이운진_시작노트

이운진 고요아침 2017 열린시학 Vol.22 No.2

해외 수입 영화가 영화 관람객의 소비선호도에 미치는 영향에 대한 연구 - 중국의 경험적 증거를 바탕으로

이운,김세훈 한국콘텐츠학회 2023 한국콘텐츠학회논문지 Vol.23 No.11

This study takes overseas imported films as the entry point and selects the mainstream Chinese cinema audience as the research subjects. It analyzes the main factors influencing Chinese film audiences' attitudes towards overseas imported films based on the Theory of Reasoned Action (TRA). By constructing a research hypothesis model, the assumptions between attitude, subjective norm, and intention of cinematic behavior are validated using SPSS 22.0. The research findings are as follows: (1) The film characteristics and marketing strategies of overseas imported films have a positive impact on the audience's attitude. Among them, the impact of film characteristics is greater, while self-fulfillment needs do not significantly affect the attitude; (2) The satisfaction of self-fulfillment needs and the marketing strategies of overseas imported films have a positive impact on the audience's subjective norm, with the influence of self-fulfillment needs being greater than that of marketing strategies; (3) The audience's attitude and subjective norm have a positive impact on the intention of cinematic behavior, with attitude having a greater impact on behavioral intention than subjective norm.

소셜 빅데이터를 활용한 페이스북 이용자들의 반응과 관계 분석

이운해,박효찬,박한우 동아인문학회 2017 동아인문학 Vol.41 No.-

This study analyzes two hobby & leisure Facebook fanpages in South Korea in terms of reactions and relations among users. Several kinds of data sets, including posting behavior and response style, were collected and processed using multiple tools (e.g., Netvizz, Textom, NodeXL, etc.). Using social network techniques, we analyzed postings and comments in terms of word concurrence and reply-to networks. In order to trace hidden footprints among users, current paper visualized social and semantic relationships among users. As results, users are more responsive to video- embedded postings than the other types such as URL-contained contents and photos. Next, the relationship between users is more likely to occur around highly interested contents. Both methodological techniques and findings may provide small & medium-sized businesses in hobby & leisure with several practical values for planning customer relation management strategies. 이 연구는 페이스북에서 취미레저 주제로 포괄적 운영하는 기업의 페이지 콘텐츠 대상으로 소셜 빅데이터를 활용하여 반응・사용자 관계를 분석했다. 연구방법은 네트워크 분석기법을 활용하여, 텍스트 분석과 페이지 이용자들 간 댓글 관계를 분석하였다. 텍스트 분석과 단어의 빈도 분석을 통해 메시지의 주제를 파악하였으며, 이용자들 간 댓글로 맺어진 관계를 추적하고 시각화하여 커뮤니케이션 관계를 살펴보았다. 분석결과 첫째, 이미지보다 동영상 포스팅에 대해 반응이 높았으며, 다른 콘텐츠를 링크한 포스팅에 대해서는 상대적으로 반응이 낮게 나타났다. 둘째, 관심사가 높은 콘텐츠를 중심으로 이용자 간 관계형성이 활발했고, 취미와 레저 콘텐츠 사이 차이가 발생한 것을 확인하였다. 따라서 본 연구 결과는 중소기업에 대한 마케팅 차원에서 실무적으로 유용한 가치를 제공할 수 있다. 특히 취미레저분야의 새로운 연구방법을 제시함으로서 사회・정책적 시사점이 있고, 추후 폭넓은 소셜미디어에 대한 연구가 필요하겠다.

하수처리 : 동절기 하수처리장에서 효율적인 질소제거를 위한 최적 운전조건 도출에 관한 연구

이운길 ( Un Gil Lee ),길경익 ( Kyung Ik Gil ),한종옥 ( Jong Ok Han ),고주형 ( Joo Hyung Ko ) 대한상하수도학회 2006 공동추계 학술발표회 논문집 Vol.2006 No.-

자유주제 ; 미국의 징벌적손해배상 판결과 타국에서의 승인,집행

이운조 경성대학교 법학연구소 1998 경성법학 Vol.7 No.-

연구논문 - 석유화학 , 윤활유분과 / 식품공업분과 / 유지 , 계면활성제분과 / 접착제 , 도료 , 잉크분과 / 정밀화학분과 : GC 에 의한 포장지중의 잔류용제에 관한 연구

