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      • 한국인 중.고등학생의 체격, 체형 및 그 성장에 관한 연구

        이영춘,김종석,박희명,채의업,주영은,이륭창,류호열,김규수,김정묵,최경숙,이열희,이태호,우원형,신현찬,박원학,Lee, Young-Choon,Kim, Chong-Suk,Park, Hi-Myung,Chae, E-Up,Choo, Young-Eun,Lee, Yung-Chang,Ryoo, Ho-Yul,Kim, Kyu-Soo,Kim, Chung-Muk,Choi, Kyu 대한생리학회 1970 대한생리학회지 Vol.4 No.1

        Measurement and analysis of the physical status (height, body weight, breast girth, sitting height. length of leg, length of thigh, thigh girth, crural length, length of arm, brachial length, antebrachial girth and skinfold thickness), physical types and the growth were made to the 360 Korean middle and high school boys aged between 12 and 17 years in Taegu City. The physical status was evaluated and expressed as dispersion and the Physical type as percentage of each status to height, and the growth was analysed by the growth formula. The results are as follows; 1) The increase of the volumes of Physical status was slowest between 12 and 13 years and fastest between 13 and 14 years in general. 2) The increase of the volumes of thigh girth and antebrachial girth showed a linear pattern until 16 years. 3) The coefficient of variation was largest in skinfold thickness $(16.3{\sim}28.4%)$ followed by body weight $(10.0{\sim}14.3%)$, antebrachial girth $(4.8{\sim}19.60%)$ and length of thigh$(6.3{\sim}13.6%)$. The coefficients of variation in all the other status were similar $(4{\sim}7%)$. 4)The physical indices of body weight, breast girth, sitting height, length of thigh, thigh girth, antebrachial girth and skinfold thickness increased as age increased while the others decreased except the brachial length, which showed no significant change. 5) Ratio of growth quantity was largest in body weight followed by skinfold thickness, and the others were all similar. 6) Growth rate and specific growth rate decreased in the all the status analysed as age increased except in the skinfold thickness in which an increase was noted. 7) Growth gradient was increased along the increase of age in breast girth, sitting height, crural length, brachial length and in skinfold thickness. However a decrease was observed in the other status except in the body weight which was decreased until 15 years of age and increased thereafter.

      • KCI등재

        가구디자인 공모전을 통한 가구산업 활성화 방안에 관한 연구 -경기 가구우수디자인 공모전을 중심으로-

        이영춘,Lee, Young-Choon 한국가구학회 2006 한국가구학회지 Vol.17 No.2

        In 1990s, with the rapid development of the design part and the change of perception, various design competitions in a way to encourage the design industry have repeatedly implemented and abolished. They played positive roles of developing designs and nurturing talents. On the contrary, they caused a lot of problems of standardization of design, loss of identification of competitions, deterioration of the quality of design. Especially, though too many competitions are holding, the level of quality cannot catch up with the quantity, resulting in numerous side-effects. In the field of Furniture Design, many competitions are just an one time events and disappeared. Therefore, it is very difficult to keep the tradition of prestigious competition, playing the adverse role in the development of furniture design and lowering the will of creativeness of designers. In this study, I compared and analyzed the current issues and problems of Gyeonggi Furniture Good Design Contest, one of the representative competition as the national scale competition as of 2006, with examples from home and abroad to find out the positive and developmental methods. At the same time, I provided the ways that can be helpful in the design through the ways to facilitate competition and proposals of desirable competitions.

      • Mammalian Sialyltransferase Superfamily : Structure and Function

        이영춘(Young-Choon Lee) 한국생명과학회 2002 한국생명과학회 심포지움 Vol.38 No.-

        To elucidate the regulatory mechanism for expression of sialylglycoconjugates and their biological functions, ninetheen sialyltransferase cDNAs including eleven by our group or co-works have been cloned and characterized so far. The cloned sialyltransferases are classified into four families according to the carbohydrate linkages they synthesize: α2,3-sialyltransferase (ST3Gal Ⅰ-Ⅵ), α2,6-sialyltransferase (ST6Gal Ⅰ), GalNAc α2,6-sialyltransferase (ST6GalNAc Ⅰ-Ⅵ), and α2,8-sialyltransferase (ST8Sia Ⅰ-Ⅵ). Each of the sialyltransferase genes is differentially expressed in a tissue-, cell type-, and stage-specific manner. These enzymes differ in their substrate specificity and various biochemical parameters. However, enzymatic analysis conducted in vitro with recombinant enzyme revealed that one linkage can be synthesized by multiple enzymes. We present here an overview of structure and function of sialyltransferases performed by our group and co-works. Genomic structures and transcriptional regulation of two kinds of human sialyltransferase gene are also presented.

