방정환의 번역동화 「호수의 여왕」에 대한 고찰

이정현 ( Jung Hyun Yi ) 건국대학교 동화와번역연구소(구 건국대학교 중원인문연구소) 2007 동화와 번역 Vol.13 No.-

방정환은 1921년에 오스카 와일드의 동화 「행복한 왕자」를 번역, 발표한 이후 계속해서 동화를 번역하여 발표하게 된다. 1922년 7월에는 『사랑의 선물』을 간행함과 동시에 『개벽』 7월호와 9월호에 2회에 걸쳐 아나톨 프랑스의 작품 「호수의 여왕」을 번역하여 발표했다. 아나톨 프랑스의 작품 중에는 「호수의 여왕」이라는 제목의 작품이 존재하지 않지만, 이 제목과 동일한 제목의 작품이 아나톨 프랑스의 창작 동화로써 『세카이도우와호교쿠슈(世界童話寶玉集)』에 쿠스야마 마사오(楠山正雄)의 번역으로 실려 있다. 필자는 졸론 「방정환의 번역동화와 『모한가테이분코(模範家庭文庫)』에서 『사랑의 선물』의 다섯 번 째 동화 「한네레의 죽음」이 『세카이도우와호교쿠슈(世界童話寶玉集)』에 실려 있는 미즈타니 마사루(水谷勝)역 「한네레노 쇼우텐(ハンネレの昇天)」을 저본으로 해서 번역한 것에 대해 논했다. 방정환은 「호수의 여왕」에도 「한네레의 죽음」과 같이 일본어 저본에 실려 있는 3점의 삽화를 그대로 활용하고 있어, 「한네레의 죽음」의 번역에 연이어 「호수의 여왕」을 번역해 개벽에 실은 것으로 추측된다. 이 삽화는 모두 오카모토 키이치(岡本歸一)의 그림으로 졸론 「방정환의 번역동화와『킨노후네』」에서 논한 바 있으므로 본 논문에서는 언급하지 않았다. 본 논문은 쿠스야마역과 방정환역의 삽화의 비교 및 내용의 비교분석을 함으로써 쿠스야마역 「湖水の女王」을 방정환역의 저본임을 확인하는 것을 목적으로 한다. 또, 이 작업을 통해서 근대 한국에의 아나톨 프랑스의 수용에 있어서의 근대 일본의 아동문학의 영향에 대해서 고찰함과 동시에 방정환의 번역의 특징에 대해서도 고찰하고자 했다. 이상의 목적으로 고찰한 결과, 방정환의 번역동화 「호수의 여왕」의 저본에 있어서 삽화의 일치, 그리고 내용 면에서도 완역에 가깝게 충실히 번역되어 있는 것 등의 근거로 쿠스야마 마사오역 「湖水の女王」가 그 저본으로 사용되었음을 확인했다. 그리고 필자는 쿠스야마가 사용한 저본이 아나톨 프랑스의 원작 "Abeille"가 아닌 앤드류 랑의 "The Story of Little King Loc"임도 확인했다. 방정환은 다만 쿠스야마가 제목까지 바꾸어 번역해 놓은 일본어역을 저본으로 번역을 했을 뿐이다. 내용면에서는 방정환이 1921년에 번역한 「왕자와 제비」를 결말 부분을 재화한 것과 1923년에 번역한 「성냥팔이 소녀」를 번역할 때 한국의 당시 상황을 고려해 번안한 것에 비해 등장 인물인 소인의 성격을 조금 바꾸어 묘사한 것을 제외하면 거의 완역에 가깝다. 그리고 문체의 면에서는 어린이를 생각하여 어린이들이 읽기 쉽게 전문을 한글로 표기하여 한자는 괄호 안에 넣어서 표기하는 등의 배려가 보인다. 이러한 특징은 이 작품 뿐 아니라 방정환의 동화에 전반적으로 보이는 특징으로 보이지만 이 작품에서도 그러한 특징이 눈에 띈다. 마지막으로 1920년대 초에 한국에 아나톨 프랑스의 이름과 그의 동화를 소개한 것에는 큰 의의가 있는 것으로 평가할 수 있다. After Bang Jung-hwan translated and announced Oscar Wilde`s fairy tale "The Happy Prince" in 1921, he started to translate more fairy tales frequently. Bang Jung-hwan published Gift of Love on July, 1922, translated and announced Anatole France`s work "Queen of the Lake" over two times in Gebyuk, July issue and September issue at once. Among Anatole France`s work, title that is "Queen of the Lake" does not exist. But this title has created by Kusuyama in Sekaidowahogyokusyu which is a translation of Anatole France`s original fairy