한국 현대건축에서의 해체주의적 경향 -해체주의의 이론적 배경과 한국에서의 김인철, 조건영, 배병길의 작품사례에 대하여 -

성인수,Seong, In-Soo 한국건축역사학회 1992 건축역사연구 Vol.1 No.1

What is Deconstruction which is now the focus of the current architectural discussion? In order to know the Deconstruction properly, we should review the background of Modernism and Post-Modernism in architecture. As we know, the 1968's serial uprisings of democratic movement in Paris changed human concepts about art dramatically. As the result of that movement new ideas such as Structuralism, Post-structuralism, Deconstruction, and Semiotics arose. In architecture some ideas like construotioniem were not practised fully in 1920's and only the Modernism has been realized as the idea expressing the modern Utopia. In Korea situation to interprete architectural ideas into real buildings are different from those of other developed countries. Korean architects are seemed to use Deconstructionist vocabularies as fashionable styles without being concious of the root and history of Deconstruction. For Koreans the contexts are different. Although Modernism and Functionalism have been practised vigorously in Korea as other countries, the situations are ambiguous and complicated in applying new ideas introduced after Moderism. So they are in chaos. What could be our orthodox ideology to be worth pursuing in arthitecture? There are several sample works of Deconstruction in Korea done by Jo, Geon young, Kim, In Chul and Bae Byung-Gil. Aithough their works cannot be interpreted as real Deconstruction in European or american view-points, I think they are good examples of Korean Deconstruction that express contemporary Korean architecture and its social background.

이상 시 <신경질적으로비만한삼각형>의 해석

성인수(Seong, In-soo) 국어국문학회 2016 국어국문학 Vol.- No.175

이상의 일본어시 중 <이상한 가역반응> 계열시는, 시적 화자(이상)가 ‘밖(외부나 외국)으로 나가려면 더 죄어오는 주변의 압력’에 관한 시들이다. 화자(이상)는 <이상한 가역반응>에서 ‘프랑스 여인을 향한 도피’를, <破片의 景色->에서 ‘프랑스행을 현실적으로 포기함’을, <▽의 遊戱->에서 ‘그래도 프랑스 여인을 잊지 못함’을, <수염->에서는 ‘화자 이상의 현실과 현실적 고뇌’를 표현했다. 시 <브와뜨․브와뜨즈>에서 화자(이상)에 대한 고문의 증거로, 시 <공복ㅡ>은 두 진영 간의 치열한 대립과 싸움을 벗어나고픈 화자(이상)의 갈증이 시작된 ‘좌·우’ 문제로 해석하였다. 필자는 시 <조감도> 연작시는 시적 화자(이상)가 ‘하늘에서 화자 자신의 모습을 내려 보기’를 요청한 시라고 해석했다. 화자는 <이인…1…>에서 자신을 괴롭히는 ‘첫 번째 사람’으로 ‘총독부의 일본인 조선건축회 상사’를 상징시로 고발하였다. 화자는 <이인…2…>에서 자신에게 어려움을 준 ‘두 번째 사람’으로 자신을 회유하려던 ‘조선귀족회 귀족이나 그 대행자’를 상징시로 표출하여 고발했다. 필자는 앞선 시 <破片의 景色->, <▽의 遊戱-> 등에 등장한 ‘▽’의 의미로 시 <神經質的으로肥滿한三角形>을 해석하고자 한다. ‘▽’이 뚱뚱(비만)해져서 ‘○’(원)이 되는 위상기하학적 과정으로 해석하였다. 이 시는 ‘원’이 화자를 둘러쌓아 구속하는 것을 ‘신경질적으로’ 바라보고 있는 시적 화자(이상)의 현실을 증언한 셈이다. 즉, ‘원’(으로 둘러 싼 굴레)이 ‘직선’ (탈출을 꿈꾸는 시적화자 이상)을 구속하고 있다며, 프랑스 여인이 화자 자신을 구속하는 것과, 그 여인에게 매몰되는 화자 자신이 싫다는 발언을 한 것이다. 그렇지만, 화자는 대상(캐러반) 속에 몸을 숨겨서라도 사막을 건너 프랑스로 건너가고 싶은 의욕을 과시했다. The series of poems <Abnormal Reversible Reaction> of Lee, Sang"s Japanese poems depict the surrounding pressure exerted more severely as the narrator(Lee, Sang)struggles to go out(outside or abroad). The poetic narrator(Lee, Sang) expressed his desire to escape to the French woman in <Abnormal Reversible Reaction> and the abandonment of his dream of going to France for practical reasons in <Fragmentary landscapes>, still not forgetting the French woman in <Game playing of ▽->, and his reality and distress in <Beard ->. In <BOITEUX․BOITEUSE>, the evidence of torture inflicted upon the narrator(Lee, Sang) can be read. The poem <Hungerㅡ> is interpreted as the right and the left problems which caused the narrator"s thirst for getting out of the conflict and fight between two opponent parties. The serial poems of <Bird"s eye view> can be interpreted as urging the poetic narrator(Lee, Sang) to look down at himself from the sky. In <Two persons …1…>, the narrator symbolically accused the Japanese superior of Chosun Architectural Association in Japanese Government General of Korea as "the first person" who harassed him in. The narrator named the acting governor as Al Capone, an international criminal, to show the cruelty and violence of Japan"s imperialism. In the poem <Two persons…2…>, the narrator symbolically accused the nobleman of Chosun Nobility Association and his agent who tried to conciliate him as "the second person" who troubled him. This paper aims to interpret the poem <Triangle oversized nervously> in the meaning of ‘▽’ appearing in the previous poems <Fragmentary landscapes>, <Game playing of ▽-> and so on. It is interpreted as the topological process of ‘▽’"s getting oversized and becoming ‘○’(circle). The circle testifies the reality of the poetic narrator(Lee, Sang) who nervously watches the circle surrounding and restraining him. That is, it is stated that "circle" (the bridle surrounded by the circle) is blocking the "straight line" (the poetic narrator dreaming of escape), and that the narrator himself hates his confinement to the French woman and his being absorbed in her. However, the narrator showed the desire to go to France even by hiding himself in the caravan.

