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김병철 한국디지털정책학회 2015 디지털융복합연구 Vol.13 No.12
One of the fundamental requirements of entertainment applications is interactivity with users. The mobile device such as the smartphone, however, does not guarantee it due to the limit of the application processor’s computing power, memory size and available electric power of the battery. This paper proposes a methodology to boost responsiveness of interactive applications by taking advantage of the parallel architecture of mobile devices which, for instance, have dual-core, quad-core or octa-core. To harness the multi-core architecture, it exploits the POSIX thread, a platform-independent thread library to be able to be used in various mobile platforms such as Android, iOS, etc. As a useful application example of the methodology, a heavy matrix calculation function was transformed to a parallelized version which showed around 2.5 ~ 3 times faster than the original version in a real-world usage environment.
Production and Consumption of Contemporary Korean Cinema
김병철 한국학중앙연구원 한국학중앙연구원 2006 Korea Journal Vol.46 No.1
Korean cinema entered a new phase from the 1990s, which seemed a complete breakup from the past. During the 1990s Korean cinema underwent remarkable explosive growth in quantity and quality. In this paper, the main currents of the contemporary Korean cinema industry are divided into three, that are producer-centered "packaged cinema" , its variant a variety of Korean-style blockbusters seeking the advantages of economies of scale blockbusters, and director-centered New Korean Cinema. If Korean films in the 1990s were an effort to distinguish themselves and survive individually within the local region of Korean, then the Korean films since the year 2000 have been an effort to pursur both individual survivial and new possibilities for Asian movies by further expanding their scope. It is now time to examine coldly whether the new attempts being made by Korean movies can really find alternative possibilities or whether they are only blindly following the quasi-universal Hollywwod hegemony.