tale. The writer discussed that Bang Jung-hwan`s translation of a fairy tale and the 5th story of "Gift of Love" in Mohankayeibunko` were the origin of Mizutani Masaru a part of "Hannere`s Ascension". It is conjectured that Bang Jung-hwan used the same three illustrations in "Queen of the Lake" as same as "Hannere`s death" which are from original Japanese work, After translation of "Hannere`s death" he translated "Queen of the Lake" then announced in Gebyuk. All these illustrations created by Okamoto Kiichi, and it have mentioned already in Bang Jung-hwan`s translation of a fairy tale and Kinnohune, so it`s not mention in main contents. Also, I wished to investigate about that investigate about Anatole France`s effect of modern age Japanese juvenile literature in accommodation to modern age Korea through this work and at the same time Bang Jung-hwan`s characteristic of translation. Results investigating by purpose of singularity, queen of Bang Jung-hwan`s translation of a fairy tale "Queen of the Lake" that was translated nearly faithfully into complete version, and contents of illustration by Kusuyama Masao "Queen of the Lake" is an origin of Bang Jung-hwan`s translation. And the writer confirmed Bang Jung-hwan used Andrew Lang`s "The Story of Little King Loc" as an origin not from Anatole France`s original work "Abeille". Bang Jung-hwan used original work for the translation, instead of using direct Japanese translation which Kusuyama translated. It is almost complete translation except the end part of "The Happy Prince" that Bang Jung-hwan translated in 1921 and "The Little Match Girl" that translated in 1923 which is considered the circumstance at that time of Korea and changed the personality of the part in that story. Also, used full text in Hangul readably and put all the Chinese characters inside of parenthesis for the children. Commonly these characteristics are seen by visible characteristics in Bang Jung-hwan`s animation as well as this work. Finally, we can evaluate that it was large sense to introduce Anatole France`s name and his fairy tales in Korea in early 1920s.