〈이상한 가역반응〉 텍스트로 본 李箱과 프랑스 여인

성인수(Seong, In-soo) 국어국문학회 2012 국어국문학 Vol.- No.160

This paper aims to investigate Lee, Sang‘s images of French woman in dream world by reinterpreting his Japanese poem of (in the year) 1931. While Lee, Sang expressed his desire and hope to “rush out once dead or live from home” in his novel 〈December 12〉 to see wider world, in the poem 〈Abnormal Reversible Reaction〉, he displayed his longing to study modern architecture, which was unknown field to him, in France beyond Japan to achieve a future goal during Japanese colonial period. He strongly described the situation already built up around him as ’Circle’. The more obstacles(circles) are blocking, relatively the stronger an effort(straight line) to escape is. He moaned that he wanted to go abroad and craved for help of someone in desperate need. Text “abnormal” shows that as Lee, Sang set to go abroad, he was suppressed by strong power. So, Lee, Sang(李箱)’s Poem 〈Abnormal Reversible Reaction〉 looks like expressing agony between ‘willingness to escape abroad’ and ‘suppressing environment to himself’. The expression, “Does the straight-line kill the Circle?”, suggests his destiny. In Lee, Sang(李箱)’s serial poem 〈Abnormal Reversible Reaction〉, we could learn his heart inclining to Madame Charlotte Perriand, a French architect, who he loved. All the texts, ‘LA FEMME DE MONSIEUR LICHAN’ in the novel 〈darkroom in the map/map in the darkroom〉(「地圖의 暗室」) or ‘woman(▽) who stares at me’, ‘I/W’, “sleeper of ▽/slipper of ▽” and others in the poem 〈Abnormal Reversible Reaction〉 represent a symbolic image of the french woman. According to an analysis of six poems in 〈Abnormal Reversible Reaction〉 (異常한 可逆反應) written in Japanese, Lee, Sang(李箱)’s other poems written in Japanese such as eight poems in the name of 〈Bird’s Eye View〉(鳥瞰圖) published in 『Chosun and Architecture』(朝鮮と建築), seven poems titled 〈Drawings of Third Angle〉(三次角設計圖), and seven poems titled 〈Architectural Infinite Hexahedron〉(建築無限六面角體) as well would leave a room for another interpretation than ever had.

