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Levosulpiride 복용 이후 발생한 고프로락틴혈증 및 그 인과성 분석: 지역약국에서 보고된 부작용 증례
이희영,조유진,윤중식,지은희,Lee, Heeyoung,Jo, Yu Jin,Yoon, Joong Sik,Ji, Eunhee 한국임상약학회 2018 한국임상약학회지 Vol.28 No.2
Levosulpiride is one of the most frequently prescribed medicines in Korea. An adverse drug reaction (ADR) after taking levosulpiride was reported at a community pharmacy in Korea. A 31-year-old woman reported the symptoms of lactation and amenorrhea after taking levosulpiride; an evaluation of whether these symptoms were caused by the medication was therefore necessary. Several tools can be used to determine if the ADR resulted from the administered drug or other factors, including the World Health Organization-Uppsala Monitoring Centre (WHO-UMC) criteria, the Naranjo scale, and the Korean causality assessment algorithm (Ver. 2). The causality was evaluated as "possible" by the WHO-UMC and Naranjo scales, but as "probable" by the Korean causality assessment algorithm (Ver. 2). In conclusion, the information provided did not indicate definite causality and there were slight differences in the results obtained from each assessment method.
공존을 기억하는 길 - 김초엽의 『지구 끝의 온실』을 읽고
이희영(Heeyoung Lee ) 한국리터러시학회 2022 리터러시 연구 Vol.13 No.3
이 글에서는 김초엽의『지구 끝의 온실』에 나타나는 인물들의 행동양상을 분석함으로써, 공존과 기억의 메시지를 읽어 내고, 작가가 제시하는 인간다운 삶의 방향에 대해서 살펴보았다. 이 소설은 더스트로 인해 멸망 직전에 내몰린 지구를 배경으로돔밖으로 밀려났으면서도‘함께 살기’를 선택한 타자들의 삶과, 그들의 기록되지않은 삶을 복원하려는 다음 세대의 노력을 담고 있다. 또다른 관점으로 보면 공존하기 위해 스스로 중심부에서 주변부으로 이동한 식물, 모스 바나의 이야기이기도 하다. 이 각각의 이야기들은 서로 촘촘히 얽히면서 인류는 인간뿐 아니라 세상에 존재하는 모든 존재와 공진화해야 휴머니즘의 가치를 드러낸다. 이는 결국 우리가 우리의 일상에서 탈락하고 마는 타자들을 찾아 복원하고 함께 공존하는 방법을 모색해야 함을 의미한다. 그리고 그것이 실현될 수 있다면, 그곳이 우리 시대, 지구 끝의 온실일 것이다. In this article, the message of coexistence and memory was read by analyzing the behavior of the characters in Kim Cho-yeop’s Greenhouse at the End of the Earth. In addition, we took a look at the direction of human life presented by the author. The novel contains the lives of those who chose to “live together” despite being pushed out of the dome against the backdrop of Earth, which was driven to the brink of extinction by Dust, and the efforts of the next generation to restore their unrecorded lives. From another point of view, it is also the story of Mosvana, a plant that has moved itself from the center to the periphery to coexist. Each of these stories is closely intertwined with each other, revealing the value of humanism that mankind must resonate with not only humans but also all beings that exist in the world. This means that in the end, we have to find, restore, and find a way to coexist with countless people who are eliminated from our daily lives. And if that can be realized, it will be our 'greenhouse at the end of the earth' in this era.
Cost Volume Profit 분석법에 기반한 해외공연예술 수익모델연구
이희영 ( Lee Heeyoung ) 한국무용예술학회 2017 무용예술학연구 Vol.67 No.5
The purpose of this study is to analyze the profit model of performing arts based on cost volume profit approach. The musical Wicked and the play Equus showed BEP (Break Even Point weeks 20 and 9 respectively based on weekly contribution margin 700K USD and 125K USD. The running weeks are much more than BEP weeks. NYCB’s profit model showed a better result than Equus with BEP weeks 5 and 422K USD weekly contributed margin. In conclusion, three types of performing art showed the profit model enough to be commercialized. However, NYCB has unique characteristics of public value. Hence, performing dance such as ballet should have two-tracks approaches-non profit organization and profit organization.
이희영 ( Lee Heeyoung ) 한국무용예술학회 2021 무용예술학연구 Vol.84 No.4
The purpose of this study was to understand and to analyze the market of dance performances in Korea during for the last 30 years, from 1990 to 2019. The market analysis was performed qualitatively as well as quantitatively. The market size in 2019 encompassed 2,492 dance performances. GAGR has been grown 5.3% for the last 30 years. Compared to 527 performances in 1990, it is almost 3.7 times larger market size. The market size based on performance pieces in 2019 was 1,540. GAGR has been grown 3.6% for the last 20 years. The decrease of market growth rate is 10.2%, 3.0%, and 0.0%, analyzed from 1990s to 2000s, and 2010s. The dance market could be increased when dance performance pieces had contents enough to lead more than tens performances. The development of high quality contents needs to be discussed and studied more for the dancemarket growth.