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      • KCI등재

        革命と排除の論理と6,25 戰爭期の日本

        이선윤 고려대학교 일본연구센터 2009 일본연구 Vol.12 No.-

        本稿は、6·25戰爭に突入していた時期の日本を舞台に失敗した革命組織を描いた、安部公房の長編小 飢餓同盟を中心に、1950年代初頭の日本という地政的位置における排除の論理を分析象とする。先ず、「ひもじい」という言葉の機能を確認することから分析をはじめる。「飢餓同盟」という組織は、「よそ者」として差別され、抑されてきた人たちで構成されているが、組織のリダである花井のにより、織木の身は革命のための機械化する。人間の身にする支配の問題を考察する作業を通して、力の面化としてのルサンチマンからなる奴隷道のシステムの機能を確認することができるだろう。表面上は非軍事化が唱えられながらも、アメリカの基地化6·25 に荷していった日本の混沌した況を、テクストの革命組織の表象に照らし合わせながら分析を進める過程で、父の名という問題が排除の論理に深くわっている相を明確にすることを試みる。

      • KCI등재

        대학 교양 과목에 대한 플립드 러닝 적용의 다영역간 사례 비교 연구

        이선윤,부선영,이수곤 한국문화융합학회 2019 문화와 융합 Vol.41 No.1

        In this study, we investigated the flipped learning methodby applying it to three subjects of college liberal arts.By analyzing the observations, weattempted to find theimplication of the new learning method and possibledirections for its development. Further, by comparingthe performances shownby the three liberal arts classes, wefound that differences between the characteristics of the subjects cannot be overlooked and thus, a uniform opinion on the efficiency of flipped learning cannot be formed easily. Statistical analysis showed that flipped learning attempts did not bring anyconsiderable benefit. This is an important finding that reflects the realistic aspects of the flipped learning method.

      • KCI등재후보

        Matrix metalloproteinases and Tissue inhibitors of matrix metalloproteinases in gingival crevicular fluids of periodontitis patients

        이선윤,정연호,김경화,양병근,한수부,정종평,김태일,구영,이용무,고재승,류인철,Lee, Sun-Yun,Jung, Yeoun-Ho,Kim, Kyoung-Hwa,Yang, Byung-Keun,Han, Soo-Boo,Chung, Chong-Pyoung,Kim, Tae-Il,Ku, Young,Lee, Yong-Moo,Ko, Jae-Seung,Rhyu, In-Chul The Korean Academy of Periodontoloy 2004 Journal of Periodontal & Implant Science Vol.34 No.1

        MMPs(Matrix metalloproteinases)는 치주질환에서 주된 조직파괴단백분해효소인 것은 알려져 있고 TIMPs(Tissue inhibitor of Matrix metalloproteinase)는 MMPs의 작용을 억제한다라고 알려져 있다. 이 둘간의 불균형으로 인해서 조직파괴가 더 가속화될 수 있다. 이 두 연구의 목적은 ELISA kit를 사용하여 특정 MMPs(1,2,3,8,9,13)과 TIMPs(1,2)의 양이 건강한 환자와 비교하여서 치주염 환자에서 달라지는지 알아보고 MMPs(1,2,3,8,9,13), TIMPs(1,2)와 치은열구깊이와 GI score와의 관계를 알아보기로 한다. 8명의 만성 치주염 환자와 4명의 급속진행형 치주염 환자가 실험군으로 참여하였고 5명의 건강한 치주조직을 환자가 대조군으로 참여하였다. 임상적인 측정은 GI score와 치주낭측정을 통하여 이루어졌다. 8명의 만성 치주염을 가진 환자와 4명의 급속진행형 치주염을 가진 환자에서 각각 치주낭 깊이가 3mm이하인 부위에서 6개의 치은열구액 표본과 치주낭 깊이가 6mm 이상인 곳에서 6개의 치은열구액 표본을 채취하였다. 건강한 치주조직을 가진 5명의 환자는 단지 치주낭깊이가 3mm 이하인 건강한 부위에서만 치은열구액 표본을 제공하였다. MMPs(1,2,3,8,9,13)과 MIMPs(1,2)의 측정은 Human Biotrack ELISA kit를 사용하여서 측정하였다. 통계처리는 MMPs, MIMPs의 실험군과 대조군의 차이는 Kruskal-Wallis test를 사용하였고 MMPs, TIMPs와 치주낭 깊이와 GI score의 관계정도는 Pearson's correlation coefficient를 사용하였다. 실험결과 대조군과 비교하여 만성 치주염 환자에서 치주낭 깊이가 6mm 이상인 부위에서 MMP9의 수치가 통계적으로 유의할만하게 높았으며(p=0.04) MIMP2의 수치가 대조군과 비교하여 치주낭 깊이가 3mm 이하인 부위를 가진 만성치주염 환자에서 통계적으로 유의할만하게 높았다(=0.049). MMPs(1,2,3,8,9,13), MIMPs(1,2)의 활동성과 치주낭 깊이의 관계에서 둘간의 통계적으로 유의할만한 관계는 존재하지 않았으나 MMP1(r=0.35)과 MMP2(r=0.31)가 상대적으로 높은 관계를 보였다. 또한 MMPs(1,2,3,8,9,13), MIMPs(1,2)의 활동성과 GI score의 관계에서도 둘간의 통계학적으로 유의할만한 관계는 존재하지 않으나 MMP1(r=0.4), MMP2(r=0.29), MMP9(r=0.26)가 상대적으로 높은 관계를 보였다. 이 실험의 결과로 볼 때 MMP9가 만성치주염 환자의 질환이 있는 부위에서만 염증의 지표가 될 수 있으며 MIMP2가 만성치주염 환자의 염증이 없는 부위에서 높은 농도로 존재하는 것으로 보아서 MIMP2가 MMPs에 대한 억제작용을 하여서 염증의 진행을 방해하는 역할을 한다라고 볼 수 있다.