사료(史料)에 쓰인 용례(用例)로 본 본국검(本國劍) 의미

정재성 ( Jae Seong Jeong ),김성인 ( Seong In Kim ) 영산대학교 동양문화연구원 2016 동양문화연구 Vol.23 No.-

본국검(本國劍)은 한국에서 전통검술로 인식되고 있다. 그러나 일반적 인식과 달리 그동안의 그 본국검의 전통성에 대한 연구는 많지 않았다. 본국검에 대한 최초의 기록은 < 무예도보통지 >의 “황창랑”에 대한 설명과 “신검(新劍)”이라는 한자어(漢字語)이다. 이 기록에 근거하여 신라시대 화랑의 검술로 인식하게 되었고, 결국 세계최초의 검법이라는 등의 주장이 시작되었다. 그러나 이러한 주장은 객관적이고 이성적인 논거를 제시하지 못하고 있다. 단지 민족적 우월주의에 빠져 있는 주장이라 할 수 있다. 이 연구는 정사(正史)의 기록과 그에 대한 한문학적(漢文學的) 접근을 통하여 다음과 같은 결론을 도출했다. 1. 무술서적 < 무예신보 >와 < 무예도보통지(武藝圖譜通志) > 저술 이전에, ‘本國劍’이라는 명칭은 朝鮮勢法과 혼용(混用)되고 있었다. 2. 本國劍이라는 명칭은 조선시대(朝鮮시대)에 전래되는 모든 검법을 지칭하는 일반명사이다. 그리고 동시에 < 武藝圖譜通志 >에 “신검(新劍)”이라는 속칭(俗稱)으로 기록된 검법(劍法)을 지칭하는 고유명사이다 3. 기록으로 보아 ‘本國劍’이라고 호칭된 검법은 < 무비지(武備志) >에 “조선세법(朝鮮勢法)”이라 소개되는 것과, < 무예도보통지 >에 “예도(銳刀)”로 기록된 검법, < 무예도보통지 >에 “本國劍”이라고 기록된 검법 등이 있다. 4. < 무예도보통지 >에 “新劍”이라고 속칭하는 본국검은 신라에서부터 전래된 것이 아닌 근대에 창작된 것이다. 이상의 고찰을 통해 여러 가지 의문과 과제가 생겨났다. 특히 正史를 바탕으로 한 다양한 근거자료와 한자기록의 정확한 이해 및 해석에 의한< 무예도보통지 >의 융합적 연구가 필요하다. 더불어 한국의 검술 수련자들의 역사인식에 대한 비판적 각성과 성찰이 요구된다 하겠다. Bongukgum(literally meaning national sword, 本國劍) is widely recognized as Korea’s traditional swordsmanship. However, there has been lack of studies on the traditionality of Bongukgum unlike general awareness. The first historic record as to Bongukgum can be found in the description of ‘Hwang Chang-nang’ in < Muyedobotongji > and the Chinese character “新劍”, which literally means ‘new swordsmanship. These historic records have enabled Bongukgum to be recognized as the swordsmanship of Hwarang in Shilla Dynasty period, initiating a claim that it is the world’s first swordsmanship. However, this claim fails to present objective and rational grounds and may run the risk of being criticized as national supremacy. This study has drawn the following findings and conclusions based on the in-depth research and analysis of the records of official history (正史) from the perspective of Chinese literature. 1. The word Bongukgum was used interchangeably with Joseonsebeop prior to the publication of iconic martial arts guidebooks < Muyeshionbo > and < Muyedobotongji >. 2. The word Bongukgum is a common noun that refers to all types of swordsmanship handed down to the Joseon Dynasty period. At the same time, it is a proper noun that refers to the swordsmanship popularly known as the ‘new swordsmanship’ recorded in < Muyedobotongji >. 3. The records show that the swordsmanship named as ‘Bongukgum’ includes what was introduced as Joseon Saebeop(Joseon swordsmanship) in < Mubiji (武備志) > what was introduced as “Yedo(銳刀)” in < Muyedobotongji >, and what was recorded as Bongukgum in < Muyedobotongji >. 4. Bongukgum, which was referred to as “new swordsmanship” in < Muyedobotongji > was created in modern times instead of being handed down from Silla Dynasty. These findings have raised several questions and areas of further studies. In particular, convergence studies on < Muyedobotongji > based on a clear interpretation and understanding of various historic records against a background of authentic history and materials written in Chinese character are required. In addition, critical awakening and reflections on historical awareness among Korean swordsmanship practitioners are required as well.

