태재치와 '家'의 윤리

하정민 일본어문학회 1998 일본어문학 Vol.5 No.-

다시 쓰는 식민주의, 잉카 쇼니바레의 탈식민 서사 - <정사와 간통>을 중심으로 -

하정민 영남대학교 인문과학연구소 2018 人文硏究 Vol.- No.83

This paper’s purpose is to determine the political and discursive effect inherent in contemporary artist Yinka Shonibare’s artistic practice who is ‘writing back’ colonialism which has been forgotten by many of the contemporaries and to consider aesthetic meaning based on his artistic practice which tells us not ‘politics itself’ but ‘politics by art’. In this paper, I will to analyze the meaning and effect of textual politics based on hybridity, focusing on Shonibale’s work, <Gallantry and Criminal Conversation>(2002). By recognizing the discursive ‘hybridity’ in the process of production, Shonibale does not simply reverse the dichotomous hierarchy or play hasty the integration of social hostility and contradiction. Rather, it links the conditions of the given opposition and visualizes the process of negotiation of the existing ‘differences’ in the ‘in between’. Through this, Shonibale’s work provides an opportunity for understanding the political act that can tolerate and control the ‘difference’ structure and the moment of mutual intervention instead of the hostile and confrontational politics based on a dichotomical worldview that restricts our reason. 본 논문은 동시대의 많은 사람들에게 이미 역사화된 텍스트로 망각되어 가고 있는 식민주의를 다시 읽고, 서사하는 작업을 하고 있는 동시대 미술가 잉카 쇼니바레(Yinka Shonibare, 1962~ )의 탈식민적 미술 실천을 호미 바바(Homi K. Bhabha, 1949~ )의 탈식민주의 담론 안에서 해석하는 작업을 통해, 작가의 미술 실천이 함의한 정치적인 의미와 효과를 밝히고, ‘정치’ 그 자체가 아닌 ‘미술’을 경유해 정치를 발화하는 미술가의 작품 근원에 놓인 미학적 의의를 고찰하는데 목적을 둔다. 쇼니바레는 1980년대 후반, 서구중심적 미술 헤게모니에 대한 반동으로 야기된 ‘탈식민적 전환’기에 활동을 시작한 예술가다. 서구중심주의와 인종과 문화적 타자에 대한 문제들을 탈식민주의 관점에서 가시화한 작가이다. 탈식민주의 관점을 견지하는 쇼니바레는 ‘차이’를 초역사적이고 고정된 것으로 사유하는 본질주의에서 벗어나 의미 생산 과정에서의 담론적 ‘혼종성’을 인식함으로써, 서양과 동양, 흑과 백, 문명과 야만 등과 같은 위계적이고 적대적인 이항대립 구조를 단순히 역전하는 것이 아니라, 근본적으로 해체하고자 한다. 본고에서는, 최초의 탈식민주의 전시회로 기록된 2002년 ≪도큐멘타 Documenta 11≫에 출품했던 <정사와 간통(Gallantry and Criminal Conversation)>(2002)을 중심으로 혼종성에 기반한 텍스트 정치의 의미와 효과를 분석하고자 한다. 쇼니바레의 작품은 위계적이고 적대적인 이항대립의 조건들을 혼종적으로 연결함으로써, 그 ‘사이’에서 현존하는 ‘차이’들의 교섭 과정을 가시화하여, ‘사유의 공간’을 개방한다. 이를 통해, 쇼니바레의 작품은 우리의 사유를 제약하는 대립적이고 위계적인 이분법적 세계관에서 벗어나, ‘차이’ 구조와 상호 개입의 순간을 용인하고 통제할 수 있는 정치적 행위에 대한 이해의 계기를 제공한다.