방정환의 동화론 「새로 開拓되는 童話에 關하야」에 대한 고찰 : 일본 타이쇼시대 동화이론과의 영향 관계

이정현(Yi Jung-hyun) 한국아동청소년문학학회 2008 아동청소년문학연구 Vol.- No.3

Bang Jung-hwan(1899-1931) is surely an indispensible writer when we look back on Korean Children’s Literature in 1920’s. Truly Bang Jung-hwan set up innumerous achievements. One of them was that he settled a genre called as a fairy tale in the modern age of Korea. In this sense this thesis will study on Bang Jung hwan’s theory of fairy tale, ‘About the Newly Developed Fairy Tale’. This thesis especially will contemplate on how Japanese writers, including theirfairy tale theory, their point of view on the fairy tale, and books about the theory of the fairy tale in Daishow Era, influenced on Bang Jung-hwan’s theory. Bang Jung-hwan went to Japan in 1920’s when children’s literatures in Japan blossomed most. In 1918 the magazine, ‘Akaitori’ was launched. From the year the fairy tale and children’s song movement as kind of Akaitori movement was in the period of the prosperity. It was the period all the magazines listing children’s song and fairy tales were sold well. Many works were written. And it proves studies on the children and fairy tales had become more active from Maysy. When Bang Jung-hwan wrote his theory, ‘About the Newly Developed Fairy Tale’, he was influenced by several Japanese writers and their works, which were Takagitosio’s Fairytale and Study(1916), Ogawa Mimei and Akita Wuzak’s theories about fairy tale in special July issue of Wasedabungaku in 1921, and Fairytale Study’s first edition 1922, 7) published in June of 1922. As a result of comparing and analyzing these texts with Bang Jung-hwan’s writing style, it became obvious that Ewaya Sazanami’s Otogibanasi and Szki Miekichi’s fairy tale were fused in Bang Jung-hwan’s work. Also Bang Jung-hwan was influenced by Takaki Tosio’s text, Ogawa Mimei and Akita Wuzak’s theories about fairy tale, and the periodical, ‘Study on Fairytale’. Mimei said , “Fairytale is not for only children but for all the people who have innocent mind.” And Wuzak said, “adult and children in their whole life become one through only fairytale world and there difference between the soul of adult and that of children disappears. We should write about the childlike characters in mankind.” Bang Jung-hwan made these two Japanese writers’ point of view about fairytale fused in his writing and he created his own point of view. Bang Jung-hwan’s theory was most detail and it is important in that it shows Bang Jung-hwan’s thought and knowledge about fairytale. It is regrettable that it was necessary to be influenced by Japanese children’s literature. But it is more important that there exists Bang Jung-hwan’s own point of view. Moreover he created his own style with his affection on children and the influence of the Chundo religion insisting all the human are created equal.

‘헤테로토피아’적 지성, 90년대 시적 주체의한 갈래(1) -장정일을 중심으로

김정현(Kim Jung-Hyun) 한국현대소설학회 2022 현대소설연구 Vol.- No.87

This study has a big point of discussion about the authenticity and indefinableness of 90s literature. Under this point of view, this paper discussed Jang Jung-ils intelligence behind ‘sincerity that destroys sincerity’. The core of Jang Jung-ils poem is the masochistic text composition method. Behind this masochistic poetic narrator, the self-consciousness of the poetic subject is implicitly mediated. This symptomatic and symptomatic utterance(écriture) is an important constituent principle in Jang Jung-ils poem. Jang Jung-ils thorough artistic self-consciousness, which tried to reveal his fundamental desires only as signs and surpluses without departing from the principle of producing text, is considered to be the culmination of individuality and internality produced by the 1990s. The desire of the poetic subject, which is revealed only by traces and surpluses in the text, actually corresponds to his efforts in intellectual literature. For Jang Jung-il, the allegorical images of ‘Burning Book’ and ‘death’ show how the poetic subject created his poem through intelligence as a result. Jang Jung-il maintained his literary style and ‘arrogant’ despite the chaos of the 1990s. Jang Jung-ils ‘language’ aspect and peculiarity are the origins of contemporary Korean poetry. The purpose of this study is to examine the multi-layered aspects of authenticity in the 1990s along with the research on Yu Ha.