      • KCI등재후보

        물의 구조전환과 유동하는 전후 일본

        이선윤 이화여자대학교 이화인문과학원 2012 탈경계 인문학 Vol.5 No.3

        This article argues about the phase transition of water and the destruction of boundaries in Kobo Abe’s texts written in the 1950s from the geopolitical point of view about the postwar period, especially about General Headquarters (GHQ), during the Allied occupation period in Japan. Abe has written about metamorphosis in many of his texts. Metamorphosis has been presented as the process transforming human bodies to things, or presented as the situation itself after the process is completed through the dissolving of boundaries and the reconstruction of the new body. The characters in Abe’s texts are weak and have low-social status, but they have the potential to transform themselves, which shows their dynamism. Heightening the phase transition of things and the violence of the underwater-world, Abe forces us to read the connotations of an unestablished cognition of boundaries shown in postwar society in Japan.

      • KCI등재

        반려동물을 상실한 여성의 애도미술치료 경험에 관한 내러티브 탐구

        이선윤,김갑숙 한국미술치료학회 2022 美術治療硏究 Vol.29 No.5

        The purpose of this study was to explore what a woman who lost her companion animal experience in the process of mourning art therapy and what the experience means. The participant was an unmarried woman in her 30s who had lost her companion animal. Research data were collected through a pre-intervention interview, art therapy, and a post-intervention interview, and the collected data included the artworks of the participant, verbatim transcripts of interviews and field notes. A total of 10 sessions of art therapy were performed; with the therapy delivered once or twice a week for 60 minutes per session. Data analysis was conducted according to the narrative inquiry procedure; based on the three-dimensional narrative inquiry space consisting of temporality, sociality, and place. The meanings of this study were derived as follows. First, paintings have become a channel to evoke sadness and pain. Second, the womanI opened herself up and experienced changes. Third, the woman and the art therapist are each other's companion. Based on these results, the implications and limitations of this study were then discussed. 본 연구의 목적은 반려동물을 상실한 여성이 애도미술치료를 통해 무엇을 경험하고, 그 경험의 의미는 무엇인지 탐구하는 것이다. 연구참여자는 반려동물을 상실한 30대 미혼여성이다. 탐구자료는 사전 면담, 미술치료와 사후면담을 통하여 수집하였으며, 연구참여자의 작품, 면담내용을 전사한 축어록, 현장 관찰 노트 등이 활용되었다. 미술치료는 2021년 3월부터 5월까지 총 10회기로, 주 1~2회씩 회기당 60분간 실시하였다. 자료의 분석은 내러티브 탐구 절차에 따라 수행되었으며, 시간성, 사회성, 장소를 의미하는 3차원적 내러티브 탐구 공간을 염두에 두고 작성하였다. 연구참여자의 미술치료 경험 이야기는 ‘또 하나의 가족’, ‘감정의 소용돌이’, ‘애도를 통한 위로’, ‘상실과 함께 살아가고 기억하기’로 구성되었다. 미술치료 경험의 의미는 첫째, 그림은 슬픔과 고통을 환기하는 통로가 되다. 둘째, 나를 개방하고 변화를 경험하다. 셋째, 나는 너의, 너는 나의 반려 이다. 이러한 연구결과를 바탕으로 본 연구의 의의와 제한점에 대하여 논의하였다.

