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      • KCI등재

        이천년 대 이후 중국노동자 문화현실과 담론연구 : 베이징 피춘의 사례를 중심으로

        자영(Jayoung Park) 한국중어중문학회 2019 中語中文學 Vol.- No.76

        The article examines the aspects and meaning of the cultural practice of worker’s house (Gongyou zhijia) of Pi Village(Picun) in Beijing, focusing on how the status of Chinese workers is changing since 2000s and how cultural realities and discourse are organized and changing, Through the discussion of this article, I have stated that what the practice in Pi Village is done directly by new worker through the method of literary and artistic and that it is a practice that constitutes the commons. Above all, this is important in that it was done through discourse and practice that rejects the name “peasant who works and lives in city(Nongmingong)" given by the system and names themselves "new workers(Xingongren)." The practice of Pi Village expresses surrounding new workers are the industrial and service workers who are not peasants any more and urban workers who have the right to live, be educated and work in the city at the same time. This is a practice that reveals the problems of the uneven binary system that separates the city from the countryside, which defined them as peasants out of conformity with reality, while renaming themselves as new workers. In this regard, the case of Pi Village is a reality that takes issues with the rural-urban dichotomy. the social and historical level of China, the discourse and practice of Pi Village can be re-contextualized as revealing the problems of this uneven urban-rural binary system and carrying out the revising it directly. Through the practice of Pi Village, the relationship between urban and rural areas in China during the post-socialist period is being re-thought and re-established.

      • KCI등재

        애도와 형식

        朴姿映(Park, Ja-young) 중국어문학연구회 2016 중국어문학논집 Vol.0 No.97

        Regret for the Past(Shangshi) written by Lu Xun is a short story that exposes thelimit of mourning and its writing, while it explores the possibility of alternative mourning.It is accessible for the perspective of writer, Lu Xun who has the distance from the main character, Juan Sheng. Regret for the Past seems like a short story that narrates the reestablishment of Juan Sheng, who lost ex-girlfriend Zizun. When we reexamines it from the perspective of mourning, however, we discovers the other side of this narrative. Regret for the Past is a narrative that the mourning work accomplishes through the forget process and the self rebuilding is achieved. In this regards, Regret for the Past is posit as a narrative that touches and overcomes the aporia of mourning through several layers. It reveals the process that Regret for the Past parodies traditional Chinese mourning poem(Daowang poem). While Regret for the Past borrows and repeats the form of Daowang poem, it actually subverts the significance and expression of Daowang poem. In this process, parody in Regret for the Past reveals the untruth of tradition genre and the mourning act in its form and raises a question on the authentic meaning of mournig.

      • KCI등재

        루쉰이 불러낸 귀신들: 시선과 질문들

        朴姿映(Park, Ja-young) 중국어문학연구회 2015 중국어문학논집 Vol.0 No.93

        Lu Xun’s text appears ghosts. These ghosts is not blurred, not-visual existence, but appears with concrete figures. They are not metaphor in texts. Lu Xun raises and visualizes ghosts, that are eliminated and excluded from the modern world emerging issues with the science, into texts. Then who are ghosts haunt the text in Lu Xun? Why does Lu Xun raise ghosts in his texts? What value dose these ghosts possess? This paper examines how Lu Xun narrates and views these ghosts and their own world, focusing on two ghosts, Wu Chang and Nu Diao, that are entitled as one of prose, sanwen. Futhermore, I investigate what Lu Xun eventually aims at through the recalls for these specific ghosts. In this regards, this paper notices the aliveness of view and existence of ghost in Lu Xun’s narrative. These texts are approached by way of ghost’s eye, but not that of human being. In this sense, ghosts are not the existence that are far form human world and are absorbed into people’s world, but the existence that live together with people and open and present new time and perspective. The ghosts that appear as heterogeneous are the existence that retains heterogeneity and otherness and performs their tasks in harmony with the lives of low class people. The ghosts are existences that raise questions into the existent order and logic when they haunt with low class people and open new sensibilities of time and value.

