흉막강액에서 진단된 류마티스성 흉막염 - 세포학적 소견 1예 보고 -

차희정,민수기,김준미,주영채,Cha, Hee-Jeung,Min, Soo-Kee,Kim, Joon-Mee,Chu, Young-Chae 대한세포병리학회 1997 대한세포병리학회지 Vol.8 No.1

Patients with rheumatoid arthritis of any degree of severity or duration may develop necrotizing granulomatous pleuritis, a morphologic replica of the inflammatory reaction characteristic of rheumatoid synovitis and rheumatoid nodules. The principal feature is the background composed of granular, amorphous, particulate material or debris of various hues. The material is sometimes eosinophilic sometimes more cyanophilic, or even green in the Papanicolaou stain. Within this background are elongated, fibroblast-like epithelioid cells, numerous multinucleated giant cells and degenerating leukocytes. The combination of the debris, spindle epithelioid ceils, and multinucleated giant cells in fluid is pathognomonic for rheumatoid pleuritis. We experienced a hcase of rheumatoid pleuritis showing these characteristic cytologic findings. The patient was a 63 year-old man with positive rheumatoid factor. The pleual fluid specimen revealed elongated epithelioid cells and multinucleated giant cells on a background of amorphous granular material.

찰옥수수 연구 - VIII. 찰옥수수 대학찰 골드 1호에 대한 파종시기별 주요 작물학적 및 이삭 특성

차희정,최윤표,송인규,복태규,이희봉,Cha, Hui-Jeong,Choi, Yun-Pyo,Song, In-Kyu,Bok, Tae-Gyu,Lee, Hee-Bong 충남대학교 농업과학연구소 2009 농업과학연구 Vol.36 No.2

본 실험은 신품종 대학찰 골드 1호에 대한 파종 시기별 생육 및 이삭 특성에 대한 연구 결과 주요 특성은 다음과 같다. 1. 공시종에 대한 간장은 모든 파종 시기에서 대학찰 골드1호가 찰옥 1호보다 컷으나 찰옥 1호의 개체간에는 생육 차이가 큰 변이를 보였다. 2. 공시종의 평균 개화기는 대조구인 찰옥 1호가 7일 정도 빨랐으나 개체간 차이가 큰 반면에 대학찰 골드 1호의 개화기는 균일하였다. 두 품종 모두 파종시기가 늦어질수록 개화 소요일수가 빨라지는 경향이었다. 3. 공시종에 대한 간장과 착수고의 비율은 파종시기가 빠를수록 두 품종 모두 낮게 나타나 도복 경감 효과가 클 것으로 나타났다. 4. 공시종에 대한 이삭길이 및 착립 상태를 비교한 결과 대학찰 골드 1호를 4월 말에서 5월 초에 파종한 것이 다른 시기에 파종한 것보다 생육 및 이삭 특성이 우수하였다. This study was carried out to gain the informations about seedling transplanting cultivation of Daehakchal Gold 1 which was developed at the Corn Breed. and Genetics Lab., Coll. of Life and Sci., Chungnam Nat'l Univ. in 2009. This hybrid and Check were sowed over four times at intervals of 10 days from 15th April(1st) to 30th May(last) and transplanted at CNU Corn Breed. Farm the 20th seedling cultivated after sowing, respectively. Results obtained from this experiment were as follows; stem height of this hybrid were variable regardless of sowing and transplanting times, while ear height was gradually increased according to delay of sowing times. Ear size and sharp of fresh corn as one of important traits was good at 2nd harvest times, while tip filling of ear harvested at 1st time was not good and also it's size decreased according to delay of transplanting stage. Stability of this hybrid expressed as ratio of stem height to ear height was very good as 50% below. Accordingly, the proper sowing and transplanting times of Daehackchal Gold 1 considered the late in April to early in May as harvesting proper period.