이운기,김승환,곽기주 한국공업화학회 1996 한국공업화학회 연구논문 초록집 Vol.1990 No.3

정통사상과 이단이론의 비교고찰

이운구 성균관대학교 인문과학연구소 1981 人文科學 Vol.10 No.1

The political structure that accepted traditional authority and seeked stability of an established system was called $quot;Orthodoxy$quot;, while the value-system that was positive in denying those authority with conflict of interests being regarded as $quot;heterodoxy$quot;. Confucianism represented the orthodoxy, whereas the thoughts of Yang Chu and Mo Tzu, who, among others($quot;Chu Tzu$quot; Philosophers), especially opposed to Confucius, belonged to the heterodoxy. Following is a comparative study on two different views of the orthodoxy and the heterodoxy. In the later period of Chun Chiu(B.C. 6-5 century) the feuderal system of the, Chou dynasty was collapsed and as a result great social confusion prevailed for the period. It revealed betrayal and distrust between sovereign and subject; such a phenomenon also presented itself in the relationship between father and son. Attributing the ultimate cause to the lack of morality, Confucius advocated $quot;Cheng Ming$quot;(establishment of moral justification) to maintain and foster existing social order. He urged people to kee pone's own sphere of life according to what one's social status stipulated. With increasing public support, however, the doctrines represented by Yang Chu and Mo Tzu became to rise against the Confucian thought. Yang Chu was a hard-up member of the slaveholding aristocracy. With a strong sense of individuality, he emphasized for the first time that every human being should be concerned only about one's own $quot;life$quot;. His theory was indifferent and noncooperative to the social interests. It was an expression of disappointment and resistance to the ancestral spirit and the ruling class. judging from the Confucianist viewpoint that insisted on $quot;Hsien-jen Hou-chi$quot; (serving others before minding one's own business) to uphold the majesty of the emperor, it was a treacherous doctrine that impairs vertical (proper) relations between sovereign and subject. On the other hand, Mo Tzu, who came of an artisan stock, was a man of the lowest class in society. He stressed the sense of community among the people and resisted exploitation by the ruling class. Mo Tzu maintained that actual profit should be distributed evenly among the producers and regarded such distribution as equitable and fair. He denied the traditional patriarchy and advocated the liberation of people from bondage of the social status. In terms of the Confucianist view to revere the patriarchal prestige and maintain the familial order, this was an immoral behavior ignoring inviolable relationship between father and son. Mencius who managed to emerge from his downfall stage as a vanguard of the newly-rising intellectual class took the lead in criticizing and rejecting Yang Chu's $quot;Wei-wo$quot; ism(individualism) and Mo Tzu's $quot;Chien-ai$quot;(mutual love) thought, calling them shameful $quot;beastly conducts$quot;. He warned that those heterodox doctrines would break off the $quot;Tao$quot; (the way of an ideal human being) enhanced by Confucius. Thus the struggle intolerant of each other came into being between orthodox thoughts self-representing the $quot;Tao$quot; of human being and heterodox doctrines condemned as the way of beastly conduct.

C-HMI 기반의 원격지 중수도 설비 실시간 제어와 모니터링 구현

이운선(Un-Seon Lee),박만곤(Man-Gon Park) 대한전기학회 2013 전기학회논문지 Vol.62 No.5

The wastewater reclamation and reusing system has been rising as an alternative of water resource exhaustion that the whole world is experiencing. In order to be able to bring about improvement of the existing wastewater reclamation and reusing system, this research has developed of Conversion-Human Machine Interaction (C-HMI) based real-time control and monitoring system such as a sensor module and gate module, web monitoring system. This system was communication almost-error-free in various environment and situation. As a result, we have achieved our goal that has to doing work correctly as a sensor and gateway module that communication error is less than 0.2% throughout the embodied system and add that it can be easily controled and configured as an interface equipment to a complex sensor of water quality. According to this, the construction of a database capable of analyzing and assessing collection, storage and various elements of reliable water quality and flow rate data can be possible.

매월당(梅月堂)의 애민의식(愛民意識)과 시(詩)의 성격 : 15세기 후반기 농민의 실태와 그 시(詩)의 주제

이운구 한국한문학회 1976 韓國漢文學硏究 Vol.1 No.-

중국 고대 한자 초서와 근대 한자 타입디자인에 관한 연구 - 칸타이쿵 타이포그래피 디자인을 중심으로 -

이운운 ( Yunyun Lee ) 커뮤니케이션디자인학회 2016 커뮤니케이션 디자인학연구 Vol.56 No.-

중국 서법의 심미적 형식은 중국 타이포그래피 디자인에 막대한 영향을 미쳤으며, 서법의 발전 역시 중국의 현대 타이포그래피 디자인의 발전을 이끌어 냈다. 칸타이쿵은 홍콩의 타이포그래피 디자이너이지만 중국적 정서가 농후한 타이포그래피 디자인 작품으로 세계적인 명성을 얻고 있으며 중국을 대표하고 있다. 따라서 본 연구는 중국의 대표성을 갖는 칸타이쿵의 근대 타이포그래피 작품의 특징과 문화, 전통 철학이론의 바탕으로 생겨난 중국 고대 초서의 조형적 특징을 비교 분석하여 중국의 근대 타이포그래피 디자인에 있어서의 조형적 의미를 찾아 보았다. 중국의 전통심미 사상은 차경언경(借景言情)·기운생동(氣韻生動)·천인합일(天人合一)로 해석할 수 있다. 따라서 중국의 고대 초서체의 조형미에서 의경미(선·구조·장법·묵운)의 특징이 나타났고, 이에 영향을 받은 칸타이쿵의 작품은 의경미(서체미인 점획·여백·조화·대교약졸·공간운영·생동운율)을 통해 표현되었다고 보인다. 따라서 중국의 근대 타이포 디자인은 고대 전통적 심미관의 영향을 받아 발전하고 있었다. 앞으로 이러한 중국의 전통적인 문화정신이 계승되어 타이포그래피디자인에 표현된다면 중국 고유의 디자인으로 더욱 발전할 수 있을 것이라 기대한다. The aesthetic form of Chinese fonts had a significant impact on Chinese typography design. The development of fonts also induced the development of modern Chinese typography design. Kan Tai Keung, one of the famous designers in Hong Kong, has been gaining great reputation around the world with typography design works substantially imbued with Chinese emotion, representing China. This paper identified the figurative meaning in modern Chinese typography design by comparing and analyzing the figurative features of modern typography design works by Kan Tai Keung and cursive characters in Ancient China on the basis of the cultural and traditional philosophical theories of Ancient China. Through the analysis, this paper pointed out that the figurative beauty filled with vitality could be harmonized with typography design pursuing the unity of heaven and men.