20대 여성 소비자들의 패션감성 추구에 따른 토털 코디네이션 특성

백형은 ( Hyeng Eun Baek ),김용숙 ( Yong Sook Kim ) 복식문화학회 2011 服飾文化硏究 Vol.19 No.6

The purposes of this study was to identify characteristics of total coordination in the pursuit fashion sensibility among women their 20`s. A self-administered questionnaire was used for data collection from 410 women in their 20`s. Data collection was conducted Aug. 5 to Aug. 15, 2009. Most women emphasized on clothing for total coordination and utilized clothing color and style as a selection criteria. They tried to match makeup and clothing, and spent more time considering makeup, hair styles, and fashion accessaries than clothing for their total coordination. Factors of fashion sensibility included luxury and fashion, casualness and ethnicity, modernity, sociality, activity, and sexual attractiveness and women were segmented into fashionably sensible intermediate, low, and high groups according to their fashion sensibility. The fashionably sensible intermediate group predominantly encompassed women who were unmarried or in their late 20`s, unemployed, highly educated, or of low economic status, preferred to mixing and matching colors, and who utilized their individuality or makeup color for total coordination. The fashionably sensible low group encompassed homemakers, in their early 20`s, high school graduates or university students, who utilized their clothing or hair color within their total coordination criteria. The fashionably sensible high group encompassed unmarried career women in their mid 20`s or of high economic status, who spent much money on their clothing, makeup, hair styles, and fashion accessaries, who preferred achromatic, warm or cool colors, and utilized their individuality or fashion color.

영화 시상식에 나타난 토탈 코디네이션의 형태와 색채 분석

유한나(Han-na Yoo),최경실(Gyoung-sil Choi) 한국색채학회 2013 한국색채학회 논문집 Vol.27 No.1

본 연구의 목적은 토탈 코디네이션에 대한 미적 평가 요인을 탐색하는 것이다. 이를 위해 국내 영화 시상식 레드카펫의 베스트 드레서와 워스트 드레서를 대상으로 사진을 수집한 후, 선행 논문의 조형성에 의한 유형 분류를 참조하여 우아미, 청순미, 관능미로 분류하고, 각각의 유형별로 베스트 드레서와 워스트 드레서의 형태변인과 색채변인상의 선호-비선호 요인을 분석하였다. 형태변인 분석은 의상의 실루엣과 메이크업 형태, 헤어스타일 분석으로 구성하였고, 색채변인 분석은 의상색, 립스틱색, 모발색의 상호간 색상 조화와 비렌의 색삼각형을 이용한 톤 조화, 그리고 착용자의 퍼스널 컬러(Blue Base, Yellow Base)와 토탈 코디네이션에서 사용된 색의 유형 일치를 분석하였으며, 분석 결과는 다음과 같다. 첫째, 영화 시상식에서의 토탈 코디네이션은 유형에 따라 아름답다고 인식하는 특정한 형태와 색채가 있다. 둘째, 의상, 메이크업, 헤어 상호간의 색채 조화와 부조화는 베스트 드레서와 워스트 드레서를 구분하는 요인이다. 셋째, 착용자의 퍼스널 컬러와 토탈 코디네이션에서 사용된 색의 유형 일치 유무 역시 베스트 드레서와 워스트 드레서를 구분하는 요인이다. 넷째, 각각의 유형별 베스트 드레서를 분석한 결과, 동일색상과 유사색상 배색이 많고, 비렌의 색삼각형을 이용한 톤 분석에서 대부분 조화로운 색조관계가 나타났으며, 퍼스널 컬러는 착용자의 베이스 컬러와 코디네이션에 사용한 컬러의 유형이 대부분 일치하는 것으로 나타났다. 다섯째, 워스트 드레서의 경우, 동일색상, 유사색상과 함께 대조색상과 반대색상이 나타났고, 비렌의 색삼각형을 이용한 톤 분석은 대체로 조화관계가 형성되지 않았으며, 퍼스널 컬러에 있어서도 대체로 적절하지 못한 베이스컬러를 사용하였다. 이상의 분석 결과, 유형에 적절한 형태와 색채의 사용, 색채 조화, 퍼스널 컬러 유형의 일치 유무에 따라 토탈 코디네이션의 미(美)에 대한 인식이 다르게 나타났다는 결과를 도출하였으며, 분석 결과를 토대로 영화 시상식의 조형미에 따른 유형별 형태와 색채를 제안하여 실용적으로 적용할 수 있는 토탈 코디네이션의 기반을 마련하고자 하였다. The purpose of this study is to find out the fact of cognition in the beauty of Total Coordination. The pictures of Best and Worst dresser at Film Awards were collected, and sorted according to types of Elegant beauty, Innocent beauty and Voluptuous beauty. Shape and Color variables about Best and Worst dresser of each type were categorized. For the Shape analysis, silhouette of clothing, make-up shape and hair style were considered. For Color analysis, hue harmony, tone harmony and type-matching of Personal Color were considered. Major findings are as follows : First, there are specific Shape and Color for beauty-cognition for each type of total coordination at Film Awards. Second, color harmony between clothing, makeup, and hair is the key factor between best-worst dressers. Third, the matching of personal color and the color of the total coordination is the key factor between best-worst dressers. Forth, best dressers show monochromatic and analogous harmony and have harmonic pattern of tone in Birren Color Triangle. Also the type of personal color and the color of the total coordination are generally matched. Finally, worst dressers show monochromatic, analogous and complementary harmony and have disharmonic pattern of tone in Birren Color Triangle. Also the type of personal color and the color of the total coordination aren"t generally matched. All these findings considered, proper using of Shape and Color of each types, harmony of color, and type-matching of Personal Color are very important determining the beauty. In conclusion, these research suggests the practically applicable base of total coordination.

