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재식밀도 (栽植密度)와 시비량이 단경종 (短莖種) 콩의 주요 생육형질과 수량에 미치는 영향
정진욱,황창주,박노풍,박춘봉,소재교 한국콩연구회 1991 韓國콩硏究會誌 Vol.8 No.1
새로 育成된 短莖種 콩의 栽植密度와 施肥量 差異가 生育 諸形質 및 收量에 미치는 影響을 究明하기 위하여 遂行한 試驗結果를 要約하면 다음과 같다. 1. 分枝數는 慣行栽植距離인 60×10㎝ 보다 密植인 30×15㎝에서 減少를 가져오지 않고 個體當 分枝數가 적어 分枝보다 主莖에 依存하는 密植適應性 品種의 特性을 보였다. 2. 節位別 莢數는 短莖콩이 栽植距離에 따라 差異가 있었으나 八達콩은 栽植距離 20×10㎝를 除外하고 큰 差異가 없어 密植適應性이 컸다. 3. 節位別 莢當粒數는 栽植距離 및 品種에 關係 없이 上位節位에서 많았고, 節位別 莢數나 粒數는 中位節에서 變異幅이 작았다. 4. 栽植距離에 따른 LAI의 變化는 密度가 增加함에 따라 漸次 增加되었다. 5. 疎植에 比해 密植할수록 株當粒數는 적었으나 單位面積當 粒數가 늘어 增收되었으며 多牧穫을 위한 適正栽植距離는 25×10㎝였다. 6. 根瘤着生은 無施肥區에서 많았으며, 短莖콩이 八達콩보다 많아 窒素無施用區에서 窒素固定 能力이 큼을 示唆하였다. 7. 收量은 3要素施用區 對比 澯酸 % 加里 % 窒素 無施用區 順으로 減牧幅이 적었고 窒素無施用區는 根瘤着生量이 많은 短莖콩이 八達콩보다 적게 減收되었다.
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12주 한국무용참여가 당뇨병과 고혈압 노인여성의 순환계와 혈액성분에 미치는 영향
정진욱,김수미 한국운동재활학회 2011 JER Vol.7 No.3
In this study, a twelve-week Korean traditional dance program was conducted for elderly women healthy and with diabetes or hypertension, and the effects of the program on their body composition, circulatory system and blood components were compared. The effects of the Korean traditional dance program are as follows: As for effects on body composition, body weight was found to show significant difference in them (p<.05), but there was no significant difference in body fat percentage, waist-hip ratio (WHR), body mass index (BMI) and basal metabolic rate (BMR) (p>.05). In the case of changes on circulatory system, significant difference was found in the maximum blood pressure and the minimum blood pressure of the hypertension group (p<.05) but was not found in the lung capacity between the experiment and control groups (p>.05). As changes in blood components, significant difference was found with time in glucose of the control and hypertension groups (p<.05) and was found also in TC and HDL-C of the diabetes group (p<.05). The twelve-week experiment helped to conclude that a Korean traditional dance program has positive effects to some extent on the health of elderly women. Therefore, it is hoped that beneficial effects of Korean traditional dance will be introduced to more people through more systematic experiments and verification.
