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신 호 한국무용학회 2007 한국무용학회지 Vol.7 No.1
본 연구자는 무대 조명의 기초와 타 분야와의 관계, 조명의 기능과 특징을 연구하여 무용 예술의 시각화를 극대화 시킬 수 있는 조명의 활용방안을 마련하고, 조명의 예술적 발전과 무용의 미적 표현 능력을 극대화 시키는데 그 목적이 있으며 다음과 같은 결론에 도달하였다. 첫째, 조명은 다양한 기재가 갖고 있는 빛의 형태와 방향성 등을 이용하여 무대 공간을 시각화 할 수 있으며, 작품이 추구하는 이미지 극대화를 표현할 수 있다. 둘째, 무용 작품에 있어 무용이 갖고 있는 공간의 형태를 빛의 움직임을 통한 시각적 연출로서의 조명이 가 능하다. 셋째, 빛으로 창출하는 시각적. 공간적 표현을 통하여 작품의 극적 카타르시스를 관객에게 지적. 정서적 감동을 일으키게 한다. 넷째, 조명이 보조자로서의 역할이 아니라 독창적인 하나의 시각 디자인으로 자리매김 할 수 있다. 끝으로 대다수 사람들이 상식적으로 생각하고 있는 '무대를 밝게 비추는' 조명의 단순한 기능에서 벗어나 예술의 한 영역으로 발전하기 위해서는 조명 디자이너는 창조성과 예술성을 가지고 안무가의 의도나 작품을 이해하여 빛과 색채를 미적인 언어로 파악하여 작품의 효과를 높여주고 작품 구성의 한 요소로 참여하여 조명이 하나의 예술로 다뤄질 수 있도록 노력해야 한다. 특히 이번 연구를 통해 빛의 움직임을 통한 공간의 구성을 미학적으로 표현하기 위해서는 기본적으로 예술적 감감을 키우고, 생명력을 불어넣는 빛의 예술뿐 아니라 저변에 걸쳐있는 제반예술에 대해 심미안을 키워야 할 것이다. This study aims to do research on methods for the visualization of stage space through lighting, mainly focused on dancing. I have studied the basics of stage lighting, its relations with other fields of stage art, and the functions and characteristics of lighting. Results show that lighting could be used to maximize the visualization of dancing and emphasizing the artistic growth of lighting and its ability to aesthetically express and I came to the following conclusions. First, lighting uses the forms and directions of light that various tools are able to produce in order to visualize the space on stage, and can maximally express the image that the work seeks. Second, it is possible to use lighting, through the movement of light, as a visual repre-sentation of the configuration of space in dancing works. Third, through the expression of visual and spatial aspects created by light, the work’s dramatic catharsis can bring out mental and emotional feelings from the audience. Fourth, lighting can be seen not as a supporting role, but as an original visual design. To conclude, in order for lighting to be freed from the simple function of “lighting up the stage,” which a majority of people think is common knowledge, and grow as one area in art, lighting designers must understand the intentions of the choreographer and the work with creativity and artistry they must consider light and color as an aesthetic language in order to heighten the effects of the work and allow it to partake as one element of work creation, so that lighting will be treated as a form of art.
申 正 浩 한국중국현대문학학회 2005 中國現代文學 Vol.0 No.32
In the first half of the 20th century, the East-Asia had taken in the modernity of Western civilization for the aim of their own modernization, but restrained by Japan, a forerunner. As a result, the intelligent youth concealed progressive ideas from Korea(Chosun朝鮮), Taiwan臺灣, Mainland China中國 had sought the union to resist against the imperialism. Around then, the intelligent Formosan had a new understanding to the Korean on the three points of view; 1) anarchism, 2) proletarian internationalism, 3) nongovernmental inspection. In case of the former, the conjunction and interchange among Fan Benliang范本梁, Lin Bingwen林柄文 and Shin Chaeho申采浩 around the Peking and Shanghai is attractive. Their senses of resistance supported by Luxun魯迅, Zhouzuoren周作人 spreaded all over the nation is moreover. The latter is revealed in the literature of Liangkui楊逵, Limhua林和 and Kwanhuan權煥 well. Particularly, they'd not been acquainted with each other, but perceived by heart throughout their literature under the circumstances. But, the last one is some different. In other words, the exchanges and sharings between Ye Longzhong葉榮鍾, Wei Qingde魏淸德 from Taiwan臺灣 and Cheng Manjo鄭萬朝 who is the member of the National Academy of Confucian Canon經學院 from Korea(Chosun朝鮮) had been involved the Japanese colonialism constructed by the illiberal theory. Their Chinese poem reveal these well. The peace and co-exist of this century over the East-Asia included Korea, China, Taiwan, and Japan can be assisted by the abundant spiritual resources based on the lively imagination of literature. Several points of overviews experiencing till now cannot be direct tool challenging those efforts, but they must be the important references, specially to hold perceptions about the history of the East-Asia literature in common.
座攀性 腦-電氣衝擊에 의한 생쥐 視床下部 및 腦幹의 Monoamine 代謝의 變動에 관한 研究
朴青,山,申灵,浩,李明雅,全普權 대한신경정신의학회 1991 신경정신의학 Vol.30 No.4
Male ICR mice ranging from 15g to 20g were given a single ECS( 1-ECS * 13mA, lsec, lOOcps) daily or on alternate days for 10 days(5-ECS). The contents of monoamine metabolites in the hypothalamus and the brain stem(BS) were measured 10,30, and 60 min after ECS-administration as well as before ECS. Contents of monoamine metabolites in the HT and the BS, such as 5-HIAA, MHPG, DOPAC and HVA increased rapidly after 1-ECS or 5-ECS and then came down to the pre-ECS values. However, their increases induced by 5-ECS were significantly smaller than those by 1- ECS except the tedious increase of the hypothalamic HAV content. 5-HIAA and MHPG in the HT decrease significantly by the 4th administration of ECS in the course of the 5-ECS treatment. These results suggest that the repeated treatment of ECS may decrease the turnover rates of serotonin and noradrenaline in the hypothalamus
金 敬 植(Kyung-Sik Kim),崔 勝 貫(Seung-Kwan Choi),禹 昔 珍(Seok-Jin Woo),申 一 卿(Il-Koung Shin),朴 勝 浩(Sung-Ho Park),李 東 熙(Dong-Hee Lee),李 東 建(Dong-Gun Lee),張 孝 善(Hyo-Sun Jang) 호서대학교 공업기술연구소 2000 공업기술연구 논문집 Vol.19 No.1
In this paper, features and efficiencies of the 3D engine are described which has been developed through the research of 3D real time rendering techniques. And an on-line shooting game “3D Fortress” which has been developed using this 3D engine with server technologies is introduced for the techniques and methodology applied in the process of development of the game as well as the features and discussions of its implementation.