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朴姿映(Park, Ja-young) 중국어문학연구회 2016 중국어문학논집 Vol.0 No.97
Regret for the Past(Shangshi) written by Lu Xun is a short story that exposes thelimit of mourning and its writing, while it explores the possibility of alternative mourning.It is accessible for the perspective of writer, Lu Xun who has the distance from the main character, Juan Sheng. Regret for the Past seems like a short story that narrates the reestablishment of Juan Sheng, who lost ex-girlfriend Zizun. When we reexamines it from the perspective of mourning, however, we discovers the other side of this narrative. Regret for the Past is a narrative that the mourning work accomplishes through the forget process and the self rebuilding is achieved. In this regards, Regret for the Past is posit as a narrative that touches and overcomes the aporia of mourning through several layers. It reveals the process that Regret for the Past parodies traditional Chinese mourning poem(Daowang poem). While Regret for the Past borrows and repeats the form of Daowang poem, it actually subverts the significance and expression of Daowang poem. In this process, parody in Regret for the Past reveals the untruth of tradition genre and the mourning act in its form and raises a question on the authentic meaning of mournig.
일상이 봉쇄되는 그 순간 : 장아이링 소설에 입문하는 한가지 방법
박자영(Park Ja-young) 중국문화연구학회 2005 중국문화연구 Vol.0 No.6
My article is focussing on the non-rouline domain in Eileeng Chang's novels, comparing with the daily life/routine of that. Before I analyse Chang's novels, I examine the tendency of study and divide it into three classes-narration mode, daily life(routine), and non-routine. As I agree partly with this existing study tendency, I observe how the non-routine domain is involved in the daily life. I analyse that the non-routine domain investigates the real and life constantly and keep from falling into the fantasy domain. In doing so, the non-routine is endowed with the feeling of reality and build up the tension related to the real world. The inside of blockade trolly car in Blockade(Fengsuo) is an allegory about the split of daily Iife that has no way out. And I point out the way non-routine world is not exist without regarding to the everyday life. Meanwhile, the Hongkong narrative of Love in a Fallen City(QingChengzhiLian) and so on translates the secular and real spare into the non-real spare and segregate from the real by itself. At this moment, female characters in her novels recognize the split and contradiction of daily life and the advent of non-routine. The female characters project her life to the non-routine space positively and revision the way of her life and resuscitate from the unreal to the world of reality. Therefore, the non-routine space in Eileen Chang's novels redispose the logic of daily life and reconstruct the world itself in this situation. The non-routine domain is filled with the routine but is not transformed into the daily life. It becomes the important moment of organization of another possible world. The Hongkong narrative describes the world that the non-routine life is daily continued. Eileen Chang's texts newly settle the "normal" boundary of routine/non-routine and disturb the whole real world.
朴姿映(Park, Ja-young) 중국어문학연구회 2015 중국어문학논집 Vol.0 No.91
The main focus of interpretation of Luxun since 2000s is on Zawen, which was chiefly attacked by “Disconnection (Dunalie)” Declaration group. Late Luxun and his Zawen writing, that was disregarded by scholars since New Era, was reconsidered in the mood of this kind of provocation, and took an important place in Luxun research since 2000s. Zawen was highly acclaimed by the interpretation of revolutionist Luxun before 1980s. Meanwhile, it was ignored by scholars for the same reason. This paper investigates what kind of focus is the research on Zawen on since 2000s and examines what position this focus occupies in the discourse of Luxun research. It historicizes the context of Luxun research which is scattered since 2000s, and gains the proper interpretation position. Luxun’s Zawen research of early 2000s subverted pre-existing research tendency, which emphasized practice and political issue of Zawen, and applied the Liberalistic perspective. This kind of Liberalistic interpretation created discourse on literary and political values regarding Zawen. While discourse on literary value of Zawen rethought the relationship between literature and politics against liberalist Luxun interpretation, the “Returning(Huixin)” discourse raised issues of ideal and resistance which disappeared in the realm of Luxun research since 1980s, reappraising Dakeuchi Yoshimi effects. Luxun’s Zawen research tendency since 2000s called the relation between Liberty, Literature and Politics into questions. The new Luxun research stands at the start point of questions regarding these relationship and enters into the deeper and specific research regarding Zawen.
박자영 ( Park Ja Young ),장정아 ( Jang Jeong Ah ) 한국의류산업학회 2015 한국의류산업학회지 Vol.17 No.3
This study develops a new brassiere for new silver women. A new brassiere design was developed for the silver generation based on apreliminary survey; subsequently, a wire and no-wire type of brassier were developed after a second fitting evaluation. The results were as follows. First, in terms of brassiere design, the cup shape was designed as mold type full cup, shoulder straps were designed as camisole type with cups, bias tape was designed for body correction in the side line and mash tape was designed for easy movement below the cups. On the other side ofthe cup shape was a pocketdesigned on a support pad forthe wire type and a support panel to serve as a wire in the no-wire type brassiere. Second, brassiere patterns were designed by referencing the educational H pattern. Thetotal length was elongated by 5cmto reduce pressure when wearing a brassiere and the height of the front center increased by 8cm for the stability of the front center of the brassiere. In addition, the side line was moved back by 3cm and the width of the brassiere wings was designed widely at 10.5cm. Third, a wearing test was conducted for the wire type and the no-wire type brassiere with comparison products, using a 7-point Likert scale. Appearance results and movement tests for the wire and no-wire type showed a higher score than comparison products.
연구논문 : 뉴실버 여성을 위한 브래지어 착용실태 및 선호도 조사
박자영 ( Ja Young Park ),장정아 ( Jeong Ah Jang ) 한국의류산업학회 2014 한국의류산업학회지 Vol.16 No.4
This study provides basic reference data for brassiere wearing conditions, design preferences of new silver women (50s-60s) and development of brassiere products. We compiled and compared 163 pieces of brassiere (considering of 105 domestic general brassieres and 58 foreign silver brassieres) analyzed using SPSS Statistics 21 program. A survey was then conducted on the actual wearing, purchasing conditions, design preferences for 176 females (50s-60s). The result of this study are as follows: First, comparing actual product conditions (domestic general products and foreign silver products), the ratio of full cup in cup height, V-shape type in neckline shape, long type in front-end length, wide type in wing width, U-shape type in shoulder strap form, wide type in shoulder strap width, no-wire brassieres in breast wire type, all-in-one type in shoulder strap separation, back type in closure type appeared higher than other types of brassiere in domestic general product. Second, a study also showed that 60s women`s wearing time is lower than 50s women``s; however, 60s women expressed a higher figure and preference for the purchasing ratio in the department store, full cup in cup height, short type in length of brassieres, wide type in wing width, U-shape in shoulder strap form, small type in shoulder strap width, back type in closure type and no-wire brassieres than those in their 50s. It was found they prefer fabric with a high natural content, nude tone color without decoration & pattern and camisole brassieres.