현진건 장편번역소설 「백발」 연구

황정현(Hwang Jung-hyun) 고려대학교 한국학연구소 2012 한국학연구 Vol.42 No.-

본 논문은 현진건의 장편번역소설 백발(1921) 의 원작과 저본을 밝히고, 이를 통해 현진건의 작가론 및 한국 근대번역번안문학 연구의 폭을 넓히고자 했다. 이 소설은 내용으로 미루어 보아 알렉상드르 뒤마의 소설 몽테 크리스토 백작 의 번안이라고 막연히 추정되어 왔으나, 이는 오류이다. 백발 의 원작은 영국 소설가 마리 코렐리의 복수(1886) 이고, 저본은 일본 작가 구로이와 루이코의 번안 백발귀(1893) 이다. 영국 빅토리아 시대 인기 작가였던 마리 코렐리의 작품을 일본의 구로이와 루이코가 번안했고, 당시 ≪조선일보≫의 기자였던 현진건이 구로이와 루이코의 일역본을 다시 우리말로 옮긴 것이다. 백발 의 원작과 저본의 확인은 현진건의 작품 연보를 수정 보완하고 문학 활동을 재조명함으로써, 현진건의 문학 세계를 보다 다각도에서 조망할 가능성을 제시한다.<br/> 또한 본 논문은 이 소설의 연재 및 출간을 둘러 싼 자료를 분석함으로써, 신문기자 현진건의 번역 활동이 소설가 현진건의 문학관과는 별개로 이루어졌음을 밝히는 한편, 이 소설이 지닌 독자 호응 요소에 대해서도 고찰했다. 현진건은 독자층의 범위와 작품의 성격에 따라 원작자명 및 역자명 표기, 작중인물명 설정을 달리하였다. 이는 번역가로서 현진건이 소설가와 신문기자라는 이중의 정체성을 지니고 있었음을 말해 준다. 신문기자의 역할을 극대화하여 번역한 백발 은 당대의 시대적 상황 및 독자들의 요구와 부합하여 인기 있는 대중소설로 자리매김할 수 있었다. This paper proposes to clarify the two sources of Hyun Jin-geon’s full-length translation novel Gray Hair, which are the original text and the adapted version from which Hyun’s novel was translated again, respectively. Accordingly this paper is expected to widen the breadth of research on Hyun’s literature and Korea’s translation/adaptation literature in the modern era. Gray Hair, judging from the content, has been vaguely estimated as adapted from the French novel Le Comte de Monte-Cristo. I argue, however, that the original text of Gray Hair is the British novelist Marie Corelli’s Vendetta (1886) and that Gray Hair was not the direct adaptation from the original but translated from another text that is the Japanese writer Ruiko Kuroiwa’s Gray Haired Ghost (1893). Ruiko Kuroiwa adapted the work of Marie Corelli the popular British writer in<br/> the Victorian era, and Hyun Jin-geon, a newspaper reporter for Chosun Ilbo at that time, translated the Ruiko Kuroiwa’s Japanese adaptation into Korean again.<br/> The clarification of the two sources of Hyun Jin-geon’s Gray Hair―the British original text and the Japanese adaptation as the second-handed source for Korean translation, respectively―suggests the possibility to correct or supplement the chronological listings of Hyun’s literary works and, therefore, overlook his literary world more fully and from different angles. In addition, by analyzing the records and documents surrounding the serial installments in newspaper and publication of Gray Hair, this paper, on one hand, examines that translation work of Hyun as a journalist was made independently of his literary career as a novelist. Concerning the translated text, we can understand that Hyun had different attitude to the target, which he translated, based on certain standards. He arranged different settings for the notation of author's name, translator's<br/> name, and character's names in the translated texts in accordance with the range readership and the artistry of the work. This tells us Hyun has dual identity as a novelist and a newspaper reporter. <br/> On the other hand, the contemporary reader’s response to serial translation novels in newspaper is also investigated in this paper. Such textural and contextual study on Gray Hair is expected to contribute to further efforts to investigate the nature of Korea’s translation and adaptation literature in the modern era.

