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이창배(Chang-bai Lee) 한국T.S.엘리엇학회 1993 T.S. 엘리엇 연구 Vol.1 No.-
This article which was originally written for a chapter included in the writer’s A Study η T. S. Eliot (Seoul, 1988) aims at investigating the na ture of T. S Eliot’s spiritual venture before and after his conversion to the Church of England. Though Eliot was born and grown in Unitarian family backgrond, he could not feel attached to the ’materialistic’ unorthdox Chris-tianity. When he failed to awaken to religious emotions in his early years, Eliot as “the type of one kind of religious sceptic, had to endure his loneliness and suffering for his long hesitation and painfuf soul-searching. For Eliot there was no sudden grace but a long period of doubt and soli-tude. Eliot’s conversion was not a dramatic change, but only an expansion or development of interest. He did not turn from atheism to belief but from spiritual self-reliance to the support of a Church. He was attracted, for this reason, to the intelligent believers like Lancelot Andrews, Pascal, Dante and SO on. They were his life models, and their biographical essays he wrote for many occasions reflect an image of himself. What all Eliot’s models have in common is the pattern of a life in which spiritual struggles are link-ed to Church‘ His words on Pascal, “His despair, his disillusion… are sen-tial moment in the progr s of the intellectual soul can be said on himself. And it can also be said that Eliot s poetical works from The Love Song of J. Alfred Prufrock, The Wasle La :d, through Four Quartets are his autobiographical writings as personal grievances.
李昌培 동국대학교 1965 論文集 Vol.2 No.-
Jules Laforgue, one of the French Symbolists, was, as is well known, the man whose influence initiated T. S. Eliot in the discovery of a form expression during the very period of his search for some new mode of poetic expression. Although the colloquial idiom, free verse form, and ironic tone of Laforgue's reflected in Eliot's early poems have well been discussed and studied by many critics and scholars, those technical similarities of the two poets cannot be mentioned without an inquiry into the level of their spiritual affinity. The main purpose of this article is to determine what and how Eliot's metaphysical standpoint was, to be attracted by Laforgue. In the two poets' writings including their prose works, we find a similarity of disposition which they must have naturally possessed even before one's coming into contact with the other's writings. Suffering seems to play a fairly large part in Eliot's whole poetry as well as in Laforgue's, the former being chiefly the records of the detraction and dejection produced by the social routines of the day, and the latter those of his ennui and dissatisfaction produced by his own melancholy disposition. Although the prime causes from which they suffered are not quite the same, their attitudes toward life which caused them to suffer may be said not be so different, regardless of their situation in time and space. T. S. Eliot, whose sensibility had been fashioned in the religious soil, felt horror because of his being possessed by the sense of Reality while Laforgue, who died of tuberculosis at the age of twenty-seven, felt horror, because he could not avoid the ever-oppressing Death even for a while. Eliot's Reality and Laforgue's Death are a final cause to which the door of religion is opened and which human beings intoxicated with the humanistic illusion cannot grasp. They are the poets who always lived under an oppressive sense of Fact and never allowed themselves to be defeated under its pressure, but observed and examined their own situations, objectifying and dramatizing them into their poetry. This realistic attitude devoid of day dream, illusion and even hope toward life saved their poetry from being romantic and made it classic, though Laforgue, unlike Eliot, sometimes could not conquer his sentimentalism and overflowed his poetry with a romantic cry. Although it may be said that the technical resemblances of Lanforgue cannot be found in Eliot's Later Poetry which has surpassed and developed his "elder brother's" we often hear his clear voice mingled with so many other voices in Eliot's later works, because Eliot's resemblances to Laforgue is not only a technical matter but the fact that they shared the common attitude toward the world.
폐의 급, 만성 염증시 기관지내 둥근 종괴로 발생된 육아조직 4예
이창배,신태림,이경은,박영미,전정현,남준식,김효정,김유경,윤희수,구혜수,천선희 梨花女子大學校 醫科大學 醫科學硏究所 1999 EMJ (Ewha medical journal) Vol.22 No.3
비특이적인 염증 상태에서 발생하는 육아조직이 종괴의 형태를 띠는 경우가 있다. 저자들은 최근 1년간 이대부속 동대문병원에서 시행한 기관지내시경 검사상대엽 기관지나 분절기관지의 입구를 폐쇄시키는 둥근 종괴로 발견된 염증소견의 육아조직 4례를 관찰하였다. 따라서 기관지내 종괴의 감별 진단시에는 급만성 염증에 의해 발생할수 있는 육아조직의 가능성을 반드시 고려해야 하겠다. The granulation tissue, which are found in nonspecific inflammation, occasionally seemed like round mass. We experienced and report four cases in which the granulation tissue presented as endobronchial mass on the bronchoscopy. The masses obstructing lobar or segmental bronchial oriface were round, smooth surfaced and pinkish except whitish one case. The granulation tissue caused by acute or chronic inflammations, should be considered to differentiate endobronchial mass.