      • 물의 구조전환과 유동하는 전후 일본

        이선윤 이화여자대학교 이화인문과학원 2012 탈경계인문학 Vol.5 No.3

        This article argues about the phase transition of water and the destruction of boundaries in Kobo Abe’s texts written in the 1950s from the geopolitical point of view about the postwar period, especially about General Headquarters (GHQ), during the Allied occupation period in Japan. Abe has written about metamorphosis in many of his texts. Metamorphosis has been presented as the process transforming human bodies to things, or presented as the situation itself after the process is completed through the dissolving of boundaries and the reconstruction of the new body. The characters in Abe’s texts are weak and have low-social status, but they have the potential to transform themselves, which shows their dynamism. Heightening the phase transition of things and the violence of the underwater-world, Abe forces us to read the connotations of an unestablished cognition of boundaries shown in postwar society in Japan.

      • KCI등재

        제국과 ‘여성 혐오(misogyny)’의 시선

        이선윤 중앙대학교 일본연구소 2015 日本 硏究 Vol.0 No.39

        This study focuses on the misogyny of empire by examining Humor Essay Shinseonro (1929), Anatomy of Japanese Women(1931), and Ladies of Showa Japan(1934), all written by Kataoka Kisaburo, an educator and journalist in colonial Joseon for more than 20 years. Kataoka’s three books have never been considered academic topics, yet include important information about imperial views on women. In Humor Essay Shinseonro, objective views on women are very easily found, but ironically, Kataoka’s second book, Anatomy of Japanese Women was almost all about women. This study attempts to understand the history and system of misogyny in imperial Japan, including colonial Joseon, through the discourses on women in Kataoka’s texts, especially in the last one, Ladies of Showa Japan, which clearly shows the strong misogyny of an imperial and patriarchal nation. Moreover, the idea of motherhood was emphasized more strongly in it than in Kataoka’s two other texts, even though it was written before Japan’s national mobilization in the late 1930s.

      • KCI등재

        하이쿠적 가능성과 <글쓰기>-롤랑 바르트의 <마지막 강의>를 중심으로-

        이선윤 한국일본언어문화학회 2016 일본언어문화 Vol.35 No.-

        A poem’s strength lies in its compressibility. As Paul Valery said, poetry can embody an epic in just a few notes. This kind of compressibility makes poetry easy to spread and by spreading practices intuitive power. Barthes concluded the base and the beginning of literature was within the potentials within the compressibility of words and emphasized it in his ‘Last Lectures’. Haiku also carries the same potential and is the starting point for short memo-like writing. However the short poetic writing of Haiku, as pointed by Barthes, is not exclusive to Japanese culture and is evident across many different cultures in a form of short poems or writings. The analysis of the literary image of Haiku and its philosophical evaluation discussed in Barthes’s ‘Last Lectures’ is required in the level of Barthes’s thought and literary theory research, but also in the level of research on consumption of haiku and its images. But in previous studies, philosophical implications of haiku and what is covered in the ‘Last Lectures’ has not been sufficiently discussed in earnest. This paper examines the major themes of ‘Haiku characteristics’ of literary theory in the ‘Last Lectures’ by Roland Barthes. And this is not the direct analysis of the haiku text, tried to analyze the philosophical Haiku characteristics and it reveals its features.

      • KCI등재

        동아시아의 근대와 노예선의 표상

        이선윤 대한일어일문학회 2015 일어일문학 Vol.65 No.-

        The sailing of slave ships would be the most violent one of many sailings. The art of navigation that had been developed by modern science technology, had helped the territorial expansion of Empires. The most representative sailings were those of colonialists, from their empires to colonies, but also there were the odd ones, which were towards to empires. And there was some sailings, those were similar to the salve ships in these kinds of sailings. This study had focussed on the connotations of slave ships (which was trying to escaping from a divine judgment) image in modern Japan, through the text analysis of Abe Kobo’s Enomoto Takeaki. The comparative study of Enomoto Takeaki and Kim Young Ha’s contemporary Korean novel, Black Flower in chapter 4 had helped this thesis also.

      • KCI등재

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