애니메이션 『대어⋅해당(大魚海棠)』 읽기 ― 중화민족 기원서사의 재구성과 당대 중국 관방이데올로기의 재현

고윤실 한국중국현대문학학회 2017 中國現代文學 Vol.0 No.83

The film Big Fish and Begonia(2016) is a home-grown Chinese animation in Chinese-style based on the subject matter of mythology and legend. In this film, mythology of the Han and the mythology of one of the northern minorities – the Manchu – are combined, providing a mysterious imaginary world about the origin of the Chinese people. In other words, the combination between a mythology centered on the Han and a northern minority mythology recreates the story about the ancestry and origin of the Chinese people within the cultural industry market of capital and consumption by means of the mainstream ideology. This may be summarized into the two issues of how the mainstream ideology involving the integration and recreation of the Chinese people and its origin can be reproduced and why the Chinese Civilization must be combined with the genes of the sea, specifically, the blue civilization. Past memories for integration and unity are excavated in mythology and legend, and this is carried out under the mainstream ideology aimed at a broad rising of expansion and acceleration propelled by the Chinese government. In this study, the film Big Fish and Begonia examines the context of a mainstream discourse(Chinese Dream) which newly imagines a future Chinese system as well as the strengthening of a sinocentrism that supports it. Currently the Xi Jinping administration is focusing on the formation of a unified national identity beyond the ‘creation of a homogeneous Chinese nation’. This is related to the complicated aspects of conflict that are appearing as the increasingly extreme and frequent independence movements by some minorities in China are combined with various issues like compensation and the economy in accordance with land development and regional development. The Chinese government, thus, is putting out various unprecedented policies both politically and culturally as an attempt at unifying, through the political unit of ‘China’, the various cultural units consisting of blood ties and tribes within China. This is deeply related to the ideology of the Chinese government, specifically the viewpoint of a developmentalism(Chinese Dream) aimed at becoming a world power and the long-held crisis awareness in China that internal chaos threatens the survival of the nation and furthermore is deeply related to outside invasion. Big Fish and Begonia is newly creating a common emotion and memory by summoning and recreating tradition and a national origin through the media space of imagination namely animation. The combination of the Han’s mythology and the Manchu’s minority legend can be interpreted as the addition of the cultural marine elements necessary for pursuing globalization and developmentalism to the civilization of the continent. This can be referred to as a more in-depth and fundamental mobilization for creating a common cultural gene through the self-esteem and identity of the Chinese tradition.

중국 드라마의 생산메커니즘과 주선률 드라마

고윤실 대한중국학회 2018 대한중국학회 학술대회 발표집 Vol.2018 No.1

중국의 포스트 80세대의 ‘청춘 회고’와 공공담론으로서의 ‘중국몽’

고윤실 한국중국현대문학학회 2015 中國現代文學 Vol.0 No.72

Nowadays the phenomenon of the post-80 generation's reflectionof youth is remarkable in the cultural area of Chinese society. Alot of movies of which topic is ‘youth' have poured out and Chinahas been overflowing with discourses on young people's ‘youth'. Unlikely the fact that the theme of youth and memoriesencompasses the entire generation in South Korea and prevailsthroughout the country, Chinese youth consumption of popularculture is compressed into a phenomenon in the post-80 generation. The youth of the post-80generation is an extension of current, orrather by turning the current to the past, works as mechanisms inreal life and that arouse nothingness, frustration and helplessnessin reality. This prevailing phenomenon due to the structure offeeling, that is to say deep feelings of helplessness andhopelessness of the post-80 generation, is the reflection of thereality and self-pity. Prior to the challenge of globalization and regional development in China, China is seeking out new Hegemony to replace theUnited States. China is currently promoting neo-liberal reforms ofthe Chinese style. At the end of 2012, ‘China Dream' newlyemerged as powerful nation's and people's dreams towards a newera. ‘China Dream' also newly emerged from the frustration of theyoung generation and labor resistance accumulated for a long time. In this paper, through the two films, ‘So young' and ‘AmericanDreams in China', the following two things would be considered;First, how is ‘China Dream' revealed in the phenomenon of thepost-80 generation's reflection of youth and public discourses in thearea of Chinese popular culture? Second, how dose it affects thegeneration?Reflection of youth, which is revealed in the films related toyouth, is awareness of reality and self-pity of young people. ‘ChinaDream' is the discourse about fierce survival and competitive life ofthe post-80 generation, who is main force of China's economicpower, and can be said it is the discourse about the politicalagreement given to the various signs.

이 계절의 책

고윤실 한국중국현대문학학회 2018 中國現代文學 Vol.0 No.84

중국의 드라마를 통해 본 도시와 이미지의 정치

고윤실 한국중어중문학회 2018 한국중어중문학회 학술대회 자료집 Vol.2018 No.11

Phenylalanine ammonia‑lyase family is closely associated with response to phosphate deficiency in rice

고윤실,김상진,정기홍 한국유전학회 2020 Genes & Genomics Vol.42 No.1

Background Phenylalanine ammonia-lyase (PAL) catalyzes the first step in the biosynthetic phenylpropanoid pathway (PPP) via deamination of phenylalanine to trans-cinnamic acid, a precursor for the lignin and flavonoid biosynthetic pathways. Although its role is well-established in various plants, the functional significance of PAL genes in rice remains poorly understood. Objective This study aims to find out the global feature of rice PAL genes associated with phosphate use efficiency. Methods To identify the biological functions of individual rice PAL genes, we performed meta-expression profiling analysis based on phylogenomics of rice PAL genes and confirmed the expression patterns using Quantitative real-time PCR (qPCR). Results We identified nine genes that were remarkably up-regulated during long-term phosphate (Pi) starvation and recovery processes through RNA-Seq data analysis. Expression patterns of the nine rice PAL genes under Pi starvation were further confirmed by qPCR, indicating that the function of PAL genes is strongly associated with Pi starvation response in rice. Conclusion Our study reports the functional significance of rice PAL genes involved in adaptation to low Pi growth conditions and provides useful information to improve Pi use efficiency in crop plant.

