기획특집_하절기 목장관리 요령 - 젖소의 건강한 여름 나기

도윤정,Do, Yun-Jeong 한국낙농육우협회 2010 낙농·육우 Vol.30 No.7

전라북도 지역 동물병원에 내원한 반려견의 주요 품종별 질환 양상 조사

김은주 ( Eunju Kim ),최창용 ( Changyong Choe ),류재규 ( Jae Gyu Yoo ),오상익 ( Sang-ik Oh ),정영훈 ( Younghun Jung ),조아라 ( Ara Cho ),김수희 ( Suhee Kim ),도윤정 ( Yoon Jung Do ) 한국동물위생학회(구 한국가축위생학회) 2018 韓國家畜衛生學會誌 Vol.41 No.2

Recently, demographic studies of veterinary medical database have been conducted to understand patterns of disease occurrence. Understanding incidence of breed-related disease would provide appropriate guidance for future health care strategies and offer useful information for early diagnosis of disease. However, in veterinary medicine, theses research has not yet been investigated in the Republic of Korea. The purpose of this study was to investigate the prevalence of common medical disorders among dog breeds examined at primary-care veterinary clinics in Jeollabuk-Do, Republic of Korea. The data were analyzed based on World Health Organization’s International Classification of Disease. A total 13,176 medical records of canine patients were analyzed from six primary veterinary clinics in Jeollabuk-Do from January to December 2016. Results showed that the most common health problems were ‘disease of skin’ (17.7%); followed by ‘diseases of digestive system’ (12.26%), ‘preventive medicine’ (10.08%), and ‘diseases of ear and mastoid process’ (10.4%). In seven out of ten breeds, the most common medical disorder was skin disease. For poodle such as Pomeranian and Chihuahua, digestive system disease was most prevalent. On the other hand, respiratory system disease was found to be higher in Pomeranian than other breeds; while ear and mastoid process disease was most common for Maltese and Poodle. This study can help owners, breeders, and veterinarians prevent and manage various diseases of popular breeds in Jeollabuk-Do in the future.

책을 통한 시인과 화가의 만남 - 말라르메와 마네의 『까마귀』, 『목신의 오후』 공동창작과정과 의미

도윤정 ( Yoon-jung Do ) 서울대학교 불어문화권연구소 2016 불어문화권연구 Vol.26 No.-

Cet article a pour objet de reconstituer le processus de la collaboration entre le poete Mallarme et le peintre Manet dans Le Corbeau et L`Apres-midi d`un Faune et puis de determiner le sens de leur travail chez les deux artistes, surtout chez Mallarme. La rencontre entre deux artistes se fonde sur leurs points communs : 1) au niveau de leurs situations artistique et sociale lors de leur premier contact, on peut remarquer qu`ils etaient tous les deux dans une situation difficile a cause de mal comprehensions et de mauvaises reputations, en particulier pour Mallarme, revolutionnaire mais juste venu de debuter. Mais la confiance en soi ne leur manquaient pas et leur rencontre les aidaient a poursuivre leurs propres recherches artistiques. 2) Au niveau de leurs champs d`interets, nous pouvons extraire de leurs mondes artistiques communement le gout pour le vide et l`art extreme-oriental. 3) Au niveau de l`histoire du livre d`artiste, la notion particuliere de l`illustration chez Mallarme, l`illustration comme dialogue avec le texte, non pas sa representation fidele, a pu avoir des occasions de se realizer dans la collaboration avec Manet, peintre independant et tres original. Dans Le Corbeau, leur premier oeuvre, Manet a concu des autographies qui accompagnaient le poeme en anglais de Poe et en meme temps celui en francais traduit par Mallarme. Ses illustrations, influencees par l`art extreme-oriental et par son propre gout pour le vide, exprimaient bien l`ambiance silencieuse, mysterieuse et sinistre du poeme en s`ecartant du sens litteral de celui-ci. Mallarme, lui, a agence le texte et a utilise la typographie de facon a lui donner le rythme visuo-spatial et, par consequent, a faire voir les deux textes ou le texte et l`image en meme temps a la guise du lecteur. Dans L`Apres-midi d`un Faune, cette fois-ci, c`est Mallarme qui a pris l`initiative. Il est alle plus loin avec son experience sur l`operation visuo-spatiale du texte. Manet, qui a fait des illustrations de style extreme-oriental une fois encore, a suggere et reinterprete ce que signifie le texte et n`a pas montre directement le contenu du texte. Par ce travail en commun, Mallarme a pu continuer a faire des recherches sur l`aspect visuel et spatial du texte pour transformer l`espace du texte en toile d`un tableau. Ce defi va aboutir en avenir au premier recueil de poeme typographique, Le Coup de des, ou la typographie, la mise en page, la pagination et l`alternance des caracteres romains et italiques remplacent l`illustration. Manet, grace aux occasions de pratiquer la gravure sur bois, la lithographie, a pu introduire de nouveaux elements dans ses toiles comme la perspective aerienne, le cadrage decentralise et l`introduction du vide. Leur collaboration est le debut d`un vrai dialogue entre le poete et le peintre dans l`espace du livre.