두 불교 고사(故事)의 특이한 결합 ― 중국 남북조시대 후기 불교조각에 나타난 아육왕시토(阿育王施土)와 정광불수기(定光佛授記) 본생(本生) 장면

하정민 미술사와 시각문화학회 2022 미술사와 시각문화 Vol.29 No.-

이 논문은 중국 북조기(北朝期)의 불교미술에 나타난 다양한 불교 고사(故事) 중에서 아육왕시토(阿育王施土)와 정광불수기(定光佛授記) 본생(本生) 장면에 주목한 글이다. 이 두 주제는 운강석굴(雲岡石窟) 및 6세기 중국 불교조각에서 각각 가장 빈번하게 묘사되었으며, 두 주제가 짝을 이루어 대칭을 이루는 위치에 표현되기도 하였다. 그러나 운강 중기 및 후기에 이르러 이 두 고사는 아육왕시토의 특징적인 도상(圖像)이 정광불수기 본생 장면으로 전이되어 결합되어 가는 양상이 나타난다. 특정 도상이 전이되어 다른 주제로 인식된 불교 고사의 다른 사례는 종래 알려진 바가 없는 만큼 이러한 현상은 중국 불교미술사에 있어서 매우 특이한, 주목할 만한 결합이라고 할 수 있다. 이에 본고는 아육왕시토와 정광불수기 본생과 관련된 문헌을 조사하고, 중국 북조 후기에 제작된 운강석굴 벽면의 부조와 기타 불교조각에 나타난 이 고사를 표현한 장면의 구성 및 시각적 특징들을 분석하여 두 주제가 결합되어 가는 양상을 추적하였다. 이어서 선행 연구에서 이 두 고사의 결합 이유로 제시되었던 다양한 견해들에 대해서도 논의하였다. 이 연구를 통해 북조 말기 불교 문화가 당시 불교도들의 종교적 열망을 효과적으로 드러낼 수 있도록 기존의 개별 도상을 조합하여 새로운 재현방식을 창조해 낼 수 있을 정도로 매우 역동적이었음을 확인할 수 있다. 정광불수기 본생과 아육왕시토 인연 장면의 결합과 관련된 논의에서 주목할 만한 사례 중 하나로 현재 보스턴미술관(Museum of Fine Arts, Boston) 소장의 〈불교조상비(佛敎造像碑)〉를 들 수 있다. 1910년 9월에 보스턴미술관에서 구입한 이 조상비에는 정면을 향한 불입상을 중심으로, 좌측에 정광불수기 본생 장면과 우측에 아육왕시토 고사 장면이 표현되어 있다. 지금까지 출판된 바 없는 보스턴미술관의 이 불교조상비는 이 연구에서 자세히 살펴본 두 고사의 도상적 결합이 일어난 결과물로서, 6세기 후반에서 7세기 전반 사이에 제작된 것으로 보인다. 이 조상비의 중국 불교조각사상의 위치를 비정해 본 것도 이 글의 중요한 의의 중 하나이다. This paper focuses on the illustrated scenes of the offering of a handful of dust by a previous life of King Aśoka and the Dīpaṃkara jātaka among various scenes of narrative stories surrounding the Buddha Śākyamuni, in Buddhist sculptures created during the late Northern Dynasties of China. These two scenes were most frequently represented in the Yungang caves and Buddhist sculptures of the late fifth and the sixth century China, and were paired in symmetrical positions on several occasions. In the mid and late stages of the Yungang caves, however, the combination of the two scenes occurred as iconographic traits of Aśoka’s gift of dust were transferred to the Dīpaṃkara jātaka scenes. This phenomenon can be considered an unusual and so very remarkable combination in the history of Chinese Buddhist art, since there are no cases in which a Buddhist narrative scene has been recognized as, or transferred to, a different scene. Therefore, this paper investigates Chinese Buddhist literature related to the two scenes and analyzes the composition and visual characteristics of the scenes represented at the Yungang caves and in other Buddhist sculptures created in the late fifth to sixth century. It also traces the process of the combination of the two narrative scenes and explores several theories suggested as the reasons for the merging of the two scenes in previous studies. Through this study, it can be confirmed that the Buddhist culture at the end of the Northern Dynasties was so dynamic that it created a new way of representation, which could effectively embody the religious aspirations of Buddhists at the time by combining existing depictions of Buddhist narrative scenes. One of the notable examples in the discussion related to the combination is a Buddhist votive stele housed in the Museum of Fine Arts, Boston. The stele, purchased by the museum in September 1910, features a standing Buddha image at the center, with the scene of Dīpaṃkara jātaka on the Buddha’s left side and the scene of a child, a former life of King Aśoka, offering a handful of dust to Śākyamuni Buddha on the right side. One major significance of this paper is to suggest that the stele, which has never been published before, was created between the late sixth and early seventh centuries as a result of combining the two Buddhist narrative depictions.