      • KCI등재후보
      • KCI등재

        일상이 봉쇄되는 그 순간 : 장아이링 소설에 입문하는 한가지 방법

        자영(Park Ja-young) 중국문화연구학회 2005 중국문화연구 Vol.0 No.6

        My article is focussing on the non-rouline domain in Eileeng Chang's novels, comparing with the daily life/routine of that. Before I analyse Chang's novels, I examine the tendency of study and divide it into three classes-narration mode, daily life(routine), and non-routine. As I agree partly with this existing study tendency, I observe how the non-routine domain is involved in the daily life. I analyse that the non-routine domain investigates the real and life constantly and keep from falling into the fantasy domain. In doing so, the non-routine is endowed with the feeling of reality and build up the tension related to the real world. The inside of blockade trolly car in Blockade(Fengsuo) is an allegory about the split of daily Iife that has no way out. And I point out the way non-routine world is not exist without regarding to the everyday life. Meanwhile, the Hongkong narrative of Love in a Fallen City(QingChengzhiLian) and so on translates the secular and real spare into the non-real spare and segregate from the real by itself. At this moment, female characters in her novels recognize the split and contradiction of daily life and the advent of non-routine. The female characters project her life to the non-routine space positively and revision the way of her life and resuscitate from the unreal to the world of reality. Therefore, the non-routine space in Eileen Chang's novels redispose the logic of daily life and reconstruct the world itself in this situation. The non-routine domain is filled with the routine but is not transformed into the daily life. It becomes the important moment of organization of another possible world. The Hongkong narrative describes the world that the non-routine life is daily continued. Eileen Chang's texts newly settle the "normal" boundary of routine/non-routine and disturb the whole real world.

      • KCI등재

        연구논문 : 뉴실버세대 여성을 위한 브래지어 개발

        자영 ( Park Ja Young ),장정아 ( Jang Jeong Ah ) 한국의류산업학회 2015 한국의류산업학회지 Vol.17 No.3

        This study develops a new brassiere for new silver women. A new brassiere design was developed for the silver generation based on apreliminary survey; subsequently, a wire and no-wire type of brassier were developed after a second fitting evaluation. The results were as follows. First, in terms of brassiere design, the cup shape was designed as mold type full cup, shoulder straps were designed as camisole type with cups, bias tape was designed for body correction in the side line and mash tape was designed for easy movement below the cups. On the other side ofthe cup shape was a pocketdesigned on a support pad forthe wire type and a support panel to serve as a wire in the no-wire type brassiere. Second, brassiere patterns were designed by referencing the educational H pattern. Thetotal length was elongated by 5cmto reduce pressure when wearing a brassiere and the height of the front center increased by 8cm for the stability of the front center of the brassiere. In addition, the side line was moved back by 3cm and the width of the brassiere wings was designed widely at 10.5cm. Third, a wearing test was conducted for the wire type and the no-wire type brassiere with comparison products, using a 7-point Likert scale. Appearance results and movement tests for the wire and no-wire type showed a higher score than comparison products.

      • KCI등재

        연구논문 : 뉴실버 여성을 위한 브래지어 착용실태 및 선호도 조사

        자영 ( Ja Young Park ),장정아 ( Jeong Ah Jang ) 한국의류산업학회 2014 한국의류산업학회지 Vol.16 No.4

        This study provides basic reference data for brassiere wearing conditions, design preferences of new silver women (50s-60s) and development of brassiere products. We compiled and compared 163 pieces of brassiere (considering of 105 domestic general brassieres and 58 foreign silver brassieres) analyzed using SPSS Statistics 21 program. A survey was then conducted on the actual wearing, purchasing conditions, design preferences for 176 females (50s-60s). The result of this study are as follows: First, comparing actual product conditions (domestic general products and foreign silver products), the ratio of full cup in cup height, V-shape type in neckline shape, long type in front-end length, wide type in wing width, U-shape type in shoulder strap form, wide type in shoulder strap width, no-wire brassieres in breast wire type, all-in-one type in shoulder strap separation, back type in closure type appeared higher than other types of brassiere in domestic general product. Second, a study also showed that 60s women`s wearing time is lower than 50s women``s; however, 60s women expressed a higher figure and preference for the purchasing ratio in the department store, full cup in cup height, short type in length of brassieres, wide type in wing width, U-shape in shoulder strap form, small type in shoulder strap width, back type in closure type and no-wire brassieres than those in their 50s. It was found they prefer fabric with a high natural content, nude tone color without decoration & pattern and camisole brassieres.