이상(李箱) 시의 페이지 공간 분석을 위한 시론

도윤정 ( Do Yoonjung ) 국제비교한국학회 2019 비교한국학 Comparative Korean Studies Vol.27 No.1

본 논문은 이상(李葙) 시의 페이지 공간 분석을 위한 시론(試論)으로 이상 시 페이지의 이질성과 복잡성을 구성하는 요소들을 추출하고 그와 관련된 질문들을 제기하는 것을 목적으로 하고 있다. 이상은 자신의 페이지 공간 속에 다양한 시각적, 공간적 실험을 감행하였고 이는 오랜 시간 연구자들의 다양한 해석 시도를 촉발하였다. 본 연구는 이상의 작품을 언어의 차원에서뿐만 아니라 시각적, 공간적 차원에서 탐구한 이전의 연구를 종합하면서 텍스트와 이미지 사이의 관계를 오랫동안 연구한 안-마리 크리스텡(Anne-Marie Christin)의 관점에서 그 중 몇몇 부분을 좀 더 심도있게 다룬다. 크리스텡이 제시한 문자의 기원에 따라 우리는 이상 시 페이지를 이질성의 공간으로 규정하고 그 복잡성을 구성하는 요소로서 크게 세 가지를 추출하였다. 첫째, 그의 페이지는 다양한 문자들의 혼재와 타이포그래피적 요소들의 적용으로 복합적인 독서를 유도한다. 둘째, 그의 페이지는 그가 한자의 상형성을 활용하여 만든 시각적 수수께끼로 인해 더욱 파편화된다. 셋째, 가로쓰기/ 세로쓰기의 공존 등 다양한 쓰기[읽기] 방식과 규칙과 파격을 동반한 반전(反轉) 구조의 글자 및 시행의 배열 역시 그의 페이지의 이질성을 높인다. 셋째 요소는 특히 이상 시에 몇 차례 등장하는 거울 이미지와 그가 관심을 가졌던 활판인쇄(type printing) 작업 등과 연결되는 것이다. 이를 중심으로 그의 시가 드러내는 시각적, 공간적 특성이 언어적 차원에서 전하는 메시지와 어떻게 연결되어 있는지를 살펴보는 것은 후속 과제로 남긴다. The purpose of this paper is to extract the elements that constitute the heterogeneity and complexity of Yi Sang’s page and to raise questions related to it, as an essay for analyzing the page space in Yi Sang’s case. Yi Sang has experimented with various visual and spatial experiments in his page space, which triggered various interpretation attempts by researchers for a long time. While synthesizing these previous works exploring Yi Sang’s work in terms of both visual and spatial as well as language, we tried to develop some parts helped by Anne-Marie Christin’s view point, who has long studied the relationship between text and images. Based on the origins of the letters suggested by Christin, we have defined pages of Yi Sang as a space of heterogeneity and extracted three elements as constituent elements of the complexity. First, his pages lead to complex reading by the combination of various characters and typographic elements. Second, his page is further fragmented by the visual riddle that he made using the formation of Chinese characters. Third, the arrangement of writing accompanied by diverse writing [reading] methods and rules, including coexistence of horizontal writing / vertical writing, and execution of reversal structure also increases the heterogeneity of Yi Sang’s pages. The third element is linked to mirror images that appear several times in Yi Sang‘s poetry and type printing that Yi Sang was interested in. It is a subsequent task to examine how the visual and spatial characteristics of his poetry are related to the messages conveyed at the linguistic level.