대학생의 TFC태도, 외모관심, 외모관리행동에 관한 연구

송민정(Min-Jung Song) 한국인체미용예술학회 2012 한국인체미용예술학회지 Vol.13 No.1

During college, self-identity is formed, and participation in social activities increases. Because appearance accounts for a great deal in college students' lives, it is necessary to perform an in-depth study. As total coordination becomes more common in the modern fashion industry, it is necessary to perform an integrated study on total fashion coordination factors. Therefore, this study has attempted to investigate Total Fashion Coordination (TFC) attitude, interest in appearance and appearance management behavior of college students who have had a significant impact on appearance-related industries these days. The following results were obtained. First, respondents said that it is important to check how they look before going out, select a bag and shoes which go well with their clothes and have TPO coordination. TFC attitude was high among college women, those who major in fashion and beauty-related studies and seniors. Second, college students were very interested in their appearance. According to the survey, 'I check how I look before going out' had the most responses while 'I am concerned about my appearance if there is a slight change in my weight' had the least responses. College women were more concerned about their appearance than male students. In terms of major, those who were majoring in fashion and beauty-related studies were more interested in appearance than the students with other majors. In terms of the academic year, no significant difference was observed. Third, most college students showed high interest in their appearance. However, they were not very concerned with appearance management behavior. In terms of appearance management behavior, 'I wear perfume' had the most responses while 'I wear body-shaping underwear (ex: corset, etc.) to make myself look thin' had the least responses. Appearance management behavior was high among female students, those who major in fashion and beauty-related studies and sophomores.

아트적인 요소를 응용한 퓨쳐리즘 토털코디네이션 디자인 연구

안성준(Sung-Joon Ahn),이지은(Ji?Eun Lee),이의정(Ui-Jeong Lee),박성원(Sung-Won Park),김경영(Gyeong-Yeong Kim),홍인선(In-Sun Hong),김선희(Seon-Hee Kim),한가영(Ga-Young Han) 한국화장품미용학회 2014 한국화장품미용학회지 Vol.4 No.2

Living conditions of modern people are sensitive to changes in the flow of fashion. Futurist painters had proposed Futurism fashion in the 1920s. After that, in the 1960s, Futurism fashion has appeared in earnest such as Space fashion, Cosmos fashion. Now it’s evolving as a new aesthetic value in fashion field. Also the concern of future fashion is gradually increasing due to the development of science and technology, modern people are having concern about the future for better life. The purpose of this study is to provide a theoretical basis for the expansion of the developed areas for the expansion of the developed areas of fashion and beauty. For that, the study analyzed essential concepts of futurism fashion and aesthetic characteristics then produced futurism total-coordination works focused on Make-up. In conclusion, this study could find out a expression potential of artificial futuristic fashion characteristics by a variety of art make-up techniques and materials. More diverse and constant studies should be attempted in succession.

