John Dewey의 道德敎育論

金炳吉 한국교육철학회 1980 교육철학 Vol.2 No.-

유치진의 역사극 <皆骨山>과 <麻衣太子> 판본 연구

김병길 한국극예술학회 2014 한국극예술연구 Vol.0 No.45

This article is a study on the editions of Gaegolsan representing Yoo Chi-jin's historical plays. Properly speaking, it is a research about the rechauffe aspects of Gaegolsan which had been done numerous since 1945. Gaegolsan has been the focus of a new title Maytaeza(Crown Prince Mayi) and rechauffe adding fifth act. Especially it has been the highly controversial issue which edition is to be a canon text among researchers. In the meantime a crucial fact overlooked in advanced researches is that this work had been adapted. Yoo Chi-jin's rechauffe of this work had been done until three years before his death. Thus this article bring in all the different editions of this work as subjects of study. The changes would be traced through them. For this cause I adopt a strategy drawing similarities and differences among editions. Such a method is very effective in understanding his rechauffe intention and meanings implied in it. This article limits the subject of analysis to texts published before writer died. 본 논문은 유치진 역사극을 대표하는 <皆骨山> 판본에 관한 연구이다. 좀 더 정확히 말해 해방 이후 수차례에 걸쳐 행해진 <皆骨山>의 개작 양상에 관한 논의이다. <麻衣太子>로 개제되는 동시에 제5막이 첨작되는 등 일련의 개작 과정을 거치면서 <皆骨山>은 문제적 텍스트로 주목받아왔다. 특히 어떤 판본을 정전(正典, canon)으로 삼아야 할 것인가가 연구자들 사이에서 논란의 핵심이었다. 그간 선행연구들에서 간과되어 온 중요한 사실 하나는 이 작품의 개작이 지속적으로 행해졌다는 것이다. 그러한 개작은 유치진이 생을 마감하기 세 해 전까지도 계속되었다. 따라서 본 연구는 이 작품의 모든 이본들을 연구 대상으로 상정하였다. 그리고 개작의 주요 결절점에 해당하는 판본들을 중심으로 변화 궤적을 추적하고자 했다. 이를 위해 담화적 층위와 이야기 층위에서 판본들 간의 차이 및 교집합 영역을 도출하는 연구방법을 채택했다. 개작의 내적 변인과 외적 요구 사이의 긴장관계를 조망하고, 그로부터 환기되는 의미를 논구하는 데 효과적이라는 판단에서다. 본고는 비교 대상 텍스트를 작가 생전에 출판된 판본들로 한정했다. 작가 개입에 따른 개작만을 문제 삼으려는 취지에서다.

口腔白斑症의 病理組織學的 및 組織化學的 硏究

金炳吉 대한치과의사학회 1992 대한치과의사학회지 Vol.13 No.2

한설야의 <황혼> 개작본 연구

김병길 국어국문학회 2002 국어국문학 Vol.- No.132

한설야의 <황혼> 개작본 연구

김병길 연세대학교 국어국문학과 1999 연세어문학 Vol.30-31 No.-

One-Unit Osteotomy to Correct Deviated Bony Dorsum

김병길,김효열,허유진,박송이,홍상덕,정용기 대한이비인후과학회 2023 Clinical and Experimental Otorhinolaryngology Vol.16 No.1

Objectives. A crooked nose is frequently caused by nasal bony vault deviation, and proper management of the bony vaultis an integral part of rhinoplasty. Conventional osteotomy to correct a deviated nose favors simultaneous medial andlateral osteotomies, which allows the free independent movement of each nasal bone. However, patient satisfactionwith deviated nose surgery is sometimes low. In the present study, we introduce a one-unit osteotomy procedure thatcombines bilateral and root osteotomies with unilateral triangular bony wedge resection to allow symmetry of bothnasal bones. Methods. Twenty consecutive patients who presented with bony vault deviation and underwent one-unit osteotomy wereenrolled in this retrospective single-center study. The Nasal Obstruction Symptom Evaluation (NOSE) questionnairewas used to evaluate each patient’s functional outcome. The angle of bony vault deviation before and after one-unitosteotomy was measured using a protractor and compared with the results of 14 patients who had undergone con-ventional osteotomy. The improvement in dorsal deviation was evaluated using facial photography preoperatively and3 months postoperatively. Results. NOSE values improved from 8.4±6.4 to 4.1±4.2 (P =0.021). The angle of bony vault deviation improved from6.9°±2.2° to 2.1°±1.2° (P <0.001) in one-unit osteotomy and from 7.3°±4.0° to 2.7°±1.2° (P =0.001) in conven-tional osteotomy. The preoperative deviation angle improved by 70.3% in one-unit osteotomy compared with 56.6%in conventional osteotomy, which was a significant difference (P =0.033). The mean grade of the postoperative esthet-ic outcomes for the remaining deviation was 1.6±0.5, which was similar to that in the conventional osteotomy group. Conclusion. One-unit osteotomy is a relatively simple procedure that balances the width of both lateral walls by removingexcessive bony fragments from the wider bony wall and providing better structural integrity. This technique improvesfunctional outcomes and has equivalent esthetic results to those of the traditional procedure.