A systemic view of phosphate starvation-responsive genes in rice roots to enhance phosphate use efficiency in rice

고윤실,안진흥,박향미,정기홍 한국식물생명공학회 2018 Plant biotechnology reports Vol.12 No.4

Phosphate (Pi) is one of the major nutrients for crop growth and yield. Although several studies have revealed a global view of Pi starvation responses in rice, the detailed features were not well-addressed. To identify differentially expressed genes associated with phosphate starvation on a genome scale, we analyzed transcriptome data of roots from 2-week old seedlings that were grown on Pi-sufficient or -deficient media for 7 and 21 days. Using publicly available RNA-sequencing data, we subsequently identified 820 up-regulated genes in roots under Pi starvation. Gene ontology enrichment analysis of these genes indicated that secondary metabolic processes are most significantly enriched under Pi starvation, and Pi transport and defense to biotic stress also play significant roles in response against Pi deficiency. Functional classification analysis using MapMan emphasizes the significance of transcription factors, such as MYB, WRKY, and bHLH, various transporters, and genes in secondary metabolic processes. Use of promoter trap lines or transgenic plants expressing the GUS reporter gene under the control of Pi starvation-inducible gene promoters confirmed the meta-expression patterns of two genes stimulated by Pi starvation, suggesting novel promoters for enhancing Pi use efficiency. In addition to the identification of two novel promoters for Pi starvation response, cis-regulatory elements for the regulation of Pi starvation are suggested. Overall, our study provides a global view of Pi starvation response based on transcriptome data and novel tools for improving PUE and Pi uptake in rice, a model crop plant.

Differences in accuracy of height, weight, and body mass index between self-reported and measured using the 2018 Korea Community Health Survey data

고윤실,최선혜,원지수,이연경,김동현,이선규 한국역학회 2022 Epidemiology and Health Vol.44 No.-

OBJECTIVES: This study aimed to determine an effective survey method for the accurate calculation of obesity prevalence by comparing the self-reported and measured height, weight, and body mass index (BMI) using the 2018 Korea Community Healthy Survey (CHS) data. METHODS: Raw data from the 2018 CHS were used to analyze the differences, correlation, and agreement between self-reported and measured height, weight, and BMI. RESULTS: The self-reported height was over-reported than the measured height (0.59 cm greater for men and 0.71 cm greater for women), while the self-reported weight was under-reported than the measured weight (0.55 kg less for men and 0.67 kg less for women). Subsequently, the self-reported BMI was under-estimated (0.35 kg/m2 lower for men and 0.49 kg/m2 lower for women) compared with the measured BMI. The kappa statistic and agreement between measured and self-reported values per BMI category (underweight, normal, overweight, and obesity) were 0.82 and 79.6%, respectively. CONCLUSIONS: The prevalence of obesity should be calculated using the measured values provided in the CHS in order to promote local health projects based on accurate evidence.

당대 중국의 관방 담론과 민간 정서가 만들어내는 미디어 지형 엿보기 - 드라마 「위장자(僞裝者)」와 「랑야방(琅琊榜)」을 중심으로

고윤실 한국중국현대문학학회 2016 中國現代文學 Vol.0 No.79

Chinese dramas are manufactured and produced from a framework of official policy and institution, and this media is placed within a system located inside the magnetic field of mainstream ideology. However, dramas cannot disregard civil sentiment and its contents if they want to include an ideology that maintains the Chinese system, and, simultaneously, they cannot disregard mainstream ideology if they intend to express civil sentiment and its contents. Chinese mainstream dramas needed to adopt more flexible and entertaining elements by breaking away from existing stereotyped matter in order to widely publicize and spread party ideology and official policy. Only in this way could broadcasting stations secure viewers and investors be guaranteed large profits. The secularization of mainstream dramas is a result of collaboration between official ideology and the market. During this process, following various policies and changing situations, mainstream dramas have recently earned the popularity of the masses by the narrative of double agents which makes use of intricate developments, subplots, crises, and twists, with a focus on ‘espionage’. The present study shows, through two dramas, how media within the system promotes the ‘public interests’ of ratings and profit-making through ‘double agents’ and the ‘tactics of the weak’ in an arena of ideology which includes the official and the civil. Furthermore, Chinese dramas reveal how official ideology, market capital, writers and the desires of viewers collude, check, cooperate, and oppose each other within the space of drama to form a contemporary media landscape.

애니메이션 『대어·해당(大魚·海棠)』 읽기

고윤실 대한중국학회 2017 대한중국학회 학술대회 발표집 Vol.2017 No.3