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        인라인스케이터의 인라인스케이트 의복흥미 (Ⅰ)

        김영란,유태순,조기여 한국의류산업학회 2004 한국의류산업학회지 Vol.6 No.4

        The purpose of this study was to classify the In-line skate clothing interest of in-line skaters according to in-line skate involvement. The questionnaire was administrated to 124 male, 96 female in-line skaters aged over 20 living in Daegu. Data were analyzed by using Frequency, Factor analysis, One-way analysis of variance, Duncan test, T-test, Correlation analysis. The results of this study can be summarized as follows ; The factor of in-line skate clothing interest of in-line skater were classified into 5 factor, expression orientation, performance enhancement, information dependence, anti deviation, individual assertion. The in-line skate clothing interest, men have interests in performance enhancement, women have interest in individual assertion. The more experience of in-line skate they have. the more interest in performance enhancement they want. High involvement in-line skater have high cloth interesting of sub-factors which are expression orientation, performance enhancement and individual assertion etc. As a result, we need more deliberate marketing strategies for the experience degree, involvement degree and women in-line skater then men.

      • 대학생의 의복구매 의사결정과정에 관한 연구 : 성별·학년을 중심으로 Focusing on Sex, Grade

        유태순,김성희 대구효성가톨릭대학교 응용과학연구소 1999 응용과학연구논문집 Vol.7 No.-

        이 연구의 목적은 의복구매의사결정과정의 단계인 문제인식, 정보탐색, 대안평가, 구매결정, 그리고 구매 후 평가 각각에 대한 반응과 성별과 학년간의 상관관계를 알아보기 위함이다. 연구의 결론을 요약하면 다음과 같다. 1. 성별에 따라 의복 구입시 구매 동기는 여자가 남자보다 자기과시적 구매 동기, 유행 추구적 구매 동기가 더 높다. 정보원은 인쇄매체, 관찰요인 그리고 인적 정보에 있어서 여자가 남자 보다 더 높다. 의복평가기준은 미적 차원과 기능적 차원에서 여자가 남자보다 더 높다. 점포평가기준은 평가 분위기와 상품 속성은 여자가 남자보다 더 높고 점포입지는 남자가 여자보다 더 높다. 구매 결정단계에서 특히 남자에게서 계획없이 구매하는 비율이 여자보다 더 높다. 의복구매장소는 남자는 상설할인 매장, 여자는 양품점 및 보세점을 가장 많이 이용한다. 의복구매시 동행자는 남여 모두 친구 및 동료가 가장 많고 의복구매시 영향자는 남자의 경우 본인 스스로 구매한다. 여자의 경우 친구나 동료의 영향을 가장 많이 받는다. 의복구입시 대금 지불방법은 여자가 남자보다 카드 이용과 상품권 및 할인 티켓을 더 많이 이용한다. 2. 의복구입시 학년에 따른 구매 동기, 정보원, 의복평가기준은 차이가 없지만 점포평가기준은 고학년으로 갈수록 점포입지에 더 큰 비중을 둔다. 의복 구매장소로는 특히 4학년은 다른 학년에 비해 백화점에서 구매하는 경우가 많다. 의복 구매시 동행자는 고학년으로 갈수록 본인 스스로 구매하며 대금 지불방법은 고학년일수록 카드를 이용하는 경우가 많다. 월 평균 의복비 지출은 고학년으로 갈수록 줄어든다. The purpose of this study is to identify the relationship between sex, grade and each response of problem recognition, which is the step of decision making for chlothing purchase, information investigation, counter proposal valuation, decision making and valuation of after purchase. For the measurement of the motive of clothing purchase the method of Ju-yeun, Lee is applied with modification and complement, and the modified methods of Myeung-Gu, Park(1993) ; Byeung-Ho, Gin for the measurement of resource and stemm's method(1980) for the value standard of clothing with modification and supplement. And also, the method of So-Young, Kim(1994) is adaptively used for the measurement of the standard of shop value and that of Byeung-Sook(1985), Hong for the measurement of purchase decision. Stemm's method(1980) that is also used as a standard of clothing value index in this study is applied once again for the measurement of satisfactory degree, a review stage after purchase. The subjects in this study were 985 male and female undergraduates of a university located in the city of Kyoungsan, the north Kyongsang province. The collected data were statistically processed by MANOVA and ANOVA. For post test, Scaffle and χ^2-test were employed. The followings are the findings of this study : 1. Concerning the difference of gender in purchasing clothes, women are moved more largely by the self-displaying and fashion-pursuing incentives than men do. As for information sources, women use press media, observation and human sources more frequently than men do. Regarding the evaluative criteria of clothes, women put more emphasis on esthetic and functional aspect than men do. about the evaluative criteria of store, store atmosphere and product attribute are more emphasized by women than by men, while store location is more preferred by men than by women. In decision-making stage, men especially make unplanned purchase more largely than women. As a place of buying. clothes, men use discount stores most frequently, whereas women use goods shops and boned shops most often. As to a person with whom they go to buy apparel, both men and women go with their friend or colleague most frequently. Regarding a person who affects their purchase of clothes, women are most largely affected by their friend or colleague, and men make a purchase on their own decision. As a way of payment in buying clothes, women use credit card, gift certificate or discount ticket more often than men do. 2. The academic year makes no difference to their incentives to buying apparel, information source and evaluative criteria of apparel. However, there is a difference among academic years in the evaluative criteria of store, Namely, those who are in higher academic year give more weight to store location. As a place of buying apparel, seniors particularly use department stores more often than the younger students. When it comes to a person with whom they go to buy apparel, higher-year students make a purchase on their own. As the way of payment, higher-year students use credit card more often. Concerning the average monthly clothing allowance, higher-year students spend less amount of clothing allowance.