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정진욱,장원호,현민수,Wook Youm 대한심장학회 2012 Korean Circulation Journal Vol.42 No.6
Extracorporeal life support (ECLS) has well demonstrated its efficacy in treating in-hospital cardiac arrest and is being used for broader indications. However, ECLS after prolonged cardiopulmonary resuscitation (CPR) has been traditionally contraindicated and is now chal-lenging. Here, we introduce two cases of successful ECLS after prolonged CPR, resulting in a immediate and full recovery. Both these acute ST elevation myocardial infarction patients waiting for primary percutaneous coronary intervention (PCI) suddenly collapsed due to ventricular fibrillation (VF), which was refractory to conventional treatment. After 2 hours of conventional CPR, the ECLS had been imple-mented and primary PCI could be performed. Subsequent to successful revascularization, the VF was stopped with a single electric shock. In our second case, normal sinus rhythm was spontaneously restored after ECLS implementation, which was completed after 45 minutes of conventional resuscitation. Both patients made a full neurological recovery on the day of the event and were discharged with only mi-nor complications. Extracorporeal life support (ECLS) has well demonstrated its efficacy in treating in-hospital cardiac arrest and is being used for broader indications. However, ECLS after prolonged cardiopulmonary resuscitation (CPR) has been traditionally contraindicated and is now chal-lenging. Here, we introduce two cases of successful ECLS after prolonged CPR, resulting in a immediate and full recovery. Both these acute ST elevation myocardial infarction patients waiting for primary percutaneous coronary intervention (PCI) suddenly collapsed due to ventricular fibrillation (VF), which was refractory to conventional treatment. After 2 hours of conventional CPR, the ECLS had been imple-mented and primary PCI could be performed. Subsequent to successful revascularization, the VF was stopped with a single electric shock. In our second case, normal sinus rhythm was spontaneously restored after ECLS implementation, which was completed after 45 minutes of conventional resuscitation. Both patients made a full neurological recovery on the day of the event and were discharged with only mi-nor complications.
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정진욱 한국보건사회연구원 2010 보건복지포럼 Vol.165 No.-
이 연구는 공중위생서비스 평가 및 업소 인증을 위한 사업으로 숙박업과 이용업을 대상으로 각 업소의 위생서비스 수준을 평가할 도구를 개발하고 예비평가를 실시하여 조사대상 업소의 위생수준을 파악할 뿐만 아니라 관련된 공중위생정책을 수립하는데 기초자료를 제공함을 목적으로 하고 있다. 평가도구의 구성은 숙박업 평가 항목 수는 총 84항목으로 준수사항은 12항목, 권장사항 중 시설환경은 19항목, 고객안전성은 30항목, 서비스 질은 23항목으로 되어있고 이용업은 총 47항목으로 준수사항이 10항목, 시설환경 12항목, 고객안전성 17항목, 서비스 질 8항목으로 되어있다. 숙박업조사 결과 준수사항은 60점 만점에 평균 49.1점, 권장사항은 40점 만점에 평균 27.4점으로 조사되어 상대적으로 법적 준수사항에 대한 평가점수가 높게 나타났고 이용업조사 결과 법적 준수사항은 60점 만점에 48.9점, 권장사항은 40점 만점에 26.1점으로 법적준수사항의 평가점수가 상대적으로 높게 나타났다. 국민 건강에 위해가 될 수 있는 요인을 사전에 예방하고 공중위생업소의 위생서비스 수준을 향상시켜 국제 경쟁력을 제고 하기 위한 방안으로 공중위생서비스 평가는 시의성이 있는 정책으로 공중위생업종별 위생서비스 평가와 지속적인 평가실시를 위한 평가체계 구축은 조속히 추진되어야 할 정책적 과제라 하겠다.
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정진욱 한국스포츠리서치 2004 한국 스포츠 리서치 Vol.15 No.2
The content and form of art works compensate and create each other, but their relationship can be seen as a master and a slave. The artistic content of a work determines its form, while a certain artistic form is made to represent particular content. In this context, as modern Korean dance was established under the great influence of Western counterpart, what matters is the critical introduction of modern Occidental dance in its ideology and philosophy as well as appearance. The modern dance in Korea actively received the modern ideology of creative freedom. but failed to systematize concrete methods of artistic creation. The quintessential thing in the development of creative methodology is the research of body and movement beneath a dance work. In terms of a stage art, new dance or "sinmuyong" had its own limits. In other words, costume. At last, the leader of early modern Korean dance, new dance couldn't bring about formal development but retained its original phases. However, in the artistic development process of Korean dance going to the 20th century, new dance successfully served as a bridge to the birth of creative dancing based on traditional dancing. Dance ceased to be mere dancing and began to be understood as a theatrical art connected to a stage art. In sum, new dance was an art which struggled to accept all the new formal characteristics in its full scale. It accelerated the modernization of Korean dancing art by letting the public enjoy dancing and see it from a new perspective.
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