      • 한국 사회에서의 종자(宗子)와 종부(宗婦)

        이영춘 ( Lee Young-choon ) 한국계보연구회 2012 한국계보연구 Vol.3 No.-

        宗子와 宗婦는 중국 고대의 宗法에서 기원한 大宗 가문의 제사 계승자와 그의 배우자를 지칭하는 말이다. 宗婦의 지위는 종자와 같은 것이며, 제사와 가계 계승에 공동의 책임을 가지고 있었다. 제사는 부부가 공동으로 지내는 것이기 때문이다. 봉건시대의 大宗의 종자들은 가문의 대표로서 휘하의 각급 소종과 종족을 보살피고 통할하였으며 사당과 묘소의 유지 관리와 제사 의 봉행 등 많은 책임을 가지고 있었다. 그에 따라 조상의 관작과 재산을 상속하고 종족 구성원들의 推重과 존경을 받는 등 많은 특전을 누리기도 하였다. 사회가 급변한 오늘날에는 이렇게 종자 종부를 존중하는 풍조를 기대하기 어렵고 또한 예전과 같은 많은 책임을 지우기도 어렵다. 그리고 현대에는 大宗會나 花樹會와 같은 문중 조직과 관리 기구들이 발달해 있으므로 종족의 관리도 민주적이고 합리적으로 이루어질 수 있을 것이다. 宗家는 우리 사회의 전통문화를 계승해 온 소중한 자산이며, 종자와 종부는 그 주역들이라고 할 수 있다. 오늘날 그들에게 예전과 같은 역할을 모두 기대할 수는 없지만 그래도 친족 간의 유대를 강화하고 친목을 다지는데 그들의 기능과 역할이 있을 것으로 생각된다. 혈연을 중심으로 한 종족 공동체가 잘 유지되고 순기능을 하게 되면 사회의 미풍양속을 증진하는데도 크게 유익할 것이다. 오늘날 의 종자와 종부들도 자신들의 정체성을 잘 인식하고 조상의 얼과 정신을 체득하여 그것을 후손들에게 전하는데 노력한다면, 그들을 중심으로 우리 유교문화의 전통이 잘 보존될 수 있을 것이다. The lineage heir and the mistress are the descendants of the main lineage family(宗家) according to the jongfa(宗法) which was originated from ancient China. They are responsible together for the ancestral rituals of the sacrifice. Originally the main lineage family was founded by a few highest aristocratic people such as a prince, princess and a meritorious retainer in Korea. But from the late Chosun period so many lower aristocratic families used to declare themselves the main lineage family. In the traditional ages of the east Asia, the heir of the main lineage family was the representative of a large family consisted with a main lineage and many sub-lineages. He had the responsibility to care and govern all the family members. He also did his role of maintaining the family cemetery and the ancestral shrine in which all the ritual services were done. As a result the lineage heir got many privileges, usually adopting the novel title and the hereditary property with much respect and love of the family members. In modem times we cannot expect them to do the same role and the responsibility for their lineage family. Nowadays there are many relative organizations and administrations such as the family counsels and kinship communities, which can govern the lineage members rather rationally in democratic ways. The main families of Korean society are very unique heritages which take over the traditional Confucian cultures from ages to ages. And the lineage heir and the mistress play the leads. Though they are not expected in this modem society to do the same role which they have done for many centuries, they might do their parts to keep the traditional lineage communities, which would make the society of good morals and manners. So it would be hopeful for them to be conscious of their identity as the core of the Korean tradition and the Confucian culture. If they could learn and embody the spirits of their ancestors to pass them to their descendants, the valuable Korean tradition would be succeeded well generation by generation ever more.