김정일 시대 북한의 대남기동성 정치에 관한 유형화 연구

정현수(Hyun-Soo Jung) 경희대학교 인류사회재건연구원 2017 OUGHTOPIA Vol.32 No.2

김정일 집권기간 동안의 북한이 핵역량을 강화하려는 시도는 국제관계에서 약소국이 강대국을 상대로 외교적 영향력을 행사하면서 국가이익을 확보하는 약소국의 외교적 기동성에 해당한다. 김정일 시대에서 한미동맹은 협력과 갈등을 반복하면서 북한의 대남기동성에도 결정적인 영향을 미친 것으로 분석되었다. 분석에 따르면, 김영삼 정부가 선택한 대북 강경노선은 한미갈등을 유발하고 북한이 ‘통미봉남’ 전략을 구사하면서 저항형 배제를 통해 기동성을 발휘하였고, 대북온건노선을 선택한 김대중 정부에 대해서는 미국의 정권교체에 동반된 한미동맹과의 협력과 갈등에도 불구하고 순응형 협력행태를 통해 실리추구형 대남기동성을 확보할 수 있었다. 그러나 대북 온건노선을 주장한 노무현 정부에 대해서는 한미갈등을 기반으로 순응하면서도 저항하는 병행적 순응형으로 기동성을 발휘한 것으로 분석되었다. 그리고 마지막으로 이명박 정부에 대해서는 대북압박공조에 대응하여 적대적 맞대응전략을 구사하면서 위협과 다변화를 통해 대남 기동성을 확보하는데 성공할 수 있었다. 이상의 내용을 토대로 김정일 시대에서 북한의 대남기동성은 북한의 외교적 역량의 산물보다는 한미동맹에 기반하고 있는 분단체제의 복합적 구조의 산물로 볼 수 있다는 결론에 도달하였다. North Korea exercised its maneuverability against South Korea during Kim Jung-il’s regime by having aligned with an adversarial power through ‘bandwagoning’ and exerted influence accordingly. From this, it can be noticed that North Korea’s maneuverability against South Korea took different forms according to changes of ROK-US alliance. Kim Jung-il pursued a policy of dialogue toward the US but isolation toward South Korea and excluded the resistant power during Kim Young-sam government. During Kim Dae-jung government, North Korea demonstrated ‘compliance cooperation.’ During Roh Moo-hyun government, North Korea took a multilateral approach. Lastly, during Lee Myung-bak government, North Korea successfully acquired its maneuverability against South Korea through ‘resistance escalation’. Thus, ROK-US alliance has been identified as a crucial factor that affects North Korea’s maneuverability against South Korea.

아동들의 태권도 수련활동참가에 따른 열등감 및 자아존중감의 관계

정재엽,정국현,김지영,김현철,이용국 한국스포츠리서치 2004 한국 스포츠 리서치 Vol.15 No.2

The purpose of this study was to identify the relationship between children's Inferiority and self-esteem during Taekwondo practice. In order to achieve this purpose, 480 subject were selected among participants of Taekwondo activity programs in the Seoul area by using the stratified cluster random sampling method. Out of the 480 questionnaires responded to. only 414 were used for data analyses because 66 were responded to incompletely or incorrectly. The instrument for data collection was a questionnaire in which Inferiority and self-esteem consisted of items identified by Jun(1999) and Jun(1993), respectively. The statistical methods utilized in the study for analyzing the collected data were reliability analysis, descriptive statistics, one-way ANOVA, standard multiple regression analysis and the following results were obtained: First, both Inferiority and self-esteem differ statistically and significantly according to both sociodemographic variables. Second, both Inferiority and self-esteem differ statistically and significantly according to Taekwondo practice. Third, Inferiority statistically and significantly influences self-esteem.

Application of Artificial Insemination Technology for Dairy Breeding in Mongolia

Hyun‐Tae Jo,Jong‐In Jin,Seong‐Su Kim,Byung‐Hyun Choi,Tumor Baldan,Jung‐Gyu Lee,Yun‐Shik Kim,Sam‐Churl Kim,Il‐Keun Kong 한국동물생명공학회(구 한국동물번식학회) 2011 발생공학 국제심포지엄 및 학술대회 Vol.2011 No.1

This study was focused on improvement of milk production in Mongolia dairy industry by artificial insemination (AI) technology, of which was supported from ODA project of KOICA in Republic of Korea. The study was started from January 2009 to present and 3rd years in this year. So, all data, especially synchronization and pregnancy of dairy cows (Holstein) will be summarized in final result in this year. For synchronization, total 81 dairy cows selected from 4 private farms that were 38, 30, 8 and 5 in Undarmal milk, Onjin (Enkhbayer), Jargalant, and BRM School, respectively. All the dairy cows were injected intramuscular (IM) of 5 ml PGF2α in the vulva and detected estrus 2 to 3 days after PGF2α injection. Total 78 out of 81 dairy cows (96.3%) were detected estrus by only 1 time injection of PGF2α. The dairy cows that were induced estrus, inseminated with 0.5 ml dairy frozen semen by conventional AI techniques. The pregnancy diagnosis of the AI dairy cows was detected by uterus palpation after 60 days of insemination. Total 75 from 78 inseminated dairy cows (90.1%) were diagnosis pregnant. The estrus induction and pregnant rate were very effective using PGF2α injection and conventional AI techniques in Mongolia dairy cow. The results indicated that AI after estrus induction in Mongolia dairy cows could be applied to dairy breeding technology to improve the breeding efficiency and milk production.

