시론 연구

문혜원 한국비교문학회 2009 比較文學 Vol.0 No.49

The poetic theory of Jun, Bong-Gun is between modernism and realism. He criticized inclination toward mannerism of modernism, but evaluated unintelligible poems positively. Also, He criticized Gim, Su-Yeong's participatial poems, but thought that poetry must give the general public who live under depressive actuality hope. His poetic theory is based on the principle of utility. If speak summarizing, it is Epicureanism. Pleasure is general meaning such as a delight or satisfaction. He claims that poetry must give the general public pleasure. Pleasure of poetry is explained dividing into reader that appreciate it and poet that create it. Pleasure that poet feels is gotten from process of creation. Poet makes a poem through accurate calculation. He is recognizing definitely own calculation. As a result, a poem has composed perfectly well. The reader feels pleasure while appreciating a poem. He feels spiritual feeling of satisfaction while reading and analyzing and understanding a poem that is composed well. This is a spiritual enhancement that is gotten from process that understand a poem. Unlike this, the reader feels representation satisfaction when he reads a poem that is reflected his own social request. Jun's poetic theory is linked that emphasize beauty of a poem. There is meaning as force that beauty overcomes actuality that is not art for art's sake in Jun's theory. This is social effectiveness of poetry. Jun, Bong-Gun criticizes participatial poem because it can't present plan that overcome depressive actuality. He proposes the theory of Eros by the alternative in reply. Eros is natural rhythm of life, and eager for it is original desire of human being. Eros present hope which passes over actuality and it is resistance itself. Also, it is the most popular subject that attract reader's interest as form that give substance in love. The poetic theory of Eros considers reader's pleasure actively, and is conclusion of Epicureanism poetic theory of Jun, Bong-Gun. The poetic theory of Jun, Bong-Gun is between modernism and realism. He criticized inclination toward mannerism of modernism, but evaluated unintelligible poems positively. Also, He criticized Gim, Su-Yeong's participatial poems, but thought that poetry must give the general public who live under depressive actuality hope. His poetic theory is based on the principle of utility. If speak summarizing, it is Epicureanism. Pleasure is general meaning such as a delight or satisfaction. He claims that poetry must give the general public pleasure. Pleasure of poetry is explained dividing into reader that appreciate it and poet that create it. Pleasure that poet feels is gotten from process of creation. Poet makes a poem through accurate calculation. He is recognizing definitely own calculation. As a result, a poem has composed perfectly well. The reader feels pleasure while appreciating a poem. He feels spiritual feeling of satisfaction while reading and analyzing and understanding a poem that is composed well. This is a spiritual enhancement that is gotten from process that understand a poem. Unlike this, the reader feels representation satisfaction when he reads a poem that is reflected his own social request. Jun's poetic theory is linked that emphasize beauty of a poem. There is meaning as force that beauty overcomes actuality that is not art for art's sake in Jun's theory. This is social effectiveness of poetry. Jun, Bong-Gun criticizes participatial poem because it can't present plan that overcome depressive actuality. He proposes the theory of Eros by the alternative in reply. Eros is natural rhythm of life, and eager for it is original desire of human being. Eros present hope which passes over actuality and it is resistance itself. Also, it is the most popular subject that attract reader's interest as form that give substance in love. The poetic theory of Eros considers reader's pleasure actively, and is conclusion of Epicureanism poetic theory of Jun, Bong-Gun.

김광림의 이미지 시론 연구 : 바슐라르 시론과의 관련을 중심으로 Focus on its Relationship with Bachelard's Essay on Poetry

문혜원 한국비교문학회 2003 比較文學 Vol.31 No.-

A Study on Kim Gwang-rim's Essay on Poetic Image : Focus on its Relationship with Bachelard's Essay on Poetry Kim Gwang-rim's essay on poetry started from his criticism on unaffected lyric poems and modernism poems and reality poems. He proposed intellectual lyric poetry as the new poetry to overcome these poems; thus adding intellect to emotion. Images enable emotion to assume the function of intellect, thereby becoming objective. In the process, it distances itself from such emotion. This essay on poetry is similar to that of Kim Gi-rim, who was active in the 1930s. The two poets criticized the political inclination and sentimentalism of literature and used intellect as a way of overcoming it. While Kim Gi-rim stressed intellect, Kim Gwang-rim stressed lyricism. Likewise, Kim Gwang-rim considered lyricism as the basic form of poetry and searched for modern lyricism. The core of his essay on poetic image focused on how the nature of being could be converted into other senses. He postulated that image attempted to convert the existence of readers; thus, his essay on poetry concurred with the position of Bachelard. However, ontology inevitably comes back to the question on human existence itself. Being gives power to conversion, because human beings themselves eventually accept images. Given these limitations, Kim Gwang-rim gave up on image and shifted his concern to human life itself. Sociability, reality, humanism, and other messages took the place of ontology. Kim Gwang-rim's essay on poetic image further developed the imagism practiced in the 1930s, which either identified image with visual image or regarded it as a descriptive technique. His attempt to combine image with ontology is significant because it did not see image as a simple poetic technique; rather, it linked image to the expanding realm of human spirit. Given the limitations of such attempt, however, image eventually reverted to "passive reflection or copying of the senses."

