The Aesthetic Cultural Significance of Samuel Rogers’ Museumification

( Kim¸ Jeongsuk ) 대한영어영문학회 2021 영어영문학연구 Vol.47 No.3

This essay examines the cultural position of Rogers and the aesthetic function of his domesticated museum salon, St. James’s Place in relation to the Romantic museum culture. Although Rogers has generally been classified as a minor poet, within the context of the flourishing Romantic exhibitionary culture, the aesthetic cultural significance of Rogers in this period was not insignificant at all. However, Rogers was not only an ardent Romantic art collector but also a great host who ran his own salon in London society. Most of all, his house, St. James’s Place was not an ordinary private dwelling. Instead, it was Rogers’ new concept of domestic museum salon existed as a crucial aesthetic and cultural space in London by offering the collector’s personal visual world to the public. This essay begins by exploring how Rogers constructed his artistic version of Romantic museum at his domestic space with his unique aesthetic taste, and how he utilized this domesticated art collections for his domestic breakfast gatherings. Although Rogers has still been regarded as a supporting actor for other canonical artists’ performances, this essay argues that Rogers was an important and influential cultural figure in the center of the Romantic visual culture. (Chosun University)

The Production of Space: Leigh Hunt’s Social Space, Hampstead Cottage

( Kim¸ Jeongsuk ) 한국현대영어영문학회 2020 현대영어영문학 Vol.64 No.4

This essay explores Leigh Hunt’s Hampstead Cottage in terms of Henri Lefèbvre’s notion of social space in order to examine Hunt’s social and personal culture within the context of the Romantic visual culture. It is true that Hunt’s Hampstead Cottage has been understood as a place for aspirational Cockneys to indulge in the aristocratic aesthetic pursuit offered by the radical host, Hunt. However, by paying special attention to the interior of the cottage in relation to Lefèbvre’s theoretical perspective, this essay attempts to examine Hunt’s personal culture rather than his circle culture of the Cockney School. First, it argues that the domesticated reproductions of art at Hampstead Cottage reflects Hunt’s spatial practices, such as rambling and shopping and, in a broader sense, represents outside artistic spectacles, rather than only decorating the house as simple material products. Subsequently, it turns to examine that Hunt’s artistic decoration at Hampstead Cottage is not merely a question of the formation of his personal sphere in relation to the unavoidable connection with commercial public place, but also considers his desire to overlap the physical surface with his artistic inclination derived from his childhood memories. Although this essay has limitations in understanding the significance of Hunt and his Hampstead Cottage fully and completely, at least we can move away from Cockneysm, which has been an inevitable conventional frame of reading Hunt. (Chosun University)

동진시대 才女 謝道韞에 대한 17세기 조선 사회의 수용 연구

김정숙 ( Kim¸ Jeongsuk ) 한국중국학회 2021 중국학보 Vol.97 No.-

사도온은 동진시대의 이름난 재녀이다. 본고는 여성 망자를 대상으로 지어진 17세기 조선의 만가 시에서 사도온 관련 전고가 다량 운용된 현상을 주목하고, 그 수용 양상을 사회문화적 관점에서 분석한 것이다. 조선 사도온 현상 연구는 그 수용 주체인 17세기 조선 사대부 ‘남성들’의 여성 인식 연구를 필수적으로 동반한다. 그러므로 우선 조선 사도온의 만가시를 둘러싼 남성들의 ‘공적 관계’를 고찰함으로써, 사도온 현상을 주도한 조선사회의 집단을 밝혔다. 다음으로, 조선 사도온들이 양산된 메커니즘을 송시열이 재정립한 부덕의 관점에서 접근하고 분석하였다. 마지막으로 만가시 속 조선 사도온의 형상을 조명하고, 사도온 현상의 메커니즘과의 상관성을 고찰하였다. 본고를 통해 얻은 결론은, 17세기의 사도온 현상은 송시열로 대표되는 당시 서인 산당 및 노론의 여성 인식을 반영한다는 것이다. 그들은 부덕에 가문의 예법을 심어 넣음으로써 새로운 부덕관을 정립하고, 이를 통해 여성을 교화하고자 했다. 요컨대, ‘사도온’은 조선 사회가 성리학적 예법 질서의 수립을 위해 가문의 여성에게 부여한 하나의 사회적 아이콘이었다. Xie Dao-yun is a famous woman due to her talent in east-Jin China. In my paper, I paid attention to the phenomenon that 17C Chosun males had wrote lots of elegy poems for the deceased female, and found that in their writings contained lots of quotations on Xie Dao-yun’ story. On this phenomenon, I analysed these elegy poems in terms of social-cultural perspective. This study on Xie Dao-yun phenomenon in 17C Chosun, necessarily accompany the study of males’ understanding on females, and the males were Chosun’s scholar-officials, who applied Xie Dao-yun to the their elegy poems. On this necessity, I firstly tried to delineate reception group in Chosun males society by means of analyzing their public relationship involved in their writings. Secondly, I approached in terms of the womanly-virtue renewed by Song Si-yeol, and also analysed the mechanism as phenomenon of Chosun-styled Xie Dao-yun. Finally, I illuminated the images of Chosun’s Xie Dao-yun in their writings, and examined the relation to the Xie Dao-yun’s phenomenon in Chosun. I drew the conclusion that Xie Dao-yun’s phenomenon of 17C Chosun had been reflected the women-cognitions of Sandang and Noron in Seoin (the Political groups of Seoin school). They set up the renewed-womanly virtue by way of injecting domestic-discipline, and thereby, they aimed to edify all women. In short, so called ‘Xie Dao-yun’ was an social icon that they imposed women of their families for establishing New-Confucianist domestic-discipline.