네일 디자인의 표현기법과 작품제작에 관한 연구

정해량,고정민,안현순 한국패션뷰티학회 2008 한국패션뷰티학회지 Vol.6 No.1

This study focused on the expression technique and work manufacturing of nail design. Any woman that wants to be pretty is interested in nail design which is considered as a means to express beauty, intelligence and sensuality. These days, nail design carries heavy weight in completion of total fashion coordination. Good dress, elegant hair style, bright make-up and well-trimmed nails are requirements of modern women. These days, the range of nail design is more expanding and its importance is getting bigger. To maintain and establish such developmental flow properly, we have to break our stereotyped view on nails and accept it in open view. And we have to actively participate in development of new products and technologies and perform academic research on nail design. For the purpose, we have to consider further studies which contribute to understanding exact meaning of nails and necessity and importance of nails.

펑크스타일의 토탈 코디네이션 경향

권해기,이연희 한국패션뷰티학회 2003 한국패션뷰티학회지 Vol.1 No.1

It is an important means of expressing oneself and is affected by the social and cultural environment, too. People are creating another new lower culture, it's Sub Culture, that is, their own unique new fashion through the coordination status of a lower culture and its components to reveal the visual symbol of such garments and body decorations most clearly. The Punk formed as an reaction to 1960's hippie appeared as the most unpleasant image to the established generations with their ultimate resisting action and new aesthetic-consciousness. Their coordination by the use of the disorder and stimulative tool which gives abhorrence appears again as Cyber Punk being influenced by optical art and multimedia in '90s. It can be seen that the form of lower culture mentioned above became a storehouse of new fashion creation through the most nuclear role of lower culture and the unique characteristic coordination by age and that each lower culture fashion can become a style icon of new fashion through free coordination.

토털코디네이션을 위한 연출 행동 요인 연구 - 외모 만족도와 유행에 민감한 패션아이템의 연관성 분석을 중심으로 -

장규순 ( Gyoo Soon Chang ) 한국미용학회 2007 한국미용학회지 Vol.13 No.2

In this study, theoretical study on behavior factors that decide production of total coordination as well as statistical analysis was used to visualize and develop a diversified total coordination production system. First, when behavior reaction analysis results of trend item based on the level of satisfaction in individual appearance is observed, in the responses by study participants on level of satisfaction in their appearances, approximately 88% replied they are very satisfied satisfied or somewhat satisfied; therefore it can be said that their level of satisfaction in their own appearance is above average, and such level of satisfaction can be said to be a result of a positive mind about themselves or that they feel self respect for themselves. Second, when the preference of items that are sensitive to trends was analyzed, apparel was found to be most sensitive at rank 1 followed by hair style at rank 2, color at rank 3, make up at rank 4, and fashion accessories at rank 5 which revealed that compared to other fashion items, relative importance of apparel and hair style is significantly higher. Third, with results of correlation analysis through cross tabulation analysis between items that are sensitive to satisfaction level of own appearance and trends, apparel that will soon be in style, trendy hair styles, color in style, trendy accessories and make up, and with results of correlation analysis of items that are sensitive to individual attractiveness and trends, cross tabulation analysis of items sensitive to personality types and trends, relevance of personality types and life styles, personality types and sense in fashion production, and life style and fashion production senses, were visually materialized. This study searched for systematization of theoretical and practical actual data for establishing a total coordination production system, but further systematic and inclusive study related to fashion trends and total coordination are anticipated.

뉴욕 소재 일식당의 레스토랑 토탈 코디네이션과 전통성 표현 방법에 관한 연구

이지현(Lee, Ji-Hyun),오혜경(Oh, Hye kyung) 한국실내디자인학회 2010 한국실내디자인학회논문집 Vol.19 No.5

The objectives of this study are, first, to define the concept of restaurant total coordination and establish its components as a design strategy for planning and managing all elements comprising a restaurant, and second, to survey the total coordination of Japanese restaurants in foreign countries and examine how traditionality, which is an element for globalizing Japanese restaurants, is expressed. This study was conducted through literature review for defining the concept of restaurant total coordination and extracting its components and a field survey for analyzing the current state of restaurant total coordination and traditionality expression methods. The results of this study are as follows. First, Japanese restaurants categorized into Type A with relatively high traditionality expression(3.3 or higher) were 25% of the surveyed restaurants. These restaurants showed the traditional characteristics of Japanese style as they are without contemporary adaptation for all components of restaurant. Second, 41.7% of the restaurants were categorized into Type B with traditionality expression between 1.7 and 3.3. They were mostly popular casual restaurants at which people can enjoy Japanese food comfortably. In visual and spatial design elements, traditional and contemporary styles appeared in the equal percentage, and decoration, table setting and food design were styled according to Japanese traditions. Third, 4 cases(33.3%) were categorized into Type C with traditionality expression below 1.7. Because they were fine dining restaurants that sold high priced dishes, formality and consistency were also high. Through all design elements including visual, spatial, table setting and food design elements, elegant and simple contemporary images were dominant. The results of this study will be used as basic materials to establish the concept of total coordination that views the visual, spatial, table setting and food design elements comprising a restaurant, which were approached separately in previous studies on restaurants, together from the viewpoint of integrative deigns, and to make design strategies for globalizing Korean restaurants based on Japanese restaurant cases.