Conjugated Oligoelectrolyte as a Conductive Ligand for Highly Emissive Metal Halide Perovskite Nanocrystal

하정민,우한영 한국고분자학회 2023 한국고분자학회 학술대회 연구논문 초록집 Vol.48 No.1

房山石經, 契丹大藏經, 그리고 高麗大藏經

하정민 서울대학교 규장각한국학연구원 2020 한국문화 Vol.0 No.91

Located in the Fangshan district in the southwest of Beijing, the Yunju temple contains a collection of stone-carved Buddhist scriptures. These stone-carved scriptures which are engravings of Buddhist sutras on stone slabs, are called the Fangshan Stone Sutras. The carving of the Buddhist scriptures on stone at Fangshan began in the early seventh century and continued until the seventeenth century. In particular the Liao dynasty witnessed a large-scale stone-carved sutra project at Fangshan in the eleventh and twelfth centuries. The stone sutras carved during this period were based on the text versions printed from the new Liao Canon (Khitan Canon or Qidan Canon). The Liao Canon was a complete collection of Buddhist scriptures compiled and carved on wooden blocks in the eleventh century, but it is not extant. The Fangshan Stone Sutras executed during the dynasty are fundamental in order to delve into real aspects of the Liao Canon and its relationship with the Goryeo Canon. This study closely examines the Fangshan Stone Sutras executed during the Liao dyansty, as a preliminary attempt to explore features and characteristics of the Liao Canon. To understand the Fangshan Stone Sutras executed during the dyansty, this paper looks into the formation and development of stone-carved sutras at Fangshan. This paper also explores the motivation of the creation of the stone-sutras and their original texts on which the stone sutras were based, from the seventh to seventeenth century. A great number of stone-carved sutras created during the Liao dynasty are handed down at Fangshan, and thus a close investigation on the stone-carved sutras will bring little known aspects of the Liao Canon to light. Importantly a very small number of printed copies from the Liao Canon were discovered in a wooden pagoda in Ying County, Shanxi province in China recently. The comparison of some printed texts from the wooden pagoda to the Fangshan Stone Sutras during the Liao dynasty reveals the fact that the texts of the copies were almost identical, but the scale, format and style of them were different. In particular, the scale of the stone sutras is a bit larger than that of the wooden pagoda pieces. This discrepancy in scale indicates that scripts for stone sutras at Fangshan had to be rewritten to adjust to the size of the stone slabs. Other important pieces of reference for research on the Liao Canon are Sugi's Collation Notes on the second edition of the Goryeo Canon finished around the mid-13th century. Considering several pieces of information obtained by comparing the extant texts from the wooden pagoda in Ying County to the stone-carved sutras at Fangshan, this paper focuses on Sugi’s notes on the corresponding Buddhist scriptures included in the second Goryeo Canon. A careful analysis of Sugi's notes about the specific texts appears to confirm the accuracy and reliability of Sugi’s notes and suggest a distinct characteristic of the Liao Canon that are different from other Buddhist canons. .

색소 융모결절종 환자에 시행한 족관절 인공관절 치환술(1예 보고)

하정민,최선진,이창범,하정한,박형택,Ha, Jung-Min,Choi, Sun-Jin,Lee, Chang-Bum,Ha, Jeong-Han,Park, Hyung-Taek 대한족부족관절학회 2010 대한족부족관절학회지 Vol.14 No.1

Pigmented villonodular synovitis (PVNS) is a rare proliferative disease affecting joint synovium, tendon sheaths, bursae. The usual treatment for PVNS is a surgical excision. If destructive joint lesions have occurred, complete resections must be performed followed by arthrodesis or arthroplasty. We report a case of a pigmented villonodular synovitis involving an ankle joint which was treated by total ankle replacement for recurrence after simple synovectomy.