유방의 낭성과다분비관내암종의 세침흡인 세포학적 소견 - 2예 보고 -

차희정,엄대운,서재희,Cha, Hee-Jeong,Eom, Dae-Woon,Suh, Jae-Hee 대한세포병리학회 2003 대한세포병리학회지 Vol.14 No.1

Cystic hypersecretory carcinoma of the breast is a rare variant of ductal carcinoma of breast, first described in 1984 by Rosen and Scott. Histologically, it is characterized by the formation of dilated ducts and cysts containing an eosinophilic secretory product resembling thyroid colloid. Cytologic findings show a few clusters of atypical ductal epithelial cells in amorphous proteinaceous material with clacking artifact. Differential diagnosis include mucinous carcinoma and benign mucocele-like tumor. We present two cases of fine needle aspiration cytology of cystic hypersecretory intraductal carcinoma of the breast with a review of the literature.

새로운 인간의 탄생: 소설 『프랑켄슈타인』에서 영화 〈엑스 마키나〉로

차희정(Cha, Heejung) 새한영어영문학회 2022 새한영어영문학 Vol.64 No.4

한중 여성 장애인 창작 소설에 나타난 자의식 발현 양상 비교 연구

차희정(Cha, Hee-Jung) 한국현대소설학회 2018 현대소설연구 Vol.- No.71

This article explores how self-consciousness is expressed in the autobiographical novels, “Firework Dance” and “The Dream of a Wheelchair”, of Korean and Chinese women with disabilities. It examines how this self-consciousness in women with disabilities has been formed, as well as how this has been expressed and revealed to the reader. In “Fireworks Dance”, Minseong’s idealist father is murdered in the Geoje island prison camp. Through this experience, Minseong experiences ideological conflicts as well as deep grief for the loss of her father. She is healed through reuniting with her cousin, ‘Minjin’, who had disappeared during the 5.18 Kwangju Uprising. Minjin’s disability plays a sacrificial role in eliminating conflict and segregation as well as acting as a mediator in the rise of a new area of a typical life. ‘Bangdan’ in “The Dream of a Wheelchair” consistently thinks of her disability as an obstacle she must overcome. During the Cultural Revolution, her desire to become someone ‘useful’ actively shapes her identity. Her self-consciousness, as depicted by her disability, finds its meaning through reconnecting conflict divided communities as well as recognizing and highlighting the potential in an uncertain future. In addition, the self-narrative style of writing used in the novel plays a significant role in questioning and confronting the dominant power relations and state of the culture. The two novels are common in the way in which the lead character’s disability helps to resolve conflicts and creates hope for a positive future. However, the novels are different in the way they respond to authoritarian ideologies.

해방기 소설 속 장애인의 현실 인식

차희정(Cha, Hee-Jung) 한국현대소설학회 2020 현대소설연구 Vol.- No.77

This article aims to explore the reality of the liberation period through the eyes of the characters with disabilities that appear in some liberation novels. In novels Window, Filtration, Sad Victory, these characters experience discrimination and prejudice which convey the contradictory and two-sided nature of the policies implemented during this period. The people with disabilities in these novels develop their identities, vigilant about the dichotomous discourse buried under the ideology of liberation. Portraying the female characters as key helpers, they structure a new system which constitutes the reality of the liberation period. The main characters of Blood Sputum and At Famous Spot voluntarily helps others in need. This stems from a ‘maternal instinct’ as proposed by Sarah Ruddick and is a practice of seeking ways to coexist. Furthermore, the protagonist of Sphinx’s smile comes to understand the meaning of Sphinx’s smile, by recognizing the futility of life and surviving in coexistence with others, as an understanding of the unpredictable nature of life. This leads to the protagonist becoming cautious of the speculative behaviors towards liberation. The characters with disabilities in these novels experience the conflict in the speculative and contradictory discourse of liberation. Through this, they embody the uncertainty of life and recognize the reality of liberation.