      • 웨딩드레스(Wedding Dress)의 歷史的 變遷에 관한 考察

        兪泰順,金慈恩 대구효성가톨릭대학교 1993 연구논문집 Vol.47 No.1

        Costume for human being has been ewpressing belif, emotion, status, position, the community and even situation. That is, it has an expressional funcion which delivers emotional aspect and communicative aspect. Further more, costume has a direct relationship with natural and social environments. It is an Expressional art for life-style of its afe and a manifestation of national emotion. Thus. all its constituent parts are not isolated but are corelated with one another. Especially, wedding dress clearly represents peculiar and traditional customs and prectices of each country as well as national consciousness. In this respect, it is ans important subject in studying aesthetic awareness of the age, sine wedding dress is daorned with ihe greatest emphasis. This study intends to survery the changed styles and asthetic sense of wedding dress chronologically classifying analyzind the wedding ceremonies and wedding dresses from ancient to current times. This study was conducted by examining the academic journals, related literature, theses and magazines which have pictures of wedding ceremonies and birdes, centering on western styles, the wedding dresses from ancient to present times were examined by age. The summaries are as follows: Ancient wedding dresses tended to adopt draping styles by wrapping from head to toe with soft and thin silk to reveal the beauty of body emphasis chastity as well. In the early middle age, wedding dresses covered the body with a flat tunic style due to ignorance about human body by religion. In later times, they became to emphasize big head, small chest and big abdomen providing naturalness, loptiness, and secularity on human body. After the middle age, due to the contemporary sense of aesthetics, wedding dresses were more brilliant and decorative emphasizing the abdomen and hip. In this time, unique slashes and ruff collars, which could not seen in any other age, made harmony with silhoutte of wedding sress. In modrn times, the essential meaning of marriage has been accepted and religious trait of chouch wedding has been bing excluded, Instead, much importance was given to the aesthetics of brids's dress itself facing supreme moment. Thus, the white wedding dress has been formalized as birde's ceremonial dress, which has been passing on its consistent beauty of style into the 20th century faityfully in compliance with the trend of fashion.

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        20세기 패션 디자인의 조형성 표현방법 연구 : 오브제 사용기법을 중심으로 Focused on the Using Techniques of Object

        김지희,유태순 한국의류산업학회 2003 한국의류산업학회지 Vol.5 No.1

        Objet, which showed up with the art of 20C, is now an important element giving a creative idea to fashion designers in modern times. The purpose of the study is to review how the objet technique was paid attention and recreated in the fashion, through the analysis of works, and the formative features of each technique for fashion, in order to identify the connection of arts and fashion, and the position of fashion as art. The techniques using object appeared in the 20th century fashion are as follows: First, papier-colle, which is adding printed materials onto the surface, is such a technique that adds cut-feeling materials to impose a new texture, or arrange again the cloth-cuts to create a different clothing from the existing one, which went to the extension of materials in the fashion, Second, collage of daily materials expresses directly and emotionally through direct presentation of the objets. Especially, collage of patch-work is reproduced into a new fabric depending on the objet used, giving a standing over the form. Third, ready-made which presents the material meaning only of the objet expands the range of objets which could be used in the fashion by introducing the daily materials having a meaning itself as a fashion. Forth, an attempt to approach to the objets of popular image by designed techniques come out in modern fashion as a graffiti look or a typography look, making the clothing itself an objet to transmit a message directly to the masses. Introduction of various objets and development of expression technique brought out the diversification of materials, and enrichment and extension of expression sphere, which resultingly spreaded the freedom of expression and progressed into the art sphere, making a direct motif to solidify its standing as a formative art.