      • KCI등재
      • KCI등재
      • 송대(宋代) 이후의 『가례(家禮)』 연구와 조선(朝鮮)의 수용

        李迎春 ( Lee Young-choon ) 한국계보연구회 2016 한국계보연구 Vol.6 No.-

        『家禮』는 흔히 『文公家禮』 혹은 『朱子家禮』로 불리는 禮書로서 중국 南宋代인 1170년에 朱子(朱熹, 1130-1200)가 편찬한 것으로 알려져 있다. 그러나 이 책은 곧 분실되었다가 1200년 朱子가 사망한 날에 다시 발견되었다는 특이한 내력을 가지고 있다. 『家禮』는 저술과 전승 과정에 애매한 점이 많아 실제로 朱子가 저술한 책인지 여부를 두고 논란이 많았다. 『家禮』는 명나라 초기에 편찬된 『性理大全』에 『家禮』가 편입됨으로 서, 그 권위가 확고하게 되었다. 청나라 때의 성리학자 王懋竑(1668-1741) 등은 이 책이 朱子의 저술이 아니라고 비판하였지만, 세상에서는 아직도 朱子의 저서로 보는 것이 통설이다. 가례가 주자의 제자들에 의해 처음 출판된 이후 그에 대한 중국에서는 많은 주석서가 나왔고, 조선에서는 16세기 이후에 많은 번역서와 연구서들이 나왔다. 가례는 많은 판본들이 있지만, 대표적인 것은 性理大全 수록본과 四庫全書 수록본이다. 사고전서 본은 간략하지만, 비교적 가례의 원본에 가깝다. 성리대전 본은 많은 주석이 포함되어 있지만, 체제가 원본과 다르고, 특히 家禮圖는 주자의 학설과 달라 많은 비판을 받고 있다. 『家禮』는 여러 가지 문제점에도 불구하고 그 간결성, 시의성, 보편성, 실용성, 내용의 일관성 때문에 선풍적인 인기를 모아 널리 보급되고 활용되었다. 무엇보다도 이것이 朱子의 저술이라는 믿음 때문에 권위를 더하게 되었는데, 특히 조선에서 그러하였다. 『家禮』는 朱子 사후에 南宋 사회에 널리 전파되었고, 원나라 때는 중국 전역에 보급되어 사대부 사회의 표준적인 예서가 되었다. 그것은 중국 주변 국가들에도 전파되어 많은 영향을 주었지만, 특히 우리나라에 큰 영향을 미쳤다. 14세기말에 高麗에 전파된 『家禮』는 사대부 계층에 보급되면서 조선 왕조를 유교 사회로 만드는데 기여하였고, 15세기에는 왕실 의례와 사대부 사회의 표준적인 예서가 되었다. 『家禮』는 조선초기부터 『小學』과 함께 과거 시험의 필수선수과목[學禮講]이 되면서 응시자들의 필독서가 되었다. 16세기 이후에는 『家禮』에 대한 연구서가 쏟아져 나오고 諺解本도 나오게 되어, 서민 계층에도 유교 예법이 널리 보급되었다. 『家禮』는 우리 전통 禮法의 기초가 된 것이므로 전문 학자들뿐만 아니라 일반인들도 잘 이해하여 가정에서 활용할 필요가 있다. The book Family Rite, Jiali 家禮, is usually called as Zhu Zi Jiali 朱子家禮 or Wengong Jiali 文公家禮, which is known that was compiled by Zhu Xi 朱熹(1130-1200) in 1170, during the southern Song Dynasty of China. However, this book has an unusual history. It was said to lost shortly after the writing, but was found again on the day of the death of the writer Zhu Xi in 1200. This book has many ambiguities in the writings and the handing down. So there was a lot of controversy about whether or not it was actually a book written by Zhu Xi. As the Family Rite was included in the Complete Collection of Neo-Confucianism 性理大全, which was compiled at the beginning of the Ming Dynasty, the authority became firm. However Wang Mao Hong 王懋竑(1668-1741), a Confucian scholar in the Qing Dynasty, criticized that this book was not the work of Zhu Xi. Anyway Many people of the world is still seen as the book of Zhu Xi. Since the first publication of the Family Rite by the Zhu Xi’s disciples, many commentators came out in China. There have been many translations and studies in Korea since the 16th century. Although there are many editions, the most common is a version in the Complete Collection of Neo-Confucianism and another one the Complete Library in Four Sections, Siku Quanshu 四庫全書. The latter is rather brief, but comparatively close to the original text. Though the former has many annotations, the system looks rather different from the original. Especially, the ritual images in the first volume are criticized much for the difference from the doctrines of Zhu Xi, the original auther. There are many bibliographic problems in the Family Rite. However, its simplicity, timeliness, universality, practicality, and consistency of contents have attracted considerable popularity. So it was widely used and utilized. Above all, the belief in the writings of Zhu Xi gave great authority to this book, especially in Korea. The Family Rite spread widely in Southern Song Dynasty after the death of Zhu Xi. At the time of the Yuan Dynasty, it spread throughout China and became the normative example in the gentry class community. It spread to neighboring countries and had a lot of impact, a big impact on Korea. At the end of the 14th century, the Family Rite was spread to Goryeo Dynasty of Korea. It contributed to making the Joseon Dynasty a Confucian society, and in the fifteenth century it became the normative example of royal ritual ceremonies and the gentry class society. In the early Joseon period, both the Family Rite and the Elementary Teachings, Shao Xue 小學, also the book of Zhu Xi, became necessary books for the candidates of officials as it became a required subject of the entrance examinations. Since the 16th century, studies on the Family Rite has been pouring out in Korea and translated versions have also been published, which made the Confucian rites spread into the lower class in Korea. Through the process, the Family Rite became the basis of Korean traditional ritual customs. It is necessary to study the book for the use of common people as well as the professional scholars.