      • KCI등재

        화훼산업 활성화를 위한 화훼단지 바이오필릭 디자인 연구 방안 - 바이오필릭 디자인 사례를 중심으로 -

        자영 ( Park Jayoung ),조택연 ( Cho Taigyoun ) 한국공간디자인학회 2021 한국공간디자인학회논문집 Vol.16 No.4

        (연구배경 및 목적) 화훼에 대한 소비자의 관심 및 국민소득 증가 등으로 부흥했던 과거 화훼산업의 모습은 현재 사람들의 인식 및 수출 감소 문제 등으로 하락세에 접어들었다. 또한, 과학 기술의 발달을 통해 사회의 모습이 달라지고 있는 현재, 사람들의 니즈가 달라지고 있으며 이에 새로운 라이프스타일을 제공할 수 있는 공간의 필요성이 두각 되고 있다. 이는 화훼산업에도 공간 방향성의 변화가 필요하며 본 논문에서는 하락세에 접어든 화훼산업을 화훼단지 내 공간으로써 활성화할 방안을 모색하고자 한다. (연구방법) 바이오필리아 디자인 개념을 통해 화훼산업 활성화 방안을 모색하고자 한다. 여기의 바이오필리아는 자연적 요소가 긍정적 영향을 끼친다는 개념이며 해당 요소와 신경미학의 미적인지에 대한 이론적 고찰을 진행하여 두 개념의 관계성 추출을 통해 긍정적 인식, 더 나아가 대중화 역할을 기대할 수 있는 근거를 파악하고자 한다. 추출된 디자인 요소는 공간 성격 별 건축의 분석틀로 조사되며 이때의 조사대상은 바이오필릭 디자인 적용된 건축물로 선정한다. (결과) 이론적 고찰과 바이오필릭 공간의 사례분석을 통해 디자인 필요요소가 도출되었으며 이는 화훼산업 문제들에 대한 개선점을 보완한다. 화훼산업 문제는 크게 두 가지로, 먼저 시설낙후화 문제는 자연 속 기하학 패턴 요소를 개선 방안으로 정의하며 건축 기하학 표현 특성 연구를 통해 기하학 디자인 패턴을 확립하였다. 또한, 단일화된 시설관리 문제에 대해서는 다양한 시설확보가 필요하며 화훼 선진사례의 바이오필릭 디자인 적용 분석을 통해 해당 항목의 재정의가 이루어졌다. (결론) 위의 연구를 통해 도출된 디자인 제안은 화훼산업의 대중화 유도와 문제점들의 보완 역할을 해 줄 것이다. 그러나, 바이오필릭 사례조사 중 타겟 공간이 직접적인 화훼단지가 아니라는 점에서 한계점을 가진다. 다만 대표적인 선진 화훼 사례들과 복합문화공간의 공간 성격이 높은 수치로 일치함을 보였다. 이를 통해 앞으로의 연구는 충분한 양의 사례 조사 확보 및 바이오필릭 디자인의 긍정적 상호 영향성을 분석해 더 성공적인 화훼단지 및 화훼산업 계획 방안을 기획해 볼 필요성이 있다. (Background and Purpose) The appearance of the flower industry in the past, which was revitalized by consumers' interest in flowers and the increase in national income, has entered a downward trend due to current people's awareness and export decline. In addition, now that the appearance of society is changing through the development of science and technology, the needs of people are changing, and the necessity of a space that can provide a new lifestyle is emerging. This requires a change in the spatial direction of the flower industry, and in this paper, we seek to find a way to revitalize the flower industry, which has entered a downtrend, as a space within the flower complex. (Method) Through the concept of biophilia design, we are trying to find ways to revitalize the flower industry. Biophilia here is a concept that natural factors have a positive effect, and a theoretical review on the aesthetics of the factors and neuroaesthetics is conducted, and a positive recognition through the extraction of the relationship between the two concepts, furthermore, the basis for expecting a role of popularization I want to grasp. The extracted design elements are investigated as an analysis frame for architecture by spatial characteristics, and the subject of this investigation is selected as a biophilic design applied building. (Results) Through the theoretical consideration and case analysis of the biophilic complex cultural space, the necessary elements for design were derived, which complements the improvement points for the flower industry problems. There are two major problems in the flower industry. First, the problem of facility obsolescence defines geometric pattern elements in nature as an improvement plan, and establishes a geometric design pattern through a study of architectural geometric expression characteristics. In addition, for the problem of unified facility management, various facilities need to be secured, and the relevant items were redefined through analysis of the application of biophilic design of advanced flower cases. (Conclusions) The design proposal derived through the above research will induce popularization of the flower industry and complement the problems. However, it has a limitation in that the target space is not a direct flower garden during the biophilic case study. However, it was shown that the representative cases of advanced flowers and the spatial nature of the complex cultural space coincide with a high number. Through this, there is a need for future research to secure a sufficient amount of case studies and to plan a more successful flower complex and flower industry planning plan by analyzing the positive mutual impact of biophilic design.