일반논문 : 문자이미지로 읽는 말라르메의 『주사위 던지기』 - 소문자 / 대문자의 용법을 중심으로

도윤정 ( Yoon Jung Do ) 서울대학교 불어문화권연구소 2005 불어문화권연구 Vol.15 No.-

아폴리네르의 「창문들 Les Fenêtres」 읽기 - 시작법의 혁신성을 중심으로

도윤정(Do, Yoon-Jung) 프랑스문화예술학회 2021 프랑스문화예술연구 Vol.76 No.-

본 연구는 아폴리네르의 칼리그람 Calligrammes 속 시 「창문들 Les Fenêtres」을 시작법의 혁신성에 중심을 두고 심도 있게 분석하였다. 우선, 우리는 이 시의 콜라주 기법에 주목하여 시를 구성하는 이질적인 부분들을 획정하고 작품의 원천들에서 출발하여 각 부분 속에서 시행들을 연결해주는 고리들을 찾아냈다. 둘째 단계에서 우리는 이 시의 창작 계기에서 시인이 추구한 반(半) 추상적 시작법의 핵심을 탐구하였다. 시인은 자신이 화가 들로네의 새로운 기법을 규정하기 위해 창안한 오르피슴이라는 개념을 자신의 창작 세계 쇄신에 응용하였는데 즉, 색채와 음성 차원에서 강렬한 대비 효과를 통해 독자의 감각과 영혼에 반향을 불러일으켰다. 셋째 단계에서 우리는 현대 기술적 진보의 결과물들과 오래전부터 존재해왔던 것들이 시 속에서 나란히 연결돼 제시된 점에 주목하였다. 이를 통해 이 시가 현대인의 삶을 구속하는 일상적인 공간과 시간의 물리적 법칙을 초월하는 세계로 독자를 안내하고자 하는 시인의 의지를 담고 있음을 발견하였다.

말라르메의 근대성과 가상의 책

도윤정(DO Yoon-Jung) 프랑스문화예술학회 2008 프랑스문화예술연구 Vol.25 No.-

초등학교 구강보건교육사업 효과 연구 : 고학년을 중심으로

도윤정(Yun-Jeong Do),박혜영(Hye-Young Park),이민경(Min-Kyung Lee),김혜진(Hye-Jin Kim) 한국구강보건과학회 2020 한국구강보건과학회지 Vol.8 No.1

Objectives: This study was conducted to determine the effectiveness of oral health education by comparing oral health before and after dental health and tooth brushing education in 4th to 6th graders in seven elementary schools in B-city from March to December 2019. Methods: This study collected data from a questionnaire from March to December 2019 for a total of seven elementary school students in grades 4, 5, and 6 located in D-gu, B city. Results: Respondents who indicated that they brushed twice a day during the first semester s dental health education and used the rotating method of brushing showed changes in their dental plaque index before and after dental health education. Comparison with the brushing behaviors of the elementary school students who reported brushing their teeth after lunch sometimes and who reported a brushing time of less than two minutes showed a significant difference in the decrease in the calculus index. Conclusions: Dental health education experience has been confirmed to foster the correct oral health knowledge of elementary school students and positively change behavior that favors oral health improvement.

