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뮤지컬 전공 직업 전문인 양성을 위한 창작 안무 무용 교육 개발의 방향 제시
길현정 한국문화융합학회 2018 문화와 융합 Vol.40 No.8
This paper examined the author’s intention and literary beauty of ‘Chogang-Bu’, which is one of Lee Gyu-bo’s works. The evaluations of the Chosun dynasty’s writer against the ‘Chogang-bu’ were different. Ho-eum Jung Sa-ryong called it the best work. The Writers like Lee Soo-kwang and Kim Chang-hyup criticized the work as vulgar. We need to look at how this mixed assessment was possible. The study of the Chogang-bu is small and tends to limit the author’s intention to ‘didacticism’. Focusing on the property of the ‘Bu(賦) genre’, this article looked for literary beauty of ‘Chogang-bu’. And this article looked for the author’s intentions of ‘Chogang-bu’ with the research methodology of ‘intertextuality theory’. ‘Bu’ is an intermediate genre between poetry and prose, emphasized the aesthetic and rhetoric of literature. Because ‘Boo’ also has this attribute, it has excellent literary beauty that utilizes repetition and hyperbole. It is also a work that inherits the tradition of Relegation Poetry that has been continuously created in history, and has characteristic of intertextuality. As a result, the author’s intention of Chogang-bu is rightly seen as a manifestation of the sadness that comes from ‘the difficulty of government position’. The writers of the Joseon Dynasty, who considered the naturalness and pureness as the best attribute of poetry, can judged Chogang-bu as an unrefined work and excessive exposure to emotion. However, the naturalness and pureness cannot always be the only criterion of excellence. Lee Gyu-bo’s Chogang-bu bailed out boldly. Chogang-bu continued its tradition by taking advantage of the typical characteristics of ‘Bu genre’. And it was able to evoke prose style by expressing his candid feelings. We have to admit that it is a remarkable work that has realized the literary achievement of ‘defamilarization’.
길현정(Hyun-Jung Kil) 한국엔터테인먼트산업학회 2014 한국엔터테인먼트산업학회논문지 Vol.8 No.3
문화가 급격하게 변화하고 발전함에 따라 문화 콘텐츠시장에서도 새로운 공연의 콘텐츠가 개발되기 시작하였다. 공연의 문화가 다변화되고 공연시장이 확대되면서 공연 콘텐츠 시장에 스트릿댄스를 활용한 공연이 활성화되기 시작하였으며 대중의 관심이 높아지고 있는 현실이다. 이에 본 연구는 스트릿댄스를 활용한 국내공연을 중심으로 작품의 특징을 살펴보고 이에 따른 문제점을 분석하고 문화 콘텐츠로서 전략적인 발전방안으로 논의하여 보고자 한다. 따라서 본 연구는 계속적인 콘텐츠 개발, 인프라 구축, 정부의 지원, 전문가 양성 교육, 대학교에서의 전문교육까지 스트릿댄스부분에 많이 연구와 발전이 있기를 바란다. As the culture of Korea is rapidly changing, in the cultural contents market, the new show contents began to develop according to the changes of public perception. As the culture of performance becomes diversified and with the expansion of performance market, the performance utilizing the street dance began to vitalize in the performance contents market with the growing interest of the public. Therefore in this study, the characteristics of the work will be examined focusing on the domestic performances utilizing the street dance, and the problems associated with this will be analyzed and a discussion on the strategic development plan as a cultural content will be made. Therefore this study wishes that there will be many studies and developments on the street dance through continuous contents development, structuring of infrastructure, supporting by the government, fostering of experts and professional education at the university.
김미정,오동현,오인명,유경화,임성규,장선경,전동옥,조효진,이상진,길현정,이성규,김수연 대한감염학회 2012 Infection and Chemotherapy Vol.44 No.4
Dengue fever is an acute febrile disease caused by the dengue virus. As the numbers of reported patients with dengue fever are increasing, rare complications associated with dengue fever, such as rhabodomyolysis or meningitis, are increasing in Korea. We describe the case of a Korean male presenting with fever, myalgia, nausea,diarrhea and blurred vision, who as a result of serologic test and fundoscopy, was diagnosed with dengue fever complicated by retinitis. He completely recovered with conservative care.