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김성수 ( Sung Soo Kim ) 한국비교문학회 2011 比較文學 Vol.55 No.-
This article begins with an awareness of two. One is to consider the meaning of "letter" sensibility, as expressed in Yi Sang`s text in relation to newspapers and printed media, which constituted modern media in the city of Gyeong-seong [京城] in the 1930`s. The other is to analyze Yi Sang`s dream of writing and of realizing his goals through the letter expression. Therefore, the objective of this article is to investigate the unique ideas about letters and the meaning of the expressions in the literary texts of Yi Sang, who omnidirectionally participated in the so-called "modernity of media," as he drew figures, blueprints, and illustrations and worked as a magazine editor and literary coterie within modern Korean literature in the 1930`s. On the basis of this investigation, we tried to clarify the patterns in Yi Sang`s dreams of writing. Yi Sang`s unique ideas about letters were incorporated into his works in various forms and expressed through his original literary language. Moreover, his ideas had a sociocultural impact at that time beyond the function of delivering literary meanings. In his essay, "Lingering Impressions of a Mountain Village," he expressed the natural mood that sprang up from rural society by replacing with metaphoric language acquired fromand sensitized by "urban emotions." Hence, various aspects of Yi Sang`s literature constituting the so-called "rhetoric of city" were patterned by reflecting urban phenomena in visual forms in many parts of his works. The metaphoric system of the "rhetoric of city" established the unique metaphor in the viewpoint of the new modernity by the emotions and senses of those living in a city in the 20th century, saying good-bye to the senses of the 19th century. The characteristic elements of Yi Sang`s literature in the area of Korean literature in the 1930`s, which resulted from various forms of letters and their application to literary works, can ultimately be considered ventriloquial reactions to the speed of the capitalistic society that was changing rapidly, as well as to the disturbance of time and the entanglement of space in the changing process. This is a key factor in Yi Sang`s literature as well as the novel writing pattern that advocated the autonomy of art as "objectless writing`" based on the letter sensibility and the sign game method. Moreover, the new form of literature realized by Yi Sang`s letter sensibility and his literary world still requires an interpretation from a novel point of view, in the sense that it was an abstract painting that expressed the uneven consciousness of those living in a city, generated from the regulatory system of capitalistic reason that was rapidly expanding in the urban space of Gyeong-seong in the 1930`s.
한성원,홍진수,배형철 순천향대학교 기초과학연구소 2011 순천향자연과학연구 논문집 Vol.17 No.2
Photonic band gaps(PBG) are investigated for cubic diamond composed of dielectric spheres and air spheres. It was found that PBGs exist in both cases. PBGs lie between the 2nd-3rd, 8th-9th and 14th-15th band for dielectric spheres and the 2th-3th band for air spheres.
이상진,김기수,강영조,조승래,홍순연 東亞大學校 建設技術硏究所 2006 硏究論文集 Vol.29 No.2
문화재란 문화가치가 있는 사물로서 국가 가 종교적·세속적 근거에 따라 특별히 지정 한 재산이다. 문화재는 그것이 구현하는 정신적 가치와 시각적 음향적으로 표현하는 수단으로서 그 나라의 독특하고, 다양한 주체성을 보존하는 중요한 매체이기도 하다. 그러므로 문화재는 한나라의 민족역사와 문화로서 과거의 모습을 통해 현재 그리고 나아가 미래를 연결시키는 하나의 매개체인 것이다. 또한 문화재는 그 지역민에게 향토사적 인 자긍심 및 연대의식을 고취시키는 동시에 나아가 한 나라, 세계적인 관심사로 여겨 야 할 것이다. 원적산 봉수대는 양산군청 소재지에서 북쪽으로 약 9.2㎞, 통도사입구 마을인 신평에서 남쪽으로 8㎞지점에 있다. 이 봉수대는 경상남도 기념물 제 118호로써 원적산봉수대 보존회에 의해 복원된 문화재이다. 즉 다른 지역의 문화재와 달리 잊혀 져가는 문화재의 재생을 통해 다시 태어난 문화재인 것이다. 원적산 봉수대 주변정비 기본계획의 목적 은 지역민의 자긍심으로 복원된 봉수대와 주 변과 접근로를 체계적으로 정비를 함으로써 접근성, 전통성, 보존성을 높이고자 한다. 특히, 문화재보호를 위한 제반 법규 및 현지여건에 부합하는 정비방향을 설정하고, 전문 인력과 관련문헌을 바탕으로 문화재 주변을 역사성과 주민친화성, 기능성, 관광성을 함께 갖춘 문화공간으로서의 미래지향적 문화재정비 계획을 추구하고자 한다.