일반논문 : 말라르메의 목신 : 목신 재창조와 그 시학적 기반

도윤정 ( Do Yoon Jung ) 서울대학교 불어문화권연구소 2014 불어문화권연구 Vol.24 No.-

L’approche thematique, considere comme peu scientifique, a ete longtemps delaisse dans le monde d’etude comparative en France et a commence a emerger au milieu du XXe siecle grace a l’essor de la psychologie, de l’anthropologie et de l’etude sur l’imagination. Mais la possibilite de la lier avec l’approche poetique me semble reste encore a explorer. D’un autre cote, Yves Chevrel, successeur de l’ecole francaise dans l’etude litteraire comparative, en developpant dans son ouvrage recent le theme des ‘formes artisiques - la limite de ce qui est litteraire’, a propose la comparaison entre ces trois oeuvres: L’apres-midi d’un faune de Mallarme (1865-1875), <Prelude a l’apres-midi du faune> de Debussy (1894) et <l’apres-midi d’un faune> de Nijinsky (1912), qui ont ete creees respectivement influencees par l’oeuvre precedente. Or, le ‘faune’ est un personnage qui est traite sans cesse par des artistes depuis l’antiquite et chacune de ces trois oeuvres est reconnue comme le chef-d’oeuvre qui a introduit une innovation dans l’histoire du genre. Alors, nous voulons menerune recherche sur ces oeuvres en liant l’approche thematique et l’approche poetique[formelle]. Dans cet article, nous examinerons l’oeuvre de Mallarme en guise de debut de cette etude. Les sources du personnage “faune[satyre]” sont fournies par la mythologie greco-romaine. Nous y trouvons trois anecdotes ou il apparait comme suivantes: 1. faune a poursuivi un nymphe appele “Syrinx” mais elle a ete change en roseaux au moment qu’il l’a attrapee. Alors il a fait une flute avec ces roseaux et l’a nomme d’apres le nom de la nymphe “Syrinx”. 2. Faune ou satyre “Marsyas”, fier de sa musique, a propose de lutter avec Appollon et fini par etre battu et puni par ce dernier. 3. Jupiter, en convoitant Antiope, fille du roi de Thebes, Nyctee, s’est metamorphose en satyre et a ravi celle-la. Dans le domaine de la peinture et de la litterature, le faune est traite en gros sous ses aspects comme suivants: faune lascif, faune productif et faune qui jouit de la fete bachique en tant qu’acolyte de Bacchus, surtout dans les siecles des XVIII et XIXe siecles. Sous cet aspect, la musique, la danse et le vin est eclaire par les auteurs. Le faune de Mallarme a herite ses aspects en tant que bacchant, faune qui poursuit les nymphes, qui joue a la flute et qui mange des raisins, mais son faune est remarque par les differences comme suivantes: son faune devient le personnage central du poeme car il est le seul personnage dont le lecteur puisse etre sur de l’existence reelle. En plus, il se distingue des personnages des oeuvres de Boucher, Banville et Hugo, qui sont consideres comme ses predecesseurs, car il poursuit les deux nymphes a la fois, sublime son desir en desir artistique et devient quelqu‘un quireflechit plus qu’agit. Cette recreation s’appuie, d’apres nous, sur le fondement poetique de l’oeuvre: 1. autrement que le roman, la poesie peut se composer seulement par la conversation. Ce poeme, entierement compose par le monologue du faune, guide le lecteur a s’introduire dans l’interieur du faune. Et l’aspect bestial du faune s’attenue et le paysage le remplace qui se corresponds avec l’imagination du faune. 2. Comparee a l’art plastique, la poesie peut s’interroger sur la substantialite de l’existence meme des personnages. Cet aspect facilite la metamorphose du faune lascif au faune musicien. 3. Par rapport a l’art du spectacle, la poesie peut supprimer l’action et y substituer la pensee. Mallarme a choisi la cime pas de l’action mais de la reflexion, ‘l’apres’ le rapt, ‘l’apres la jouissance’, ‘l’apres-midi’. En somme, en recreant le faune, faune pensant, faune s’inquietant de son art, faune qui veut retenir les nymphes plus dans son reve que dans le reel, Mallarme a personnifie son propre idee sur l’acte de creation litteraire. Il nous reste de rechercher plus de motifs qui peuvent se lier au theme de faune dans d’autres textes de Mallarme. Nous devons aussi aller voir les relations entre les trois oeuvres mentionnees au debut.

중환자실 재원환자의 정맥영양 지원과 영양집중지원팀 활동에 관한 비교분석 연구

도윤정 ( Yoon Jung Do ),조미란 ( Mi Ran Cho ),김명천 ( Myung Chun Kim ),김정태 ( Jung Tae Kim ),이숙향 ( Suk Hyang Lee ) 한국정맥경장영양학회 2010 한국정맥경장영양학회지 Vol.3 No.1

Purpose: The purpose of this study is to compare the NST (Nutrition Support Team) group with the non-NST group on the basis of nutritional guidelines and to examine how the NST`s intervention influences clinically important end points of critically ill patients. Methods: Between January 2009 and December 2009,161 patients in the ICU (Intensive Care Unit) and who were provided PN (Parenteral Nutrition) were included. SAS (Statistical Analysis System) was used for the analysis. Results: In this study, 161 patients were administered PN for 7.3±6.7 days and 8.7% of the patients were provided support by NST. The number of PN prescriptions was 235 and among them, only 7.2% were conducted according to the recommendations of the NST. Both of the groups (the NST and non-NST groups) had a marked malnutrition level of 1 when admitted to the ICU. During the hospitalization, the malnutrition level was increased (NST: P=0.03,non-NST: P<0.01). The NST group was provided macronutrients more often than the non-NST group under the guidelines. Supplement of micronutrients (vitamins) was significantly different between the two groups (82.4% vs.32.6%, respectively). There was no statistical difference in the administration of amino acid by dialysis between the dialysis and non-dialysis patients. Hyperglycemia was the most common complication related to PN for both of the groups. Also, hepatic dysfunction occurred in the NST group more often than that in the non-NST group (35.7% vs. 12.3%, respectively, P=0.03). Sepsis was associated with hepatic dysfunction and among the 5 patients with hepatic dysfunction in the NST group, 3 patients were sepsis. Conclusion: Regardless of NST consultation, most patients were provided PN under the guideline, but the administration of amino acids to the dialysis patients and the administration of micronutrients were inappropriate in the non-NST group. Therefore, it is necessary to make efforts for providing proper nutritional support to patients through more systematic NST activities and advertisement.(KJPEN 2010;3(1):54-60)