      • KCI등재

        초기 모더니즘 가구와 동시대 회화의 조형적 유사성에 관한 연구

        이영춘 ( Young Choon Lee ) 한국기초조형학회 2015 기초조형학연구 Vol.16 No.5

        초기 모더니즘 사조가 성립되었던 20 세기 초 유럽에서는 산업혁명에 따른 사회적.문화적 변화 속에서 새로운 가치와 요청이 쇄도하였고, 예술 전 분야에서 과거의 답습을 부정하며 인간의 내적 본질에 대한 탐구가 본격적으로 이루어지기 시작하였다. 당시의 이러한 예술적 흐름은 비단 한 지역이나 분야에 국한된 현상이 아니라 회화, 조각, 건축, 디자인 등 전 분야에서 유사한 방식으로 나타나며 동시대 예술경향과의 상호 연관성을 갖는 결과를 낳았는데 이는 초기 모더니즘 시대의예술 작품들을 연구하고 분석함에 있어 중요한 기준이 된다고 할 수 있다. 본 연구에서는 초기 모더니즘 가구디자인의 조형적 원리와 이론적 기틀 정립을 논함에 있어 동 시대 미술과의 이념적.철학적 연관성을 확인함으로써, 동시대 미술과 가구디자인의 조형적 연관성을 규명하고자 함에 연구 목적을 두었다. 연구 범위와 연구방법으로는 큐비즘과 러시아 구성주의로부터 시작되어 비엔나 분리파와 데 스틸 그룹에 이르는 초기 모더니즘 시대의 미술이 초기 모더니즘 운동이 시작되었던 19 세기부터 모더니즘 가구디자인의 조형적 원리와 기틀이 마련되었다고 할 수 있는 독일 바우하우스 시대에 이르기까지 어떠한 상관관계와 조형적 유사성을 지니고 있는지 작품사례를 통해 분석하였다. 또한 동시대 미술과 상호성을 가지며 발전해온 초기 모더니즘 가구디자인의 특징을 분석하여 도판과 함께 제시하였다. 본 연구를 통해 초기 모더니즘 가구디자인의 조형세계는 동시대 회화, 건축 등 다양한 분야와의 연관성을 가지며 발전해 왔으며 이를 통해 가구 본연의 의미와 가치에 대한 연구가 활발하게 이루어지며 오늘날 가구디자인의 기틀이 되었다는 결론을 도출하였다. In the early 20th century in Europe when the trend of early modernism was established, new values and demand on these values were drastically increased amidst the social and cultural change caused by the industrial revolution and actual exploration on the internal essentials was realized in full-scale while refusing to follow the past in the entire field of arts. Such artistic trend was not limited to a particular area or field but the phenomenon that showed similar patterns in all areas including painting, sculpture, architecture, and design while resulting in correlation with the contemporary artistic trend. Such characteristic is said to be a significant criterion to study and analyze the artworks of the early modernism. Thus in this study, it intended to prove the formative correlation between contemporary arts and furniture design by verifying the ideological and philosophical relationship with the contemporary arts when it came to discussing formative principles as well as its theoretical foundation of furniture design in the early modernism. The arts of the early modernism started from cubism and Russian Constructivism to Vienna Secession and De Stijl group. In consideration of such fact, the study analyzed the correlation and formative similarity of the arts in the early modernism through artworks from the 19th century when the movement of the early modernism began until the period of the Bauhaus in Germany that was said to provide the formative principles and foundation of modern furniture design. In addition, the originalities of mordernism furniture design in 20th century that had developed through mutuality with the contemporary arts were analyzed and related illustrations were suggested. As a consequence, the theoretical background of furniture design in the early modernism was developed with contemporary arts such as painting, architecture, and so on. Also, this has established the basic formation of modern furniture design.

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