김소월 시의 여성성에 대한 고찰

문혜원 한국시학회 1999 한국시학연구 Vol.- No.2

디지털 기업의 연구개발비 하방경직성 연구

문혜원,고창열,정훈 한국회계정보학회 2020 회계정보연구 Vol.38 No.1

[Purpose]Technology accumulated by R&D, human resource and innovation are the key elements of economic growth. The purpose of this study is to verify the cost stickiness of the R&D expenditure by focusing on digital companies. For digital companies, R&D activities are critical to their survival. The asymmetri cost behavior of R&D is analyzed by comparing the size of R&D expenditure reduction rate when sales decrease compared to R&D expenditure increase rate when sales increase. If the R&D cost decrease rate is smaller than the R&D cost increase rate when the sales increase, it can be regarded as cost stickiness. [Methodology]The sample of this study is collected data for 6,276 companies listed in KOSPI and KOSDAQ from 2010 to 2017. This study used this sample to analyze the R&D cost stickiness of digital companies and tested the hypothesis. The most common model for analyzing cost stiffness is Anderson et al. (2003). The Anderson et al. (2003) model analyzes how dependent variables change when sales increase or decrease by 1%. Anderson et al. (2003) model was applied to R & D costs in this study. To reduce the heteroscedasticity of errors, R&D expenses and sales were converted to natural logarithms and applied.In this study, for the classification of digital companies, companies with a GICS level 1 code of 450000 (information technology) were considered as digital companies and assigned a value of 1, otherwise a value of 0 was analyzed. [Findings]As a result of the analysis, this study represents that the R&D cost of digital companies show s cost stickiness compared to non-digital companies. These results can be interpreted as the degree of decrease in R&D costs compared to non-digital companies is small even when sales revenue decreases. The reason of this cost behavior is that R&D activities play a very important role in digital companies. [Implications]The results of this study demonstrate that the R&D costs of digital companies is sticker that R&D cost of non-digital companies. These results suggest that R&D activities are essential elements in digital companies. The results of this study can be used as a rational for future empirical research related to R&D expenses. It is also meaningful in that it provided a basis for understanding the characteristics of R&D activities in the process of budgeting for R&D investment. [연구목적]연구개발(R&D)로 축적된 기술, 인적자산 및 혁신은 경제성장을 이끄는 핵심이다. 본 연구는 연구개발이 기업의 생존에 매우 중요한 디지털 기업에 초점을 맞추어 디지털 기업의 연구개발비의 하방경직성을 검증하고자 한다. 연구개발비의 비대칭적인 원가행태는 매출액 증가시 연구개발비 증가율대비 매출액이 감소할 때 연구개발비 감소율의 크기를 비교하여 분석한다. 매출액 증가시 연구개발비 증가율보다 매출액 감소시 연구개발비 감소율이 작다면 하방경직적 원가행태로 볼 수 있으며 이는 연구개발비가 기업의 필수적인 요소로 인식되어 매출이 감소하는 상황에서도 쉽게 줄일 수 없는 필수적인 원가요소로 해석가능하다. [연구방법]본 연구는 2010년부터 2017년까지 코스피와 코스닥 상장기업 6,276기업-연도를 대상으로 자료를 수집하여 연구개발비 하방경직성에 대한 연구가설을 검증하였다. 원가하방경직성을 분석하기 위해 가장 일반적인 모형은 Anderson et al.(2003)의 모형이다. Anderson et al.(2003) 모형은 매출이 1% 증감할 때 종속변수가 어떻게 변화하는지를 분석하는 모형이다. Anderson et al.(2003) 모형을 연구개발비에 적용하였다. 오차의 이분산성 감소를 위해 연구개발비와 매출액을 자연로그로 변환하여 적용하였다. 본 연구에서는 디지털기업의 분류를 위해 GICS의 1단계 코드가 450000(정보기술)에 해당하는 기업들을 디지털기업으로 보고 1의 값을 부여하고 그렇지 않은 경우 0의 값을 부여하여 분석하였다. [연구결과]분석결과 디지털 기업의 연구개발비는 디지털 기업에 속하지 않은 기업의 연구개발비에 비해 하방경직적 원가행태를 보이는 것으로 실증되었다. 이러한 결과는 연구개발이 매우 중요한 역할을 차지하는 디지털 기업의 경우 매출이 감소하는 상황에서도 비디지털 기업에 비해 연구개발비를 감소시키는 정도가 작은 것으로 해석할 수 있다. [연구의 시사점]본 연구의 결과는 디지털 기업의 연구개발비가 비디지털기업의 연구개발비보다는 하방경직적으로 나타나고 있음을 실증하여 디지털 기업에서 연구개발비가 필수적인 요소로 자리잡고 있음을 시사한다. 본 연구는 향후 연구개발비 관련 실증연구를 진행하는데 근거자료로 활용될 수 있을 것이다. 또한 연구개발관련 투자 예산편성 과정에서 연구개발비의 특성을 이해할 수 있는 근거를 제시했다는 점에서 의미가 있다.