      • KCI등재

        루쉰 연구자들은 왜 잡문에 주목하는가

        朴姿映(Park, Ja-young) 중국어문학연구회 2015 중국어문학논집 Vol.0 No.91

        The main focus of interpretation of Luxun since 2000s is on Zawen, which was chiefly attacked by “Disconnection (Dunalie)” Declaration group. Late Luxun and his Zawen writing, that was disregarded by scholars since New Era, was reconsidered in the mood of this kind of provocation, and took an important place in Luxun research since 2000s. Zawen was highly acclaimed by the interpretation of revolutionist Luxun before 1980s. Meanwhile, it was ignored by scholars for the same reason. This paper investigates what kind of focus is the research on Zawen on since 2000s and examines what position this focus occupies in the discourse of Luxun research. It historicizes the context of Luxun research which is scattered since 2000s, and gains the proper interpretation position. Luxun’s Zawen research of early 2000s subverted pre-existing research tendency, which emphasized practice and political issue of Zawen, and applied the Liberalistic perspective. This kind of Liberalistic interpretation created discourse on literary and political values regarding Zawen. While discourse on literary value of Zawen rethought the relationship between literature and politics against liberalist Luxun interpretation, the “Returning(Huixin)” discourse raised issues of ideal and resistance which disappeared in the realm of Luxun research since 1980s, reappraising Dakeuchi Yoshimi effects. Luxun’s Zawen research tendency since 2000s called the relation between Liberty, Literature and Politics into questions. The new Luxun research stands at the start point of questions regarding these relationship and enters into the deeper and specific research regarding Zawen.

      • KCI등재

        30-40대 사무직 남성의 생활습관에 따른 피부건강 차이

        자영 ( Ja Yeong Park ),장미숙 ( Mee Sook Chang ) 한국미용학회 2014 한국미용학회지 Vol.20 No.5

        This study attempted to analyze the effects of living habit on skin health among male office workers in their 30-40s. The results are as follows: Differences in the skin health were analyzed by demographic characteristics and living habit. In terms of overall skin health, ‘I can feel the skin tugging around the eyes or in the cheeks after washing-up’ was most responded. Statistically significant difference (p<.05) was found by age, education and average monthly household income. Poor skin health was found as the age was high, and household income was low. In addition, skin health was worse as the frequency of washing-up decreased with constipation. The low intake of water, vegetable and fruit and high sodium intake had a negative effect on skin health. According to frequency analysis on overall skin type, ‘neutral (29.6%)’ was the highest. In differences in a skin type by general characteristics, no statistically significant difference was found. According to analysis on sleep duration by skin type, ‘normal skin’ was 5-8 hours while ‘dry skin’ and ‘oily skin’ were 6 and 7 hours respectively. When respondents had constipation, ‘normal skin’ was most responded. Among non-smokers or those who quit smoking, ‘normal skin’ was most frequent. In smokers, ‘dry skin’ was the highest. Washing-up, intake of water, vegetables, fruits and sodium, and constipation influence on skin condition. In addition, sleeping hours, constipation, and smoking status affect skin type. This study confirmed that living habit had a considerable effect on skin health among male office workers.

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