      • 큐비즘(Cubism)미술이 현대 의상 디자인에 미친 영향 : 1910~1920년대를 중심으로 Concentrated on the years between 1910s and 1920s

        兪泰順,김일분 대구효성가톨릭대학교 1993 연구논문집 Vol.46 No.1

        This paper is devoted to observe the effects which is made on the modern clothes-design by the trend of the cubism that is the reprensitive in the flow of modern art. The conclusions that follow are achieved; The intellectual purity of cubism was to represent the inner world of the author, being digressed from the outer representation which was the blindness and the traditional mode. And, it was the representation which led to the abstraction by the transformation, distortion, erasure, and geometrical simplication of natural form. Also, its characteristics was expressed in the new architectural art-mode. The initial representation of the cubic, such as cylinder, sphere, and so on, provided the aesthetical basis into the tubular line of the early twenty-century, being digressed from the hourglass silhouette and s-curve line. And it created the basis on the modernism which was boyish style, garconne look, and so on. The geometrical simplicity and relationship with the cubism was expressed to be made up of simple line, rejecting the elements of arts & crafts or decoration line of the clothes in the line. The inner inspiration was expressed out from the fabric pattern of the Soma Delaunay, Madeleine Vionnet in the pattern and fabric and, by the pattern of square, rectangular, graphic plane configuration, check, horizantal and vertical stripe, diagonal, et cetra, in the natural and geometrical representation. The power of color effects is that the initial sunken color, monochrome, and so on, express the part of its effectivity, being conochrome, and so on, express the part of its effectivity, being concerned with the form, and rejecting the expression of the color by the intellectual trend of the cubism. Like these, the new style is represented from the relation between the society and the art, and the effectivity on the twenty-century modern clothes' by the cubism is enormous, and so the consistency in the field of expression can be seen to be made.

      • Heligmosomoides polygyrus 감염 마우스의 비장세포로 부터 만든 Conditioned Supernatant의 면역억제작용

        하대유,한병갑,김명선,고유승 大韓免疫學會 1996 大韓免疫學會誌 Vol.18 No.3

        Heligmosomoides polygyrus is gastrointestinal parasitic nematoda which is common parasire of wild rodents. The experimental infection with this parasite has been studied extensively in models of host-parasite interaction. The present study was undertaken to investigate both the effects of administration of conditioned supernatant or conditioned medium(CM) prepared from H. polygyrus-infected mice on the humoral and cellular immune responses in mice. Normal conditioned supernatant(NCM) was prepared from uninfected mouse splenocytes stimulated with Con A. Supematants conditioned by Con A-stimulated splenocytes of H. polygyrus -infected mice were prepared on different days post-infection, namely on day 6(HCM-D6), day 14 (HCMD14) and day 18 (HCM-D18) post-infection with H. polygyrus L3 larvae. Effects of NCM, HCM-D6, HCM-D14 and HCM-D18 on delayed-type hypersensitivity(DTH) to sheep red blood cells (SRBC), contact hypersensitivity to dinitrofluorobenzene (DNFB), hemagglutinin response to SRBC, ovalbumin (OVA)-induced active systemic anaphylaxis(ASA), and anti-OVA specific IgE were investigated. Effect of anti-IL-4 antibody (11B11) on immunoinhibitory action of HCMD18 in OVA-induced ASA was also investigated. It was found that the administration into mice of HCM-D6, HCM-D14 or HCM-D18 significantly suppressed DTH to SRBC, contact hypersensitivity to DNFB, hemagglutinin response compared with NCM. The degree of immunosuppressive activity of HCM was less marked in HCM-D6 than HCM-D14 and HCM-D18. Interestingly, HCM-D18 prepared from ICR mouse strain also showed the profound suppression of OVA-induced ASA in BALB/c and C57BL/6 mouse strains as well as in ICR mice. ASA-inhibitory activity of HCM-D18 was Somewhat abrogated in terms of mouse mortality when mice were treated in the combination of HCM-D18 and anti-IL-4 antibody, indicating that IL-4 may play a role, at least in part, in the inhibitory activity of HCM. Taken together, the present study may be the first to demonstrate that conditioned supernatants prepared from the spleen cells of H. polygyrus-infected mice may suppress the in vivo humoral and cellular immyne responses to heterologous antigens, particularly fatal anaphylaxis induced by OVA, strongly suggesting that

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