중년 대상자의 유료노인요양시설에 대한 요구 조사

김옥수,김소선,김경옥,김영애,김희승,박정숙,최원자 노인간호학회 2006 노인간호학회지 Vol.8 No.1

Purpose: The purpose of this study was to investigate the needs for paying nursing homes for the middle-aged. Method: The subjects consisted of 365 people aged from 40 to 59 residing in Seoul. The questionnaire was composed of the general characteristics of the subjects, recognition and the intention of utilizing paying nursing homes, expenses of paying nursing homes, the operator of paying nursing homes, environment of paying nursing homes, and the service of paying nursing homes. Result: The frequency of the subjects with intentions of utilizing nursing homes was 48.2%. Gerontological nurse practitioners were preferred as the operators of nursing homes by 72.9% of the subjects. The majority of the subjects hoped to receive medical and nursing service in paying nursing homes. Conclusion: The results indicate that there are needs for high quality, low expense paying nursing homes. Therefore, it is necessary to reflect the needs of the subjects when designing the facility.

Biogenic Hematite from Bacteria: Facile Synthesis of Secondary Nanoclusters for Lithium Storage Capacity

Kim, Tae-Yang,Park, Sunhwa,Yoon, Younggun,Lee, Ji-Hoon,Jeon, Jeongsuk,Kim, Mi Sug,Kim, Yoojin,Kim, Min Gyu,Hur, Hor-Gil American Chemical Society 2019 ACS APPLIED MATERIALS & INTERFACES Vol.11 No.7

<P>Ferrihydrite, or iron(III) (oxyhydr)oxide (Fe(OH)<SUB>3</SUB>), a representative scavenger of environmentally relevant toxic elements, has been repurposed as a low-cost and scalable precursor of well-developed hematite (α-Fe<SUB>2</SUB>O<SUB>3</SUB>) secondary nanoclusters with a hierarchically structured morphology for lithium-ion anode materials. Here, we report that the bacteria <I>Clostridium</I> sp. C8, isolated from a methane-gas-producing consortium, can synthesize self-assembled secondary hematite nanoclusters (∼150 nm) composed of small nanoparticles (∼15 nm) through the molecular structural rearrangement of amorphous ferrihydrite under mild conditions. The biogenic hematite particles, wrapped with graphene oxide reduced in situ by the reducing bacteria <I>Shewanella</I> sp. HN-41 via one-pot synthesis, deliver an excellent reversible capacity of ∼1000 mA h g<SUP>-1</SUP> after 100 cycles at a current density of 1 A g<SUP>-1</SUP>. Furthermore, the heat-treated hematite/rGO exhibits a capacity of 820 mA h g<SUP>-1</SUP> at a high current density of 5 A g<SUP>-1</SUP> and a reversible capacity of up to 1635 mA h g<SUP>-1</SUP> at a current density of 100 mA g<SUP>-1</SUP>. This study provides an easy, eco-efficient, and scalable microbiological synthetic route to produce hierarchical hematite/rGO secondary nanoclusters with potential as high-performance Li-ion anode materials.</P> [FIG OMISSION]</BR>

Assessment of Psoas Muscle Thickness for Predicting Long-term Mortality in Cirrhotic Patients with Ascites