한국성인에서 S상결장경검사로 관찰된 대장 용종의 빈도와 특성

이화영(Hwa Young Lee),김재준(Jae Jun Kim),김영호(Young Ho Kim),성인경(In Kyung Sung),전성국(Seong Gook Jeon),손희정(Hee Jung Son),이풍렬(Poong Lyunl Rhee),고광철(Kwang Chul Koh),백승운(Seung Woon Paik),이종철(Jong Chul Rhee),오영륜(Y 대한내과학회 1998 대한내과학회지 Vol.55 No.1

N/A Objectives: Colorectal polyps play an integral role in the development of colon cancer. The prevalence of colorectal polyps in Korea was reported to be 5-12%. However, these results were obtained from retrospective studies, in which the subjects were symptomatic patients. Therefore, we performed a prospective study in asymptomatic Korean adults to determine the prevalence, characteristics, and risk factors of colorectal polyps. Methods Flexible sigmoidoscopy was done during the period between August 1994 to November 1995 in 2,985 aymptomatic individuals who visited Samsung Medical Center for health check-ups. Results : 1) Polyps were found in 590 subjects (20.4%) out of 2,985 individuals. The prevalence rate increased with age. 2) In histologic findings of colorectal polyps, there were 369 cases (45.8%) of adenomatous polyps, 245 cases (30.4%) of hyperplastic polyps and 5 cases of carcinomas. 3) Moderate to severe dysplasia was found in 15.4% of adenomatous polyps and the grade of dysplasia increased with polyp size. 4) The prevalence rate of polyps increased according to obesity, blood cholesterol and triglyceride level, the frequency of alcohol consumption and the amount of smoking in cases. Conclusions: Screening by sigmoidoscopy is considered to be beneficial for detection of colorectal polyps in asymptomatic Korean adults, especially in individuals with risk factors such as obesity, heavy smoking and alcohol consumption.

이상의 시 <브와뜨ㆍ브와뜨즈>에서의 ‘十文字’의 해석

성인수(Seong, In-soo) 국어국문학회 2014 국어국문학 Vol.- No.166

This paper is intended to reinterpret Lee Sang’s Japanese poem, <BOITEUXㆍBOITEUSE>, published in 1931. In his first novel, <December 12>, Lee Sang expressed his desire and hope to “rush out once dead or live from home” to see a wider world. Contrary to his initial plan, the novel ends up with the plot “fleeing and returning home”. On December 12, 1929, during a time of social change, Lee Sang went out to meet social reformers, but he was caught by the Japanese police, and misunderstood and tortured. In <BOITEUXㆍBOITEUSE> the word ‘CROSS’ representing a cross can be read as evidence of torture. Lee Sang expresses his resentment of being falsely charged by using “CROSS” which can imply a rack. Arrested and tortured by the Japanese police due to ‘Incident X’ which occurred accidently, Lee Sang stricken with shock seemed to change the novel’s title to <December 12> in haste. He altered the novel’s plot so it now read “fleeing and returning home” and released 28 poems written in Japanese to disguise his story and meaning. Because of this incident Lee Sang expressed his distorted fate under the Japanese colonial era as a “cripple”. The novel symbolizes two facts that he as a cripple was being falsely charged as an arsonist and expelled by the church he believed in. Afterwards the speaker (Lee Sang) devised a plan for revenge against the church for the false charge and his expulsion. However, he was tormented and conflicted due to his desire to reveal the incident, the coercion and lure of the Japanese, and his suppression of himself for the sake of his friends. This is how <BOITEUXㆍBOITEUSE> should be interpreted.