영화 '춘향전’에 나타난 토탈 코디네이션의 시대성 분석 - 1961년과 2000년 작품을 중심으로 -

이선경 ( Sun-kyoung Lee ),이순희 ( Soon-hee Lee ) 한국미용예술경영학회 2007 미용예술경영연구 Vol.1 No.3

The total coordination is an important part in a film with a drama as a role that communicates images, which it comes under the art of film. The film can classify into six arts such as set, filming background, costume, props, make-up and hair production. And they are closely connected with each other by getting into all screens. The role of film art should be conducted as an aesthetic art because a film art gives a real sense to audiences with players’ language and performance. The historical drama among various genres of film is produced as a genre of continuous generation with the history of domestic films based on the historical research. In addition, it includes the fashion and background in those days of production. This study had a choice of works in 1961 and 2000, the heyday and the revival of domestic films among the masterpiece of domestic classical literature, 'ChunHyang' movies, to understand a role and characteristic of total coordination in these films, respectively. Also, it made inquiries into the total coordination laying stress on a makeup and hairstyle expressed by each film with background in those days of production. The result through this inquiry is as follows: First, it showed that characters of women in ChunHyang works of 1961 and 2000 follows the fashion of those days. Second, it showed that total coordinations have a connection with each other according to the situation or the change of the day. Third, it showed that an added value generated by films is rising in the present day when the production of film is industrialized and largely sized. Fourth, it showed that the importance of makeup and hair style with both historical research and image aesthetics is also increasing as historical plays are given a big weight on the film. Consequently, various studies such as man and woman classification of makeup and hair style in films has to be advanced through an exhaustive analysis of culture and play to form the basis of production of historical film, images, makeup and hair style.

19대 대선후보자 토탈코디네이션 이미지분석 : TV토론회를 중심으로

유애란(Yu Ae Ran) 휴먼이미지디자인학회 2022 한국휴먼이미지디자인 Vol.4 No.1

본 연구는 대통령 후보자의 이미지 메이킹과 휴먼이미지의 중요성을 제19대 대통령 선거 후보자 TV토론회에 등장한 후보자들의 토탈 코디네이션을 중심으로 분석하였다. 후보자들의 토탈 코디네이션 분석 결과를 요약하면 다음과 같다. 첫째, 유권자의 표심을 얻기 위해서는 후보자의 이미지 메이킹과 휴먼이미지 디자인이 필요했다. 둘째, 후보자들의 평상시의 헤어스타일과 패션스타일에서 크게 벗어나서 선거만을 위한 이미지를 만드는 데는 한계가 있었다. 셋째, 미디어 정치에 적합하도록 가시적인 이미지뿐 아니라 비가시적인 휴먼이미지를 정립해야 이미지 커뮤니케이션의 효과를 극대화할 수 있었다. 후보자가 미디어 정치를 하기 위해서는 가시적 및 비가시적 휴먼이미지에 더해 후보자의 정책, 공약, 소속 정당과 어울리는 이미지 메이킹이 필요함을 제언하였고, 본 연구의 결과에 기반한 후속 연구의 필요성을 추가하였다. This study, focusing on the total coordination of candidates who appeared in the TV debate for the 19th presidential election candidates, analyzed the importance of their image making and human image. The results of analysis of their total coordination are summarized as follows. First, in order to get the vote from voters, the candidates were required to make their image and design their human image. Second, the candidates had a limit to creating their image only for elections by greatly departing from their usual hairstyles and fashion styles. Third, the effect of image communication could be maximized only when an invisible human image as well as a visible image was established to be suitable for media politics. This study suggested that In order for the candidates to conduct media politics, they are required to make an image that matches their policies, promises, and party affiliation as well as their visible and invisible human image, and that there is a need for follow-up research based on the results of this study.