Sun Min Kim,Tae Yeob Kim,Joo Hyun Sohn,Ji Yeoun Kim,Jeongsuk Kim,Dae Won Jun,Min Yeong Kim,Jeong Ah Ryu,Sanghyeok Lim,Jae Yoon Jeong 한국간담췌외과학회 2014 한국간담췌외과학회 학술대회지 Vol.2014 No.4

“The Progress of Painting”: Leigh Hunt’s Progress of Visual Sense

( Jeongsuk Kim ) 21세기영어영문학회 2018 영어영문학21 Vol.31 No.1

This essay examines the progress of Leigh Hunt’s visual sense to reconsider his cultural identity within the wider context of the metropolitan visual culture of the Romantic era. By paying close attention to Hunt’s visual experiences, especially during his adolescence, this essay argues that the juvenile Hunt’s strong admiration for the visual certainly affected the novel attempt to realize his ekphrastic aspiration with a pictorial method, as has been actively discussed by recent critics. First, along with a close re-reading of primary sources, including Hunt’s autobiography and letters, the essay examines how the schoolboy Hunt developed his visual consciousness inside and outside of Christ’s Hospital School. Subsequently, reading Hunt’s adolescent work, “The Progress of Painting” from Juvenilia, the essay especially focuses on the aesthetic interrelationship between Hunt and West, who affected the young Hunt’s visual knowledge of art and ekphrastic interpretation. Although there are limitations in attempting to fully decipher the young Hunt’s visual sense, this essay can be a cornerstone to reconsider the aesthetic value of Hunt and his literary works in relation to Romantic visual culture.

Julia Margaret Cameron’s Photo Album: The Artistic Transgression of Victorian Gender Ideology

Jeongsuk Kim 한국영미어문학회 2020 영미어문학 Vol.- No.139

This essay examines how Julia Margaret Cameron created her domestic artistry with her album-making at home. Many critics undervalue the artistic value of Cameron’s photographic album, the Overstone Album, as woman’s domestic interest. However, this essay argues that this album was not just a homemade gift by the stereotyped Victorian woman, but an ambitious visual project by the first Victorian female photographic illustrator who transgressed the limited conventions of gender ideology in the masculine Victorian art world. The essay first investigates how Cameron utilized her home, Dimbola, as a breeding place for her unconventional photographic world. It then turns to explore Cameron’s radical visual scenarios represented in her photographs, St. Agnes and Magdalene, based on Alfred Lord Tennyson’s “St. Agnes’ Eve” and “Maud” to argue her revolutionary attempt to challenge the photographic technique and conventional Victorian gender paradigm. Although Cameron’s Overstone Album was a cultural production, this essay argues that the aesthetic value of this album was more than this. It was Cameron’s artistic transgression of the limits of conventions through the most feminized domestic photographs.

The Unconventional but Modernized Artistry of Julia Margaret Cameron’s Portrait Photography

( Kim Jeongsuk ) 한국현대영어영문학회 2021 현대영어영문학 Vol.65 No.2

This essay re-evaluates Cameron’s portrait photographs in terms of its unconventional but innovative artistry. By paying special attention to her unconventional but modernized soft focus and unusual portrait compositions, this essay examines how Cameron created the visual language of psychological intensity and the spiritual quality of the mechanical photographs, which was still relatively new in her day. This is done by analyzing Cameron’s portrait photographs of not only famous men, Robert Browning and Alfred Tennyson, but also of fair women, Zoë, Maid based on Lord Byron’s poem, “Maid of Athens, Ere We Part” and Call, I follow, I follow, let me die! from “Lancelot and Elaine” in Tennyson's Idylls of the King. Although some critics still believe that the main reason Cameron’s portraits have a favorable reaction is not due to her talent, but the choice of her subject, this essay argues that Cameron eventually turned the mechanical photograph into an art form with her own photographic modern expressiveness. As the forerunner of art photography, Cameron was in the center of the modern movement in photography and certainly affected other female portrait photographers and other twentieth century Photo-Secessionists. Considering this, Cameron’s portraits are a converging force of her innovative artistic achievement. (Chosun University)

Panaxynone A, a New Inhibitor of Acyl-CoA : Cholesterol Acyltransferase from the roots of Panax ginseng

Kim YoungKook,Lee SeungWoong,Ko JeongSuk,Chung MiYeon,Chang KyuTae,Kim YoungHo,Rho MunChual,Lee HyunSun 大韓藥學會 2001 大韓藥學會 總會 및 學術大會 Vol.2001 No.2