청력저하 노인의 건강과 관련된 삶의 질 영향요인: 2018 국민건강영양조사 자료를 이용하여

하정민,박다혜 한국융합학회 2020 한국융합학회논문지 Vol.11 No.7

The Purpose of this paper was to explore the effect of hearing impairment on HRQOL in Korean elders. We carry out a cross-sectional analysis using nationally representative data from the KNHANES, 2018. A total of 528 elders who had hearing impairment were included. Statistical analysis was performed using SPSS 25.0, χ²-test, t-test, correlation, and regression analysis to confirm the quality of life, and the influencing factors. There were significant differences in HRQOL according to gender, age, education, marital status, income, occupation, number of household members, tinnitus, number of comorbidities, smoking status, alcohol drinking status, subjective health status, regular exercise, restriction of activity, depressive mood and perceived stress. The results indicated that age, BMI and number of comorbidities had a significant negative association with HRQOL. In addition, marital status, number of comorbidities, body mass index, subjective health status, regular exercise, restriction of activity and perceived stress were predictors of life quality in elders with Hearing Impairment and the variable in the health-related quality of life was explained by 37.3%. In order to improve the HRQOL of elders with hearing impairment, multidisciplinary efforts and development of educational programs are required. 본 연구는 청각저하 노인의 건강관 관련된 삶의 질 영향 요인을 파악하고자 시도되었다. 제 7기 국민건강영양조사 자료를 (KNHANES 2018) 활용하여 청각저하 노인으로 분류하여 최종적으로 528명을 연구대상으로 하였다. 통계분석은 SPSS 25.0을 사용하여 χ²-test, t-test, ANOVA, 상관분석, 다중회귀분석방법으로 분석하였다. 성별, 나이, 교육, 결혼상태, 소득, 직업, 가족구성원의 수, 이명, 동반질환의 수, 흡연, 음주, 주관적 건강상태, 규직적인 운동, 활동 제한 여부, 우울, 스트레스 경험에 따라 삶의 질에 유의한 차이가 있었다. 삶의 질은 나이, 체질량지수, 동반질환의 수에 음의 상관관계를 보였다. 또한 청력저하 노인의 삶의 질에 결혼상태, 동반질환의 수, 체질량지수, 주관적 건강상태, 규칙적인 운동, 활동 제한 여부, 스트레스 경험이 유의한 예측요인으로 나타났고, 삶의 질을 37.3% 설명하였다. 청력저하 노인의 삶의 질 향상을 위한 다학제간 노력과 교육 프로그램 개발 적용이 필요하다.

HAMLET속에 나타난 질서관

하정민 동덕여자대학교 영어영문학회 1993 Duet Vol.10 No.-

국·공립 어린이집의 유니버설디자인 적용 현황 연구

하정민,장영호,김주연 한국공간디자인학회 2023 한국공간디자인학회논문집 Vol.18 No.3

(Background and Purpose) Universal design is expanding and evolving into an emotional environment with various accompanying aspects that go beyond the physical environment. However, before examining the emotional environment or providing suggestions with different meanings, it must be acknowledged that the physical environment of childcare centers is not sufficiently reflected in terms of planning, design, and application. This study aimed to prove the need for the application of universal design to places shared by children, teachers, and administrators, as well as to the planning of childcare environments. It also sought to provide a database of the range of universal design’s application to childcare centers and its orientation. (Method) First, the characteristics of children and the application of universal design to childcare centers were considered theoretically through a review of the literature. Then, a field investigation was conducted using Seoul’s checklist for the universal design of childcare centers, and we also conducted a survey of teachers regarding the applicability of a universal design. (Result) A universal design has not been systematically applied to childcare centers. In particular, many childcare centers are close to carriageways and are not designated as child protection zones. There are toilet facilities but they need to be improved to ensure sanitary and pleasurable surroundings. We felt the need for further study of the actual usability standards from the points of view of both observers and users. It is also necessary to supplement the evaluation system and standardize the physical and emotional environments for children and teachers. We expect that a higher level of childcare will be achieved through the application of a universal design. (Conclusions) The application of a universal design must be subdivided according to the evaluation standard based on the type, location, and age groups of childcare centers. The ratio of national/public childcare centers is considerably low, even when the total number of childcare centers is decreasing because of the low birth rate. Therefore, the evaluation standards of a universal design must be subdivided. A direct standard of universal design is also required to improve the quality of communal living for teachers and children. We hope that this study will provide basic data on the applicability of universal design to childcare centers based on the evaluation index of universal design.

콩 2차 대사산물의 활용을 위한 유전 연구

하정민 한국콩연구회 2018 한국콩연구회소식 Vol.343 No.-