텍스트 ▽, △, 1로 본 李箱의 〈▽의 유희-〉와 소녀 컨텍스트

성인수(Seong, In-soo) 국어국문학회 2013 국어국문학 Vol.- No.163

This paper is intended to reinterpret Lee, Sang‘s Japanese poem, <Game playing of ▽-> released in 1931 and interpret text ▽, △, 1. The poem <Abnormal Reversible Reaction> displays his yearning for Charlotte Perriand, French interior designer, during the Japanese colonial period. He described the situation surrounding him as "Circle" and the effort to overcome the obstacle(circle) as "straight line". The expression, “Does the straight-line kill the Circle?”, questions himself whether he is free from the obstacle. In <Fragmentary Landscapes><破片의 景色->, he (Stick!=스틱크!=李箱!) made a conclusion that “a snowscape which ▽ was finally exhumed and buried in.” Considering he will forget the French woman symbolized as ‘▽’ by covering her with snow, it is interpreted that Lee Sang can not go to France. In <Game playing of ▽->, Lee Sang is looking for a woman of his dream, regretting her disappearance. He confesses that he is waiting for her telegram since the vanished woman (▽) has yet to send a telegram. The “bent line” is a symbolic expression that he gave up going abroad(symbolized as ‘straight line’) because the line couldn"t penetrate ‘circle’(obstacle), so it is bent and confined in ‘circle’ Among text ‘1’, ‘2’ and ‘3’, it is suggested that ‘3’ needs to take the lead and conquer common multiple ‘6’. Why is conquest needed is telling the reason all the text ‘1’, ‘2’ and ‘3’ originated from ‘6’ and Lee Sang blames the situation described as ‘6’ in <Architectural Infinite Hexahedron>(建築無限六面角體). The context of a girl or woman is identified as text ‘1’, ‘▽’ and ‘△’.

극소저출생체중아에서 태변에 의한 장폐색에 관한 연구

홍기배,성인창,이건송,장영표,송희승,Hong, Ki-Bae,Seong, In-Chang,Lee, Kun-Song,Chang, Young-Pyo,Song, Hee-Seung 대한소아소화기영양학회 2011 Pediatric gastroenterology, hepatology & nutrition Vol.14 No.1

목 적: 극소저출생체중아 태변 장폐색은 장관 영양을 지연시키고 장폐색을 유발하는 주요 원인 중 하나로 고삼투압 수용성 조영제 관장이 진단과 치료의 유용성에 대한 원칙은 아직 논란 중이다. 본 연구는 태변 장폐색을 보인 극소저출생체중아의 임상 소견을 관찰하고, 고삼투압 수용성 조영 관장 후 장폐색 증상 호전, 장관영양의 진행, 합병증 등을 관찰하고자 하였다. 방 법: 극소저출생체중아 중에 태변 장폐색으로 고삼투압 수용성 조영제 관장을 시행한 14명의 임상 소견과 방사선 소견, 장관 영양의 진행, 고삼투압 수용성 조영제 관장 치료 후 호전 여부, 고삼투압 수용성 조영제 관장과 연관된 합병증 등을 관찰하였다. 이들의 주요임상 소견을 장폐색 증상 없이 수유 진행이 가능하였던 극소저출생체중아 18명과 비교 하였다. 결 과: 1) 태변 장폐색을 보인 극소저출생체중아에서 태변 장폐색이 없었던 극소저출생체중아에 비해 낮은 5분 Apgar 점수를 보였다(p<0.05). 또한, 출생 후 마지막 태변 배출시기(일), 첫 수유 시작 시기(일), 전 장관 영양 도달 시기(일)들도 의미 있게 지연되었다(p<0.05). 2) 고삼투압 수용성 조영제 관장은 14명에서 18 회를 시행하였다. 18회 중 12회에서 조영제가 회장 말단에 도달하였으며 이 중 11회에서 관장 후 다량의 태변 배출과 함께 장폐색 증상의 호전이 있었으나, 1예는 호전이 없어 회장절개술로 태변을 제거하였다. 3) 조영제가 회장 말단에 도달 못한 5명 중 3명에서 증상의 호전이 없어 조영제 관장을 재시행 하여 조영제가 회장말단에 도달하였고 장폐색 증상이 호전되었다. 4) 고삽투압 수용성 조영제 관장과 연관된 특별한 합병증은 없었다. 결 론: 극소저출생체중아 태변 장폐색에서 고삼투압수용성 조영제 관장은 비교적 안전하게 시행할 수 있는 치료 방법이었다. Purpose: Mecnoium obstruction in very low birth weight infants (VLBWI), which delays enteral feeding and is one of the major causes of bowel obstruction, can be diagnosed and treated with hyperosmolar water-soluble contrast enema. The purpose of this study was to observe the clinical findings of meconium obstruction, the improvement of small bowel obstruction after contrast enema, and the complications related to the enema. Methods: Hypersolmolar water-soluble contrast enemas were performed in 14 VLBWIs with meconium obstruction. Clinical findings, radiologic findings, feeding intolerance, effectiveness, and complications of enemas were observed. Also, clinical findings related to meconium obstruction were compared with 18 VLBWIs without meconium obstruction. Results: 1) Fourteen VLBWIs with meconium obstruction had significantly lower 5 minutes Apgar scores than 18 VLBWIs without meconium obstruction (p<0.05). Moreover, the day of last meconium passing, and the day of the first trial and full enteral feeding were delayed significantly. 2) A total of 18 enemas were performed in the 14 infants. The contrast medium passed the ileocecal valve and reached the terminal ileus in 12 enemas. Of the 12 enemas, 11 were successful, but 1 infant underwent an ileotomy, even though the contrast medium reached the terminal ileum. 3) Intestinal obstruction was not relieved in three of five infants, in whom the contrast medium failed to pass the ileocecal valve. Obstruction was relieved after repeated enemas in which the contrast medium reached the terminal ileum. 4) No complications associated with water-soluble contrast enemas were observed. Conclusion: Hyperosmolar water-soluble contrast enema is considered to be safe and therapeutic for meconium obstruction in VLBWIs.