반복적인 급성 신부전을 유발한 호산구성 장염 1 예

정혜진;김현태;김유선;정현걸;강윤경;문정섭 인제대학교 2011 仁濟醫學 Vol.32 No.-

Eosinophilic gastroenteritis is a rare disorder of unknown etiology characterized by presence of gastrointestinal symptoms, eosinophilic infiltratio n of one or more parts of gastrointestinal tract without involvement of other organs and absence of parasitic infestation. The clinical presentation depends on the extents and depths of eosinophilic infiltration. Mucosal involvement may result in abdominal pain, nausea, vomiting, diarrhea and weight loss. We report a case of eosinophilic enterocolitis in a 55-year-old female presented with abdominal pain and watery diarrhea resulting in recurrent acute renal failure.

유방암의 위와 대장전이

유현아,김은영,서민지,정은,조민정,오현진,장지혜,박지찬,이정의,박석영 이화여자대학교 의과학연구소 2014 EMJ (Ewha medical journal) Vol.37 No.2

Gastric metastasis from breast cancer is rare and only six cases have been reported in Korea. Colon metastasis is more rare than gastric metastasis. We report a 63-year-old woman with gastric and colon metastases of invasive lobular carcinoma of breast. She was diagnosed as right breast cancer, received right modified radical mastectomy 10 years ago and has been treated with chemotherapy and hormone therapy. Investigating for melena and a small caliber of stool, we found gastric and colon metastases. The diagnosis of metastatic breast cancer was made through gross pathologic and immunohistochemistry staining. We report a case with gastric and colon metastases from breast cancer and a review of the associated six case reports in Korea.

국내 프로야구 구단의 브랜드 이미지 강화전략

정현철,이정학 경희대학교 체육과학연구소 2004 體育學論文集 Vol.32 No.-

The purpose of this study was to investigate the brand image of Korean professional baseball clubs in the spectators view through brand image scale of the previous study and further to provide a direction in reinforcement strategy of brand image of professional baseball clubs. The target of this research were people who attended the games in four home stadiums consisting of LG Twins, Doo San Bears, SK Wyverns, and Hyun Dai Unicorns during the 2004 Korean professional baseball season 370 samples were used in this analysis. Four domains and ten sub domains from "A study of the generalization of sports brand image scale" by Hong Seok-Pyo(2002) and reconstructed questionnaires of "A study of an effect of brand image on product consumption" by Kim, Ku-Nam(2000) were used as research materials. Factor analysis and reliability test used to confirm the availability of the scale. The results from descriptive statistics, analysis of variance by using SPSS WIN 11.0 are as following. First, results indicated that brand image for each baseball club divided into several sub domains and its sub facet. LG Twins has excitement, competence as sub domain and refreshing, modernity as its facet for its brand image. SK Wyverns has excitement, sincerity as sub domain and refreshing, ruggedness as its facet. Hyun Dai Unicorns has sincerity, competence as sub domain and reliability, successful as its facet. Doo San Bears has excitement, ruggedness as sub domain and ruggedness, toughness for its facet. Second, the peat impacts on developing brand image for each professional baseball club are shown as team formation factor, game style factor, and stadium factor except stadium factor of Hyun Dai Unicorns. In conclusion, A direction in reinforcement strategy of brand image are deduced as following. First, brand personality should be applied. Second, each professional baseball dub needs constant application of brand image. Consistency of brand image and brand image making movement in the baseball clubs and an application of Integrate Marketing Communication(IMC) and be applied in reinforcing brand image.