제4주제 TV 드라마의 부부에 대한 수용자 측면에서의 분석

김병길 한국방송학회 1994 한국방송학회 학술대회 논문집 Vol.- No.-

추수경신도비

김병길,윤용구 전북역사문화학회 2007 전라북도금석문대계 Vol.1 No.-

1972年度 在學生 實態調査

윤기수,유덕시,김병길 慶尙大學校 1972 論文集 Vol.11 No.-

This survey is based on questinnairs given to the students at Gyeongsang National University during the period from May 22,1972 to May 31, 1972. The subjects were 681 students ranging from freshmen to seniors which consisted of 70.2 percent of the total sutudent enrollment at Gyeongsang National University. The purpose of the survey is to gather some information to solve the problems of the students at Gyeong sang National University through the close examination, analysis and understanding of the problems of the students. According to the survey 50 percent of the students showed dissatisfaction with college life. Moreover 44.4 percent of the students wanted to transfer to another department. It is, therefore, very much desirable to make a further study on the problems and to provide proper guidance for those students with problems. The relationship between professors and students in rather distant. The students want to have frequent out of class diologues with their professors. One third of the students have problems in inter-personal relationship with their friends and professors, Extra-curricular activitities are stagnant. As regards to these problems, the student guidance center should cooperate closely with each individual department at the college. They should take the students' suggestions into consideration. It is necessary to chance the active concern and participation of professors and school administrators in these problems with further study and guidance under the student guidance center for more effective guidance services.

‘화랑 김원술 모티프’ 문예화 계보와 역사 전유 양상

김병길 한국문학연구학회 2020 현대문학의 연구 Vol.0 No.71

It is a study that grasped one side of Korea’s modern historical literature by analyzing the aspect of Kim Won-sul motif’s literary appropriation from the genealogical point of view of this paper. In order to fully achieve the above research objectives, this study first analyzed on Kim Sang-deok’s a historical tale, “Mother of Kim Won-sul,” and Lee Kwang-soo’s short story, “The Origin of Won-sul,” starting with Lee Yoon-jae’s play “Regret of Kim Won-sul,” which was the first literary work of Kim Won-sul motif. After the above work was released, the popular success factors of the historical play “Hwarangdo,” which was performed by the Bando Theater Company and the theater company Taeyang, were discussed. As a result, it has been concluded that Kim Won-sul motif’s literary acceptance is in line with the colonial-era historical literature’s trend that has been transformed into a trumpeter of the spread of imperial discourse since it began in the mid-1920s with the enhancement of nationalist ideology. 본 논문은 계보학적 관점에서 김원술 모티프의 문예화에 내재된 역사 전유 양상의 흐름을 조망함으로써 한국 근대 역사문학사의 일단을 궁구한 연구다. 위와 같은 연구 목적의 달성을 위해 김원술 모티프를 최초로 문예화한 이윤재의 희곡 <金元述의 悔恨>, 김상덕의 사화(史話) <김원술의 어머니>, 그리고 이광수의 단편 역사소설 <元述の出征>을 계보학적 관점에서 분석하였다. 그 결과 허구적 역사 전유의 극작술이 최초로 구사된 <金元述의 悔恨>이 ‘김원술 모티프’ 문예화 계보에서 일종의 원형 서사로 기능한다는 사실, 그리고 변주 없이 사료의 기록을 저자 당대의 문맥 안에 재배치함으로써 새로운 정치적 메시지를 창출해낸 김상덕의 사화 <김원술의 어머니>와 이윤재의 역사극 <金元述의 悔恨>이 이념적 지향은 달랐으나 프로파간다(propaganda)의 역사담물이었다는 점에서는 다르지 않다는 사실을 확인하였다. 본 논문의 최종적인 논의는 이광수의 <元述の出征>을 저본 삼아 각색한 대본으로 반도가극단과 극단 태양이 무대에 올렸다고 추정되는 두 편의 <花郞道> 공연이 거둔 대중적 성공 요인을 파악하는 작업으로 수렴되었다. 이들 공연 관련 정보를 분석한 결과 김원술 모티프의 문예화는 1920년대 중반 민족주의 이념의 고양을 명분으로 맹아를 틔운 이래 제국 담론 전파의 나팔수로 전변한 식민시기 역사문학 전개의 궤적을 고스란히 관류하고 있다는 결론에 이르렀다.