대장 종양에서의 Sonic Hedgehog 단백의 발현

한혜승 ( Hye Seung Han ),이선영 ( Sun Young Lee ),성무경 ( Moo Kyung Seong ),김정환 ( Jeong Hwan Kim ),성인경 ( In Kyung Sung ),박형석 ( Hyung Seok Park ),진춘조 ( Choon Jo Jin ),황태숙 ( Tae Sook Hwang ) 대한장연구학회 2008 Intestinal Research Vol.6 No.1

Background/Aims: Dysregulation of the hedgehog pathway has been implicated in regeneration and carcinogenesis, leading to the expression of the sonic hedgehog (Shh) protein in gastrointestinal neoplasms. The expression of Shh in colon neoplasms and paired normal colonic mucosa was therefore investigated. Methods: Forty-four colon cancers and 73 colon adenomas that were removed by surgical colectomy or colon polypectomy between August 2005 and August 2006 were included. Colorectal neoplasms and the adjacent normal colon tissue were examined by immunohistochemistry using rabbit polyclonal Shh antibody. Results: Expression of Shh was up-regulated in adenomas and adenocarcinomas of the colon compared to normal colon tissues (p<0.001). The degree of Shh expression was not associated with the size, shape, or, location of the tumor, or as the age and gender of the patient. In normal colonic epithelium, Shh was expressed at the apex of the crypts and in a few basally-located cells. Conclusions: Higher levels of Shh expression in colonic adenoma and adenocarcinoma suggest that Shh is required during epithelial proliferation in the colon. Hedgehog signaling is likely to be associated with early tumorigenesis in colonic neoplasms. (Intest Res 2008;6:19-24)

계룡산 국립공원의 레크리에이션 이용특성 및 이용객 예측에 관한 연구

성인경,조응혁 ( In Kyeong Seong,Eung Hyouk Cho ) 한국산림과학회 1988 한국산림과학회지 Vol.77 No.3

This study was analyzed the behavior of recreational use through interviewing visitors with the questionnaire (1986.11-1987.9) in Mt. Kyeryong National Park. The number of visitors have been forecasted by tune series data of the past number of visitors, population, GNP, and number of cars (1974-1986) in korea. The results of the study can be summarized as follows 1) Visitor`s subjective evaluation about recreational environment evaluated to be fair in Mt. Kyeryong National Park. 2) They preferred natural forest resources to historic remains, tourist facility, etc.. 3) Number of participation was mostly once or five times over. 4) Visitors were affirmative to re-visit to the Mt. Kyeryong National Park. 5) Most of visitors stay for one day. 6) The most suitable estimated user regression model was : Y=-5753.7350+0.1726 Pop. -0.6564 NO. of Car. According to this equation, the total number of visitors will he increased by 3% per year from 1,023 thousands people in 1987 to 1.698 thousands in 2000.