가족도, 화나우도 아니다. . . 우리를 표현할 말이이렇게도 없단 말인가?: 케리 흄의 『태초의 사람들』이그려내는 귀향 그리고 새로운 가족의 탄생

차희정 ( Hee Jung Cha ) 한국영미문학페미니즘학회 2013 영미문학페미니즘 Vol.21 No.2

This paper explores Keri Hulme`s globally-recognized novel, The Bone People, which deftly combines the themes of family violence, exploitation of natural resources, and the regeneration of Maoritanga. Set in the harsh environment of island beaches, The Bone People is an emotionally powerful story of love and friendship among three alienated outcasts: a reclusive female artist of mixed heritage Kerewin Holmes, a widowed Maori factory worker Joseph Gillayley, and a mute white child Simon. Self-isolated in a spiral-shaped tower, Kerewin is intellectual, eccentric, fish-obsessed, and asexual. Joe seems to be a hardworking and caring father, but he is an alcoholic and abusive father to his foster son. Simon is known as a manipulative, wicked child with an unknown past washed ashore in a shipwreck and rescued by Joe. The three characters are family-less and homeless. They treat each other with a perturbing mixture of tenderness and brutality. Concerning this point, the paper focuses on their homing process and complicated relationship which brings the characters together in the name of a new family. The unorthodox trinity of mother, father, and son represents the utopian landscape of family where Maori and Pakeha meet, clash, and merge.

“‘I’ does not exist”: Developing Female Self with a Polynesian Family Community in Where We Once Belonged by Sia Figiel

차희정 ( Hee Jung Cha ) 한국현대영미소설학회 2014 현대영미소설 Vol.21 No.1

Samoa`s first female writer Sia Figiel`s first novel, Where We Once Belonged (1997), is a coming of age story about Alofa, a 13-year-old girl growing up in the village of Malaefou. Also, the novel elaborately narrates the various stories about Samoan people and, more precisely, about Samoan women in the family-based and male-dominated culture. Fictionalizing the historical and cultural reality in which Samoan women are forced to endure racial and gendered experiences, Figiel subtly problematizes the predefined concepts of female self and sexuality in a community-oriented society, while dealing with issues of gender and sexuality, history and culture, children and parents, self and others. Considering these points, this paper explores Where We Once Belonged in terms of Samoan women`s voice and feminist consciousness in which the daughter-narrator who goes through childhood and adolescence comes to terms with her own search for personal and communal identity. As she tells the painful and humorous stories about Samoans with realistic touches and comical imagery, not only does Figiel attempt to overturn the romanticized Western view of the Pacific Islands as paradise and Western interpretations of Samoan life, but she also resists merely romanticizing the traditional Samoan culture.

갑상선 종양에서 c-met 유전자 발현의 임상적 의의

차희정(Hee Jeong Cha),조성진(Seong Jin Cho),유종우(Chong Woo Yoo),장우영(Wu Young Chang),강희준(Hee Joon Kang),주선형(Sun Hyung Joo),박찬흔(Chan Heun Park),박철재(Cheol Jae Park) 대한외과학회 2004 Annals of Surgical Treatment and Research(ASRT) Vol.67 No.4

무슬림 제인 에어와 개종한 오리엔탈리스트의 낯선 로맨스: 레일라 아부렐라의 『번역가』

차희정 ( Heejung Cha ) 한국영미문학페미니즘학회 2018 영미문학페미니즘 Vol.26 No.2

This paper introduces the Scottish immigrant writer, Leila Aboulela, originally from Sudan and, using the perspective of postcolonial feminism, explores her Muslim novel, The Translator (1999) for its familiar yet strange aesthetics. Through her first critically-acclaimed novel, Aboulela, often called an Islamic feminist writer, sensitively portrays the romance between Sammar, a young Sudanese widow who is also an Arabic translator, and Rae, a Scottish Islamic scholar at a British university. The novel, set between Aberdeen, Scotland and Khartoum, Sudan, juxtaposes the contrasting landscapes and cultures of the two cities where Sammar tries to embrace and build her new home, both spiritually and physically. This paper compares and contrasts Charlotte Bronte’s iconic Jane Eyre characters, Jane and Rochester, to Sammar and Rae, a Muslim Jane Eyre and a converted Orientalist, but within a context of profound religious devotion. Not only does The Translator rewrite or ‘write back’ to the classic Orientalist fantasy, in which white men save brown women from brown men, as the prototypical definition on the relationship between colonizer and colonized; but the novel also explores the unsympathetic Western gaze on Muslim identity, migration, and Islamic spirituality.